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ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
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MUSIC COURSE
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ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
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RECORDER
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XYLOPHONE
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Les
Sheetmusicplus
Not classified
25,251
Piano & keyboards
Piano solo
16,914
Piano, Voice
9,708
Easy Piano
5,698
Piano, Vocal and Guitar
4,004
Organ
1,518
C Instruments
1,510
Piano Accompaniment
704
1 Piano, 4 hands
451
Piano Trio: piano, violin, cello
408
Big Note Piano
330
Accordion
178
2 Pianos, 4 hands
138
Piano (band part)
124
Piano Quartet: piano, violin, viola, cello
68
Piano Quartet: piano, 2 violins, cello
52
Piano Quintet: piano, 2 violins, viola, cello
47
Organ, Trumpet (duet)
34
Harpsichord
31
Organ, Piano (duet)
20
2 Pianos, 8 hands
17
All Instruments
13
Keyboard
11
1 Piano, 6 hands
11
2 Organs (duet)
4
2 Accordions
3
Piano ensembles
2
Piano Quintet: piano, violin, viola, cello, double bass
2
Accordion and Orchestra
1
Concertina
1
Fake Book
1
Organ, Voice
1
Accordion, String(s)
1
+ 27 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
20,204
Lyrics and Chords
9,820
Guitar
3,840
Guitar notes and tablatures
2,756
Ukulele
936
Bass guitar
793
4 Guitars (Quartet)
572
2 Guitars (duet)
511
Banjo
246
Mandolin
213
3 Guitars (trio)
200
Guitar Ensemble
154
Guitar (band part)
148
Dulcimer
118
Piano, Guitar (duet)
90
2 Ukuleles
30
Mandolin, Guitar (duet)
29
Mandolin, Piano (duet)
22
Electric Bass (band part)
21
Ukulele Ensemble
20
Baritone Ukulele
14
Plectrum Orchestra
12
2 Dulcimers (duet)
8
Guitar, String Quartet
8
Dobro
7
Lap Steel Guitar
7
Guitar, Violin, Cello (trio)
4
2 Guitars and Orchestra
4
Lute
3
2 Mandolins (duet)
3
Guitar, Orchestra
3
3 Dulcimers (trio)
3
Guitar, Harp
2
Guitar, Flute, Clarinet
2
2 Guitars, Clarinet (trio)
1
Guitar Tab, Voice, Bass, Drum
1
+ 31 instrumentations
-
Retract
Voice
Choral SATB
7,825
Choral 3-part
2,264
Choral TTBB
1,476
Choral 2-part
1,294
Choral Instrumental Pak
990
Choral SSAA
882
Choral Unison
739
Vocal duet, Piano
313
High voice
213
Voice solo
192
Vocal duet
169
Choral
152
Soprano voice, Piano
132
Tenor voice, Piano
103
Alto voice, Piano
94
Low voice, Piano
71
Medium voice, Piano
70
Voice, Guitar
67
Baritone voice, Piano
66
Choral SSAATTBB
25
Medium Voice
22
Tenor voice
17
Choral SSAB a cappella
16
Choral SSATB
15
Choral SSATTB
14
Mezzo-Soprano voice, Piano
12
Soli, Mixted choir and accompaniment
11
Choral SSAB, Piano
9
Soprano voice
7
Children choir
7
Voix Masculines
6
Soprano voice, Orchestra
5
Low voice
4
Choral SAATB A Cappella
3
Choral SATBB
3
Baritone voice
2
Choral SSAATB
2
Voice, Basso continuo
1
Choral, Organ
1
+ 34 instrumentations
-
Retract
Woodwind
Flute and Piano
1,927
2 Saxophones (duet)
1,726
Flute
1,688
2 Flutes (duet)
1,598
Saxophone (band part)
1,571
Saxophone Quartet: 4 saxophones
1,561
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,420
Clarinet and Piano
1,321
Alto Saxophone
1,208
Alto Saxophone and Piano
1,192
Flute, Oboe, Clarinet, Bassoon
1,168
Clarinet
1,126
Oboe, Piano (duet)
1,061
Tenor Saxophone
956
Tenor Saxophone and Piano
827
2 Clarinets (duet)
814
Saxophone Quintet: 5 Saxophones
794
Clarinet Quartet: 4 clarinets
787
Oboe (band part)
507
Flute Quartet: 4 flutes
455
Clarinet (band part)
454
Soprano Saxophone and Piano
443
3 Clarinets (trio)
408
Flute, Clarinet (duet)
395
3 Saxophones (trio)
338
2 Oboes (duet)
308
Ocarina
299
2 Recorders (duet)
292
Baritone Saxophone, Piano
276
Oboe
267
Flute Trio: 3 flutes
267
Flute and Guitar
258
Clarinet Quintet: 5 clarinets
251
Saxophone ensemble
250
Saxophone, Clarinet (duet)
247
Flute (band part)
242
Soprano Saxophone
233
Clarinet, Violin (duet)
233
Clarinet Ensemble
225
Oboe, Clarinet (duet)
201
Flute ensemble
195
Oboe, Bassoon (duet)
188
English horn, Piano
161
Clarinet, Trumpet (duet)
160
Flute, Violin
159
Flute Quintet : 5 flutes
120
Clarinet and Viola
108
2 Saxophones, Piano
105
Descant (Soprano) Recorder
104
Harmonica
103
Flute, Clarinet and Bassoon.
101
Flute, Saxophone (duet)
95
Baritone Saxophone
94
Recorder Quartet
94
Flute, Viola (duet)
93
Flute, Oboe, Clarinet (trio)
89
Clarinet, Bassoon (duet)
87
Oboe, Flute
85
Bass Clarinet, Piano
84
Flute, Trumpet (duet)
84
Flute, Oboe (duet)
83
Recorder
78
Oboe, Clarinet, Bassoon (trio)
76
English Horn
74
Oboe, Cello
67
Flute, Violoncello
65
Flute, Oboe, Bassoon
63
Clarinet, Cello (duet)
60
2 Flutes, Piano
58
Treble (Alto) Recorder
55
Flute, Violin, Piano
54
Eb Instruments
51
Flute, Clarinet, Piano (trio)
51
Clarinet, Guitar (duet)
42
Saxophone
41
Oboe, Violin (duet)
35
3 Recorders (trio)
32
Piccolo
31
Flute, Cello, Piano (trio)
30
Treble (Alto) Recorder, Piano
29
Flute, Violin and Violoncello
28
Flute, Oboe, Piano (trio)
28
5 Recorders
27
Descent (Soprano) Recorder, Piano
26
2 Clarinets, Piano
25
Clarinet, Cello, Piano (trio)
25
Oboe and viola (duet)
22
Bass Clarinet
22
Recorder Ensemble
22
Tenor Recorder
21
Oboe, Guitar (duet)
21
Saxophone and Guitar
20
Flute, Trombone (duet)
19
Clarinet, Trombone (duet)
19
Clarinet, Harp (duet)
19
Flute, Clarinet, Horn and Bassoon (Quartet)
19
Flute, Bassoon, and Piano
18
Piccolo, Piano
16
Clarinet, Bassoon, Piano (trio)
15
3 Oboes
15
Flute, Viola and Piano
14
Flute, Violin, Violoncello and Piano
13
Pennywhistle
13
Saxophone and Piano
12
Clarinet Quartet: Clarinet, Violin, Viola, Cello
12
4 Oboes
10
Flute, harp and violin
9
Flute, Oboe, Violin
9
Flute, Organ (duet)
8
Oboe, Clarinet and Piano (Trio)
8
Flute, Clarinet, Violin (trio)
7
Flute, trombone and piano
7
Clarinette, Viola and Piano (trio)
7
Flute and Strings Trio
6
Clarinet, Double bass (duet)
6
Oboe, Bassoon and Piano
6
Oboe, Trombone (duet)
5
Wind ensemble
5
Oboe, Violin, Piano
5
Flute, Tuba (duet)
5
Harmonica, Piano
5
Oboe, Harp
5
Flute, Violin, Guitar
5
Flute, Cello, Guitar
5
Clarinet, Tuba
5
2 English horns and Pianoforte
5
Oboe, Cello and Piano
5
Saxophone and Harp
4
Clarinet, trumpet and piano
4
Saxophone and Organ
4
2 Clarinets, Bassoon
4
English horn, Harp (duet)
4
Oboe, Trumpet (duet)
4
Clarinet Quintet: Clarinet, String Quartet
4
Bagpipe
4
Flute, Basso continuo
4
Clarinet, Organ
3
2 Oboes and Basson
3
Pan Flute
3
Recorder, Piano
3
2 Oboes, Piano
3
Treble (Alto) Recorder, Basso continuo
3
2 Flutes, 2 Clarinets (Quartet)
2
Flute, French horn (duet)
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Flute, Harp and Cello
2
Clarinet, Orchestra
2
Oboe, Organ
1
Oboe and Orchestra
1
2 Recorders, Guitar
1
Recorder, Guitar (duet)
1
2 Recorders, Piano
1
2 Flutes and Harp
1
Flute, Orchestra
1
Saxophone, Violin (duet)
1
2 Flutes and Guitar
1
Descant (Soprano) Recorder, Basso continuo
1
Flute, Viola and harp
1
Flute and String Quartet
1
Recorder, Harp
1
English Horn, Guitar (duet)
1
Flute, Viola and Cello
1
2 Oboes and English horn
1
+ 158 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,632
Trumpet
1,433
Trumpet, Piano
1,091
Trombone
1,048
Trumpet (band part)
993
Trombone and Piano
961
Trombone (band part)
900
Brass quartet : 2 trumpets, trombone, tuba
866
French horn
689
French Horn and Piano
682
2 Trumpets (duet)
619
2 Trombones (duet)
550
Trumpet, Trombone (duet)
489
Tuba and Piano
434
Tuba
389
Brass Quartet: 2 trumpets, horn, trombone
366
Brass Quartet
308
2 French horns (duet)
255
French horn (band part)
254
Trumpet, Saxophone (duet)
208
Brass Quartet: 4 trombones
163
English horn, Piano
161
Tuba (band part)
155
Trombone ensemble
148
Euphonium, Piano (duet)
145
Trumpet ensemble
114
2 Tubas (duet)
108
Brass Quartet: 4 horns
105
English Horn
74
2 Euphoniums and 2 Tubas
71
Euphonium
68
Trumpet, Horn (duert)
68
Bass Clef Instruments
61
4 Tubas
57
3 Trombones (trio)
49
Brass Trio
41
Bb Instruments
34
Horn Ensemble
33
Tuba and Organ
30
Brass Quartet: 4 trumpets
29
Euphonium, Tuba (duet)
29
3 Trumpets (trio)
29
2 Euphoniums (duet)
26
Horn, Cello (duet)
25
Trumpet, Tuba (duet)
22
Trombone, Tuba (duet)
18
Trumpet, Cello (duet)
18
Bass Trombone
18
Trombone, Horn (duet)
17
Trumpet, Trombone, Piano
16
Bass Trombone and Piano
16
Tuba ensemble
15
Trombone, Organ
14
Trumpet, Bassoon (duet)
13
2 Trumpets, Keyboard (piano or organ)
11
French horn and Basson (duet)
9
Trumpet and Guitar
9
Horn, Tuba (duet)
9
Trumpet, Cello, Piano
7
Trumpet, violin (duet)
7
Brass Quartet: 2 trumpets, 2 trombones
7
3 Tubas (trio)
7
Tuba or Euphonium or Saxhorn
6
3 French horns (trio)
6
Horn and Orchestra
5
French Horn and Harp
5
Cornet
5
2 Trombones, Piano
5
2 English horns and Pianoforte
5
Euphonium (band part)
5
Brass Quintet: 2 trumpets, horn, 2 trombones
4
English horn, Harp (duet)
4
Trombone, Violin (duet)
4
3 Euphoniums
3
Clarinet, Horn (duet)
3
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
2
Trumpet, Euphonium (duet)
2
4 Euphoniums
1
2 French horns, Piano
1
Trombone and Orchestra
1
Bass Saxhorn or Euphonium or Tuba and Piano
1
Trumpet, Harp
1
Trumpet, Orchestra
1
English Horn, Guitar (duet)
1
Horn, Cello and Piano
1
+ 80 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
4,353
Violin and Piano
2,131
Violin
2,071
Cello, Piano
1,463
Cello
1,447
Violin, Cello (duet)
1,237
Viola, Piano
1,194
Viola
1,012
2 Violins (duet)
961
String Trio: violin, viola, cello
906
Harp
877
2 Cellos (duet)
697
String Quintet: 2 violins, viola, cello, bass
605
Violin, Viola (duet)
522
2 Violas (duet)
485
Violin (band part)
407
Double Bass
386
Double bass, Piano (duet)
346
String Trio: 2 violins, cello
278
Viola (band part)
271
Doublebass (band part)
228
Piano Trio: Violin, Viola, Piano
173
Viola, Cello (duet)
167
Violin, Guitar (duet)
151
4 Cellos
129
Cello (band part)
116
2 Double basses (duet)
100
String Trio: 3 violins
98
Cello, Guitar (duet)
90
String Trio: 3 cellos
64
String trio
63
Violin, Bassoon (duet)
60
String quartet: 4 violins
52
2 Harps (duet)
50
Cello, String Bass (duet)
49
Harp, Flute (duet)
44
String Trio: 2 violins, viola
43
String Quartet : 4 violas
39
Harp, Violin (duet)
36
String Quintet: 2 violins, 2 violas, cello
33
String Trio: 3 violas
31
Viola, Guitar (duet)
30
Violin ensemble
28
Viola ensemble
27
Viola and Bassoon
26
2 Violins, Piano
24
String Quintet: 2 violins, viola, 2 cellos
24
Harp, Voice
22
Violin, Clarinet, Piano (trio)
18
Cello, Orchestra
14
Flute, Doublebass (duet)
10
Harp, Cello (duet)
9
Cello Ensemble
9
Harp and Piano
8
Harp, Violin, Violoncello
8
2 Violas, Piano
7
2 Cellos, Piano
7
Violoncello, Basso continuo
7
Violin, Tuba (duet)
6
Autoharp
6
Harp (band part)
6
Viola and Harp
6
3 Harps
6
Cello, Organ
6
Violin, Cello, Clarinet
5
Violin, Organ
4
Harp, String quartet
3
Violin, Double bass (duet)
3
Violin, Basso continuo
2
Violin, Trumpet and Piano
2
Violin, Clarinet and Guitar
2
4 Harps
2
Harp and Organ
2
4 Double Basses
2
Harp, Trombone (duet)
1
Harp and mandolin
1
3 double basses
1
Viola, Organ
1
+ 73 instrumentations
-
Retract
Orchestra & Percussion
Concert band
5,690
Timpani (band part)
2,256
String Orchestra
1,670
Orchestra
1,566
Jazz Ensemble
1,515
Handbells
1,084
Marching band
823
Brass ensemble
763
Chamber Orchestra
537
Drums
502
Jazz combo
309
Percussion (band part)
285
Percussion Ensemble
220
Drum (band part)
153
Percussion
101
Marimba
88
Timpani
63
Vibraphone
62
Xylophone
59
Piano and Orchestra
38
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
26
Xylophone, Piano
26
Orchestra, Violin
26
Big band
15
Woodwind Quintet
12
Snare drums
10
School Ensemble
9
2 Xylophones
9
Flexible Instrumentation
8
Xylophone or Marimba or Vibraphone
6
Brass Quintet: other combinaisons
5
Marimba, Piano (duet)
5
Vibraphone (band part)
5
Woodwind Quartet: any 4 woodwinds
5
Bongos
2
Xylophone (band part)
2
Vibraphone and Marimba
2
3 Marimbas
2
Cajon
2
2 Snare Drums (duet)
1
Bodhran
1
Voice Mezzo-Soprano, Orchestra
1
Conga
1
2 Marimbas
1
Voice and Orchestra
1
+ 40 instrumentations
-
Retract
Others
Music Theory
27
Musical course - Solfege
20
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9976
Hercules Waltzes
#
Piano solo
#
J
#
Hercules Waltzes
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano - Digital Download SKU: LV.8069 Arranged by J. Jay Watson. Portraits, Myths, Gods, Apples, Atlas, Castles & palaces. Lester S. Levy Collection. 5 p...
(+)
Piano - Digital Download SKU: LV.8069 Arranged by J. Jay Watson. Portraits, Myths, Gods, Apples, Atlas, Castles & palaces. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8069). Hercules Waltzes. Arranged by J. Jay Watson. Published 1871 by J.L. Peters in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits, Myths, Gods, Apples, Atlas, Castles & palaces. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Valses nobles et sentimentales
#
3 Guitars (trio)
#
ADVANCED
#
Classical
#
Maurice Ravel
#
Raymond Burley
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Valses nobles et sentimentales
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Les Productions d'OZ - Digital
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SheetMusicPlus
3 guitares - Avance - Digital Download Composed by Maurice Ravel (1875-1937). Arranged by Raymond Burley. Scores (3). 81 pages. Les Productions d'...
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3 guitares - Avance - Digital Download Composed by Maurice Ravel (1875-1937). Arranged by Raymond Burley. Scores (3). 81 pages. Les Productions d'OZ - Digital #DZ 3414. Published by Les Productions d'OZ - Digital
$24.95
Playing with Scales
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Pu...
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
Escales musicales
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Guitar
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INTERMEDIATE
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Various
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Escales musicales
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Les Productions d'OZ - Digital
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SheetMusicPlus
Composed by Various. Arranged by Laurent Meneret. Score. 13 pages. Les Productions d'OZ - Digital #DZ 3637. Published by Les Productions d'OZ - Digital...
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Composed by Various. Arranged by Laurent Meneret. Score. 13 pages. Les Productions d'OZ - Digital #DZ 3637. Published by Les Productions d'OZ - Digital
$8.95
Favorite Recorder Tunes - Beautiful Airs and Ballads of the British Isles
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Recorder
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INTERMEDIATE
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Folkloric/Traditional
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Duets
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Favorite Recorder Tunes - Beau
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Solos & Duets. British Isles. E-book. 45 pages. Mel Bay Publications - Digital Sheet Music #30963EB. Published by Mel Bay Publications - Digital S...
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Solos & Duets. British Isles. E-book. 45 pages. Mel Bay Publications - Digital Sheet Music #30963EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459462. 8.75x11.75 inches.
This exceptional collection of 41 truly beautiful airs and ballads from the British Isles offers both well-known tunes by the prolific blind Irish harpist, Turlough OCarolan and rarely heard melodies by anonymous composers; all have stood the test of time. Arranged for soprano or tenor recorder, these include OCarolans classically influenced Lord Inchiquin and Eleanor Plunkett as well as O Gentle Dove and Cuckoo Dear both examples of the strong tradition of song in Wales. Among other tunes, the haunting modal melodies of The Dark Slender Boy and Enchanted Valley express the melancholic heart and soul of the British Isles. A few of these songs have taken on a life of their own in modern times. Bonny at Morn, a popular traditional tune of northern England and Scotland, was arranged for soprano voice and harp by the 20th century British composer, Benjamin Britten. The Skye Boat Song originally recounted Bonnie Prince Charles Edward Stuarts journey to the Isle of Skye after his defeat at the historic Battle of Culloden. Later, the song evolved into a lilting lullaby and was more recently used as the theme song for the popular Outlander television series. Departing slightly from recorder notation practice, author Marcia Diehl has judiciously arranged these melodies complete with spare slur markings to aid the amateur player in authentically and musically rendering these tunes.
$12.99
May You Be Eternally Blessed
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Piano solo
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INTERMEDIATE
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Classical
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Jose Valladares
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Jose Valladares
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May You Be Eternally Blessed
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1368428 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 8 pages. C...
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Piano Solo - Level 3 - Digital Download SKU: A0.1368428 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 8 pages. Circlesquare Music #952774. Published by Circlesquare Music (A0.1368428). Introducing May You Be Eternally Blessed, an exuberant and soul-lifting piano composition that resonates with heartfelt wishes and positive affirmations. This vibrant piece, from the inspiring album A Celebration of Love, and Life by the distinguished artist and composer Jose Valladares, is a melodious expression of hope, joy, and the endless blessings that life offers.With a lively tempo of 115, May You Be Eternally Blessed bursts forth like the first rays of sunrise, heralding a new day filled with promise and possibilities. The composition is a jubilant celebration, an auditory bouquet of harmonious wishes sent forth into the universe. Each note radiates positivity, each chord sings of gratitude, and the melody weaves a tapestry of goodwill and joyous aspirations.May You Be Eternally Blessed is more than just a piece of music; it's an anthem of optimism and a testament to the power of positive intentions. It invites listeners to join in the chorus of hope, to embrace the beauty of life's journey, and to share in the collective wish for eternal blessings. This composition is perfect for those who seek to uplift spirits through music, for pianists looking to infuse their performances with a message of positivity, and for anyone in search of a melody that echoes the heart's deepest wishes for well-being and happiness.Let May You Be Eternally Blessed be your musical companion in times of celebration and reflection. Allow its uplifting melodies to fill your heart with warmth, inspire your steps with its energetic rhythm, and remind you of the boundless blessings that life holds. This piece is a celebration of life's gifts, a harmonious hymn of eternal optimism, and a heartfelt wish set to the universal language of music.
$8.99
Homeless Spirit Suite
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Piano solo
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ADVANCED
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New Age
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Ann Ruane
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Homeless Spirit Suite
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1308094 Composed by Ann Ruane. New Age. Score. 20 pages. Ann Ruane-Lux Eterna Healing #897365. Published ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1308094 Composed by Ann Ruane. New Age. Score. 20 pages. Ann Ruane-Lux Eterna Healing #897365. Published by Ann Ruane-Lux Eterna Healing (A0.1308094). Homeless Spirit Suite is a suite of 3 pieces for advanced piano.I. Wandering Alone: This piece starts with a cry of exhausted desperation. The refrain reflects an unhurried presence with what is. The verses each contain a repeated note in the inner voice of the right hand, sometimes meshing with the melody and sometimes creating dissonance. Those notes represent the inner nudge, quietly wanting to be acknowledged. In the bridge, things seemingly turn upside down, only to return to the exhausted desperation. II. Through the Tempest: There is a fiery nature to this movement; an unapologetic expression of chaos, anger, fear, and heated conversation--between the hands in the music, but maybe between you and…? Creator? Yourself? Life? Lean into the unrelenting nature of this movement and let it cleanse you. III. Finding a New Path: Although somewhat melancholy, the refrain depicts a different state of calm following the storm. There is still inner restlessness heard in the verses and a hint of hope in the bridge. Things become clearer and less cluttered by the time the piece closes.Audio samples of the suite at annruane.hearnow.com/homeless-spirit-suite.
$6.50
Blessed Are They That Mourn (for SATB Chorus and Brass Quintet)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Classical
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Johannes Brahms
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F
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Blessed Are They That Mourn
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Sweetwater Brass Press
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.808672 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.808672 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Octavo. 38 pages. Sweetwater Brass Press #3046205. Published by Sweetwater Brass Press (A0.808672). Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted.  The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement retains Brahms’ original choral parts and translates the orchestral accompaniment to the five quietly playing brass instruments. The audio sample was digitally created, so the choral part of the arrangement can be heard but without words. This arrangement was completed in 2017 and runs about 10 minutes, 32 seconds. The arranger, Les Smith, can be reached at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
Blessed Are They That Mourn (for Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Classical
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Johannes Brahms
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F
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Blessed Are They That Mourn
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,East...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808673 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Score and parts. 38 pages. Sweetwater Brass Press #3064649. Published by Sweetwater Brass Press (A0.808673).    Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted. The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement translates Brahms’ choral parts and orchestral accompaniment into a warm and appealing five-brass-instruments version.    This arrangement was completed in 2017, and performance time runs about 10 minutes, 32 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Flute Quartet: 4 flutes
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Publishe...
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Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Études mélodiques simples dans tous les tons
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Guitar
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EASY
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Luc Levesque
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Études mélodiques simples da
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - easy - Digital Download SKU: ZZ.DZ-2072 Composed by Luc Levesque. Score. 16 pages. Les Productions d'OZ - Digital #DZ 2072. Published by Les Pro...
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Guitar - easy - Digital Download SKU: ZZ.DZ-2072 Composed by Luc Levesque. Score. 16 pages. Les Productions d'OZ - Digital #DZ 2072. Published by Les Productions d'OZ - Digital (ZZ.DZ-2072). ISBN 9782896559718.
$7.95
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
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English Horn
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INTERMEDIATE
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. P...
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English Horn Solo - Level 3 - Digital Download SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Viola
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INTERMEDIATE
#
Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Publishe...
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Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Instructional
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Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. ...
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Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Bassoon
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INTERMEDIATE
#
Instructional
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Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don’t S
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Slide Ride
#
SheetMusicPlus
Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Publis...
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Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Percussion Ensemble
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
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French horn
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
French Horn Solo - Level 3 - Digital Download SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Pu...
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French Horn Solo - Level 3 - Digital Download SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Publi...
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Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Sl...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
#
SheetMusicPlus
Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published...
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Tuba Solo - Level 3 - Digital Download SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
#
SheetMusicPlus
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5...
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
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Saxophone (band part)
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
#
SheetMusicPlus
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288...
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Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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