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You've selected:
Martin Allan Lass
Sheetmusic to print
21 sheet music found
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1
Two Guitars... and a Violin
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Violin and Piano
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Folkloric/Traditional
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Traditional and Traditional
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Martin Lass and Martin Lass
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Two Guitars... and a Violin
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Martin Allan Lass
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SheetMusicPlus
Composed by Traditional and Traditional. Arranged by Martin Lass and Martin Lass. World, Folk, European. Set of Parts. 15 pages. Published by Martin Allan Lass ...
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Composed by Traditional and Traditional. Arranged by Martin Lass and Martin Lass. World, Folk, European. Set of Parts. 15 pages. Published by Martin Allan Lass (S0.173009). - Set of Parts - World,Folk,European - Martin Allan Lass
$7.99
Csardas
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Violin and Piano
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Classical
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Vittorio Monti
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Martin Lass
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Csardas
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Martin Allan Lass
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SheetMusicPlus
Composed by Vittorio Monti (1868-1922). Arranged by Martin Lass. Romantic Period, World, European. Set of Parts. 10 pages. Published by Martin Allan Lass (S0.17...
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Composed by Vittorio Monti (1868-1922). Arranged by Martin Lass. Romantic Period, World, European. Set of Parts. 10 pages. Published by Martin Allan Lass (S0.173365). - Set of Parts - Romantic Period,World,European - Martin Allan Lass
$7.99
Symphony No. 25 in G minor K183
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String Orchestra
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Symphony No. 25 in G minor K18
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Martin Allan Lass
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SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Martin Lass. Classical Period. Score, Set of Parts. 40 pages. Published by Martin Allan L...
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Martin Lass. Classical Period. Score, Set of Parts. 40 pages. Published by Martin Allan Lass
$40.00
The Joke
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String Orchestra
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INTERMEDIATE
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Classical
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Franz Joseph Haydn
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Martin Lass
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The Joke
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Martin Allan Lass
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SheetMusicPlus
Composed by Franz Joseph Haydn (1732-1809). Arranged by Martin Lass. Classical Period. Score, Set of Parts. 26 pages. Published by Martin Allan Lass ...
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Composed by Franz Joseph Haydn (1732-1809). Arranged by Martin Lass. Classical Period. Score, Set of Parts. 26 pages. Published by Martin Allan Lass
$40.00
Jupiter
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String Orchestra
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ADVANCED
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Contemporary
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Martin Lass
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Jupiter
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Martin Allan Lass
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SheetMusicPlus
Composed by Martin Lass. Contemporary Classical. Score, Set of Parts. 34 pages. Published by Martin Allan Lass...
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Composed by Martin Lass. Contemporary Classical. Score, Set of Parts. 34 pages. Published by Martin Allan Lass
$40.00
Symphony No. 29 in A major K201
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Symphony No. 29 in A major K20
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Martin Allan Lass
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SheetMusicPlus
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Martin Lass. Classical Period. Score, Set of Parts. 33 pages. Published by Martin Allan L...
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Martin Lass. Classical Period. Score, Set of Parts. 33 pages. Published by Martin Allan Lass
$40.00
Bach's Toccata
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Violin and Piano
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ADVANCED
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Classical
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Martin Lass
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Bach's Toccata
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Martin Allan Lass
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SheetMusicPlus
Composed by Martin Lass. Baroque Period, Contemporary Classical, Rock. Set of Parts. 7 pages. Published by Martin Allan Lass...
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Composed by Martin Lass. Baroque Period, Contemporary Classical, Rock. Set of Parts. 7 pages. Published by Martin Allan Lass
$7.99
Invocation of Pan, God of the Summer Wind
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Martin Lass
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Invocation of Pan, God of the
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Martin Allan Lass
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SheetMusicPlus
Composed by Claude Debussy (1862-1918). Arranged by Martin Lass. 20th Century, Impressionistic. Score, Set of Parts. 13 pages. Published by Martin All...
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Composed by Claude Debussy (1862-1918). Arranged by Martin Lass. 20th Century, Impressionistic. Score, Set of Parts. 13 pages. Published by Martin Allan Lass
$40.00
Bruyères (Heather)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Martin Lass
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Bruyères
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Martin Allan Lass
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SheetMusicPlus
Composed by Claude Debussy (1862-1918). Arranged by Martin Lass. 20th Century, Impressionistic. Score, Set of Parts. 16 pages. Published by Martin All...
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Composed by Claude Debussy (1862-1918). Arranged by Martin Lass. 20th Century, Impressionistic. Score, Set of Parts. 16 pages. Published by Martin Allan Lass
$40.00
Serenade of the Doll
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String Orchestra
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INTERMEDIATE
#
Classical
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Claude Debussy
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Martin Lass
#
Serenade of the Doll
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Martin Allan Lass
#
SheetMusicPlus
Composed by Claude Debussy (1862-1918). Arranged by Martin Lass. 20th Century, Impressionistic. Score, Set of Parts. 32 pages. Published by Martin All...
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Composed by Claude Debussy (1862-1918). Arranged by Martin Lass. 20th Century, Impressionistic. Score, Set of Parts. 32 pages. Published by Martin Allan Lass
$40.00
The Canary Polka
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String Orchestra
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INTERMEDIATE
#
Contemporary
#
Ferdinand Poliakin
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Martin Lass
#
The Canary Polka
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Martin Allan Lass
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SheetMusicPlus
Composed by Ferdinand Poliakin. Arranged by Martin Lass. Romantic Period, Comedy. Score, Set of Parts. 23 pages. Published by Martin Allan Lass...
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Composed by Ferdinand Poliakin. Arranged by Martin Lass. Romantic Period, Comedy. Score, Set of Parts. 23 pages. Published by Martin Allan Lass
$40.00
Just for a Lark
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Violin and Piano
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ADVANCED
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Contemporary
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Martin Lass
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Just for a Lark
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Martin Allan Lass
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SheetMusicPlus
Composed by Martin Lass. World, European. Set of Parts. 7 pages. Published by Martin Allan Lass...
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Composed by Martin Lass. World, European. Set of Parts. 7 pages. Published by Martin Allan Lass
$7.99
Amado Mio guitar fingerstyle
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Guitar notes and tablatures
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Fingerstyle/Fingerpicking
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Pink Martini
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PianoSheetNow
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Amado Mio guitar fingerstyle
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PianoSheetNow
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SheetMusicPlus
Guitar Tab, Classical Guitar, Fingerstyle Guitar, Guitar solo, Acoustic guitar - Intermediate - Digital Download By Pink Martini. Arranged by PianoSh...
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Guitar Tab, Classical Guitar, Fingerstyle Guitar, Guitar solo, Acoustic guitar - Intermediate - Digital Download By Pink Martini. Arranged by PianoSheetNow. Sheet Music Single, Tablature. 3 pages. Published by PianoSheetNow
Amado Mio ('My Love') is a song from the classic 1946 film noir Gilda, written by Doris Fisher and Allan Roberts.
Guitar solo. Early intermediate to Intermediate.
With standard notation and tablature (TAB). With melody line and lyrics.
Pages: Three (3) pages.
$4.99
Sonata for Fortepiano & Violin in C (VB 160)
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Violin and Piano
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INTERMEDIATE
#
Classical
#
Joseph Martin Kraus
#
Bertil van Boer
#
Sonata for Fortepiano & Violin
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Artaria Editions
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1488839 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 31 pages. Artaria Edit...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1488839 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 31 pages. Artaria Editions #1065693. Published by Artaria Editions (A0.1488839). Artaria Editions AE434Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano; a fifth sonata, in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. The date of the C major sonata, the earlier of two works in this key, is not known, although it was probably written during Kraus's first years in Stockholm; stylistic evidence strongly suggests that it, and its companion piece, the Sonata in D major (VB 159), date from the later part of that period 1780-1782. Kraus was a proficient performer on both instruments and his sonatas, which display all his usual musical ingenuity and technical finish, are highly attractive works.Allan Badley.
$30.00
Allegro for Fortepiano & Violin in D (VB 163)
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Violin and Piano
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INTERMEDIATE
#
Classical
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Joseph Martin Kraus
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Bertil van Boer
#
Allegro for Fortepiano & Violi
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Artaria Editions
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1488843 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 12 pages. Artaria Edit...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1488843 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 12 pages. Artaria Editions #1065697. Published by Artaria Editions (A0.1488843). Artaria Editions AE437Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, as well as for pedagogical use at the Royal Swedish Academy of Music, for which he was educational director from 1788 until his death. This brief Allegro for violin and fortepiano was probably written around this time as a work intended for students at the aforementioned institution. This is evident in the use of deliberate devices, such as unison scalar passages and sustained notes in the violin part. Foreshadowing Hindemith's notion of Bildungsmusik from a century and a half later, it is clear that the intent is to create a substantive piece of music for future instrumentalists that not only allows for good compositional style, but both pedagogical function and a relatively easy degree of difficulty for the performers, as well. Allan Badley.
$30.00
Sonata for Fortepiano & Violin in D (VB 159)
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Violin and Piano
#
INTERMEDIATE
#
Classical
#
Joseph Martin Kraus
#
Bertil van Boer
#
Sonata for Fortepiano & Violin
#
Artaria Editions
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1488838 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 46 pages. Artaria Edit...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1488838 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 46 pages. Artaria Editions #1065692. Published by Artaria Editions (A0.1488838). Artaria Editions AE433Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano; a fifth sonata, in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. The date of the D major sonata is not known, although it was probably written during Kraus's first years in Stockholm; stylistic evidence strongly suggests that it, and its companion piece, the Sonata in C major (VB 160), date from the later part of that period 1780-1782. Kraus was a proficient performer on both instruments and his sonatas, which display all his usual musical ingenuity and technical finish, are highly attractive works.Allan Badley.
$30.00
Sonata for Fortepiano & Violin in C (VB 162)
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Violin and Piano
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INTERMEDIATE
#
Classical
#
Joseph Martin Kraus
#
Bertil van Boer
#
Sonata for Fortepiano & Violin
#
Artaria Editions
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1488842 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 42 pages. Artaria Edit...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1488842 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 42 pages. Artaria Editions #1065696. Published by Artaria Editions (A0.1488842). Artaria Editions AE436Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. This sonata is the most virtuosic and imposing work in this genre that the composer wrote. Of particular interest is the use of a slow introduction with lyrical violin solo, the long Adagio with its alternating solo passages, and the playful final Scherzo which bears a thematic similarity to the now-lost original third movement of Kraus's Violin Concerto (VB 151). Indeed, this complex work merits the rubric Great C major.Allan Badley.
$30.00
Sonata for Fortepiano & Violin in E-flat (VB 161)
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Violin and Piano
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INTERMEDIATE
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Classical
#
Joseph Martin Kraus
#
Bertil van Boer
#
Sonata for Fortepiano & Violin
#
Artaria Editions
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1488840 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Edit...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1488840 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Editions #1065694. Published by Artaria Editions (A0.1488840). Artaria Editions AE435Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. The sonata received its final form for keyboard alone as part of the Due Sonata per il Forte Piano published by Olof Åhlstrm some three years later in 1788. This sonata differs from the solo pianoforte version (also published by Artaria Editions as AE398) in that it is shorter (particularly in the slow movement) and less elaborate for both instruments. Nonetheless, it is an impressive sonata and among the most interesting works of its kind composed in the 1780s.Allan Badley.
$30.00
Sonata for Violin & Harpsichord in D minor (VB 157)
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Classical
#
Joseph Martin Kraus
#
Bertil van Boer
#
Sonata for Violin & Harpsichor
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Artaria Editions
#
SheetMusicPlus
Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical...
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Harpsichord,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Artaria Editions #1065691. Published by Artaria Editions (A0.1488837). Artaria Editions AE432Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano, and this work in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. It is not known for whom the work was written, but the extensive virtuosity makes it likely that it was intended either for Kraus himself or his brother Franz (1760-1790), an exceptional talent on the violin. The two-movement format is similar to Kraus's early string quartets (VB 178; Artaria Editions AE418), though in this case, the extensive sonata form first movement is followed by a through-composed one consisting of a slow pastorale (replete with bass drone in the violin) and an exotic faster section that includes material from the first movement. What makes this work interesting is the use of scordatura; the G string is to be tuned down to F, which makes it more useful from a harmonic standpoint in that the note can be used in the tonic, relative major, and all dominant-subdominant keys. The Basso part is completely figured—for this edition it has been realized by the editor - but given that Kraus specifically mentions only the keyboard instrument (clavicembalo), it is unlikely that it was performed as a continuo, i.e. with additional violoncello/contrabass, but rather was intended for harpsichord alone.Allan Badley.
$30.00
The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestra
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INTERMEDIATE/ADVANCED
#
Christmas
#
Nat Cole With N
#
Chris Rinaman
#
The Christmas Song
#
CGR Music Service
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.844229 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Chris Rinaman. Chr...
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Full Orchestra - Level 4 - Digital Download SKU: A0.844229 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Chris Rinaman. Christmas,Contemporary,Holiday. Score and parts. 54 pages. CGR Music Service #6630971. Published by CGR Music Service (A0.844229). An original arrangement of the holiday classic for full orchestra and male vocal in the key of C, modulating to Db.  Can be performed with or without the optional rhythm section (piano, electric bass and drum set) giving your orchestra some flexibility in programming this arrangement.  Visit www.chrisrinaman.com for more information on the arrangements and compositions of Chris Rinaman.   As a composer, arranger and orchestrator, Chris's work encompasses big band writing, orchestral arranging and film composition. In 2002, while working as an assistant to Academy Award-winning film composer Howard Shore, Chris Rinaman was the head score consultant for the world premiere of The Fellowship of the Ring for Symphony Orchestra and Chorus at the Hollywood Bowl. He has created orchestral and big band arrangements for many talented vocalists, including Deana Martin, Micheal Castaldo, William Michals, and Allan Harris.  His string arrangements can be heard on the 2016 PBS special, Giada Valenti:  From Venice With Love.
$80.00
The City In the Sea: Choral Tone Poem
#
Choral SATB
#
ADVANCED
#
Contemporary
#
Stanley M Hoffman
#
The City In the Sea: Choral To
#
stanleymhoffman.com
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
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