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M.A. Morizio
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21 sheet music found
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Reformation Hymn
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Choral SATB
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Sacred music
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Reformation Hymn
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M.A. Morizio
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SheetMusicPlus
Composed by M.A. Morizio. Christian, Sacred, General Worship. Score. 4 pages. Published by M.A. Morizio (S0.111245). - Score - Christian,Sacred,General Worship ...
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Composed by M.A. Morizio. Christian, Sacred, General Worship. Score. 4 pages. Published by M.A. Morizio (S0.111245). - Score - Christian,Sacred,General Worship - M.A. Morizio
$1.99
SWEET VINTAGE OF OUR LORD (SATB)
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Choral SATB
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EASY
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Sacred music
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SWEET VINTAGE OF OUR LORD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926653 Composed by M.A. Morizio. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 7 p...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926653 Composed by M.A. Morizio. Christian,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. M.A. Morizio #1932481. Published by M.A. Morizio (A0.926653). This anthem for SATB has piano accompaniment and has a ballad feel with alternating A & B sections, followed by a dramatic coda. The lyrics in the A section are from a famous poem by G.M. Hopkins entitled, Barnfloor and Winepress and metaphorically depicts the suffering, death and subsequent resurrection of Jesus Christ. The lyrics in the B section are from poetry written by St. Ambrose and Melito De Sartis. The piece is accessible for most choirs and is especially suited for Maundy Thursday and Easter church services. The piece is 04:35 in length.
$1.99
I AM POURED OUT (SSA)
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Choral 3-part
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INTERMEDIATE
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Sacred music
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I AM POURED OUT
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.926654 Composed by M.A. Morizio. Christian,Easter,Praise & Worship,Sacred. Octavo. 10 pages. M.A....
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.926654 Composed by M.A. Morizio. Christian,Easter,Praise & Worship,Sacred. Octavo. 10 pages. M.A. Morizio #1932495. Published by M.A. Morizio (A0.926654). This anthem is written for SSA choir with Baritone and Violin solos in the first section. The second section is a fugue culminating with a victorious climax in G Major. The lyrics are from Psalm 22. The piece is accessible for intermediate choirs and is especially suited for Easter church services. The piece is 03:26 in length.
$1.99
ONE MORNING HATH ALL MOURNING CROWN'D (SSA or SSB)
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Choral 3-part
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EASY
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Sacred music
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ONE MORNING HATH ALL MOURNING
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.926652 Composed by M.A. Morizio. Christian,Easter,Praise & Worship,Sacred. Octavo. 4 pages. M.A. ...
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.926652 Composed by M.A. Morizio. Christian,Easter,Praise & Worship,Sacred. Octavo. 4 pages. M.A. Morizio #1932477. Published by M.A. Morizio (A0.926652). This anonymous melody is reminiscent of the Renaissance period and is arranged for SSA, with the low part optionally doubled. It is a madrigal written in a free style strongly influenced by the text. The poetry is lovely and metaphorically depicts the resurrection of Christ. The piece is accessible for choirs of all levels and is especially suited for Easter and Ascension church services. The piece is 01:33 in duration. The flute obbligato is also optional.
$1.99
ABBA FATHER, HOLY KING (SATB)
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Choral 3-part
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BEGINNER
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Sacred music
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ABBA FATHER, HOLY KING
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.926657 Composed by M.A. Morizio. Christian,Praise & Worship,Sacred. Octavo. 3 pages. M.A. Morizio...
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Choral Choir (SSA) - Level 1 - Digital Download SKU: A0.926657 Composed by M.A. Morizio. Christian,Praise & Worship,Sacred. Octavo. 3 pages. M.A. Morizio #1933309. Published by M.A. Morizio (A0.926657). The sense of this piece is a love song about the blessed Holy Trinity. Based on an old melody by J.N. Howard, the anthem is arranged for SSA choir with Soprano descant. Rev. Donald Colageo of Manchester, NH wrote the beautiful lyrics. The piece is accessible for beginner choirs (even children choirs) with one strong soprano, and is especially suited for Trinity Sunday or other church year services. The song is 02:05 in length.
$1.99
FOR RACHEL (SATB)
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Choral SATB
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EASY
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FOR RACHEL
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926655 Composed by M.A. Morizio. Christian,Jewish,Sacred. Octavo. 3 pages. M.A. Morizio #1932501...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926655 Composed by M.A. Morizio. Christian,Jewish,Sacred. Octavo. 3 pages. M.A. Morizio #1932501. Published by M.A. Morizio (A0.926655). Our Savior Lutheran Church, Westminster, MA commissioned this piece in 2008 for their celebration of the Feast of Holy Innocents. This short anthem is written for SATB choir with piano accompaniment, and has many modal characteristics lending it an eerie harmonic feeling. The lyrics are based on the Jeremiah 31:15-17 text about Rachel weeping for her children. Geared toward beginning to intermediate choirs, the piece is specifically suited for the Feast of Holy Innocents church services or other Pro Life occasions. The song is 01:45 in length.
$1.99
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Choral SATB
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EASY
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Moriz...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
THE GREAT HUMILITY OF CHRIST (SATB) – Philippians 2:5-11
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Choral SATB
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INTERMEDIATE
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Michael A
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THE GREAT HUMILITY OF CHRIST
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizi...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926663 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 7 pages. M.A. Morizio #3588423. Published by M.A. Morizio (A0.926663). In chapter two of Paul's letter to the Philippians, Paul begins speaking to his readers about encouragement, comfort from love, participation in the Spirit, and godly affection and sympathy for one another. He says, we are to count others as more important than ourselves. He pleads, Complete my joy by doing these things. From this point, Paul breaks immediately into this other known 1st century Hymn to Christ (Verses 5-11), which I have called, The Great Humility of Christ. The hymn text is a beautiful exposition of the Gospel; Christ in the form of God, did not hold onto (grasp) His equality with God, but humbled Himself and took on the human form of a servant (slave) and poured Himself out for all of mankind. The anthem is composed for SATB (a cappella) choir in two stanzas, with a bridge section and a coda. The piece is scored in D minor, but weaves between D minor and G Major (representing the dual natures of Christ-fully God and fully man). After the first stanza, regarding Christ’s taking on human flesh, the unthinkable happens; Christ humbles Himself in holy obedience to be put to death, even a humiliating and repugnant death on a cross. Here in the anthem we find the musical bridge between the two stanzas with the sopranos holding onto a single note (high D) followed by a cascade of dissonant suspensions, one voice handing off to the other, finally resolving in a descending scale.The second stanza declares God’s having exalted Christ as a consequence of His sacrifice, giving Him a name that is above every name, that at the name of Jesus every knee shall bow, in heaven and on earth and under the earth. The final coda (in G Major) trumpets the pronouncement that; Every tongue will confess that Jesus Christ is Lord, to the glory of the Father.
$1.99
BEHOLD HE IS COMING (SATB) – Revelation 1:7
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Choral SATB
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INTERMEDIATE
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Michael A
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BEHOLD HE IS COMING
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizi...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926664 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 8 pages. M.A. Morizio #3588427. Published by M.A. Morizio (A0.926664). The Apostle John’s visions in Revelation are nothing less than astounding to all readers. However, little is it known that another Hymn to Christ is neatly tucked into the very first seven verses of this last book of the Bible. John begins his Revelation (verses 1-3) with a prelude, introducing Jesus Christ and the apocalypse (revelation) that was made to him via the angel sent to describe all the things about which he was to write. He says, Blessed is the one who reads aloud the words of this prophecy, and blessed are those who hear, and keep what is written in it, for the time is near. After this short prelude, John delivers an epistolary opening (a greeting identifying the author and recipients), then pronounces a blessing upon the recipients-verses 4-6. After both the prelude and the opening, John immediately proceeds to another known Hymn to Christ, in verse 7, which I have called, Behold He Is Coming. When presented with the text in Revelation 1:7, I immediately thought, Where is the Gospel, the good news, in this piece? After several minutes of meditating on the text, I realized the Gospel message was right there in front of me-in the very last line: Yes, so be it [Lord], so be it, [Amen!] There will be peace! All will be known. Every single person will understand, at that point. The end, is the ushering in of a new beginning. The piece is scored in G minor for SATB with flute and Bâ™ clarinet accompaniment. In the opening phrase, we hear the clarinet on a sustained high (concert) G, which crescendos into a quick, descending sixteenth note pattern. There is urgency! The flute joins the clarinet in a duet to complete the introduction to the anthem. Then, the choir begins their haunting chant, Behold, He is coming with the clouds. Every eye will see Him, even those who pierced Him. Every eye will see Him and all the tribes of the earth will mourn over Him . Alas, there is peace! The two instruments dissolve into an a cappella four-part chorale where the choir creates the agreement between the text and the music, modulating to the relative major (Bâ™)-all is reconciled in a final Amen!
$1.99
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Choral SATB
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INTERMEDIATE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Mori...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
$1.99
IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
THROUGH HIS NAME (SATB) – 1 John 2:12-14
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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THROUGH HIS NAME
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926666 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588437...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926666 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588437. Published by M.A. Morizio (A0.926666). In 1 John, we witness the Apostle (that Jesus loved) writing as the elder statesman of the faith in the last third of the 1st century. In chapter two, verse seven, John refers to the church as beloved and proceeds by telling them of a new commandment. He says (verses 9-11), Whoever loves his brother, abides in the light and there is no cause for stumbling. But whoever hates his brother is in the darkness, and does not know where he is going, because the darkness has blinded his eyes. From this text, John immediately segues into verses 12-14, to affirm for his followers that as far as they are concerned, there is no darkness in them for they are the children of the Light to whom he was earlier referring. John achieves this transition by employing yet another 1st century Hymn to Christ, which I have entitled, Through His Name. This anthem is an affirmation of the faith, first to the little children, then to the fathers, and then to the young men. What is very interesting is that the first stanza is written in the present tense (I am writing to you) but the second stanza, with very similar wording, is written in the past tense (I have written to you). It’s as if to say, you heard the Gospel message before, and you believed, and I am writing it to you again, so that you may continue to believe.
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IN THE BEGINNING WAS THE WORD - Bb Clarinet
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Clarinet
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EASY
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Sacred music
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Clarinet Solo - Level 2 - Digital Download SKU: A0.926670 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 2 pages. M.A. Morizio #35884...
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Clarinet Solo - Level 2 - Digital Download SKU: A0.926670 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 2 pages. M.A. Morizio #3588449. Published by M.A. Morizio (A0.926670). Bb Clarinet Part for - IN THE BEGINNING WAS THE WORD
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IN THE BEGINNING WAS THE WORD - Flute
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Flute
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EASY
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Sacred music
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Flute Solo - Level 2 - Digital Download SKU: A0.926669 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 2 pages. M.A. Morizio #3588447....
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Flute Solo - Level 2 - Digital Download SKU: A0.926669 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 2 pages. M.A. Morizio #3588447. Published by M.A. Morizio (A0.926669). Flute Part for - IN THE BEGINNING WAS THE WORD .
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BEHOLD HE IS COMING - Flute
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Flute
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EASY
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Sacred music
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Michael A
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BEHOLD HE IS COMING - Flute
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M.A. Morizio
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SheetMusicPlus
Flute Solo - Level 2 - Digital Download SKU: A0.926668 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 1 pages. M.A. Morizio #3588443....
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Flute Solo - Level 2 - Digital Download SKU: A0.926668 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 1 pages. M.A. Morizio #3588443. Published by M.A. Morizio (A0.926668). Solo Flute Part for - BEHOLD HE IS COMING
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BEHOLD HE IS COMING - Bb Clarinet
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Clarinet
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EASY
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Sacred music
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Michael A
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BEHOLD HE IS COMING - Bb Clari
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M.A. Morizio
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SheetMusicPlus
Clarinet Solo - Level 2 - Digital Download SKU: A0.926667 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 1 pages. M.A. Morizio #35884...
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Clarinet Solo - Level 2 - Digital Download SKU: A0.926667 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 1 pages. M.A. Morizio #3588441. Published by M.A. Morizio (A0.926667). Bb Clarinet part to BEHOLD HE IS COMING
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THROUGH HIS NAME - Pipe Organ
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Organ
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INTERMEDIATE
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Sacred music
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Michael A
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THROUGH HIS NAME - Pipe Organ
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M.A. Morizio
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.927028 Composed by Michael A. Morizio. Christian,Sacred. Score. 5 pages. M.A. Morizio #3588439. Published by M...
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Organ - Level 3 - Digital Download SKU: A0.927028 Composed by Michael A. Morizio. Christian,Sacred. Score. 5 pages. M.A. Morizio #3588439. Published by M.A. Morizio (A0.927028). Pipe Organ part for THROUGH HIS NAME
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THE ICON OF THE INVISIBLE GOD - Pipe Organ
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Organ
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INTERMEDIATE
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Sacred music
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.926662 Composed by Michael A. Morizio. Christian,Sacred. Score. 6 pages. M.A. Morizio #3588421. Published by M...
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Organ - Level 3 - Digital Download SKU: A0.926662 Composed by Michael A. Morizio. Christian,Sacred. Score. 6 pages. M.A. Morizio #3588421. Published by M.A. Morizio (A0.926662). Pipe Organ accompaniment to THE ICON OF THE INVISIBLE GOD.
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GREAT IS THE MYSTERY (SATB) – 1 Timothy 3:16
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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GREAT IS THE MYSTERY
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M.A. Morizio
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SheetMusicPlus
Composed by Michael A. Morizio. Christian, Christmas, Easter, Sacred. Octavo. 5 pages. M.A. Morizio #3057143. Published by M.A. Morizio...
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Composed by Michael A. Morizio. Christian, Christmas, Easter, Sacred. Octavo. 5 pages. M.A. Morizio #3057143. Published by M.A. Morizio
$1.99
GREAT IS THE MYSTERY (SATB w/Rehearsal Piano)
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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GREAT IS THE MYSTERY
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M.A. Morizio
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SheetMusicPlus
Composed by Michael A. Morizio. Christian, Christmas, Contemporary, Easter, Sacred. Octavo. 9 pages. M.A. Morizio #3056241. Published by M.A. Morizio ...
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Composed by Michael A. Morizio. Christian, Christmas, Contemporary, Easter, Sacred. Octavo. 9 pages. M.A. Morizio #3056241. Published by M.A. Morizio
$1.99
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