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Lost Youth
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You've selected:
Lost Youth
SheetMusicPlus
Sheetmusic to print
30 sheet music found
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1
26
My Lost Youth
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Piano solo
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EASY
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Tom Edward Clark
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My Lost Youth
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Tom Edward Clark
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.991758 Composed by Tom Edward Clark. 20th Century,Contemporary,Standards. Score. 6 pages. Tom Edward Clar...
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Piano Solo - Level 2 - Digital Download SKU: A0.991758 Composed by Tom Edward Clark. 20th Century,Contemporary,Standards. Score. 6 pages. Tom Edward Clark #3074697. Published by Tom Edward Clark (A0.991758). My Lost Youth is a beautiful piece for solo piano. Written in 1995 by contemporary composer Tom Edward Clark (1968-), this lovely and uplifting melody will be enjoyed by pianists and listeners alike. PDF is formatted for double-sided printing. Early-intermediate level. www.TomClarkMusic.com
$3.50
Early Lost and Early Found
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Piano, Voice
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I
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Early Lost and Early Found
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.3094 Composed by I.B. Woodbury. Infants, Children, Youth, Death, Angels, Heaven. Lester S. Levy Collection. 3 ...
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Piano and voice - Digital Download SKU: LV.3094 Composed by I.B. Woodbury. Infants, Children, Youth, Death, Angels, Heaven. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3094). Early Lost and Early Found. Words by the Rev. Geo. W. Bethune. Music Composed by I.B. Woodbury. Published 1846 by C. Bradlee & Co., 184 Washington St. in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Infants, Children, Youth, Death, Angels, Heaven. First line reads Within that downy cradle there lay a little child.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Vier Lieder aus Des Knaben Wunderhorn (Four Songs from the Youth's Magical Horn) Trombone & Piano
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Gustav Mahler
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Ralph Sauer
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Vier Lieder aus Des Knaben Wun
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 4 - Digital Download SKU: A0.1013891 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages...
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Piano,Trombone - Level 4 - Digital Download SKU: A0.1013891 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #619474. Published by Gordon Cherry (A0.1013891). The songs of Des Knaben Wunderhorn (The Youth's Magic Horn) by Gustav Mahler are set for voice and piano and voice and orchestra taken from German folk poems assembled and published by editors Arnim and Brentano around 1805-08. The Vier Lieder beautifully edited for Trombone (Tenor or Bass) by Ralph Sauer are taken from Mahler's fourth set of these poems published in 1899. The four songs are: I. Wer hat dies Liedlein erdacht? (Who has created this song?) II. Lob des hohen Verstandes (In praise of lofty intellect) III. Verlor’ne Müh’ (Labor lost) IV. Lied des Verfolgten im Turm (Song of the persecuted in the tower) Mr. Sauer also includes the German lyrics with English translations. Altogether the songs are about 12 minutes in length. The range is suitable for moderately advanced performers.
$27.50
Vier Lieder aus Des Knaben Wunderhorn (Four Songs from the Youth's Magical Horn) Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Gustav Mahler
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Ralph Sauer
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Vier Lieder aus Des Knaben Wun
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 4 - Digital Download SKU: A0.1034421 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 page...
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.1034421 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #639768. Published by Gordon Cherry (A0.1034421). The songs of Des Knaben Wunderhorn (The Youth's Magic Horn) by Gustav Mahler are set for voice and piano and voice and orchestra taken from German folk poems assembled and published by editors Arnim and Brentano around 1805-08. The Vier Lieder, beautifully edited for Euphonium and Piano by Ralph Sauer are taken from Mahler's fourth set of these poems published in 1899. The four songs are: I. Wer hat dies Liedlein erdacht? (Who has created this song?) II. Lob des hohen Verstandes (In praise of lofty intellect) III. Verlor’ne Müh’ (Labor lost) IV. Lied des Verfolgten im Turm (Song of the persecuted in the tower) Mr. Sauer also includes German lyrics with English translations. Altogether the songs are about 12 minutes in length. The range is suitable for moderately advanced performers.
$27.50
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Choral SATB
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INTERMEDIATE
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Dandelion Music Press
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I Would Rock My Child to Sleep
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion M...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Choral SATB
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INTERMEDIATE
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Traditional Irish
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Laurie Betts Hughes
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#
Old Beggarman from "Lost Songs
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Lost Songs of Ancient Ireland [SATB with Treble Descant]
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Choral SATB
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INTERMEDIATE
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Celtic/Irish
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Folkloric/Traditional
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Traditional Irish
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Laurie Betts Hughes
#
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Lost Songs of Ancient Ireland
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25
Lost Youth
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Johannes Brahms
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Bill Schuetter
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Lost Youth
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Imagine Music - Digital
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SheetMusicPlus
(From Five Songs Op. 104). By Johannes Brahms (1833-1897). Arranged by Bill Schuetter. For woodwind quintet. Level 3+. Score and parts. Duration 1 minute 45 sec...
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(From Five Songs Op. 104). By Johannes Brahms (1833-1897). Arranged by Bill Schuetter. For woodwind quintet. Level 3+. Score and parts. Duration 1 minute 45 seconds. Published by Imagine Music - Digital
$12.00
The Bonnie Banks of Loch Lomond (SSATB)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Traditional
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Sara Garrard
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The Bonnie Banks of Loch Lomon
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Sara Garrard
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.819480 Composed by Traditional. Arranged by Sara Garrard. A Cappella,Contemporary,Folk,Gr...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.819480 Composed by Traditional. Arranged by Sara Garrard. A Cappella,Contemporary,Folk,Graduation,World. Octavo. 8 pages. Sara Garrard #6097335. Published by Sara Garrard (A0.819480). Arrangement of the traditional Scottish folk song. Suitable for full choir or a quintet / small a capella ensemble, this is a challenging arrangement that will reward with rich harmonies and interweaving lines.Rehearsal recording.A possible story being told through these lyrics (of which many variants exist) is of a soldier's farewell - taken prisoner and sentenced to be executed, he will take the low road home through death - to a friend or lover with whom he shared an idyllic lost youth. The verses tell of the beauty of the landscape of their childhood home and how nature keeps going, spring coming again each year, regardless of their trials and sadness. The world does na ken how we're greetin': The world does not know how we're grieving
$4.50
End of an Era
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Susan Brown
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End of an Era
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Susan Brown
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SheetMusicPlus
String Ensemble - Level 2 - Digital Download SKU: A0.1101781 Composed by Susan Brown. Chamber,Classical,Traditional. 48 pages. Susan Brown #705164. Publi...
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String Ensemble - Level 2 - Digital Download SKU: A0.1101781 Composed by Susan Brown. Chamber,Classical,Traditional. 48 pages. Susan Brown #705164. Published by Susan Brown (A0.1101781). 3 pieces for strings - a reflection of an unexpectedly fast changing world as witnessed since the beginning of this decade. Can be played as separate movements or flowing into each other. Passing opens with shock, disbelief and realisation that change has begun, followed by questioning why, and anger at at the loss of what was once a world understood to a feeling of being left behind. A feeling of the passing of time and lost youth gives way to self-pity and sadness. Anger follows, then resistance, then reflection on the speed of such change. Ultimately resignation. Looking back through the rose-tinted glasses of Reminiscing brings forth varied memories of times past and what hindsight deems to be 'those halcyon days'. Apprehensively Emerging into the new territory of change. Initially accepting the opportunities of it, then cautious and worried about the unknown to finally the knowledge that change will happen anyway - so just get on with it!
$15.00
Down By The Sally Gardens (Easy Piano Version)
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Piano solo
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EASY
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Celtic/Irish
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Folkloric/Traditional
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Traditional
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Jan-Frerk Jelend
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Down By The Sally Gardens
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Jan-Frerk Jelend
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.942969 Composed by Traditional. Arranged by Jan-Frerk Jelend. Celtic,Contemporary,Folk,World. Score. 1 pa...
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Piano Solo - Level 2 - Digital Download SKU: A0.942969 Composed by Traditional. Arranged by Jan-Frerk Jelend. Celtic,Contemporary,Folk,World. Score. 1 pages. Jan-Frerk Jelend #3916991. Published by Jan-Frerk Jelend (A0.942969). ABOUT THE PIECEThis is a piano arrangement of the beautiful Irish ballad It was down by the Sally Gardens with lyrics by the famous poet William Butler Yeats. The song speaks about broken love and lost youth. My piano arrangement uses simple popular harmonies to let enough room to the beautiful Irish tune. The piece is rather easy to play (level 2-3), but develops a nice sound, and is really fun to learn and perform!If you want to contact me, send me an email to jf.jelend(AT)web.de
$2.49
A Moon, A Minute
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
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SheetMusicPlus
Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew...
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Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50
To Cassandra for spoken voice and bassoon
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David Warin Solomons
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To Cassandra for spoken voice
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.576771 Composed by David Warin Solomons. 20th Century,Contemporary...
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Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.576771 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 2 pages. David Warin Solomons #431373. Published by David Warin Solomons (A0.576771). Setting of my father's translation of Ronsard's poem A Cassandre for speaking voice and bassoon In the sound sample the poem is spoken by my father S N Solomons The bassoon part is based on the song To Cassandra for alto and guitar, which is also available on this site [English translation by SN Solomons] Darling, come see the rose so red, Which this morn timidly had spread Her mantle to the eye of day. Come see if she has lost this e'en Her crimson pleated robe's soft sheen, That same blush which on your cheek plays. See how in but a paltry hour She has let fall her ailing flower. Her beauty lies there in the dust! Alas! How cruel is Mother Nature, Since such a blossom can endure Only from trembling dawn to dusk. Darling you must indeed believe, Whilst innocence within you cleaves The bud and blooms in purity, Garner the gifts of tender youth, For, like this flower, age in sooth Will sadly spoil and tarnish beauty. [Ronsard's original poem] Mignonne, allons voir si la rose Qui ce matin avoit desclose Sa robe de pourpre au Soleil, A point perdu ceste vesprée Les plis de sa robe pourprée, Et son teint au vostre pareil. Las ! voyez comme en peu d'espace, Mignonne, elle a dessus la place Las ! las ses beautez laissé cheoir ! Ô vrayment marastre Nature, Puis qu'une telle fleur ne dure Que du matin jusques au soir ! Donc, si vous me croyez, mignonne, Tandis que vostre âge fleuronne En sa plus verte nouveauté, Cueillez, cueillez vostre jeunesse : Comme à ceste fleur la vieillesse Fera ternir vostre beauté.
$8.00
October 1974, Cohoes (Confrontation and Finale)
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Baritone voice, Piano
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INTERMEDIATE/ADVANCED
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
The Table and the Chair (for SATB with optional childrens' choir)
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Choral SATB
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INTERMEDIATE
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Alan Bullard
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The Table and the Chair
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1178799 Composed by Alan Bullard. Children,Comedy. Octavo. 8 pages. Colne Edition / BullardMusic...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1178799 Composed by Alan Bullard. Children,Comedy. Octavo. 8 pages. Colne Edition / BullardMusic #778764. Published by Colne Edition / BullardMusic (A0.1178799). Rediscover the magical world of Edward Lear through a conversation between a table and a chair as they learn to walk, wander through the town, get a little lost, and finally dine together on beans and bacon! The Table and the Chair (Colne Edition) is a movement from Mr Lear, an entertainment for SATB choir with optional childrens’ choir and narrator, with piano or brass quintet. Three of the songs (including this one) are also available together as Three Nonsense Songs, all from this site.Alan Bullard's choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard's pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk
$1.99
Carousel for string orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Jennifer Bellor
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Carousel for string orchestra
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Bellor
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1244242 Composed by Jennifer Bellor. 21st Century,Classical,Contemporary,Instructional. Score and P...
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String Orchestra - Level 4 - Digital Download SKU: A0.1244242 Composed by Jennifer Bellor. 21st Century,Classical,Contemporary,Instructional. Score and Parts. 36 pages. Bellor #839166. Published by Bellor (A0.1244242). For string orchestra Level 4 Composed by Jennifer Bellor (www.jenniferbellor.com) Duration: 5'Score and Parts Carousel is inspired by the piece Alone in Kyoto by the french band Air which was featured in the Sophia Coppola Film, Lost in Translation. Scarlett Johansson’s character is exploring the Heian Shrine by herself to the sounds of electronic music, plucked piano and guitar. Carousel features rhythmic pizzicato strings in all four parts with bowed solos in the violins and cellos. The constant driving pizzicatos evoke the feeling of being on a mysterious carousel.Carousel was premiered by the Las Vegas Youth Chamber Orchestra on May 1, 2023, conducted by Tim Warren.
$99.99
Falling Apart-A Cabaret Song
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Voice solo
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INTERMEDIATE
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Broadway
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Teresa O'Connell
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Falling Apart-A Cabaret Song
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Teresa O'Connell
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SheetMusicPlus
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.956024 Composed by Teresa O'Connell (BMI). Broadway,Contemporary. 9 pages. Teresa O'Connell (BMI) #...
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.956024 Composed by Teresa O'Connell (BMI). Broadway,Contemporary. 9 pages. Teresa O'Connell (BMI) #5711245. Published by Teresa O'Connell (BMI) (A0.956024). Falling Apart- A Cabaret Song is a comedic song for the male or female over fifty singer. With proven audience appeal, relatable lyrics, and a catchy melody, Falling Apart- A Cabaret Song is the perfect addition to your cabaret show. Need a different key? Contact Teresa O'Connell directly at teresa@tjomusicsongs.com. A piano backing track is available for purchase on sheetmusicplus.com (item #767953).I'm falling apart, but not like you think...no lover lost, no sad farewell. Instead, I am sad because my youth is no more...just a thing of the past...So I buy expensive wrinkle cream and secretly try Botox. I'll save up for some Lipo, or get COOL SCULPTED! Try Zumba, and Yoga, and that boxing where you Kick. I'll eat less and move more, not accept time's cruel trick...But we'll fall apart together, my friends and me. We're sexy and grateful and free. We're falling apart, my friends and me. This is a guaranteed winner!
$9.99
A Cassandre for spoken voice and bassoon
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David Warin Solomons
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A Cassandre for spoken voice a
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Voice - Digital Download SKU: A0.576770 Composed by David Warin Solomons. Contemporary,Renaissance. Score and...
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Instrumental Duet Bassoon,Instrumental Duet,Voice - Digital Download SKU: A0.576770 Composed by David Warin Solomons. Contemporary,Renaissance. Score and parts. 2 pages. David Warin Solomons #429021. Published by David Warin Solomons (A0.576770). Setting of Ronsard's poem A Cassandre for speaking voice and bassoon In the sound sample the poem is spoken in modern French by my father S N Solomons who also created an English version as shown below The bassoon part is based on the song To Cassandra for alto and guitar, using my father's translation, which is also available on this site Mignonne, allons voir si la rose Qui ce matin avoit desclose Sa robe de pourpre au Soleil, A point perdu ceste vesprée Les plis de sa robe pourprée, Et son teint au vostre pareil. Las ! voyez comme en peu d'espace, Mignonne, elle a dessus la place Las ! las ses beautez laissé cheoir ! Ô vrayment marastre Nature, Puis qu'une telle fleur ne dure Que du matin jusques au soir ! Donc, si vous me croyez, mignonne, Tandis que vostre âge fleuronne En sa plus verte nouveauté, Cueillez, cueillez vostre jeunesse : Comme à ceste fleur la vieillesse Fera ternir vostre beauté. [English translation by SN Solomons] Darling, come see the rose so red, Which this morn timidly had spread Her mantle to the eye of day. Come see if she has lost this e'en Her crimson pleated robe's soft sheen, That same blush which on your cheek plays. See how in but a paltry hour She has let fall her ailing flower. Her beauty lies there in the dust! Alas! How cruel is Mother Nature, Since such a blossom can endure Only from trembling dawn to dusk. Darling you must indeed believe, Whilst innocence within you cleaves The bud and blooms in purity, Garner the gifts of tender youth, For, like this flower, age in sooth Will sadly spoil and tarnish beauty.].
$8.00
Going Home
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Pop music
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marty harwell
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Going Home
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SONGLIGHT PRODUCTIONS
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.943171 Composed by marty harwell. Pop. Score and parts. 3 pages. SO...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.943171 Composed by marty harwell. Pop. Score and parts. 3 pages. SONGLIGHT PRODUCTIONS #4602639. Published by SONGLIGHT PRODUCTIONS (A0.943171). ... poignant reflections on time and youth long lost ...
$2.99
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Tenor voice
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ADVANCED
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Baritone voice, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabri...
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
When icicles hang by the wall
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Choral 3-part
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Stephen Hatfield
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When icicles hang by the wall
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Oxford University Press Digital
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SheetMusicPlus
SSA chorus - Digital Download SKU: OX.9780193545342 Composed by Stephen Hatfield. Sheet music. Octavo. 8 pages. Oxford University Press Digital #97801935...
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SSA chorus - Digital Download SKU: OX.9780193545342 Composed by Stephen Hatfield. Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193545342. Published by Oxford University Press Digital (OX.9780193545342). ISBN 9780193545342.From the collection Hark, hark, the lark, 'When icicles hang by the wall' is a setting by Stephen Hatfield of words from Shakespeares Loves Labours Lost. Scored for unaccompanied upper voices, this piece makes characterful use of word painting and is ideal for adult and youth choirs.
$3.65
An Acre of Grass, poem by William B Yeats
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Contemporary
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Mary Ann Joyce
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An Acre of Grass, poem by Will
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Mary Ann Joyce-Walter
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SheetMusicPlus
Small Ensemble Cello,Piano,Voice - Level 5 - Digital Download SKU: A0.989221 Composed by Mary Ann Joyce. 20th Century,Contemporary. Score and parts. 11 p...
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Small Ensemble Cello,Piano,Voice - Level 5 - Digital Download SKU: A0.989221 Composed by Mary Ann Joyce. 20th Century,Contemporary. Score and parts. 11 pages. Mary Ann Joyce-Walter #6203629. Published by Mary Ann Joyce-Walter (A0.989221). An Acre of Grass, written during Yeats' later years while he ponders his youth, yet he concludes that even though he ishas lost much as he ages, he has an old man's eagle mind. This five-minute work is scored for bass-baritone (also mezzo-soprano), piano, and cello. It is often performed by Yeats' The Second Coming, a work that is eerily prescient of the turmoil of the early decade(s) of the 21st Century. .
$4.99
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