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Mad About The Boy
Sheetmusic to print
75 sheet music found
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51
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Madeleines
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Piano solo
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John Carbon
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Madeleines
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John Carbon
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.966218 Composed by John Carbon. 20th Century,Contemporary. Score. 25 pages. John Carbon #3586217. Published by John...
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Piano Solo - Digital Download SKU: A0.966218 Composed by John Carbon. 20th Century,Contemporary. Score. 25 pages. John Carbon #3586217. Published by John Carbon (A0.966218). Composed in 2016, Madeleines is similar to my two sets of Spanish Lessons (1988 and 2001) which are both suites of character pieces for piano inspired by my admittedly limited travel in Spain. Madeleines is inspired by a much earlier hairbrained trip I took to France (and the rest of the Grand Tour) with my sister when I was in college. The title refers to Proust's episode of the madeleine, in which involuntary memory overwhelms the protagonist when he bites into one of these small cakes. I also sometimes experience poignant memories from our fondly remembered trip triggered by various catalysts. The five episodes in this set of pieces attempt to capture the essence of some of these memories. The first piece, MeÌmoire triste dans un cafeÌ (sad memory in a cafeÌ), serves the purpose of a preÌlude. One might conclude that the madeleine is sampled in this location. Il pleut aÌ Brest (It is raining in Brest) evokes memories of the wet weather in Brest, a city in Brittany near the coast. I was curious about this area because, during our travels, we met a boy in Paris with dark and dangerous eyes named François (François et ses yeux dangereux) who was from that area. In Il pleut the sound of rain alternates with church bells and fog horns (one of the poetic sensations I remember vividly about Brest). The third piece (François) is a blend of a barcarolle and a funeral march. I continued to send one-way letters to François after we returned and one day the French police called to tell me that he was dead and that they had found one of my letters on his body, which had been tossed into the Seine. They wanted more information, and they revealed that he had been smuggling drugs out of Turkey. I think the next piece, Promenade dans la meÌnagerie de Versailles (Walk in the zoo at Versailles), is tempered by later memories of a trip I took to the zoo at Schönbrunn palace near Vienna, the oldest Baroque zoo, which was in a terrible state of decay when I saw it, hence the wistful air. The finale of the set, Madeleine deÌteste les devoirs (Madeleine hates homework) is a bow to the French primer I grew up with, which had as one of its main characters a little girl who I think may have been named Madeleine. I know her father was named François. My memories are mixed up, the actual François Thibaud is remembered as the inventor of the fast-track method of learning French, which was in vogue when I first studied it in 6th grade. The idea here is that Madeleine, the daughter of François, is having a tantrum and playing with her hoops or a bike rather than doing her English homework. --John Carbon
$6.99
J. Frederick Bridge | With Thee, Sweet Hope! | for Brass Quintet
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J
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Andrew Lamb
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J. Frederick Bridge | With The
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Andrew Lamb
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1472000 By J. Frederick Bridge. By J. Frederic...
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1472000 By J. Frederick Bridge. By J. Frederick Bridge. Arranged by Andrew Lamb. 19th Century. 67 pages. Andrew Lamb #1049697. Published by Andrew Lamb (A0.1472000). 🎺 Brass Quintet Arrangement: With Thee, Sweet Hope! by J. Frederick Bridge 🎶✨ About the Arrangement:This arrangement of With Thee, Sweet Hope! by the esteemed English composer and organist J. Frederick Bridge offers a challenging yet rewarding piece for advanced brass ensembles. The flexibility in instrumentation allows for a unique blend of timbres and a captivating performance.📯 Scored for: Part 1: Trumpet / Cornet / Flugel in Bb / Soprano in Eb Part 2: Trumpet / Cornet / Flugel in Bb Part 3: French Horn / Tenor Horn Part 4: Euphonium / Baritone / Trombone (Bass Clef and Treble Clef) Part 5: Tuba / Eb Bass (Treble Clef) / Bb Bass (Treble Clef) 🎼 Level of Difficulty: Hard🎤 Potential Uses:Perfect for concert or recital performances, this arrangement will showcase the versatility and skill of your brass quintet.✨ About the Composer: Sir John Frederick Bridge (1844–1924) was a prominent English organist, composer, teacher, and writer. His career highlights include being the organist at Westminster Abbey, conducting the Royal Choral Society, and teaching at prestigious institutions like the Royal College of Music and Gresham College. Bridge played a significant role in modernizing church music and was instrumental in organizing music for state occasions, including coronations.📌 Key Points: Early Life: Born in Oldbury, Worcestershire, he was introduced to music early, joining Rochester Cathedral's choir as a boy. Career: Held positions at Manchester Cathedral and Westminster Abbey, where he made significant contributions to church music. Teaching: Taught at the Royal College of Music and Gresham College, influencing many future prominent musicians. Conducting: Led the Royal Choral Society for 25 years, premiering works by notable British composers. 🔔 Please like and subscribe for more videos and music arrangements. 😊
$10.00
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Tenor/Bass
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2 Recorders (duet)
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EASY
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Leopold Mozart
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B
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Notenbuch für Wolfgang Amadeu
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bl_music
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SheetMusicPlus
Recorder Duet Recorder - Level 2 - Digital Download SKU: A0.842550 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,St...
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Recorder Duet Recorder - Level 2 - Digital Download SKU: A0.842550 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. Score. 24 pages. Bl_music #5298653. Published by bl_music (A0.842550). Music book for W.A. Mozart by Leopold Mozart, for Tenor and Bass Recorder (notation: treble/bass clef)The Notenbuch für Wolfgang Amadeus Mozart contains 32 easy to medium duos1. Menuet 2. Menuet de Sigr. Bach 3. Bourlesq 4. Polonaise 5. Menuet 6. Polonaise 7. Menuet 8. Menuet 9. Waldhorn ~ Stück10. Entrée 11. Bourrée 12. Schwaben ~ Tanz 13. Menuet 14. Musette 15. Polonaise 16. Menuet 17. Sarabande 18. Menuet 19. Angloise 20. Passepied 21. Aria 22. Menuet 23. Gavotte 24. March di Sigr. Bach 25. Polonaise 26. Menuet 27. Fantasia del Sigr. Telemann 28. Jägerlied 29. March30. Bourrée 31. Menuet 32. MenuetThis edition for tenor and bass recorder is suitable for both experienced players (e.g. as encores) and advanced students who may find the pieces useful regarding technique.About Notenbuch für Wolfgang Amadeus MozartMeinem lieben Sohn Wolfgang Amadee zu seinem sechsten Namenstag von seinem Vater Leopold Mozart. Salzburg, den 31. Oktober 1762 (To my beloved son Wolfgang Amadeus for his sixth Name Day from his father Leopold Mozart.Salzburg,October 31st, 1962)This book had an important influence on Mozart’s early compositions.The pieces fall into three categories:The first category includes songs and dances of a folk nature such as Jägerlied, Schwabentanz Schmiedecourante, Waldhornstück. The second category provides examples of compositions by Scarlatti, Bach, Händel, e.g. Fantasias, Allegros, Arias. The third group presents contemporary dance movements in the French style like Minuets, Courantes, Polonaises and Rondi.Father Mozart included pieces in a variety of styles with the intention of helping Mozart not only to learn piano technique, but also elements of composition. The works are intentionally simple, one task for the boy being to fill out the incomplete harmonies. Overall, the technical standard is appropriate to the age and abilities of the player. Apart from its historical significance, the Notenbuch for Wolfgang Amadeus is a colourful collection of charming little pieces.
$12.99
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Soprano/Alto
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Leopold Mozart
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B
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Notenbuch für Wolfgang Amadeu
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bl_music
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SheetMusicPlus
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standar...
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. 23 pages. Bl_music #5298655. Published by bl_music (A0.842552). Music book for W.A. Mozart by Leopold Mozart, for Descant and Treble Recorder (notation: treble/treble clef)The Notenbuch für Wolfgang Amadeus Mozart contains 32 easy to medium duos1. Menuet 2. Menuet de Sigr. Bach 3. Bourlesq 4. Polonaise 5. Menuet 6. Polonaise 7. Menuet 8. Menuet 9. Waldhorn ~ Stück10. Entrée 11. Bourrée 12. Schwaben ~ Tanz 13. Menuet 14. Musette 15. Polonaise 16. Menuet 17. Sarabande 18. Menuet 19. Angloise 20. Passepied 21. Aria 22. Menuet 23. Gavotte 24. March di Sigr. Bach 25. Polonaise 26. Menuet 27. Fantasia del Sigr. Telemann 28. Jägerlied 29. March30. Bourrée 31. Menuet 32. MenuetThis edition for descant and treble recorder is suitable for both experienced players (e.g. as encores) and advanced students who may find the pieces useful regarding technique.About Notenbuch für Wolfgang Amadeus MozartMeinem lieben Sohn Wolfgang Amadee zu seinem sechsten Namenstag von seinem Vater Leopold Mozart. Salzburg, den 31. Oktober 1762 (To my beloved son Wolfgang Amadeus for his sixth Name Day from his father Leopold Mozart.Salzburg,October 31st, 1962)This book had an important influence on Mozart’s early compositions.The pieces fall into three categories:The first category includes songs and dances of a folk nature such as Jägerlied, Schwabentanz Schmiedecourante, Waldhornstück. The second category provides examples of compositions by Scarlatti, Bach, Händel, e.g. Fantasias, Allegros, Arias. The third group presents contemporary dance movements in the French style like Minuets, Courantes, Polonaises and Rondi.Father Mozart included pieces in a variety of styles with the intention of helping Mozart not only to learn piano technique, but also elements of composition. The works are intentionally simple, one task for the boy being to fill out the incomplete harmonies. Overall, the technical standard is appropriate to the age and abilities of the player. Apart from its historical significance, the Notenbuch for Wolfgang Amadeus is a colourful collection of charming little pieces.
$12.99
The Worst One Ever
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Gary D
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The Worst One Ever
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DR GARY D BELSHAW
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SheetMusicPlus
Large Ensemble Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.796638 Composed by Gary D. Belshaw. Contemporary,Opera. Score. 216 pages. DR...
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Large Ensemble Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.796638 Composed by Gary D. Belshaw. Contemporary,Opera. Score. 216 pages. DR GARY D BELSHAW #3228823. Published by DR GARY D BELSHAW (A0.796638). This Auxiliary Performance Kit contains 4 complete piano/vocal scores: one for each character, and one for an accompanist. Purchase of this edition assumes you have already purchased a single copy of the Piano/Vocal score, which includes the percussion part. A percussion part is NOT included in this file.216 pages. Duration 10 minutes. Formatted for 2-sided printing.This hilarious 10-minute one-act comic opera has been enjoyed by collegiate opera scenes audiences from Washington State to Maine, and from Michigan to Texas. Written for three sopranos, it is perfect for opera companies needing more roles for women. Cell phones, laptop computers, online grades, and Facebook all figure into the libretto. Direct the cast to ACT totally absorbed with social media when not singing!Synopsis. The opera takes place in a room or lobby of a university Residence Hall. Three coeds are intently focused on their electronic devices, each one stressed about the worst teacher, boyfriend, or parent.Stephanie is seated on a bed, her laptop computer open. She is awaiting an online posting of grades from one particular professor.Jennifer is at the desk speaking sotto voce on her cell phone. She is not too thrilled with plans her boyfriend has made for them.Jessica is snugly tucked into the office chair, texting. She is trying to get her father to clear her for a weekend concert trip with friends.Thank you for your interest in my work. Your reviews are quite important to me, and a like from you will do more good than you might imagine. Follow me on Facebook and Twitter.
$39.95
Mad About The Boy (from Words And Music)
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Melody line, (Lyrics) and Chords
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Mad About The Boy
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.466212 Broadway,Jazz,Standards. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.466212).
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Digital Download SKU: HX.466212 Broadway,Jazz,Standards. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.466212).
$1.99
Mad About The Boy (High Voice)
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High voice
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Mad About The Boy
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Digital Download SKU: HX.470879 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 3 pages. Published by Hal Leonard - Digital (HX...
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(High Voice) - Digital Download SKU: HX.470879 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 3 pages. Published by Hal Leonard - Digital (HX.470879).
$1.99
Mad About The Boy (Low Voice)
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Melody line, (Lyrics) and Chords
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Sir Noel Coward
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Mad About The Boy
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Hal Leonard - Digital
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SheetMusicPlus
Voice - Digital Download SKU: HX.1297428 By Sir Noel Coward. This edition: scorch. Broadway,Jazz. Real Book - Melody/Chords/Lyrics. 3 pages. Hal Leonard ...
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Voice - Digital Download SKU: HX.1297428 By Sir Noel Coward. This edition: scorch. Broadway,Jazz. Real Book - Melody/Chords/Lyrics. 3 pages. Hal Leonard - Digital #507875. Published by Hal Leonard - Digital (HX.1297428).
$1.99
Mad About The Boy
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Piano, Vocal and Guitar
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Broadway
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Sir Noel Coward
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Mad About The Boy
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Hal Leonard - Digital
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SheetMusicPlus
Piano, voice and guitar (chords only) - Interactive Download SKU: HX.141870 By Sir Noel Coward. This edition: Interactive Download. Broadway,Musical/Show...
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Piano, voice and guitar (chords only) - Interactive Download SKU: HX.141870 By Sir Noel Coward. This edition: Interactive Download. Broadway,Musical/Show. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital (HX.141870).
$4.99
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Boy at Sea for TB and piano
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Choral 2-part
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EASY
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Adrienne Inglis
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Boy at Sea for TB and piano
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patrioti...
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Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pages. Adrienne Inglis (ASCAP) #873161. Published by Adrienne Inglis (ASCAP) (A0.1281812). Boy at Sea (2023) for TB choir and piano is great for community choruses looking for something fun, easy, and interesting for lower voices! TB and pianoText: excerpts from a 1915 letter by Robert Inglis to the Commissioner of PensionsDuration about 5 minutesDifficulty 2 (Advanced high school, collegiate or community chorus) Language: EnglishSheet music is available for purchase soon.Performances:8 Aug 2023 Inversion Coda performed Boy at Sea at Spider House Ballroom Austin, Texas (world premiere)Commissioned by Inversion Ensemble for Coda’s Tales of the Sea concert in August 2023, Boy at Sea by Adrienne Inglis for tenor and bass chorus with piano recounts the sea-faring adventures of the composer’s great-grandfather as a boy. The text comes from a letter that Robert Inglis wrote in 1915 to the Commissioner of Pensions asking for a raise in his civil war pension. In providing information apparently requested by the Pension office, Robert details many events in his early years, adding a fair bit of sarcasm and wit to the narrative. The composer edited the content to fit into more of a strophic sea-shanty style. The piano part offers a sense of ocean waves as well as a few popular tunes of the day as commentary on the story. When he and his sister were in boarding school in Cowes on the Isle of Wight, he witnessed a historic yacht race. The following year, they sailed across the Atlantic with the family of their father’s third wife. Life with his stepmother must have been unbearable, because he “went to sea†time after time to escape the unpleasantness she brought to bear. The final departure left him shipwrecked on Hatteras with drunken shipmates. He made his way to Maryland where, to his horror, he witnessed a slave auction. Sensing the tension and possibly inspired to action, he headed west to join the 20th Indiana Infantry. He later served in the 51st Pennsylvania, the Provost Guard, and the U. S. Navy. He fell off of a train in 1863, leaving him injured and in pain for the rest of his life.https://adrienneinglis.com/.
$1.99
Dance The Night
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Dua Lipa
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Sarah Cellobat Chaffee
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Dance The Night
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1494484 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1494484 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Sarah Cellobat Chaffee. Contemporary,Disco,Film/TV,Pop,Wedding. 17 pages. Sarah Cellobat Chaffee #1071068. Published by Sarah Cellobat Chaffee (A0.1494484). Special thanks to the Sienna String Quartet for their recording of this arrangement!You're probably familiar with this one, but here's a refresher just in case: Dance The Night was one of the most popular songs of the year, sung by one of the most popular singers of the decade, written for a movie about one of the most popular characters of the century -- with lyrics that also serve as a perfect allegory for performative life in the social media age. Need I say more? Originally written for the soundtrack of the 2023 feature film Barbie, Dua Lipa's smash hit Dance The Night is a disco-pop extravaganza that accompanies a dance sequence in the film. But the song quickly gained massive popularity outside of the silver screen, reaching the top of the Billboard charts and achieving multi-platinum certification in a number of countries. Critics praised not only the song's catchy grooviness and excellent production, but also its surprisingly introspective lyrics about the necessity of keeping up an immaculate public image even when your life is falling apart. But above all, this is a great song to get your audience dancing! This Cellobat arrangement for your string quartet is a harmonically lush and rhythmically vivacious take on the original -- you'll definitely have as much fun playing it as your audience will have listening to it! Rated advanced-intermediate; this will be learnable for more advanced students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$16.99
Noel Coward: Mad About The Boy (Low Voice) - voice & other instruments (low voice)
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Melody line, (Lyrics) and Chords
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INTERMEDIATE
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Broadway
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Jazz
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Noel Coward
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Virtualsheetmusic
Instantly printable sheet music by Noel Coward for voice & other instruments (low voice) of MEDIUM skill level. / jazz,broadway
Instantly printable sheet music by Noel Coward for voice & other instruments (low voice) of MEDIUM skill level. / jazz,broadway
$3.97
Noel Coward: Mad About the Boy (from Words and Music) - piano, voice or other instruments
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Piano, Voice
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EASY
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Jazz
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Noel Coward
#
Virtualsheetmusic
Instantly printable sheet music by Noel Coward for piano, voice or other instruments of EASY/MEDIUM skill level. / standards
Instantly printable sheet music by Noel Coward for piano, voice or other instruments of EASY/MEDIUM skill level. / standards
$7.97
Noel Coward: Mad About The Boy (High Voice) - voice & other instruments (high voice)
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Melody line, (Lyrics) and Chords
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INTERMEDIATE
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Jazz
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Noel Coward
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Virtualsheetmusic
Instantly printable sheet music by Noel Coward for voice & other instruments (high voice) of MEDIUM skill level. / jazz,standards,broadway
Instantly printable sheet music by Noel Coward for voice & other instruments (high voice) of MEDIUM skill level. / jazz,standards,broadway
$4.97
Noel Coward: Mad About The Boy (from Words And Music) - voice & other instruments (real book)
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Melody line, (Lyrics) and Chords
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INTERMEDIATE
#
Jazz
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Noel Coward
#
Virtualsheetmusic
Instantly printable sheet music by Noel Coward for voice & other instruments (real book) of MEDIUM skill level. / jazz,standards,broadway
Instantly printable sheet music by Noel Coward for voice & other instruments (real book) of MEDIUM skill level. / jazz,standards,broadway
$2.97
I Write The Songs
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Cello, Piano
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INTERMEDIATE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.549329 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Scor...
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Cello,Piano - Level 3 - Digital Download SKU: A0.549329 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 5 pages. Jmsgu3 #3486231. Published by jmsgu3 (A0.549329). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
I Write The Songs
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Euphonium, Piano (duet)
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INTERMEDIATE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549340 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. ...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549340 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486687. Published by jmsgu3 (A0.549340). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
I Write The Songs
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Flute and Piano
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INTERMEDIATE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549330 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Scor...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549330 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486233. Published by jmsgu3 (A0.549330). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
I Write The Songs
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Flute and Piano
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INTERMEDIATE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.549348 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Scor...
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Flute,Piano - Level 3 - Digital Download SKU: A0.549348 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486737. Published by jmsgu3 (A0.549348). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
I Write The Songs
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Trumpet
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INTERMEDIATE
#
Barry Manilow
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James M
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I Write The Songs
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jmsgu3
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549337 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,R...
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549337 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486681. Published by jmsgu3 (A0.549337). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
I Write The Songs
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.549347 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Con...
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Instrumental Solo,Piano,Piccolo - Level 3 - Digital Download SKU: A0.549347 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and individual part. 8 pages. Jmsgu3 #3486727. Published by jmsgu3 (A0.549347). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
I Write The Songs
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Bass Clarinet, Piano
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INTERMEDIATE
#
Barry Manilow
#
James M
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I Write The Songs
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549345 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Ro...
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549345 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486713. Published by jmsgu3 (A0.549345). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
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