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Kirk O'Riordan
Sheetmusic to print
4 sheet music found
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Humming Spheres
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Kirk O'Riordan
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Humming Spheres
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Kirk O'Riordan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.1025148 Composed by Kirk O'Riordan. 20th Century,Contemporary. Score and parts. 41 p...
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Instrumental Duet Instrumental Duet,Piano - Digital Download SKU: A0.1025148 Composed by Kirk O'Riordan. 20th Century,Contemporary. Score and parts. 41 pages. Kirk O'Riordan #4357423. Published by Kirk O'Riordan (A0.1025148). There is geometry in the humming of the strings, there is music in the spacing of the spheres.--PythagorasHumming Spheres was composed for Holly Roadfeldt and Julie Nishimura.
$15.00
Lacrimosa
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Piano solo
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ADVANCED
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Contemporary
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Kirk O'Riordan
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Lacrimosa
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Kirk O'Riordan
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1025145 Composed by Kirk O'Riordan. 20th Century,Contemporary. Score. 10 pages. Kirk O'Riordan #4357417. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1025145 Composed by Kirk O'Riordan. 20th Century,Contemporary. Score. 10 pages. Kirk O'Riordan #4357417. Published by Kirk O'Riordan (A0.1025145). Lacrimosa dies illaQua resurget ex favillaJudicandus homo reus.Huic ergo parce, Deus:Pie Jesu Domine,Dona eis requiem. Amen.---Mournful that day.When from the ashes shall risea guilty man to be judged.Lord, have mercy on him.Gentle Lord Jesus,grant them eternal rest. Amen.Lacrimosa was composed in 2011 for pianist Holly Roadfeldt. Her recording of the work appears on the CD Strange Flowers (Ravello Records).
$12.50
Water Lilies
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Piano solo
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ADVANCED
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Contemporary
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Kirk O'Riordan
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Water Lilies
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Kirk O'Riordan
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1025143 Composed by Kirk O'Riordan. 20th Century,Contemporary. Score. 12 pages. Kirk O'Riordan #4357415. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1025143 Composed by Kirk O'Riordan. 20th Century,Contemporary. Score. 12 pages. Kirk O'Riordan #4357415. Published by Kirk O'Riordan (A0.1025143). Water Lilies for Solo Piano is the second in a series of Water Lilies pieces, which also includes versions for chamber winds and orchestra. Each version is based on the same melodic idea; in each piece this idea is developed using different compositional procedures. The result is a series of noticeably related but distinct pieces. The idea for these pieces comes from my impressions of an exhibit of Monet's Water Lilies at the Musée de L’Orangerie in Paris. The room that these magnificent works are displayed in is in the shape of an oval; and when sitting in the middle of the room one has the distinct impression that one is in the middle of Monet's pond.My Water Lilies are not necessarily an attempt to reproduce each painting in sound; rather, they represent the attempt to reproduce the feeling of being surrounded by these images, which from far away seem perfectly clear and photographic but up close are rather blurry and repetitive. Indeed, Monet's genius lies in his ability to make his audience look upon his art from afar, taking in the whole view at once rather than focusing on the details of its construction. This series of pieces attempts to recreate this effect in sound.Water Lilies was composed for pianist Holly Roadfeldt. Her recording of the work appears on the CD Strange Flowers (Ravello Records).
$12.50
Twenty-Six Preludes
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Piano solo
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Contemporary
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Kirk O'Riordan
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others took longer
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Twenty-Six Preludes
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Kirk O'Riordan
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1025147 Composed by Kirk O'Riordan. 20th Century,Contemporary. Score. 71 pages. Kirk O'Riordan #4357421. Published ...
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Piano Solo - Digital Download SKU: A0.1025147 Composed by Kirk O'Riordan. 20th Century,Contemporary. Score. 71 pages. Kirk O'Riordan #4357421. Published by Kirk O'Riordan (A0.1025147). Twenty-six Preludeswas composed for Holly Roadfeldt between September 2013 and April 2014. Unlike the famous preludes by composers like Bach, Chopin, and Debussy, mine are not organized by key. Instead, they are organized by threads: compositional ideas that are developed over the course of the entire set. Composing the set in this manner allowed me to develop several ideas concurrently with the idea that they would in some way merge together by the end of the set, giving the several disparate ideas a real reason to exist together in the same set. In addition, because I was not using key as a resource, I was not constrained by the number 24. The end result is a cycle of preludes that is in some ways more closely related to a Schubertian song cycle than to the Preludes of Chopin, Bach, or Debussy. That is not to say that there is not a close conceptual connection with the Preludes of those masters (there are subtle references to each of those composers in the score), but my intention was to treat the Preludes in a cyclical fashion rather than, as is the case with Bach and Chopin, an exploration of the nuances of the 24 keys. The preludes were not composed in the order that they are presented. Some of them came in quick bunches: two or three in a day; others took longer. In addition to developing the compositional threads, I was interested in creating a wide range of moods that also held together as a set. Overall, the moods become more intense as the set unfolds.The premiere performance was given by Holly Roadfeldt on November 18, 2014 at the University at Albany. Approximate Duration: 46 minutesHolly Roadfeldt's recording of Twenty-Six Preludes can be found on her CD The Preludes Project (Ravello Records).
$45.00
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