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Land of Liberty - F Horn 1
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You've selected:
Land of Liberty - F Horn 1
Sheetmusic to print
5 sheet music found
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1
Shrine of Liberty - Brass Band March
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Contemporary
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Fred Jewell
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Nigel Hall
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Shrine of Liberty - Brass Band
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Elgin Media
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.806369 Composed by Fred Jewell. Arranged by Nigel Hall. Contemporary. Brass Band. 43 pages. Elgin Media #6864755. Published by Elgin Media (A0.806369). Classic American march from the pen of Fred Jewell arranged for British style Brass Band by Nigel Hall. Parts are set in A4 Landscape so can easily be reduced to A5 to make a March Card.
$25.00
America - Land of Liberty: Baritone B.C.
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Saxhorn / baritone b.c. (band part)
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Instructional
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Steve Hodges
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America - Land of Liberty: Bar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Arranged by Steve Hodges. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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Arranged by Steve Hodges. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
America - Land of Liberty: Baritone T.C.
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Saxhorn / baritone b.c. (band part)
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Instructional
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Steve Hodges
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America - Land of Liberty: Bar
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Arranged by Steve Hodges. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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Arranged by Steve Hodges. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Quick March 'Beltane Fantasia'
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Graham Hamilton
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Quick March 'Beltane Fantasia'
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1440634 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Historic,Irish,Traditional. Brass Band. 57 pages. Hambone Music #1020610. Published by Hambone Music (A0.1440634). The final movement of the 'Peebles Beltane Festival Suite' is rousing quick march, based upon the traditional Beltane Festal Song theme from the small town of Peebles in the Scottish Borders. The Beltane Fetstival which is celebrated every year has been going for almost 200 years.The words to the traditional festal song are:At Beltane in the aulden time, it was the custom gay, To gather on the village green and hail the festal day,Huntsman gallant and sheperds grey, dought and blythsome men,And Lassies blooming fresh and fair cam liltin’ doon the glen,Through the greenwood haste away,... Sing aloud the festal lay,Busk the the Beltane banner gay, to Peblis and the play.Auld Neidpath, grim and grey wi’ years, looks doon wi war-scarred face,And sentinels our royal toun wi’ majesty and grace,Loyal sons of a fearless race, gather we here today,And sing the auld-warld round-e-lay of ‘Peblis to the Play’,Wave the Beltane banner high,Ring the anthem to the sky,While our silver stream rolls by,The Tweeddale glen for aye.Across the wild foam-crested wave, in distant lands of fame,The exile oft wi’ pride recalls the dear auld Border hame,And while we crown our Beltane queen, ‘mid flaming skies of June,We pledge the leal hearts far a-wa and lilt our festal tune,Honour is our watchword clear,Truth our dauntless halberdier,Liberty’s our heralds cheer,Long live our Beltane Queen.
$29.99
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Baritone voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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