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23 sheet music found
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1
Floreat Rosa Divina (May the divine rose flourish) for violin and bassoon (mp3)
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Franck Leblois
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Floreat Rosa Divina
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David Warin Solomons
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SheetMusicPlus
Bassoon,Violin - Level 3 - Digital Download SKU: A0.1363834 By Franck Leblois (bassoon) and Pavel Eret (violin). By David Warin Solomons. Contemporary,Me...
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Bassoon,Violin - Level 3 - Digital Download SKU: A0.1363834 By Franck Leblois (bassoon) and Pavel Eret (violin). By David Warin Solomons. Contemporary,Medieval. Full Performance. Duration 183. David Warin Solomons #948232. Published by David Warin Solomons (A0.1363834). Instrumental duo inspired by the poem Rosa Divina by Sor Juana Inez de la Cruz (a Mexican nun and poet from the 17th century). performed by Pavel Eret and Franck LeBloisThe poem explores the mystery of the rose, which deceives us in its life and teaches us in its death. The music is written with a mediaeval feel. The mode is Dorian.Rosa divina que en gentil cultura eres, con tu fragrante sutileza.Magisterio purpureo en la belleza, enseñanza nevada a la hermosura.Amago de la humana arquitectura, ejemplo de la vana gentileza.En cuyo ser unio naturaleza la cuna alegre y triste sepultura,cuan altiva en tu pompa premusida soberbia.El riesgo de morir desdeñas.Y luego desmayada y encogida.De tu caduco ser das mustias señas.Con que con docta muerte y necia vida,viviendo engañas, muriendo enseñas.Divine rose, you who are so finely cultivated with yourfragrant sweetness and magisterial purple, teaching snowy white beauty.You are the image of human architecture,in whose being nature is united.You have a happy grave and you scorn death in your pride.Then struck down, you teach us in your frailty.Your life is vain, you deceive us in your life.Your death is learnèd, you teach us in your death.
$6.00
Floreat Rosa Divina (May the divine rose flourish) for violin and bassoon
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Violin, Bassoon (duet)
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INTERMEDIATE
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Frank Leblois
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Floreat Rosa Divina
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David Warin Solomons
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SheetMusicPlus
Bassoon,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1363829 By Frank Leblois (bassoon) and Pavel Eret (violin). By David Warin Solomons...
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Bassoon,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1363829 By Frank Leblois (bassoon) and Pavel Eret (violin). By David Warin Solomons. Contemporary,Medieval. 4 pages. David Warin Solomons #948227. Published by David Warin Solomons (A0.1363829). Instrumental duo inspired by the poem Rosa Divina by Sor Juana Inez de la Cruz (a Mexican nun and poet from the 17th century). performed by Pavel Eret and Franck LeBloisThe poem explores the mystery of the rose, which deceives us in its life and teaches us in its death. The music is written with a mediaeval feel. The mode is Dorian.Rosa divina que en gentil cultura eres, con tu fragrante sutileza.Magisterio purpureo en la belleza, enseñanza nevada a la hermosura.Amago de la humana arquitectura, ejemplo de la vana gentileza.En cuyo ser unio naturaleza la cuna alegre y triste sepultura,cuan altiva en tu pompa premusida soberbia.El riesgo de morir desdeñas.Y luego desmayada y encogida.De tu caduco ser das mustias señas.Con que con docta muerte y necia vida,viviendo engañas, muriendo enseñas.Divine rose, you who are so finely cultivated with yourfragrant sweetness and magisterial purple, teaching snowy white beauty.You are the image of human architecture,in whose being nature is united.You have a happy grave and you scorn death in your pride.Then struck down, you teach us in your frailty.Your life is vain, you deceive us in your life.Your death is learnèd, you teach us in your death.
$9.00
Floreat Rosa Divina (May the divine rose flourish) for violin and clarinet
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Clarinet, Violin (duet)
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INTERMEDIATE
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David Warin Solomons
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Floreat Rosa Divina
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David Warin Solomons
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SheetMusicPlus
Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1363832 Composed by David Warin Solomons. Contemporary,Medieval. 4 pages. David Wa...
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Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1363832 Composed by David Warin Solomons. Contemporary,Medieval. 4 pages. David Warin Solomons #948230. Published by David Warin Solomons (A0.1363832). Instrumental duo inspired by the poem Rosa Divina by Sor Juana Inez de la Cruz (a Mexican nun and poet from the 17th century). The poem explores the mystery of the rose, which deceives us in its life and teaches us in its death. The music is written with a mediaeval feel and at one point, for special effect, provides a startling three note phrase of parallel fifths. The mode is Dorian.Rosa divina que en gentil cultura eres, con tu fragrante sutileza.Magisterio purpureo en la belleza, enseñanza nevada a la hermosura.Amago de la humana arquitectura, ejemplo de la vana gentileza.En cuyo ser unio naturaleza la cuna alegre y triste sepultura,cuan altiva en tu pompa premusida soberbia.El riesgo de morir desdeñas.Y luego desmayada y encogida.De tu caduco ser das mustias señas.Con que con docta muerte y necia vida,viviendo engañas, muriendo enseñas.Divine rose, you who are so finely cultivated with yourfragrant sweetness and magisterial purple, teaching snowy white beauty.You are the image of human architecture,in whose being nature is united.You have a happy grave and you scorn death in your pride.Then struck down, you teach us in your frailty.Your life is vain, you deceive us in your life.Your death is learnèd, you teach us in your death.
$9.00
Floreat Rosa Divina (May the divine rose flourish) for violin and clarinet (mp3)
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David Warin Solomons
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Floreat Rosa Divina
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David Warin Solomons
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SheetMusicPlus
Clarinet,Violin - Level 3 - Digital Download SKU: A0.1363836 Composed by David Warin Solomons. Contemporary,Medieval. Full Performance. Duration 187. Dav...
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Clarinet,Violin - Level 3 - Digital Download SKU: A0.1363836 Composed by David Warin Solomons. Contemporary,Medieval. Full Performance. Duration 187. David Warin Solomons #948234. Published by David Warin Solomons (A0.1363836). Instrumental duo inspired by the poem Rosa Divina by Sor Juana Inez de la Cruz (a Mexican nun and poet from the 17th century). The poem explores the mystery of the rose, which deceives us in its life and teaches us in its death. The music is written with a mediaeval feel and at one point, for special effect, provides a startling three note phrase of parallel fifths. The mode is Dorian.Rosa divina que en gentil cultura eres, con tu fragrante sutileza.Magisterio purpureo en la belleza, enseñanza nevada a la hermosura.Amago de la humana arquitectura, ejemplo de la vana gentileza.En cuyo ser unio naturaleza la cuna alegre y triste sepultura,cuan altiva en tu pompa premusida soberbia.El riesgo de morir desdeñas.Y luego desmayada y encogida.De tu caduco ser das mustias señas.Con que con docta muerte y necia vida,viviendo engañas, muriendo enseñas.Divine rose, you who are so finely cultivated with yourfragrant sweetness and magisterial purple, teaching snowy white beauty.You are the image of human architecture,in whose being nature is united.You have a happy grave and you scorn death in your pride.Then struck down, you teach us in your frailty.Your life is vain, you deceive us in your life.Your death is learnèd, you teach us in your death.
$5.00
May you Flourish
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Orchestra
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INTERMEDIATE
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Contemporary
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P
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May you Flourish
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Kondo Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.980082 Composed by P. Mellbrand. 20th Century. Score and parts. 52 pages. Kondo Music #2917285. Publi...
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Full Orchestra - Level 3 - Digital Download SKU: A0.980082 Composed by P. Mellbrand. 20th Century. Score and parts. 52 pages. Kondo Music #2917285. Published by Kondo Music (A0.980082). Music with beautiful themes and a lot of power and fanfares. Challenging the musicians in just the right places yet fun to play and easy to fit into a concert, perhaps as a start or a finish. Score and parts is included in the download pdf.www.mellbrand.com
$40.00
Come, You Thankful People, Come
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Handbells
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INTERMEDIATE
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Hart Morris
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Hart Morris
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A Brahms Waltz
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Come, You Thankful People, Com
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB1010 Composed by Hart Morris. Arranged by Hart Morris. Thanksgiving, General. Score...
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3, 4, or 5 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB1010 Composed by Hart Morris. Arranged by Hart Morris. Thanksgiving, General. Score. 12 pages. Chorister's Guild - Digital #CGB1010. Published by Chorister's Guild - Digital (C7.CGB1010). UPC: 749193025390.Sandra Eithun and Michael Joy continue their Pathways to Musical Ringing series, offering music that teaches specific musical elements (in this volume, Rhythms), encourages success, and fosters growth in musicianship. These pieces have been carefully written and/or selected from folk, classical and sacred repertoire in order to approach the teaching of rhythms sequentially. In addition to being excellent teaching pieces, they are intended to be flexible for use in a variety of school, festival and sacred settings. As an additional benefit for developing ensembles, there are no page turns for any of the selections. Contents: Allegretto; A Brahms Waltz; Dorian Dreams; Festive Flourish; A Gentle Rain; Homage to Pachelbel; Londonderry Air (O Christ the Same / I Cannot Tell Why / May Holy Angels Lead You); Long, Long Ago; Personent Hodie (On this Day Earth Shall Ring); Twilight Walk.
$5.50
Thank You, God
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Piano, Voice
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EASY
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Laura G Cole
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Thank You, God
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Laura G. Cole
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1404621 Composed by Laura G Cole. Children,Christian,Religious,Sacred. Score. 13 pages. Laura G. C...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1404621 Composed by Laura G Cole. Children,Christian,Religious,Sacred. Score. 13 pages. Laura G. Cole #987686. Published by Laura G. Cole (A0.1404621). This song is dedicated to the Joyful Choir at First Presbyterian Church of Spruce Pine, North Carolina. The Joyful Choir was established in May 2000 and consists of children age 3-13. The Joyful Choir continues to flourish at my church. They were my inspiration for this song (along with my life as a music teacher).
$2.99
Easter Introit and Benediction(Rise Up) full score
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Choral SATB
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INTERMEDIATE
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Sacred music
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Sacred music
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Michael D
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Easter Introit and Benediction
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Michael D. McClish
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940841 Composed by Michael D. McClish. Christian,Contemporary,Easter,Praise & Worship,Sacred. Oc...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940841 Composed by Michael D. McClish. Christian,Contemporary,Easter,Praise & Worship,Sacred. Octavo. 14 pages. Michael D. McClish #6702055. Published by Michael D. McClish (A0.940841). This is an Introit and Benediction. The Introit, Rise Up, is best suited for Easter, with all the pomp and flourish, with brass quintet and timpani. The benediction, May The Road Rise To Greet You, uses the text of the Gaelic Blessing, with a few word changes, with piano accompaniment. The level for these would be intermediate or more. I maintained the grand processional style for the Introit and wrote a lighter style for the benediction. The benediction could be done anytime during the year. Several have adopted it as their standard benediction. I hope you enjoy them. I also have a version that is for organ and piano only, no brass(the organ does the brass parts, modified) in case your budget is slim.
$2.50
The Hammer
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Trumpet, Piano
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BEGINNER
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Tim Minchin
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Annette Butters
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The Hammer
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Annette Butters
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1260370 Composed by Tim Minchin. Arranged by Annette Butters. 21st Century,Broadway,Children,Fi...
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1260370 Composed by Tim Minchin. Arranged by Annette Butters. 21st Century,Broadway,Children,Film/TV,Musical/Show. Score and part. 4 pages. Annette Butters #853547. Published by Annette Butters (A0.1260370). For the early grade trumpeter, this version of the main theme from 'The Hammer' lies mostly within a one octave range from C-C. There is sufficient articulation to add extra challenges, also some dynamics to add some contrast. The main tune is introduced after a two bar introduction. The trumpet has the tune throughout with the exception of a couple of bars to shine with a little flourish! This is a tune that is well known and loved by children and youngsters familiar with this catchy music and should be a short and cheerful hit for school concerts or to work on in a trumpet lesson. The piano accompaniment is solid enough to guide the trumpeter, but not demanding for the pianist - so that may appeal to teachers who also need to accompany at times. Have fun!
$4.99
Psalms for the Advent and Christmas Seasons (Duet for Soprano and Alto solo) (Year A)
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Vocal duet, Piano
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BEGINNER
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Sacred music
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Stephen DeCesare
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Psalms for the Advent and Chri
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Exultet Music
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SheetMusicPlus
Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 1 - Digital Download SKU: A0.1107994 By Stephen DeCesare. By Stephen DeCesare. Advent,Christmas,C...
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Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 1 - Digital Download SKU: A0.1107994 By Stephen DeCesare. By Stephen DeCesare. Advent,Christmas,Contemporary,Praise & Worship,Sacred. 62 pages. Exultet Music #710610. Published by Exultet Music (A0.1107994). Psalm settings for Year A for a duet for Soprano and Alto solo: Let Us Go Rejoicing, Justice Shall Flourish, Sing To The Lord A New Song, Come And Save Us, You Are The Highest Honor, Let The Lord Enter, Forever I Will Sing, Today Is Born Our Savior, A Light Will Shine On Us, All The Ends Of The Earth, May God Bless Us In His Mercy, Lord, Every Nation On Earth Will Adore You.
$35.00
Psalms for the Advent and Christmas Seasons (Duet for Tenor and Bass solo) (Year A)
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Vocal duet, Piano
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BEGINNER
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Sacred music
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Stephen DeCesare
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Psalms for the Advent and Chri
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Exultet Music
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SheetMusicPlus
Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 1 - Digital Download SKU: A0.1107996 By Stephen DeCesare. By Stephen DeCesare. Advent,Christmas,Con...
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Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 1 - Digital Download SKU: A0.1107996 By Stephen DeCesare. By Stephen DeCesare. Advent,Christmas,Contemporary,Praise & Worship,Sacred. 62 pages. Exultet Music #710612. Published by Exultet Music (A0.1107996). Psalm settings for Year A for a duet for Tenor and Bass solo: Let Us Go Rejoicing, Justice Shall Flourish, Sing To The Lord A New Song, Come And Save Us, You Are The Highest Honor, Let The Lord Enter, Forever I Will Sing, Today Is Born Our Savior, A Light Will Shine On Us, All The Ends Of The Earth, May God Bless Us In His Mercy, Lord, Every Nation On Earth Will Adore You.
$35.00
Psalms for the Advent and Christmas Seasons (Duet for Soprano and Tenor solo) (Year A)
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Vocal duet, Piano
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BEGINNER
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Sacred music
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Stephen DeCesare
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Stephen DeCesare
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Psalms for the Advent and Chri
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Exultet Music
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SheetMusicPlus
Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 1 - Digital Download SKU: A0.1107995 By Stephen DeCesare. By Stephen DeCesare. Arranged by Steph...
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Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 1 - Digital Download SKU: A0.1107995 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. Advent,Christmas,Contemporary,Praise & Worship,Sacred. 63 pages. Exultet Music #710611. Published by Exultet Music (A0.1107995). Psalm settings for Year A for a duet for Soprano and Tenor solo: Let Us Go Rejoicing, Justice Shall Flourish, Sing To The Lord A New Song, Come And Save Us, You Are The Highest Honor, Let The Lord Enter, Forever I Will Sing, Today Is Born Our Savior, A Light Will Shine On Us, All The Ends Of The Earth, May God Bless Us In His Mercy, Lord, Every Nation On Earth Will Adore You.
$35.00
Psalms for the Advent and Christmas Seasons (Vocal solo) (Year A)
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Easy Piano
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BEGINNER
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Sacred music
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Stephen DeCesare
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Psalms for the Advent and Chri
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Exultet Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1107997 By Stephen DeCesare. By Stephen DeCesare. Advent,Christian,Christmas,Praise & Worship,Sacr...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1107997 By Stephen DeCesare. By Stephen DeCesare. Advent,Christian,Christmas,Praise & Worship,Sacred. Score. 55 pages. Exultet Music #710613. Published by Exultet Music (A0.1107997). Psalm settings for Year A for a Vocal solo: Let Us Go Rejoicing, Justice Shall Flourish, Sing To The Lord A New Song, Come And Save Us, You Are The Highest Honor, Let The Lord Enter, Forever I Will Sing, Today Is Born Our Savior, A Light Will Shine On Us, All The Ends Of The Earth, May God Bless Us In His Mercy, Lord, Every Nation On Earth Will Adore You.
$35.00
Heart Of The Father
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Mac Montgomery, Mitch Wong, an
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Barry McCormick
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Heart Of The Father
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040262 Composed by Mac Montgomery, Mitch Wong, and Ryan Ellis. Arranged by Barry McCormick...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040262 Composed by Mac Montgomery, Mitch Wong, and Ryan Ellis. Arranged by Barry McCormick. Praise & Worship,Sacred. Score. 12 pages. B. McCormick #645041. Published by B. McCormick (A0.1040262). About this Piano/Vocal/Guitar arrangement of “Heart of the Father†This arrangement containing a simple piano accompaniment and melody with chords of Heart of the Father by Ryan Ellis was created with the focus of ease of use in a Church setting for this modern song of worship. In the popular recording of this song Ellis uses his musicianship to change the melody slightly each verse as well as include expressive and elaborate vocal runs in numerous places through out the song. My aim was to write the melody omitting these vocal flourishes which are not as suitable for a corporate worship setting. With my many years of experience as church musician, worship leader and MD, I shaped this arrangement in a way to convey all necessary information for a modern church worship band with ease. Firstly the main Score simply has the melody and piano accompaniment. Secondly the parts are split up so the melody and accompaniment can be shared separately. The Lead, melody part, includes the chords so this part acts as a lead sheet which can be used for guitarists. I have also included the melody for Bb instruments also for bands which may have them. I have used repeats in a optimised way so that the music for each part takes up no more than 2 pages. All musicians know the frustrating limitations of music stands to hold much more than that! If you like this arrangement a also have some other arrangements of Christian worship songs and Hymns from Lead sheets to classical guitar arrangements you may also like to check out. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
$4.99
Canzon Prima - La Spiritata
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Giovanni Gabrieli
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Marc Donatelle
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Canzon Prima - La Spiritata
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Marc Donatelle
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1422743 Composed by Giovanni Gabrieli. Arranged by Marc Donatelle. Chamber,Classical,E...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1422743 Composed by Giovanni Gabrieli. Arranged by Marc Donatelle. Chamber,Classical,Early Music,Easter,Medieval. 13 pages. Marc Donatelle #1004097. Published by Marc Donatelle (A0.1422743). This classic music from 1608 Venice is adapted for string quartet. To imitate style of the period, follow the dynamics carefully and individually.Only at major cadences will the line up!The somber beginning picks up intensity, with an exiting flourish at the end.You may want to experimant with non-vibrato, and soft attacks, sounding more like a viol.I have found that people enjoy this short work very much.
$10.00
Open My Eyes
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Handbells
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INTERMEDIATE
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Karen Thompson
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Karen Thompson
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A Brahms Waltz
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Open My Eyes
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB1011 Composed by Karen Thompson. Arranged by Karen Thompson. General. Score. 8 pages...
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3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB1011 Composed by Karen Thompson. Arranged by Karen Thompson. General. Score. 8 pages. Chorister's Guild - Digital #CGB1011. Published by Chorister's Guild - Digital (C7.CGB1011). UPC: 749193026007.Sandra Eithun and Michael Joy continue their Pathways to Musical Ringing series, offering music that teaches specific musical elements (in this volume, Rhythms), encourages success, and fosters growth in musicianship. These pieces have been carefully written and/or selected from folk, classical and sacred repertoire in order to approach the teaching of rhythms sequentially. In addition to being excellent teaching pieces, they are intended to be flexible for use in a variety of school, festival and sacred settings. As an additional benefit for developing ensembles, there are no page turns for any of the selections. Contents: Allegretto; A Brahms Waltz; Dorian Dreams; Festive Flourish; A Gentle Rain; Homage to Pachelbel; Londonderry Air (O Christ the Same / I Cannot Tell Why / May Holy Angels Lead You); Long, Long Ago; Personent Hodie (On this Day Earth Shall Ring); Twilight Walk.
$4.95
Cry Heaven
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Choral SATB
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INTERMEDIATE
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Ethan R
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Cry Heaven
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Ethan R. Ray
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1038298 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 5 pages. Ethan R. Ray #643236. P...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1038298 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 5 pages. Ethan R. Ray #643236. Published by Ethan R. Ray (A0.1038298). A meditative, introspective, and pensive a cappella SATB written primarily for college choirs. The piece foregoes complexities and flourishes and focuses on simplicity and melody. Text: Believe when you’re gone I don’t feel my soul When you are not here And when you leave me on some shore I think of how I’ll always love you And in ways I will grieve I will cry heaven If the beauty of the day is enough to break your heart Then come back angel See that your meadows give way to the sun I’ll always love you And in ways I won’t know You may grieve me too You may grieve me in heaven.
$1.99
The Monk's Turned Topsy-Turvy
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer S...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)
$25.00
Chorus and Aria from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Valse Poetico no. 6
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Piano solo
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INTERMEDIATE
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Classical
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Enrique Granados
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Thomas Ling
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Valse Poetico no. 6
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1375107 Composed by Enrique Granados. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period...
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Piano Solo - Level 3 - Digital Download SKU: A0.1375107 Composed by Enrique Granados. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period. Score. 2 pages. Thomas Swee Chin #959678. Published by Thomas Swee Chin (A0.1375107). Listed as grade 6 piano piece by the ABRSM:Valse Poético No. 6 by Enrique Granados is a captivating piece that exhibits his mastery of melodic storytelling and rhythmic intricacies. Here's an analysis of its key elements:Melodic Flourishes: The piece begins with a graceful melody that sets a serene atmosphere. Granados employs lush harmonic progressions and delicate ornamentation to enhance the melodic line, evoking a sense of elegance and charm.Rhythmic Variations: Throughout the waltz, Granados introduces rhythmic variations that add depth and complexity to the piece. Syncopated rhythms and subtle accents create a sense of forward momentum, while rubato passages allow for expressive freedom and phrasing flexibility.Dynamic Contrast: Valse Poético No. 6 features a wide range of dynamic contrasts, from tender pianissimo passages to bold fortissimo sections. These shifts in dynamics contribute to the piece's dramatic intensity and emotional impact, keeping the listener engaged from start to finish.Spanish Influence: As with much of Granados' work, Valse Poético No. 6 is imbued with Spanish flair. You may notice hints of flamenco rhythms, Moorish-inspired melodies, and Andalusian harmonies, all of which reflect Granados' deep connection to his Spanish heritage.Formal Structure: The piece follows a traditional waltz structure, with a recurring A-B-A form. However, Granados infuses the form with his own unique twists and turns, incorporating unexpected modulations and thematic developments that keep the listener engaged throughout.Overall, Valse Poético No. 6 is a stunning example of Granados' compositional prowess, combining lyrical beauty, rhythmic vitality, and Spanish charm to create a timeless musical masterpiece.
$4.80
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