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Libera Me from "Requiem"
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You've selected:
Libera Me from "Requiem"
SheetMusicPlus
Sheetmusic to print
15 sheet music found
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1
Libera Me from "Requiem" (Faure) - Brass Band
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Gabriel Fauré, Gabriel Faure
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Rob Bushnell
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Libera Me from "Requiem"
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Rob Bushnell
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1471485 Composed by Gabriel Fauré, Gabriel Faure. Arranged by Rob Bushnell. 19th Century,Classical,Religious,Romantic Period,Sacred. Brass Band. 79 pages. Rob Bushnell #1049258. Published by Rob Bushnell (A0.1471485). Composed between 1887 and 1890, Gabriel Fauré’s Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM’s Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Fauré himself said “My Requiem wasn't written for anything – for pleasure, if I may call it that!” It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Fauré called “un petit Requiem”) was first performed on 16 January 1888, with Fauré conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer’s own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Fauré once said of the work, “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest. Upon interview, he also said, “It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=fXwFNoBHCf0.
$44.99
Libera Me from "Requiem"
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Trombone ensemble
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INTERMEDIATE
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Gabriel Faure
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Robert Hendrickson
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Libera Me from "Requiem"
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Rob Hendrickson
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SheetMusicPlus
Trombone Ensemble Trombone - Level 3 - Digital Download SKU: A0.1214934 By Gabriel Faure. By Gabriel Faure. Arranged by Robert Hendrickson. 19th Century,...
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Trombone Ensemble Trombone - Level 3 - Digital Download SKU: A0.1214934 By Gabriel Faure. By Gabriel Faure. Arranged by Robert Hendrickson. 19th Century,Christian,Classical,Religious. 21 pages. Rob Hendrickson #811825. Published by Rob Hendrickson (A0.1214934). Arranged for Trombone Double Quartet (8 players). Move solo from 3rd part, 1st quartet to another player if desired.
$1.99
Libera Me from Faure Requiem in D Minor Op.48 Arranged for Solo Piano
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Piano solo
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Dirk Chan
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Dirk Chan
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Libera Me from Faure Requiem i
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Dirk Chan Music Pty Ltd
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1337362 By Dirk Chan. By Gabriel Faure. Arranged by Dirk Chan. 19th Century,Classical,Religious,Romantic Period,Sac...
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Piano Solo - Digital Download SKU: A0.1337362 By Dirk Chan. By Gabriel Faure. Arranged by Dirk Chan. 19th Century,Classical,Religious,Romantic Period,Sacred. Score. 4 pages. Dirk Chan Music Pty Ltd #923178. Published by Dirk Chan Music Pty Ltd (A0.1337362). Libera Me from Faure Requiem in D Minor Op.48 Arranged for Solo Piano is my arrangement of this beautiful work by Gabriel Fauré. Written from 1887 to 1900, the requiem originally for baritone, soprano, choir, organ and orchestra contains the Libera Me, which begins with a pulsing baseline, haunting melody by the baritone, with harmonies of Faure filled with nostalgia and romanticism. The middle section chorale is a brief interlude before a forte section followed by a return of the pulsing baseline to invite in the return of the melody and first subject, to a soft finish. This piece is a wonderful journey, one of the most beautiful works by Faure and the romantic classical music era, and wonderful to play and listen to. Enjoy!
$11.99
Libera Me from the Faure Requiem
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Classical
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Gabriel Faure
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Joe Williams
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Libera Me from the Faure Requi
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Joe Williams
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SheetMusicPlus
String Ensemble Violin - Level 3 - Digital Download SKU: A0.1103112 Composed by Gabriel Faure. Arranged by Joe Williams. Classical,Romantic Period. Score...
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String Ensemble Violin - Level 3 - Digital Download SKU: A0.1103112 Composed by Gabriel Faure. Arranged by Joe Williams. Classical,Romantic Period. Score and parts. 34 pages. Joe Williams #706441. Published by Joe Williams (A0.1103112). Faure's Requiem is a classic in the choral repertoire. Full of wonderful tunes and gorgeous harmonies. Here, the Libera Me has been arranged for a violin ensemble with 8 parts.
$6.99
DIES IRAE from REQUIEM by G. Verdi
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Giuseppe Verdi
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Alessandro Macrì
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DIES IRAE from REQUIEM by G. V
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Capp...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00
Faure: Requiem Op.48: I. Introit et Kyrie - brass quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Gabriel Faure
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Ray Thompson
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ff
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Faure: Requiem Op.48: I. Intro
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RayThompsonMusic
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.553458 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,C...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.553458 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Christian,Contemporary,Sacred. Score and parts. 10 pages. RayThompsonMusic #2918103. Published by RayThompsonMusic (A0.553458). Arranged for standard brass quintet.very effective piece for brass...alternating bars of p & ff .The vocal solo in the Kyrie is given to trumpet 1 in the main...I have also reduced the instrumention in places, rather than tutti throughout.Check out my other brass quintet of Libera Me from the Requiem.
$6.95
Libera Me, Domine (SAB) Piano Accompaniment Track
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Piano Accompaniment
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Carol Troutman Wiggins
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Carol Troutman Wiggins
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Libera Me, Domine
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano - Digital Download SKU: A0.1065754 Composed by Carol Troutman Wiggins. Arranged by Carol Troutman Wiggins. Christian,Contemporary,Sacred,Spir...
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Choir,Piano - Digital Download SKU: A0.1065754 Composed by Carol Troutman Wiggins. Arranged by Carol Troutman Wiggins. Christian,Contemporary,Sacred,Spiritual. Accompaniment. Duration 173. Carol Troutman Wiggins #4810727. Published by Carol Troutman Wiggins (A0.1065754). LIBERA ME, DOMINE (SAB) Piano Accompaniment Trackfrom the Roman MissalSAB/3-Part Mixed VoicesThe text from Libera Me, Domine comes from the Roman Missal, and is sung during a Requiem Mass, or Mass for the Dead. This arrangement is intense and driving, pleading with God to deliver us from HIs day of judgement and wrath. Great for middle school students and above, or for any church choir.
$3.99
Libera Me, Domine (SAB)
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Choral 3-part
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INTERMEDIATE
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Carol Troutman Wiggins
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Carol Troutman Wiggins
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Libera Me, Domine
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.727564 Composed by Carol Troutman Wiggins. Arranged by Carol Troutman Wiggins. Christian,Classica...
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.727564 Composed by Carol Troutman Wiggins. Arranged by Carol Troutman Wiggins. Christian,Classical,Instructional,Sacred,Spiritual. Octavo. 12 pages. Carol Troutman Wiggins #4810725. Published by Carol Troutman Wiggins (A0.727564). LIBERA ME, DOMINEfrom the Roman MissalSAB/3-Part Mixed VoicesThe text from Libera Me, Domine comes from the Roman Missal, and is sung during a Requiem Mass, or Mass for the Dead. This arrangement is intense and driving, pleading with God to deliver us from HIs day of judgement and wrath. Great for middle school students and above, or for any church choir. Piano Accompaniment track on this site.
$2.50
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
"4.Libera me" from Requiem for mixed choir, baryton, oboe, double-bass (amplified) & percussion
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Choral SATB
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ADVANCED
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Kim Nandfred
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"4.Libera me" from Requiem for
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Kim Nandfred
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1021597 Composed by Kim Nandfred. Christian. Octavo. 8 pages. Kim Nandfred #6104085. Published b...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1021597 Composed by Kim Nandfred. Christian. Octavo. 8 pages. Kim Nandfred #6104085. Published by Kim Nandfred (A0.1021597).
$6.00
Requiem Octet ... In Memoriam Gunther Schuller (2015) for flute, clarinet, 2 bassoons, 2 trumpets, 2
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Thomas Oboe Lee
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Requiem Octet ... In Memoriam
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869389 Composed by Thomas Oboe Lee. 20th Century,Baroque,Clas...
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Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.869389 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 39 pages. Thomas Oboe Lee #431995. Published by Thomas Oboe Lee (A0.869389). I was in the midst of composing this octet for Eric Hewitt and the Boston Conservatory Wind Ensemble when I heard that Gunther Schuller died, on Sunday June 21, 2015. Gunther was my first composition teacher when I was a graduate student at the New England Conservatory of Music in Boston. On impulse I decided to redirect this work to Gunther Schuller, in memoriam. The title is Requiem Octet. All the melodies in the octet are coupled with the Latin text from the requiem. There are eight movements. 1. Requiem aeternam ... 2. Dies irae, dies illa ... 3. Tuba mirum ... 4. Recordare ... 5. Confutatis maledictis ... 6. Lacrimosa ... 7. Libera me ... 8. In paradisum ...RIP, Gunther Schuller, 1925-2015.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/requiem-octet-in-memoriam-gunther-schuller-2015
$9.99
Sanctus from "Requiem" for Trombone Octet
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Trombone ensemble
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ADVANCED
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Giuseppe Verdi
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Malmstrom, Randall
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Sanctus from "Requiem" for Tro
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.810826 Composed by Giuseppe Verdi. Arranged by Malmstrom, Randall. Christian,Opera,Romantic ...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.810826 Composed by Giuseppe Verdi. Arranged by Malmstrom, Randall. Christian,Opera,Romantic Period,Sacred,Spiritual. Score and parts. 40 pages. Gordon Cherry #3418003. Published by Gordon Cherry (A0.810826). Verdi wrote his Requiem in 1874. It has been called one of the greatest operas ever because of its passion and lyricism. The exciting Sanctus movement is also an 8 part double fugue based on the inversion of the melody from Libera Me. Randall Malmstrom has done a wonderful job with his arrangement of this great piece for 8-part Trombone ensemble. The 2 1/2 minute movement is appropriate for advanced performers.
$15.00
Fauré - Libera me domine - Arr. for Baritone solo (no choir)
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Baritone voice, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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David Burkhard
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Fauré - Libera me domine - Ar
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David Burkhard
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.914880 Composed by Gabriel Faure. Arranged by David Burkhard. Concert,Contemporary...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.914880 Composed by Gabriel Faure. Arranged by David Burkhard. Concert,Contemporary,Romantic Period,Sacred. 2 pages. David Burkhard #5740747. Published by David Burkhard (A0.914880). Famous baritone solo from Gabriel Fauré's Requiem. It was arranged without the choir part, in order to perform it in a recital.
$1.99
Pie Jesu/Libera Me
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Brass ensemble
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Classical
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Gabriel Faure
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John Wilson, Paul Hanna
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Pie Jesu/Libera Me
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TBQ Press
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.757172 Composed by Gabriel Faure. Arranged by John Wilson, Paul Hanna. Christian,Contemporary,Romantic Period,S...
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Brass Ensemble - Digital Download SKU: A0.757172 Composed by Gabriel Faure. Arranged by John Wilson, Paul Hanna. Christian,Contemporary,Romantic Period,Sacred. Score and parts. 20 pages. TBQ Press #133025. Published by TBQ Press (A0.757172). From the Requiem.
$23.00
Veni Creator Spiritus (Downloadable)
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Choral SSAATTBB
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Robert Kyr
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Veni Creator Spiritus
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSAATTBB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8748-E Composed by Robert Kyr. 32 pages. Duration 5 minutes...
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SSAATTBB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8748-E Composed by Robert Kyr. 32 pages. Duration 5 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8748-E. Published by E. C. Schirmer Music Company - Digital (MQ.8748-E). Latin.A setting of a composite text by the composer which combines passages from a variety of sources: the Requiem service (Dies irae, Libera me), the Mass (Agnus Dei qui tollis, Agnus Dei dona nobis pacem), and from a hymn attributed to the Benedictine theologian Maurus (776-856) Veni Creator Spiritus. The images of destruction that begin the work are gradually transformed through an invocation of the energies of creation, as the music of the first half (in minor mode) dissolves into the bright music of the conclusion (in major mode). Duration 5:40.
$3.35
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