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You've selected:
Last Time Without You
Sheetmusic to print
201 sheet music found
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Last Time Without You
Instrumental Duet Bass Guitar,Instrumental Duet - Level 3 - Interactive Download SKU: A…
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Instrumental Duet Bass Guitar,Instrumental Duet - Level 3 - Interactive Download SKU: A0.1143147 Composed by Chetwynd Seal & Peter T Wright. This edition: Interactive Download. Pop. Score and parts. 32 pages. Duration 161. Chetwynd Seal #4vJkJ8cQzExhrDR8EKWNg2. Published by Chetwynd Seal (A0.1143147). Key: D major.The 5th. song written for a girl group. There has to be a last time for some things. Guitar arrangement (with tab) is accompaniment to the song. Complete with bass, melody-line and chord boxes.
$2.99
2.67 €
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Chetwynd Seal & Peter T Wright
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Last Time Without You
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Chetwynd Seal
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SheetMusicPlus
The Last Time
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.1285099 By Eric Benet. By Amy Fos…
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C Instrument - Level 4 - Digital Download SKU: A0.1285099 By Eric Benet. By Amy Foster, David W Foster, and Eric Benet Jordan. Arranged by Arby Richter. Hip-Hop,Pop,R & B,Singer/Songwriter,Standards,Wedding. Lead Sheet / Fake Book. 2 pages. Arby Richter #876206. Published by Arby Richter (A0.1285099). THE LAST TIME was written by Eric Benet, David W. Foster, and Amy Foster-Gillies. This song is part of Benet's studio album HURRICANE which was released in June 2005 by Friday Records. Since its release, The Last Time has always been a favorite for weddings, and is frequently used as a song for the Couple's First Dance. Here are a few lines of the song . . .The first time I fell in love was long agoI didn't know how to give my love at allThe next time I settled for what felt so closeBut without romance, you're never gonna fallAfter everything I've learnedNow it's finally my turnThis is the last time I'll fall in love.
$6.99
6.24 €
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C Instruments
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Eric Benet
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The Last Time
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Arby Richter
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SheetMusicPlus
You Raise Me Up
Violin, Cello (duet)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1459257 By Josh…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1459257 By Josh Groban. By Brendan Graham and Rolf Lovland. Arranged by Homco/Crinion. Celtic,Folk,Irish,Praise & Worship,Wedding. 3 pages. Homco/Crinion #1038197. Published by Homco/Crinion (A0.1459257). This song was first composed in 2001 as an instrumental piece, and it wasn't until about a year later that an Irish novelist added the lyrics. That's why the music speaks so emotionally and provaocatively in and of itself - even without words. It is definitely Celtic-influenced music, but it wasn't until American up-and-coming singer Josh Groban recorded it in 2003 that it gained worldwide fame. In fact, Groban performed You Lift Me Up at Super Bowl XXXVIII and also at many national events of note. The Cello opens this Duo arrangement with the melody in the Irish-Tenor range. The Violin then plays it in the soprano register before re-stating it an octave higher - like unto an Irish flute. The final reprise of the melancholy melody comes back one last time as a toned-down, soft-spoken voicing before a definitive cadence brings everything to a close.
$7.99
7.14 €
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Violin, Cello (duet)
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Josh Groban
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You Raise Me Up
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Homco/Crinion
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.25 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.46 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.46 €
#
Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
We Will Rock You
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.742580 By Queen. By Brian May. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.742580 By Queen. By Brian May. Arranged by Javier MartÃnez Maya. A Cappella,Rock. Score and parts. 65 pages. Arte Nova Music Lab #6431861. Published by Arte Nova Music Lab (A0.742580). We Will Rock You is a song written by Brian May and recorded by British rock band Queen for their 1977 album News of the World. Rolling Stone ranked it number 330 of The 500 Greatest Songs of All Time in 2004, and it placed at number 146 on the Songs of the Century list in 2001. In 2009, We Will Rock You was inducted into the Grammy Hall of Fame.Other than the last 30 seconds, which contains a guitar solo by May, the song is generally set in a cappella form, using only stomping and clapping as a rhythmic body percussion beat. In 1977, We Will Rock You and We Are the Champions were issued together as a worldwide top 10 single. Soon after the album was released, many radio stations began playing the songs consecutively and without interruption.Since its release, We Will Rock You has been covered, remixed, sampled, parodied, referred to, and used by multiple recording artists, TV shows, films and other media worldwide. It has also become a popular stadium anthem at sports events around the world, due mostly to its simple rhythm. On 7 October 2017, Queen released a Raw Sessions version of the track to celebrate the 40th anniversary of the release of News of the World. It features a radically different approach to the guitar solo and includes May's count-in immediately prior to the recording.Taken from https://en.wikipedia.org/wiki/We_Will_Rock_You
$60.00
53.59 €
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Orchestra
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Queen
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We Will Rock You
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Arte Nova Music Lab
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SheetMusicPlus
At Last
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin,Voice - Level 4 - Digital Download SKU…
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String Quartet Cello,String Quartet,Viola,Violin,Voice - Level 4 - Digital Download SKU: A0.749202 By Celine Dion. By Harry Warren. Arranged by HELEN MARPLE-HORVAT. Oldies. Score and parts. 21 pages. Helen Marple-Horvat #3539949. Published by Helen Marple-Horvat (A0.749202). https://www.youtube.com/watch?v=GRqJrKjpk0o ‘At Last’ was composed by Mack Gordon and Harry Warren for the musical ‘Sun Valley Serenade’ in 1941. It was recorded by Glenn Miller and his orchestra, becoming a chart hit in 1942, and in 1960 by Etta James, who was subsequently inducted into the Grammy Hall of Fame. The song is a frequent wedding favourite for quartets. I also have a version for string quartet without a vocalist listed on this site, which is very similar, but entails more double stopping for the players. I am also planning to do several arrangements of this wonderful classic, including a version with a simplified first violin part. This version is for a professional quartet, as the opening is tricky for the first violin. However, most of the double stopping includes open strings for one of the notes. This is a great opportunity for the singer to try her improvisational skills, so I have taken the vocal line from the original, with a few tweaks here and there. This is not set in stone however, and our recording shows my daughter embellishing the vocal line. Nevertheless, the quartet parts are almost identical to the score I am uploading. As I am classically trained, it was quite difficult, at first, for me to stick to the beat and not to try to follow the singer when accompanying on the piano! It’s important to remember to keep the quartet in rock solid time so that she can feel free to pull the lines away from the main pulse sometimes. Little slides up to notes suit the style well too. Look out for the upcoming simpler version if this one feels a bit daunting and exposed! Have fun and post me any recordings. I can be found on Facebook very easily.
$20.00
17.86 €
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String Quartet: 2 violins, viola, cello
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Celine Dion
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At Last
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Helen Marple-Horvat
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SheetMusicPlus
Time Arranged for Soprano soloist and Piano
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.962409 Composed by Sa…
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Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.962409 Composed by Salvador Rojo Gamón. Arranged by Salvador Rojo Gamón. 20th Century,Concert,Contemporary. 24 pages. Salvador Rojo-Gamon #6050685. Published by Salvador Rojo-Gamon (A0.962409). It is an arrangement of my work Time for Soprano soloist and Piano. The work is complete, unfortunately, you only can enjoy the audio in the full version. I hope to fix this ASAP.TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is clear work, without ostentations, trying to be easy, simple, and the most importantly honest. It is composed for Choir SATB & Strings. It has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds.The Society falls deep Deep as does my Planet. People, it’s time. Beyond, beyond, beyond the walls.Beyond, beyond, beyond of worlds.Life is defined.Beyond the walls, life.Beyond the worlds, life.People, it’s time.What more could you ask for?You complain you complain about lack of empathy.
$14.00
12.5 €
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Soprano voice, Piano
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Salvador Rojo Gamón
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Strings.
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Time Arranged for Soprano soloist and Piano
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Salvador Rojo-Gamon
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SheetMusicPlus
Time For Choir SATB & Strings
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.962408 Composed by Salvado…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.962408 Composed by Salvador Rojo Gamón. 20th Century,Contemporary. Octavo. 152 pages. Salvador Rojo-Gamon #5896423. Published by Salvador Rojo-Gamon (A0.962408). TimeThis work has been done during coronavirus. It is my way to complain about the comportment of the human being. It is a clear work, without ostentations, trying to be easy, simple and the most importantly honest. It is composed for Choir SATB & Chamber OrchestraIt has form movements being the last as large as the other three. The lyrics are simple without pretension and with a homely message.Lyrics:People, it’s time. Straight out from the ample worlds. People, it’s time. Beyond, beyond, beyond the walls. Beyond, beyond, beyond of worlds. Life is defined. Beyond the walls, life. Beyond the worlds, life. People, it’s time. What more could you ask for? You complain you complain about lack of empathy.
$140.00
125.04 €
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Choral SATB
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Salvador Rojo Gamón
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Time For Choir SATB & Strings
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Salvador Rojo-Gamon
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SheetMusicPlus
Patricia: A Ragtime Composition
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
11.6 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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1900 ragtime was
the
popular music
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Joseph Lamb
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Patricia: A Ragtime Composition
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Sweetwater Brass Press
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SheetMusicPlus
At Last, Victorious! Easy Trumpet Quartet
Trumpet
Trumpet - Level 2 - Digital Download SKU: A0.1099560 Composed by Eddie Lewis. Class…
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Trumpet - Level 2 - Digital Download SKU: A0.1099560 Composed by Eddie Lewis. Classical,Instructional,March. 13 pages. Tiger Music #703450. Published by Tiger Music (A0.1099560). Upgrade your library of easy trumpet literature with At Last Victorious! easy trumpet quartet. This is a 6/8 march in three sharps. As a trumpet teacher with over forty years of experience teaching beginners, I believe that solid range should be developed over a long period of time. But this doesn’t mean that the beginner students need to wait for their range to improve before they dive deeper into the musical side of the instrument. At Last, Victorious! easy trumpet quartet includes the most difficult combination of skills without moving into our first intermediate level. We will talk more about skill levels below, but let me say that many people would label At Last, Victorious as an intermediate piece. In our skill level system, three sharps and six-eight time signature are both in our second beginner skill level. And yet, the highest note in the first part is fourth space E. At Last, Victorious! easy trumpet quartet is the kind of piece I would assign to my students right before they “graduate†from the second beginner skill level into the first intermediate skill level. At Last, Victorious! is a march in six-eight time signature in three sharps. It is not as long as a traditional march and the “trio†is not technically a real trio (and therefore not marked as such). But I do believe that the piece serves as a nice introduction to marches for beginner trumpet students.
$11.28
10.08 €
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Trumpet
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Eddie Lewis
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At Last, Victorious! Easy Trumpet Quartet
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Tiger Music
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SheetMusicPlus
Last Of The Mohicans (Main Theme, "The Kiss") for String Quartet
String Quartet: 2 violins, viola, cello
String Quartet - Digital Download Arranged by Dan Sanchez. 9 pages. Published by Dan …
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String Quartet - Digital Download Arranged by Dan Sanchez. 9 pages. Published by Dan Sanchez
This electrifying string quartet rendition of “Last of the Mohicans Theme - The Kiss” has a repeat that can be taken as many times as necessary to extend the piece. It's a really blast to play, and listeners will love it.<br> <br> One thing that sets my arrangements apart from others is that I fit all of my parts on no more than 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages!<br> <br> Another great thing (for multi-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$12.99
11.6 €
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String Quartet: 2 violins, viola, cello
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Last Of The Mohicans
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Dan Sanchez
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SheetMusicPlus
A Pulchritudinous Posy of Pleasing Party-Pieces, nr 1.
Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - Digital Download SKU: A…
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Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNutty. Concert,Folk,Holiday,Latin. Score and parts. 24 pages. Des Press #6437339. Published by Des Press (A0.977351). Happy Birthday EdMuss i DennLa CucarachaAt last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! This arrangement of Happy Birthday was written in 2011 for Edward H Tarr's 75th birthday concert in Basel (CH). Ed conducted many pieces from the Charamela Real, mostly for trumpets in two different tonalities. Happy Birthday was slipped in the programme before the second encore without his knowledge. At his downbeat, he got quite a surprise. The rest of these arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$5.99
5.35 €
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Friedrich Silcher, Hill/Hill, and Trad
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A Pulchritudinous Posy of Pleasing Party-Pieces, nr 1.
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Des Press
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SheetMusicPlus
Multiplied
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.8…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.845972 By NEEDTOBREATHE. By Nathaniel Bo Rinehart, Nathaniel Rinehart, William Bear Rinehart, and William Rinehart. Arranged by Kyle Pudenz. Contemporary,Pop,Praise & Worship,Wedding. Score and parts. 52 pages. ViolinVagabond Music #5297799. Published by ViolinVagabond Music (A0.845972). Most folks might tell you that covering a song like this without an acoustic guitar would be impossible.Nay! I say. Impossible is nothing when you have an ambitious group of string players and a thirst for greatness! So I made an interlocking pizzicato part between the 1st & 2nd violin, which re-creates the pulse of the fingerpicking guitar from Needtobreathe's original track. With a little bit of rehearsal, your quartet will soon be sailing through these verses with no need for any assistance from an accompanist.That being said, if your thirst for greatness falls a little short, you can also dial this tune back to easy mode and perform with a guitarist. I have included an acoustic guitar part specifically for this purpose, because I, like you, have done my fair share of wedding gigs where someone calls a tune at the last minute and you have no time (or desire) to waste on a rehearsal.This arrangement uses strum bowing and ghost notes fairly extensively as a means to create rhythmic grooves. If you are unfamiliar with these concepts, I recommend checking out the following series of videos: https://youtu.be/kfX3kxjC93sPerformance time - approximately 4:30Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$17.99
16.07 €
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String Quartet: 2 violins, viola, cello
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NEEDTOBREATHE
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Multiplied
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ViolinVagabond Music
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SheetMusicPlus
100 Years
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1306520 By Five for Fighting. By John Ondrasik. Arranged by AZSAP MUSiC. Rock. 8 pages. AZSAP MUSiC #895873. Published by AZSAP MUSiC (A0.1306520). Product Title: 100 Years by Five for Fighting - String Quartet ArrangementProduct Description:Journey through the emotional tapestry of 100 Years by Five for Fighting with our enchanting string quartet arrangement. This rendition captures the timeless essence of the original song, making it a perfect choice for weddings, special events, and intimate performances. Plus, this versatile arrangement can be adapted for trio performances, excluding the viola part when desired.Key Features:1. **Timeless Elegance:** 100 Years is celebrated for its heartfelt lyrics and emotive melody. Our string quartet arrangement preserves the song's timeless essence while adding a classical touch, resulting in a captivating and emotionally charged performance.2. **Versatile Ensemble:** This arrangement can be performed as a quartet or, when preferred, as a trio without the viola part, allowing for flexible configurations and accommodating the unique strengths of your musicians.3. **Perfect for Various Occasions:** Whether you're planning a wedding ceremony, an intimate gathering, or a concert performance, this arrangement creates a memorable and romantic atmosphere for your special moments.4. **Professionally Notated:** Our sheet music is professionally notated, ensuring that each member of your quartet or trio has meticulously crafted parts that harmonize seamlessly, resulting in a polished and expressive performance.5. **Room for Artistic Interpretation:** While staying true to the original, our arrangement allows for artistic interpretation, giving your ensemble the freedom to infuse their unique style and emotions into the performance.6. **Instant Digital Download:** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation a breeze.Let the poignant lyrics of 100 Years resonate through your string quartet or trio. This arrangement was thoughtfully designed to bridge the gap between contemporary sentiment and classical elegance, offering a timeless and emotionally charged musical experience. Order your copy today and embark on a musical journey that captures the depth of this beloved classic, leaving a lasting impression on your audience.
$12.99
11.6 €
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String Quartet: 2 violins, viola, cello
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Five for Fighting
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100 Years
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AZSAP MUSiC
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SheetMusicPlus
Goodbye! So Long! I'm Headin' Home!: A Medley
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by F. Leslie Smith. Ragtime, Old-time, Americana. Score, Set of Parts. 48 pages. …
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Composed by F. Leslie Smith. Ragtime, Old-time, Americana. Score, Set of Parts. 48 pages. Published by Sweetwater Brass Press (S0.86305). - Score,Set of Parts - Ragtime,Old-time,Americana - Sweetwater Brass Press
This novelty is great as either a featured number or as an encore. It is upbeat, a medley of turn-of-the-last-century tunes that, in the tradition of Haydn?s "Farewell" Symphony (No. 45 in F-sharp minor), provides opportunity for four musicians to leave, one by one, until only Tuba remains. It opens at a fast clip with a statement of ?Good-Night, Ladies? followed by a four-measure vamp that is subsequently repeated after nearly every section. First, horn and tuba perform ?There is a Tavern in the Town.? Second, trombone and trumpets combine to ask, ?Bill Bailey, Won?t You Please Come Home.? Third is a close-harmony, ensemble version of ?Goin? Home.? Fourth features exchanges between trumpets and low brass in ?Toot, Toot, Tootsie!? Fifth is an amalgam of all the tunes; this is played four times, each time featuring a different instrument, which then drops out for the rest of the number. The tuba ends the piece and takes a bow. This arrangement was completed in 2014, and performance time runs about 3 minutes, 56 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00
3.57 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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F
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Goodbye! So Long! I'm Headin' Home!: A Medley
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Sweetwater Brass Press
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SheetMusicPlus
End Of The Line
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Class…
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Piano Solo - Level 2 - Digital Download SKU: A0.1041003 By Isadar. By Isadar. Classical,Contemporary,Jazz,New Age. Score. 9 pages. Mainya Music Publishing (BMI) #645734. Published by Mainya Music Publishing (BMI) (A0.1041003). Contains:End Of The Line - taken from the Isadar solo piano collection, The Journey (available soon on SheetMusicDirect and SheetMusicPlus) Sounds like: Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:Kathy Parsons (MainlyPiano.com): Isadar’s fourth solo piano album is a blend of smooth jazz and new age, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album. The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording. A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players. Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier. None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands. My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line. Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as as software for Yamaha Disklavier player-pianos. For more information, visit his website at: https://www.isadar.com.
$6.99
6.24 €
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Piano solo
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Isadar
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End Of The Line
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Mainya Music Publishing
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SheetMusicPlus
ISADAR - The Journey (complete collection)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published by Mainya Music Publishing (BMI) (A0.1224308). Sounds like:  Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recordingContents: 1. Joyful Running 2. Fountain Of Life 3. Voice Of God (Thanksgiving) 4. Pocket Change 5. The Journey 6. Smoke Signals 7. Horseman's Thrill Ride 8. End Of The LineAlbum & Songbook review by:  Kathy Parsons (MainlyPiano.com):Isadar’s fourth solo piano album is a blend of smooth jazz and new age stylings, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album.The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording.  A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players.  Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier.  None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands.  My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line.Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player piano.
$49.99
44.65 €
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Piano solo
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Isadar
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ISADAR - The Journey
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Mainya Music Publishing
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SheetMusicPlus
Chapter Two
1 Piano, 4 hands
1 Piano,4 Hands,Cello,Clarinet,Flute,Vibraphone,Violin - Level 3 - Digital Download SKU…
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1 Piano,4 Hands,Cello,Clarinet,Flute,Vibraphone,Violin - Level 3 - Digital Download SKU: A0.1103677 Composed by Siobhan Dyson. 20th Century,Chamber,Classical,Film/TV. 50 pages. Siobhan Dyson #706947. Published by Siobhan Dyson (A0.1103677). Chapter Two This small ensemble piece was written to showcase Siobhan’s second chapter in her life. After six years of higher education study, Siobhan is now ready to move onto the next chapter of her life by writing music for a variety of studios and companies. Siobhan is confident in her pursuit of becoming a well-known composer who is known for writing music for a variety of media. She is already undertaking this task by writing for a documentary and a potential game. Siobhan feels ready to leave and cannot wait to see what this next chapter brings her. She wrote this piece as a farewell to her lecturer of her entire RCS career, Dr Oliver Searle who she has admired and adored throughout her studies. Note from the composer: Dear Oliver, Surprise, I wrote this to say thanks to you, embarrassing I know :/ So as my last final effort to embarrass both of us I wrote this into my programme note. (Kind of cringey and, as I am writing this, I’m getting totes emosh) Thank you for being the best lecturer I could have ever asked for, thank you for being a great person who is caring, kind and someone who truly listens and teaches well. I hope to make you proud in my pursuits! I will always look back on the times of terrible dad jokes (not me), trying to break my stubbornness and all the funny times we had (mostly me :P). I will cherish all you have taught me (except the key signature thing, still not changing my mind on that). You have watched me grow into this weird, funny, and slightly embarrassing person. I don’t think I would be where I am today without you and, from my dark, dark evil heart, thank you for pushing me to being the person I am today. (So, if it all goes wrong, I blame you :P) K, Thanks. Signed: Your favourite.
$48.00
42.87 €
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1 Piano, 4 hands
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Siobhan Dyson
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Chapter Two
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Siobhan Dyson
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SheetMusicPlus
Sonetos del amor oscuro (Set of Parts)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028293 Composed by Josh Arm…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028293 Composed by Josh Armenta, Federico Garcia-Lorca. Contemporary. Score and parts. 124 pages. NoteTaker Publications #3860241. Published by NoteTaker Publications (A0.1028293). I think of you all the time, and you know this without me having to say it, but silently, and between the lines, you should be able to read the love I feel for you, and the tenderness in my heart… –From the last letter of Federico Garcia-Lorca to Juan RamÃrez de Lucas, circa 1936
$80.00
71.45 €
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Chamber Orchestra
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Josh Armenta, Federico Garcia-Lorca
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Sonetos del amor oscuro
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NoteTaker Publications
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SheetMusicPlus
Sonetos del amor oscuro (Full Score)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028292 Composed by Josh Arm…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1028292 Composed by Josh Armenta, Federico Garcia-Lorca. 20th Century,Contemporary. Score and parts. 94 pages. NoteTaker Publications #3860215. Published by NoteTaker Publications (A0.1028292). I think of you all the time, and you know this without me having to say it, but silently, and between the lines, you should be able to read the love I feel for you, and the tenderness in my heart… –From the last letter of Federico Garcia-Lorca to Juan RamÃrez de Lucas, circa 1936
$25.00
22.33 €
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Chamber Orchestra
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Josh Armenta, Federico Garcia-Lorca
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Sonetos del amor oscuro
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NoteTaker Publications
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SheetMusicPlus
Come un fiore (Faust, le polveri e gli intrugli)
Piano solo
Piano Solo - Digital Download SKU: A0.976877 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976877 Composed by Monica Bergo. Contemporary. Score. 7 pages. Monica Bergo #3244377. Published by Monica Bergo (A0.976877). 2017 Holiday Contest Entry* • .¸¸. ♫ Like a flower (Faust, powders and potions) ♫ • *'¯` * .¸¸. ♫ I seek peace, I want to light… Is one of those days that the silence takes away that last smile and dies in throat happiness The old desires resurface here and there and move the dish intact the food don't takes me away hunger I would to be a flower needs has never the sun heats the wind then lull it the rain mixes with my tears that goes my steps echo in the nothing of city and while I walked in to the melancholy with only my sad thoughts to keep me company with the mind's eye I had seen him already beautiful in appearance, but in the heart the ice he has It 's so much waiting for you but I have eternity it's true ,to have you tried and you're back here, you good acrobat, actress without identity it is useless to run away, it is written in the DNA. Do not you remember? but that good days powders and concoctions that filled your eternal empty watched yourself now always the same love, affection is a life that you are looking for Surrender and you'll see .... here with me, no one in the world, will can hurt you or harm you will do damnation, pure invention and heaven will remain empty But do not you realize? you're out of time and out of place in this society if you disappear at this instant of your essence, what will be left? Do-sol do-sol energy becomes infinite Re- la Re- la and from the heart goes to the fingers MI- si mi- si search keys, caresses them and finally there is sweetness also for me Do-sol do-sol so tired of being alone re-la re-la fly music and consoles mi-si mi-si remove also this love too and as a flower without treatment, I wither Stay with me I want to light Stay with me I look for peace like a flower that does not give answers here with you there is no peace here with you without light like a flower without the sun I will die Sweetes.
$3.99
3.56 €
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Piano solo
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Monica Bergo
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Come un fiore
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Monica Bergo
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SheetMusicPlus
M'appari tutt' amor (“Mostly Martha”)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich v…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.1 €
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Brass ensemble
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Friedrich von Flotow
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Ha…
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Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The ‘Hanon Virtuoso Pianist’ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by today’s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the ‘Alfred’ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what I’ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen ‘changeover’ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html
$5.99
5.35 €
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Piano solo
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Charles-Louis Hanon
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Hanon Piano / Keyboard Exercises 1 - 30 Condensed and Simplified for Beginners Easy Reading
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Martin Woodward
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SheetMusicPlus
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