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Light and sorrow - Piano Solo
Sheetmusic to print
8 sheet music found
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1
Fantasy on the 12 Days of Christmas for Pompous Egocentric Soloist and String Orchestra
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String Orchestra
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EASY
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Christmas
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Traditional
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Kenneth Baird
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Fantasy on the 12 Days of Chri
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Kenneth Baird Music
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1275415 Composed by Traditional. Arranged by Kenneth Baird. Christmas,Classical,Comedy,Holiday,Trad...
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String Orchestra - Level 2 - Digital Download SKU: A0.1275415 Composed by Traditional. Arranged by Kenneth Baird. Christmas,Classical,Comedy,Holiday,Traditional. Score and Parts. 28 pages. Kenneth Baird Music #867338. Published by Kenneth Baird Music (A0.1275415). Fantasy on the Twelve Days of Christmas for Pompous Egocentric Soloist and String Orchestra.Hilarious! This solo feature will undoubtedly be the most talked-about selection on your Winter concert! While the Twelve Days of Christmas has long been a Christmas holiday favorite, you’ve never heard it played like this before. Here is an opportunity for the musical AND comedic talents of one of your most advanced players to be featured! The soloist plays the role of an accomplished, yet most pretentious and self-aggrandizing soloist. The accompanying orchestra parts are not difficult, although a more advanced orchestra will be able to make even more of the light-hearted and occasionally dramatic accompaniment. A two-page outline of suggestions are also provided to help enhance the comedy, but you are invited to put your own comedic stamp on the performance. Early in the work, the soloist has a few very simple solo passages which he or she deftly and smugly executes flawlessly. As the music proceeds, the soloist is highlighted with several showy, but brief, cadenzas. The mood then changes and becomes melodramatic and sorrowful, perhaps requiring a stagehand to produce a handkerchief and dry the tears of the soloist (and perhaps the conductor). The work ultimately concludes in a joyful and spirited manner. Your audience will long remember Fantasy on the Twelve Days of Christmas. Arranged for Solo Cello with string orchestra, optional solo parts for viola and for violin are also provided.
$35.00
Sadness And Sorrow
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Violin
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INTERMEDIATE
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Purojekuto Musashi
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Edward M
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Sadness And Sorrow
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Edward M
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SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.1515371 Composed by Purojekuto Musashi. Arranged by Edward M. Children,Classical,Film/TV,Multicultural,V...
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Violin Solo - Level 3 - Digital Download SKU: A0.1515371 Composed by Purojekuto Musashi. Arranged by Edward M. Children,Classical,Film/TV,Multicultural,Video Game,World. 1 pages. Edward M #1089728. Published by Edward M (A0.1515371). Transcription of 'Sadness and Sorrow,' an intermediate-level piece perfect for practicing bow distribution on the violin, featuring expressiveness, slurs, and bowings that highlight its melancholic character.
$10.00
The William Bay Collection - Sacred Guitar Solo Anthology #2
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Guitar
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INTERMEDIATE
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Sacred music
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The William Bay Collection - S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. ...
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Guitar - Intermediate - Digital Download SKU: M0.WBM75MEB Folk. Ebook and online audio. 141 pages. Mel Bay Publications - Digital Sheet Music #WBM75MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM75MEB). ISBN 9781513478005. 8.75X11.75 inches.This is a collection of 86 guitar solos in notation only from William Bay’s books, Solo Guitar in Worship, Communion, Psalms, Timeless Gospel Melodies and Spirituals. The solos work well as preludes, offertories, communion hymns, recessionals or they can be played for enjoyment. All 86 solos have been recorded and are available as online downloads with this book.
Song List
:
Adoro Devote
All My Trials
All the Way My Savior Leads Me Lowry CrosbyINeed Thee Every Hour Lowry Hawks
Balm in Gilead
Benediction
Bread of the World Eucharistic Hymn
Canticle #1
Canticle #2
Close to Thee Vail Crosby Every Day and Every Hour Doane Crosby
Come to the Feast
Compline
Consecration
Deep River
Evening Prayer
Gloria
God Unseen Yet Ever Near St Flavian
Have Thine Own Way, Lord Adelaide
He Hideth My Soul Kirkpatrick Crosby
Here, O My Lord, I See Thee Face to Face Penitentia
Higher Ground Gabriel Oatman
Hold to God’s Unchanging Hand Eiland
Holy Is The Lord
I Love to Tell the Story Fischer Hankey
At the Cross Hudson Watts
I Will Arise and Go to Jesus Arise
I Will Praise Him Harris More Love to Thee Doane Prentiss
Jesu, Joy of Man’s Desiring
Jesus Paid It All Grape HallI Am Coming, Lord Hartsough
Jesus Spreads His Banner O’er Us Autumn
Just As I Am Woodworth
Kyrie Eleison
Lamb Of God
Lenten Meditation
Let All Mortal Flesh Keep Silence Picardy
Let Us Break Bread Together
Light Of The World
Litany
Lonesome Valley
Look Down That Lonesome Road
Lord, I’m Coming Home Kirkpatrick Draw Me Nearer Kirkpatrick Crosby
Lord, Speak to Me Canonbury
Meditation on Psalm
My Faith Looks Up to Thee Olivet
My Lord, My God
My Shepherd Will Supply My Need
Resignation
Nearer, My God, to Thee Bethany
Never Alone Anon
Night Prayer
Nobody Knows The Trouble I’ve Seen
O Esca Viatorum
Pass Me Not Doane Crosby
Only Trust Him Stockton
Peace
Praxis Pietatis Melica
Prayer
Prayer of Simeon
Psalm 102:1 Hear My Prayer, O Lord
Psalm 118:24 This Is the Day That the Lord Hath Made
Psalm 119:28 My Soul Is Heavy with Sorrow
Psalm 126:6 They That Sow in Tears
Psalm 128:1 Blessed Are They That Fear the Lord
Psalm 139:7 Where Shall I Go From Thy Spirit
Psalm 142:3 When My Spirit Grows Faint Within Me
Psalm 144:3 Lord, What Is Man
Psalm 16:1 Keep Me Safe, O God
Psalm 19:1 The Heavens Declare the Glory of God
Psalm 34:18 The Lord Is Close to the Broken Hearted
Psalm 65:2 Thou That Hearest Prayer
Psalm 88:13 Unto Thee Have I Cried, O Lord
Rendez a Dieu
Sanctus
Shall We Gather at the River Lowry
Softly And Tenderly
Sometimes I Feel Like a Motherless Child
St Gregory Chorale
Steal Away
Sweet By and By Webster Bennett Leaning on the Everlasting Arms Showalter Hoffman
Sweet Hour of Prayer Showalter Hoffman Is Your All on the Altar Hoffman
Swing Low, Sweet Chariot
The Lord’s Supper Way
To God Be the Glory Doane Crosby
Turn Your Eyes Upon Jesus He Is Lord
Wade In The Water
Wayfaring Stranger
We Give Thee Thanks
Were You There
What a Friend We Have in Jesus Converse
When I Lay My Burdens Down
$24.99
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
COOL MUSIC FOR COOL CHOIR - 22 Arrangements SATB Gospel Spiritual Traditional Christmas
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Choral SATB
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EASY
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The Riverside
16 T
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Michael Beier
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just buy 2 - Thank you
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COOL MUSIC FOR COOL CHOIR - 22
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Michael Beier
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.992985 Composed by Michael Beier. A Cappella,Christmas,Folk,Spiritual,Traditional. Octavo. 53 pa...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.992985 Composed by Michael Beier. A Cappella,Christmas,Folk,Spiritual,Traditional. Octavo. 53 pages. Michael Beier #4283637. Published by Michael Beier (A0.992985). A great Mix for your Choir, your a cappella band, your school choir.22 brand new SATB arrangements of Gospel-Songs, Spirituals, Traditionals and Christmas Songs. Many solo opportunities.  Easy to intermediate.    Well known Goodies as well as some new tunes, your audience will love it.      Optional add a band (chord symbals for most songs)         51 pages of cool music, not available anywhere else. For permission to print unlimited copies and to perform ==> just buy 2 - Thank you.Content: 1 Glory Glory Halleluja 2 This Little Light Of Mine 3 All Night All Day 4 Joshua Fit The Battle Of Jericho 5 Oh When The Saints Go Marching In 6 Kumbaya 7 Listen To My Song Oh Lord 8 Amazing Grace 9 Ev'ry Time I Feel The Spirit 10 He's Got The Whole World 11 Deep River 12 Blessing/Segen 13 Cotton Needs Pickin' 14 Way Down Upon The Swanee River 15 Down By The Riverside 16 Tears Of Sorrow, Tears Of Joy 17 The Water Is Wide 18 God Rest Ye Merry Gentlemen 19 Coventry Carol 20 Oh Christmas Tree/Oh Tannenbaum 21 There Comes A Galley Laden/ Es kommt ein Schiff geladen 22 Jingle BellsEnjoy the music as we do.If you like check more of my arrangements: Michael Beier
$3.00
Angels Came Singing - an original hymn for SATB voices
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Sacred music
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Kevin G
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Angels Came Singing - an origi
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701496 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Easter,Praise & Worship,Sa...
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701496 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Easter,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3135415. Published by Kevin G. Pace (A0.701496). An original hymn. Could be used as a Christmas or an Easter hymn. Text by Krista Pace below.YouTube video: https://youtu.be/s21oDdYj2HcGreat are the words of prophets of old Who spoke of a King to come as foretold; A Savior, Redeemer, to rule and to reign; Taking our sorrow, grief, loss, and pain. Angels came singing, sent from above Revealing as promised, our Father’s love; Teaching the world of His plan for all men That through God’s own Son, we’d come home again. Chosen of God, a virgin so fair Was blessed from on high, a Son she would bear, And call His name Jesus, for He was the One; His life to offer, Thy will be done. Angels came singing, sent from above Declaring glad tidings, our Father’s love; Shepherds and wise men would reverently bend For Jesus was born, the Savior of men. Women did come, their spices prepared; Still grieving the loss of life thus not spared. Then, finding the tomb with the stone rolled away Void of His body, cried in dismay. Angles came singing, sent from above Why seek ye the living? Our Father’s Love Rising, thus breaking the death bands to give A promise of life to all who would live. Seeking for truth, he knelt down to pray; Disturbed by the strife of men in his day. A pillar of light shone around this young boy; Christ and His Father answered in joy. Angels came singing, sent from above; Proclaiming the good news, our Father’s love; Full restoration of truth to the Earth; That all may rejoice, His gift of great worth. This Christmas (Easter) day, I ponder anew His birth, life, and death; my covenants true, And His resurrection that leads to my own; Prophets still leading, guiding me home. Angels are singing, sent from our home Protecting our children, loved ones who roam. One day we'll join them to sing in His light. He’s coming again in glory and might.
$1.99
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Es ist ein Ros entsprungen (a Rose every blooming) (mp3)
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Christmas
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David Warin Solomons
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David Warin Solomons
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Es ist ein Ros entsprungen
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David Warin Solomons
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SheetMusicPlus
Choir - Level 3 - Digital Download SKU: A0.1310123 By David Warin Solomons (as the dwsChorale). By Michael Praetorius. Arranged by David Warin Solomons. ...
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Choir - Level 3 - Digital Download SKU: A0.1310123 By David Warin Solomons (as the dwsChorale). By Michael Praetorius. Arranged by David Warin Solomons. Christmas,Holiday,Religious. Full Performance. Duration 140. David Warin Solomons #899261. Published by David Warin Solomons (A0.1310123). Es ist ein Ros entsprungen, by Michael Praetoriusperformed by the dwsChorale (one-man multitrack choir)  [sung three voices to a part]Es ist ein Ros entsprungen aus einer Wurzel zart, A rose has sprung upfrom a tender rootwie uns die Alten sungen, von Jesse kam die Art as the ancients sang to usthe line came from Jesseund hat ein Blümlein bracht and brought forth a little flowermitten im kalten Winter wohl zu der halben Nacht.in the middle of cold winter when the night was half spent  [sung one voice to a part]Das Blümlein, das ich meine, davon Jesaja sagt, The little flower I meanof which Isiah speakshat uns gebracht alleine Marie, die reine Magd, was brought to us onlyby Marie the pure maidenaus Gottes ew'gem Rat from God's eternal wisdomhat sie ein Kind geboren, welches uns selig machtshe bore a child who makes us blessed   [sung three voices to a part]Das Blümelein so kleine, das duftet uns so süss, The little flower so tinysmells so sweet to usmit seinem hellen Scheine vertreibt's die Finsternis. with its bright lightdispels the darknessWahr' Mensch und wahrer Gott, True Man and true Godhilft uns aus allem Leide, rettet von Sünd und Tod.he helps us from all our sorrows and saves us from sin and death.
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