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Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestra
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
34.96 €
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Orchestra
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Manuel de Espinosa de los Monteros (1730-1810)
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
29.54 €
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2 Pianos, 4 hands
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
268.91 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
134.46 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
#
SheetMusicPlus
Take My Life and Let It Be (String orchestra))
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.871069 Composed by Paul Jones…
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String Orchestra - Level 3 - Digital Download SKU: A0.871069 Composed by Paul Jones. Arranged by Paul S. Jones. Christian,Concert,Graduation,Sacred. Score and parts. 8 pages. Paul S. Jones #3558731. Published by Paul S. Jones (A0.871069). A great string orchestra setting of the well-known hymn, Hendon. Perfect for a church service, dedicatory service of a missionary, installation of a minister, graduation or Christian high school/college string section. There is an identical setting for brass quintet.
$30.00
26.89 €
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String Orchestra
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Paul Jones
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Take My Life and Let It Be
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Paul S. Jones
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SheetMusicPlus
Nocturne for Left Hand Alone (Opus 9 Number 2)
Instrumental Solo - Level 5 - Digital Download SKU: A0.1121045 By Stephen R Dalrymp…
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Instrumental Solo - Level 5 - Digital Download SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Individual part. 14 pages. Stephen R Dalrymple #722236. Published by Stephen R Dalrymple (A0.1121045). Nocturne for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (Opus 9 Number 2) Classical Music for Tablet Series ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. ♫ Nocturne for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.58 €
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Stephen R Dalrymple
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Nocturne for Left Hand Alone
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Stephen R Dalrymple
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SheetMusicPlus
Prélude for Left Hand Alone
Piano solo
Instrumental Solo - Level 4 - Digital Download SKU: A0.818321 By Stephen R Dalrympl…
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Instrumental Solo - Level 4 - Digital Download SKU: A0.818321 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Individual part. 5 pages. Stephen R Dalrymple #5997057. Published by Stephen R Dalrymple (A0.818321). Prélude for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (piano solo) Opus 9 Number 1 - (Classical Music for Tablet Series) ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ Prélude for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.58 €
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Piano solo
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Stephen R Dalrymple
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Prélude for Left Hand Alone
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Stephen R Dalrymple
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SheetMusicPlus
Nocturne for violin and orchestra
Orchestra, Violin
Violin and orchestra - Digital Download Completed and orchestrated after the sketches…
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Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99
17.92 €
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Orchestra, Violin
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Nocturne for violin and orchestra
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Schott Music - Digital
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SheetMusicPlus
Let It Snow! Let It Snow! Let It Snow!
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.850381 By Lady Antebellum. By…
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String Orchestra - Level 4 - Digital Download SKU: A0.850381 By Lady Antebellum. By Jule Styne. Arranged by Tim Crooks. Contemporary. Score and parts. 23 pages. STR:UK String Arrangements #6591407. Published by STR:UK String Arrangements (A0.850381). Let It Snow! Let It Snow! Let It Snow!, as performed by Dean Martin, arranged by Tim Crooks for String Orchestra (ABRSM Beginner - grade 6). Technical challenges include a mixture of straight and swung 8ths, and key change from D major into Eb, meaning the main parts are best suited to ABRSM Grade 4+ standard players. The arrangement can be mostly played in first position, occasionally requiring 3rd and 4th positions. The arrangement also includes an easy part for Violin & Viola suitable for grade 1-2 level. Parts can be printed multiple times. A piano part is included but is not needed for performance.A version of this arrangement for String Quartet is also available here: https://www.sheetmusicplus.com/title/let-it-snow-let-it-snow-let-it-snow-string-quartet-digital-shee.... About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UK We'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: Facebook @strukstrings Twitter@strukstrings STR:UK Strings - Education String Music
$24.99
22.4 €
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String Orchestra
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Lady Antebellum
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Let It Snow! Let It Snow! Let It Snow!
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STR:UK String Arrangements
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SheetMusicPlus
Recordare (from "Requiem") (F) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
String Orchestra
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.111…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714847. Published by Regis Bookshar (A0.1112894). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Orchestra - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Orchestra, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Orchestra, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
35.86 €
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String Orchestra
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Wolfgang Amadeus Mozart
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Recordare
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Regis Bookshar
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SheetMusicPlus
50 Hymns for Beginner Orchestra with Chord Symbols: Complete Collection of Traditional Arrangements
Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trom…
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Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1499958 Composed by Various. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 1122 pages. Müller Publishing company #1076029. Published by Müller Publishing company (A0.1499958). 50 Hymns for Beginner Orchestra with Chord Symbols: Complete Collection of Traditional ArrangementsUnlock the full potential of your beginner orchestra with this complete collection of 50 hymn arrangements, now available with chord symbols. Arranged by L. Müller, this book provides a unique blend of traditional hymn melodies and chord notations, making it perfect for orchestras and ensembles looking to enhance their rehearsals and performances with additional instrumental support. The inclusion of chord symbols allows for flexibility, enabling guitarists, keyboardists, and other accompanying musicians to join in seamlessly.Included Hymns:1. A Mighty Fortress2. Abide With Me3. All Hail The Power of Jesus' Name4. All Hail to the Power5. Belmont Hymn6. Christ Arose7. Count Your Blessings8. Fairest Lord Jesus9. Glorious Things of Thee Are Spoken10. God Be With You11. God of Our Fathers12. God Reveals His Presence13. Great Is Thy Faithfulness14. Holy, Holy, Holy15. How Great Thou Art16. I Surrender All17. Is Your All on the Altar18. It Is Well with My Soul19. Jesus Christ is Risen Today20. Jesus is Passing This Way21. Joyful, Joyful, We Adore Thee22. Lead me, Lord23. Let us praise God24. Majesty25. Master, the Tempest is Raging26. Mine Eyes Have Seen the Glory27. Moment by Moment28. Nearer my God to Thee29. Nearer, still nearer30. Now the Day Is Over31. O Love That Will Not Let Me Go32. O the Deep, Deep Love of Jesus33. Onward, Christian Soldiers34. Praise Ye the Father35. Showers of Blessing36. Standing on the Promises37. Tell Me the Old, Old Story38. The Banner of the Cross39. The Fight Is On40. The Gospel Bells41. The King's Business42. The Lord Bless You and Keep You43. The Old Rugged Cross44. To God Be The Glory45. Tollite Hostias46. True-hearted, Whole-hearted47. Trust and Obey48. We Plow the Fields49. When I Survey The Wondrous Cross50. Wonderful Grace of Jesus**Instrumentation:*** Flute* Clarinet in Bb I & II* Soprano Saxophone* Alto Saxophone I & II* Horn in F* Trumpet in Bb I, II & III* Trombone I & II* Tuba* Violin I, II & III* Viola* Cello I & II* Contrabass* Piano**Key Features:**- **Chord Symbols**: Enhance rehearsals and performances by allowing guitar, keyboard, and other accompanying instruments to join the orchestra easily.- **Accessibility**: The simplified arrangements are designed for beginner orchestras, making it easy for young musicians to play alongside experienced accompanists.- **Versatility**: Perfect for worship services, educational settings, or community performances, these arrangements offer a dynamic and engaging musical experience.Bring the rich heritage of these beloved hymns to life in your orchestra with added versatility and depth. This collection with chord symbols opens up new possibilities for accompaniment, providing a fuller, more harmonious sound that both performers and listeners will enjoy.Add this valuable resource to your music library and inspire your orchestra with these timeless melodies!
$50.00
44.82 €
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Various
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50 Hymns for Beginner Orchestra with Chord Symbols: Complete Collection of Traditional Arrangements
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Müller Publishing company
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
89.64 €
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Chamber Orchestra
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.06 €
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String Orchestra
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trad
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Tuba ensemble
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
11.64 €
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Tuba ensemble
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Glenn Miller
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Moonlight Serenade for Tuba Quintet
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Music for all Occasions
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SheetMusicPlus
It´s Time to Play and to Sing (Guitar Orchestra)
String Orchestra
String Orchestra - Level 1 - Digital Download SKU: A0.1346609 Composed by Rafael Mi…
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String Orchestra - Level 1 - Digital Download SKU: A0.1346609 Composed by Rafael Milhomem. Chamber,Children,Classical,Contemporary,Rock. 22 pages. Milhomusic #931387. Published by Milhomusic (A0.1346609). 🎶 It's Time to Play and to Sing 🎶Embark on a musical journey with the enchanting composition by Rafael Milhomem, titled It's Time to Play and to Sing. Composed for a children's guitar orchestra and choir, this piece is a delightful blend of idyllic simplicity and impactful results.Designed to be both idiomatic and accessible, the composition introduces young musicians to extended techniques, including percussion with pencils and slides with spoons, creating a playful and rock-infused atmosphere. The piece not only elevates the learning experience for budding musicians but also adds a touch of innovation to the traditional orchestra setup.Set to the heartfelt lyrics of Rafael Milhomem, the song celebrates the joy of learning to play. It underscores the significance of having dedicated mentors, making it an ideal choice for educators aiming to inspire their students. The lyrics weave a narrative that resonates with the excitement of musical discovery and the rewards of having proficient guides along the way.This composition is a must-have for guitar orchestras and choirs looking to explore new sounds and engage their young performers in a dynamic and memorable musical experience. Don't miss the chance to add this gem to your repertoire!🎼 Key Features:Idiomatic and accessible for young musiciansIncorporates extended techniques: percussion with pencils and slides with spoonsImprovisation sectionRock-inspired atmosphereCaptivating lyrics by Rafael MilhomemCelebrates the joy of learning and the importance of dedicated mentors🎵 Perfect for:Children's guitar orchestrasChoirs seeking innovative and engaging repertoireMusic educators looking to inspire and motivate studentsUnleash the potential of your young musicians with It's Time to Play and to Sing. Elevate your ensemble's performance and bring a fresh, rock-infused energy to your next concert.Order your sheet music today and let the music begin!#Guitarorchestra #Guitarquartet #Childrensguitarorchestraandchoir.
$10.00
8.96 €
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String Orchestra
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Rafael Milhomem
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It´s Time to Play and to Sing
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Milhomusic
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SheetMusicPlus
AND CAN IT BE for CHURCH ORCHESTRA
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.807049 Composed by Thomas Campb…
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Full Orchestra - Level 4 - Digital Download SKU: A0.807049 Composed by Thomas Campbell. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 62 pages. Arrangements by GPoehlmann #6233271. Published by arrangements by GPoehlmann (A0.807049). AND CAN IT BE? - CHURCH ORCHESTRAChurch Orchestra may not have complete or balanced instrumentation. Alternate parts are provided.131 measures. Performance Time approx. 5:15. Medium Difficult (Grade 3+)Key: F - G. Meter: 4/4.Instrumentation:Flute 1,2 Oboe 1,2Clarinet 1,2,3Bass ClarinetAlto SaxHorn in FTrumpet 1,2TromboneTimpaniViolin 1,2ViolaCelloDouble BassPianoBari Sax (Double Bass)Baritone TC (Trombone)Tenor Sax (Trombone)
$6.00
5.38 €
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Orchestra
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Thomas Campbell
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Performance Time approx
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AND CAN IT BE for CHURCH ORCHESTRA
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arrangements by GPoehlmann
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SheetMusicPlus
C Jam Blues for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
11.64 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
17.88 €
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Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Valor (for Brass Quintet & Percussion)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95
17.88 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
67.23 €
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Concert band
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Gregory Fritze
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Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Musica Nova USA
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SheetMusicPlus
Delibes: Duo des Fleurs for Euphonium Duo & Piano
2 Euphoniums (duet)
Instrumental Duet Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.5524…
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Instrumental Duet Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.552413 Composed by Leo Delibes (1836-1891. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and parts. 7 pages. Jmsgu3 #6342753. Published by jmsgu3 (A0.552413). Duo of the flowers from Lakme, Act I. A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
$26.95
24.16 €
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2 Euphoniums (duet)
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Leo Delibes
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Delibes: Duo des Fleurs for Euphonium Duo & Piano
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jmsgu3
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SheetMusicPlus
Delibes: Duo des Fleurs for Viola Duo & Piano
2 Violas (duet)
Viola Duet Viola - Level 3 - Digital Download SKU: A0.552402 Composed by Leo Delibe…
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.552402 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score. 7 pages. Jmsgu3 #6342537. Published by jmsgu3 (A0.552402). Duo of the flowers from Lakme, Act I, A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
$26.95
24.16 €
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2 Violas (duet)
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Leo Delibes
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Delibes: Duo des Fleurs for Viola Duo & Piano
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jmsgu3
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SheetMusicPlus
Delibes: Duo des Fleurs for Violin Duo & Piano
2 Violins (duet)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.552401 Composed by Leo Deli…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.552401 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards,Wedding. 7 pages. Jmsgu3 #6342505. Published by jmsgu3 (A0.552401). Duo of flowers from Lakme, Act I. A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
$26.95
24.16 €
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2 Violins (duet)
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Leo Delibes
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Delibes: Duo des Fleurs for Violin Duo & Piano
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jmsgu3
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SheetMusicPlus
Delibes: Duo des Fleurs for Flute Duo & Piano
2 Flutes (duet)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.552403 Composed by Leo Delibe…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.552403 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score. 7 pages. Jmsgu3 #6342523. Published by jmsgu3 (A0.552403). Duo of the flowers from Lakme, Act I. A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
$26.95
24.16 €
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2 Flutes (duet)
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Leo Delibes
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Delibes: Duo des Fleurs for Flute Duo & Piano
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jmsgu3
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SheetMusicPlus
Delibes: Duo des Fleurs for French Horn Duo
2 French horns (duet)
French Horn Duet Horn - Level 3 - Digital Download SKU: A0.552412 Composed by Leo D…
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French Horn Duet Horn - Level 3 - Digital Download SKU: A0.552412 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score. 7 pages. Jmsgu3 #6342693. Published by jmsgu3 (A0.552412). Duo of the flowers from Lakme, Act I. A popular wedding selection. Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
$26.95
24.16 €
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2 French horns (duet)
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Leo Delibes
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Delibes: Duo des Fleurs for French Horn Duo
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jmsgu3
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SheetMusicPlus
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