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Just A Little Conversation
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Just A Little Conversation
Sheetmusic to print
12 sheet music found
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1
Just A Little Conversation (Trombones/Euphoniums version)
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Contemporary
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Michael D
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Just A Little Conversation
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Michael D. Blostein
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.921076 Composed by Michael D. Blostein. Contemporary. Score and parts. 9 pages. ...
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Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.921076 Composed by Michael D. Blostein. Contemporary. Score and parts. 9 pages. Michael D. Blostein #4980333. Published by Michael D. Blostein (A0.921076). This challenging duet requires performers to imitate the natural conversational style of two different voices. Performers need not only technical skills, but the duet is designed for each voice to respond to the other. Identical versions available for trumpets and tubas in the appropriate range.
$7.95
Just A Little Conversation (Tubas version)
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Contemporary
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Michael D
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Just A Little Conversation
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Michael D. Blostein
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.921077 Composed by Michael D. Blostein. Contemporary. Score and parts. 9 pages. ...
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Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.921077 Composed by Michael D. Blostein. Contemporary. Score and parts. 9 pages. Michael D. Blostein #4980337. Published by Michael D. Blostein (A0.921077). This challenging duet requires performers to imitate the natural conversational style of two different voices. Performers need not only technical skills, but the duet is designed for each voice to respond to the other. Identical versions available for trumpets and trombones/euphoniums in the appropriate range.
$7.95
Little Talks
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Violin, Cello (duet)
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INTERMEDIATE
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Contemporary
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Of Monsters and Men
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Dan Sanchez
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Little Talks
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Dan Sanchez
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.799139 By Of Monsters and Men. By Of Monsters and Men. Arranged by ...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.799139 By Of Monsters and Men. By Of Monsters and Men. Arranged by Dan Sanchez. Contemporary. Score and parts. 7 pages. Dan Sanchez #5026639. Published by Dan Sanchez (A0.799139). Thank you for checking out my Violin-Cello String Duet arrangement of Little Talks by Of Monsters and Men. This indie rock tune has a conversational melody that passes back and forth between the two players. We’ve played this for cocktail hours, and this also works well for a wedding recessional song! This is just one of my many special arrangements. Check out my full listing on Sheet Music Plus! I am always adding new items for String Duo, Trio, and Quartet. One thing that sets my arrangements apart from others is that I fit all of my parts on 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages! Another great thing (for multi-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$4.99
Little Baby Jesus (D-Eb)
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Piano, Voice
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Christmas
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Doug Howell
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Little Baby Jesus
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Creative Measures
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.896328 Composed by Doug Howell. Christmas,Sacred. Score. 10 pages. Creative Measures #6635819. Published by ...
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Piano,Vocal,Voice - Digital Download SKU: A0.896328 Composed by Doug Howell. Christmas,Sacred. Score. 10 pages. Creative Measures #6635819. Published by Creative Measures (A0.896328). This is a simple hymn-like carol that, in a way, builds on my 2019 version of Silent Night. Just like in that song, I pictured myself at the manger scene, but this time, instead of being mostly an observer, I imagined a sort of conversation with the Christ child. I wondered how much He knew of what his life would be like-and how that life might change our world… For more, see creativemeasures.com
$1.99
Little Baby Jesus (C-Db)
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Piano, Voice
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Christmas
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Doug Howell
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Little Baby Jesus
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Creative Measures
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.896329 Composed by Doug Howell. Christmas,Sacred. Score. 10 pages. Creative Measures #6635815. Published by ...
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Piano,Vocal,Voice - Digital Download SKU: A0.896329 Composed by Doug Howell. Christmas,Sacred. Score. 10 pages. Creative Measures #6635815. Published by Creative Measures (A0.896329). This is a simple hymn-like carol that, in a way, builds on my 2019 version of Silent Night. Just like in that song, I pictured myself at the manger scene, but this time, instead of being mostly an observer, I imagined a sort of conversation with the Christ child. I wondered how much He knew of what his life would be like-and how that life might change our world… For more, see creativemeasures.com
$1.99
Suite for guitar and orchestra (mp3)
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Guitar
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Contemporary
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David Warin Solomons
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Suite for guitar and orchestra
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David Warin Solomons
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1059303 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 650. David Warin Solomo...
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Guitar - Digital Download SKU: A0.1059303 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 650. David Warin Solomons #511059. Published by David Warin Solomons (A0.1059303). Performance of my suite for guitar and orchestra by András Csáki and the Budapest Scoring Symphonic Orchestra under Péter Illényi in 2015. The suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm It has elements of Romantic and Renaissance music, flamenco, Latin American, a bit of Celtic square dancing, classical minuets and a general joie de vivre mixed with a little spirituality. Dreaming is a romantic getting to know you scene between guitar and orchestra, with slow harmonic progressions in the strings and melodic imitations and dialogues between guitar and woodwind and then also between guitar and harp. A simple waltz follows, in which the flutes take up new melodies and the guitar initially just provides accompaniment but joins in the conversation as the movement progresses. The Sanctus and Benedictus section reflects the rhythms of the Latin words of the mass, with the Osanna after each main part being a little faster and reminsicent of some of the lute works of Vincenzo Galilei. The harmonic ideas of the Sanctus also colour the slower parts of the last movement, Distant Storm, but the main part of this final movement is a rhythmically exciting dialogue between the various sections of the orchestra and the guitar, leading to an abrupt conclusion, possibly the first thunderclap of a distant but approaching storm, or possibly just a bit of fun. Score and parts:https://www.sheetmusicplus.com/title/20143223?aff_id=175705
$3.50
Triad Chord Worksheet
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Guitar notes and tablatures
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BEGINNER
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Instructional
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published b...
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Guitar - Level 1 - Digital Download SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
Waltz Across Texas
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Country
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Ernest Tubb
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Peggy Carter
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Waltz Across Texas
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Peggy Carter
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SheetMusicPlus
Instrumental Duet Dulcimer,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.945409 By Ernest Tubb. By Talmadge Tubb. Arranged by Peggy Carte...
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Instrumental Duet Dulcimer,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.945409 By Ernest Tubb. By Talmadge Tubb. Arranged by Peggy Carter. Country. Score and parts. 3 pages. Peggy Carter #5896773. Published by Peggy Carter (A0.945409). With or without the guitar this is a great hammer dulcimer solo piece that will get your audiences up on their feet to waltz with their favorite sweetheart. Audiences of all ages will either dance or sway with you. Written on an Intermediate 1 level you'll love the supporting arpeggios. The first page is block harmony using a few embellishments, the 2nd page is arpeggiated, and with repeats the performance is a little over 3 min. Just right for waltzing! Follow Dulcimer Music by Peggy Carter... start a conversation. Ask questions. .
$4.99
Wind Quintet - One Rule
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Serv...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Ravel: Ma Mère L'Oye (Mother Goose Suite) 4 mvts - symphonic wind dectet/bass
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Contemporary
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Maurice Ravel
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Ray Thompson Music
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Ravel: Ma Mère L'Oye
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.516588 Composed by Maurice Ravel. Arranged by Ray Thompson Music. 20th ...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.516588 Composed by Maurice Ravel. Arranged by Ray Thompson Music. 20th Century,Classical. 56 pages. RayThompsonMusic #127305. Published by RayThompsonMusic (A0.516588). Ravel originally wrote Ma Mère l'Oye as a piano duet for the Godebski children, Mimi and Jean, ages 6 and 7. Ravel dedicated this work for four hands to the children (just as he had dedicated an earlier work, Sonatine, to their parents). Jeanne Leleu and Geneviève Durony. It bears the subtitle cinq pièces enfantines (five children's pieces). Ravel later orchestrated the piece. This arrangement contains 4 of the 5 movements. IT does NOT include mvt.3 Laideronnette, impératrice des pagodes: Mouvt de marche (Little Ugly Girl, Empress of the Pagodas) Mvts included are: I.Pavane de la Belle au bois dormant: Lent (Pavane of Sleeping Beauty) II.Petit Poucet: Très modéré (Little Tom Thumb / Hop-o'-My-Thumb) IV.Les entretiens de la belle et de la bête: Mouvt de valse très modéré (Conversation of Beauty and the Beast) V.Le jardin féerique: Lent et grave (The Fairy Garden) It is arranged for double wind quintet/bass.
$24.95
"Pavane" from Mother Goose Suite
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Maurice Ravel
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Justin M
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"Pavane" from Mother Goose Sui
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.886893 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.886893 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century,Children,Contemporary. Score and parts. 3 pages. Justin M. Ryan #3015409. Published by Justin M. Ryan (A0.886893). Ma mère l'Oye (Mother Goose; Oye is correctly capitalized, being a proper name) is a musical work by French composer Maurice Ravel. The work has five movements: I. Pavane de la Belle au bois dormant Pavane of Sleeping BeautyLent II. Petit Poucet Little Tom Thumb / Hop o' My ThumbTrès modéré III. Laideronnette, impératrice des pagodes Little Ugly Girl, Empress of the PagodasMouvt de marche IV. Les entretiens de la belle et de la bête Conversation of Beauty and the BeastMouvt de valse très modéré V. Le jardin féerique The Fairy GardenLent et grave Now in the 21st century, this piece comes alive once again with new harmonies and an array of Tonal Colors. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(A Minor and E Minor).
$2.99
"Pavane" from Mother Goose Suite
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Maurice Ravel
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Justin M
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"Pavane" from Mother Goose Sui
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.886892 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.886892 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century,Children,Contemporary. Score and parts. 3 pages. Justin M. Ryan #3015413. Published by Justin M. Ryan (A0.886892). Ma mère l'Oye (Mother Goose; Oye is correctly capitalized, being a proper name) is a musical work by French composer Maurice Ravel. The work has five movements: I. Pavane de la Belle au bois dormant Pavane of Sleeping BeautyLent II. Petit Poucet Little Tom Thumb / Hop o' My ThumbTrès modéré III. Laideronnette, impératrice des pagodes Little Ugly Girl, Empress of the PagodasMouvt de marche IV. Les entretiens de la belle et de la bête Conversation of Beauty and the BeastMouvt de valse très modéré V. Le jardin féerique The Fairy GardenLent et grave Now in the 21st century, this piece comes alive once again with new harmonies and an array of Tonal Colors. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(A Minor and D Minor).
$2.99
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