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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
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CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
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ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
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TUBA
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VIBRAPHONE
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VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Move It Like This
Not classified
451
Piano & keyboards
Piano solo
174
Piano, Voice
60
Easy Piano
28
Piano, Vocal and Guitar
14
Organ
8
C Instruments
5
1 Piano, 4 hands
5
2 Pianos, 4 hands
5
Piano Quartet: piano, violin, viola, cello
3
2 Pianos, 8 hands
2
Harpsichord
1
Piano Quintet: piano, 2 violins, viola, cello
1
Piano Accompaniment
1
Organ, Trumpet (duet)
1
Organ, Piano (duet)
1
Piano Trio: piano, violin, cello
1
+ 11 instrumentations
-
Retract
Guitars
Guitar
15
Guitar notes and tablatures
11
Bass guitar
2
Mandolin
2
2 Guitars (duet)
2
Ukulele
2
Banjo
1
Zither
1
Ukulele Ensemble
1
Guitar Ensemble
1
Piano, Guitar (duet)
1
+ 6 instrumentations
-
Retract
Voice
Choral SATB
48
Choral TTBB
7
Choral 3-part
5
Choral SSAA
2
Choral SSATTB
1
Choral 2-part
1
+ 1 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
40
Saxophone ensemble
39
Clarinet and Piano
36
Flute and Piano
36
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
35
Saxophone Quintet: 5 Saxophones
31
2 Flutes, Piano
25
Oboe, Piano (duet)
25
Clarinet Quartet: 4 clarinets
17
Soprano Saxophone and Piano
16
Alto Saxophone and Piano
16
Tenor Saxophone and Piano
15
Clarinet Ensemble
15
Flute, Oboe, Clarinet, Bassoon
14
Bass Clarinet, Piano
13
Clarinet
12
English horn, Piano
12
Baritone Saxophone, Piano
12
Flute Quartet: 4 flutes
11
Flute ensemble
10
2 Flutes (duet)
9
2 Saxophones (duet)
8
Flute Quintet : 5 flutes
8
3 Saxophones (trio)
7
Alto Saxophone
6
Flute
5
3 Clarinets (trio)
5
Clarinet Quintet: 5 clarinets
4
Oboe (band part)
4
2 Clarinets (duet)
4
Tenor Saxophone
3
Clarinet, Bassoon (duet)
3
2 Recorders (duet)
3
Recorder Quartet
3
Flute and Guitar
2
Oboe, Clarinet, Bassoon (trio)
2
2 Oboes (duet)
2
5 Recorders
2
Recorder
2
Pennywhistle
1
English horn, Harp (duet)
1
Flute, Oboe, Clarinet (trio)
1
2 English horns and Pianoforte
1
Clarinet Quintet: Clarinet, String Quartet
1
Flute Trio: 3 flutes
1
Flute (band part)
1
Descent (Soprano) Recorder, Piano
1
Soprano Saxophone
1
Piccolo, Piano
1
Oboe
1
Oboe, Bassoon (duet)
1
3 Recorders (trio)
1
Oboe, Guitar (duet)
1
Oboe, Harp
1
Flute, Clarinet (duet)
1
Clarinet, Harp (duet)
1
Descant (Soprano) Recorder
1
Saxophone (band part)
1
+ 53 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
31
Brass quartet : 2 trumpets, trombone, tuba
26
Trombone and Piano
23
Euphonium, Piano (duet)
18
French Horn and Piano
15
Trumpet, Piano
13
Trombone ensemble
12
English horn, Piano
12
Brass Quartet
11
Trumpet ensemble
10
Trumpet
10
French horn
9
Tuba and Piano
7
Brass Quartet: 2 trumpets, horn, trombone
6
Tuba
5
Horn Ensemble
4
Trumpet (band part)
4
Trumpet, Trombone (duet)
3
Trombone (band part)
3
Trombone
3
2 French horns (duet)
2
2 Trombones (duet)
2
2 Tubas (duet)
1
English horn, Harp (duet)
1
2 Euphoniums (duet)
1
2 Trumpets (duet)
1
Bass Trombone
1
Brass Quartet: 4 trumpets
1
2 English horns and Pianoforte
1
Euphonium, Tuba (duet)
1
Euphonium
1
Bass Trombone and Piano
1
Brass Quartet: 4 trombones
1
Tuba and Organ
1
3 Tubas (trio)
1
Trumpet, Horn (duert)
1
Brass Quartet: 4 horns
1
4 Tubas
1
2 Euphoniums and 2 Tubas
1
Trombone, Horn (duet)
1
+ 35 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
74
Violin and Piano
22
Cello, Piano
21
Viola, Piano
21
Violin
16
String Trio: violin, viola, cello
14
Cello
9
String Quintet: 2 violins, viola, cello, bass
6
Violin, Viola (duet)
5
Harp
5
2 Violins (duet)
5
Viola ensemble
5
Violin, Cello (duet)
4
Viola (band part)
4
String Quintet: 2 violins, 2 violas, cello
4
Violin ensemble
4
Harp, Flute (duet)
4
Double Bass
3
Viola
3
4 Cellos
3
Double bass, Piano (duet)
3
String Quartet : 4 violas
2
String quartet: 4 violins
2
2 Violas (duet)
2
2 Cellos (duet)
2
Violin (band part)
2
String Trio: 3 cellos
2
Cello Ensemble
1
String Trio: 2 violins, viola
1
String Trio: 3 violas
1
Harp and Piano
1
Cello (band part)
1
2 Double basses (duet)
1
String Trio: 3 violins
1
Harp, Voice
1
String Trio: 2 violins, cello
1
Viola, Cello (duet)
1
4 Double Basses
1
+ 33 instrumentations
-
Retract
Orchestra & Percussion
Concert band
83
Orchestra
50
String Orchestra
47
Brass ensemble
11
Jazz Ensemble
11
Chamber Orchestra
11
Jazz combo
5
Percussion Ensemble
2
Handbells
2
Drums
2
Marimba
2
Piano and Orchestra
1
Xylophone, Piano
1
Percussion (band part)
1
Brass Quintet: other combinaisons
1
+ 10 instrumentations
-
Retract
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You've selected:
Move It Like This
Sheetmusic to print
2,154 sheet music found
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2151
I Like To Move It
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
#
Contemporary
#
Erick Marillo and Mark Quashie
#
Jim Lutz
#
I Like To Move It
#
Jim Lutz
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.945044 Composed by Erick Marillo and Mark Quashie. Arranged by Jim Lutz. Contempo...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.945044 Composed by Erick Marillo and Mark Quashie. Arranged by Jim Lutz. Contemporary. 29 pages. Jim Lutz #6011299. Published by Jim Lutz (A0.945044). An arrangement for small mixed wind chamber group, with an optional drum set part. Can be played with 4, 5, or 6 parts in any combination of brass and woodwinds. As performed by the US Army 10th MTN DIV Band. This is the second song of the Children's Series (Baby Shark is the first song, and it includes an optional segue into this song). This arrangement includes an optional segue into What Does The Fox Say by Ylvis. As with all songs in the series, my apologies in advance for this being stuck in your head!
$14.99
Move On
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
#
Contemporary
#
ABBA
#
Sachiththa Fernando
#
Move On
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Sachiththa Fernando
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.883827 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Sach...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.883827 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Sachiththa Fernando. Contemporary. Score and parts. 8 pages. Sachiththa Fernando #3681145. Published by Sachiththa Fernando (A0.883827). ABBA's Move On arranged for string quartet by Sachiththa FernandoThis is possibly the only string quartet arrangement of this song so far. The arrangement has been done while preserving the rhythmic element of the original song to the greatest extent so that it does not lack in forward momentum or in rhythmic feel. Concurrently, the themes (both principal and counter) have been included as much as possible. If you like this arrangement or if you have any comments/suggestions, feel free to get in touch! Email: sachiththa.fernando@gmail.comBandcamp: https://sachiththafernando.bandcamp.comFacebook: https://www.facebook.com/sachiththafernandocomposer
$15.00
(you Make Me Feel Like) A Natural Woman
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Choral SATB
#
EASY
#
Aretha Franklin
#
Bill ORANGE Lyons
#
(you Make Me Feel Like) A Natu
#
Bill ORANGE Lyons
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1217561 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Bill ORA...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1217561 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Bill ORANGE Lyons. A Cappella,Hip-Hop,Jazz,Pop,R & B. Octavo. 7 pages. Bill ORANGE Lyons #814114. Published by Bill ORANGE Lyons (A0.1217561). This R&B classic works so well you just might be amazed. It is voiced for solo-SATB. (If you have an alto ((or soprano)) with a deep rich tone, you've found your lead vocalist). This arrangement combines the best of Carole King's words with the soul of Aretha. Since this is more of an R&B groove you won't hear the dissonance and syncopation used for many of the jazz choral tunes you'll find here, but it is not short on feeling (especially with a soulful lead). It is an easy piece to perform and should be well received (especially by the Baby Boomers). Just don't move it too fast.
$2.26
Moves Like Jagger
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Easy Piano
#
EASY
#
Pop music
#
Maroon 5 Featuring Christina A
#
Matt Arnett
#
Moves Like Jagger
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Matt Arnett Music
#
SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1295094 By Maroon 5 Featuring Christina Aguilera. By Adam Levine, Ammar Malik, Benjamin Levin, and Shellb...
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Easy Piano - Level 2 - Digital Download SKU: A0.1295094 By Maroon 5 Featuring Christina Aguilera. By Adam Levine, Ammar Malik, Benjamin Levin, and Shellback. Arranged by Matt Arnett. Pop. Score. 5 pages. Matt Arnett Music #885414. Published by Matt Arnett Music (A0.1295094). This song is part of my Easy Piano series. Arrangements in this series only use one note at a time in each hand, making it highly accessible for beginners. If you are serious about learning piano, consider finding a piano teacher to help you develop good technique and music reading ability. If you liked this arrangement, check out my YouTube channel EPICpianomatt for more songs.
$4.99
String Quartet Movement in A (Over the Rainbow)
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String Quartet: 2 violins, viola, cello
#
EASY
#
Broadway
#
Film/TV
#
Derrick Thomas Lewis
#
String Quartet Movement in A
#
Derrick Thom. Lewis
#
SheetMusicPlus
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.975897 Composed by Derrick Thomas Lewis. 20th Century,Instructional. Score and parts. ...
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.975897 Composed by Derrick Thomas Lewis. 20th Century,Instructional. Score and parts. 40 pages. Derrick Thom. Lewis #6345823. Published by Derrick Thom. Lewis (A0.975897). The tune mentioned, from the Wizard of Oz; is referenced twice in the fiirst movement. This piece is not of the same style as Over the Rainbow, but more like Haydn. It`s in four movements. I like it! I hope you will like it.     .
$60.00
It Is Well With My Soul (When Peace Like a River)
#
Horatio Spafford
#
Michael E
#
It Is Well With My Soul
#
Michael E. Ropp
#
SheetMusicPlus
Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by ...
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Small Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.971700 Composed by Horatio Spafford (lyric) and Phillip Bliss (music). Arranged by Michael E. Ropp. Christian,Sacred,Spiritual. Score and parts. 11 pages. Michael E. Ropp #2959209. Published by Michael E. Ropp (A0.971700). I have always loved this hymn, and one Sunday morning when I had been called upon to write something lyric for our brass quartet (two trumpets in Bb, horn in F, and tuba), I went straight for It Is Well With My Soul. This arrangement tells in music the story of Horatio Spafford and the circumstances under which he wrote the lyric for this hymn. The piece opens with sounding of the horn of Spafford’s ship as she passes over the point at which Spafford's four daughters were lost. The first verse builds dramatically as the lyric comes to Spafford and ends with the lovely chorus. The next section is based on the third stanza of the hymn in which Spafford writes, My sin, not the part, but the whole, is nailed to the cross… The horn gets the melody, evoking the sound of Spafford’s own voice, and the other instruments vividly paint the hammering of the nails. However, as Spafford moves into the chorus, the harmony becomes dark and uncertain as Spafford’s grief overwhelms him; his faith wavers as he tries to believe what he is writing. Then, the melody transfers to the trumpet as Spafford is answered by the higher voice from above-his daughters assuring him that, yes, it IS well, it is well. The piece then ends with a peaceful statement of the chorus, evocative of the rolling sea and Spafford’s soul at peace. This piece can be played by a student ensemble; the primary challenge is in achieving the level of expression and emotion required to pull off a piece like this.
$5.99
Feels Like I'm Going Home(Concerto No.2, 3rd movement)
#
Concert band
#
INTERMEDIATE
#
Joseph Pugh
#
#
Feels Like I'm Going Home(Conc
#
Joseph Pugh
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.854877 Composed by Joseph Pugh. Christian,Pop. Score and parts. 6 pages. Joseph Pugh #5219157. Publishe...
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Concert Band - Level 3 - Digital Download SKU: A0.854877 Composed by Joseph Pugh. Christian,Pop. Score and parts. 6 pages. Joseph Pugh #5219157. Published by Joseph Pugh (A0.854877). Here' an arrangement for Chorus and Band. From the Woodwind Concerto No. 2, of the same name,3rd movement . A little tune we used to sing around the piano with my daughter and one of her friends. Little did I know it would someday turn out like this. Love the horns and Harp. Get all three for your woodwind quintet.1st movement Flow Gently. 2nd movement Opus#1 In C Minor. 3rd movement, Feels Like I'm Going Home (woodwinds)
$3.99
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart, Mozar
#
Rob Bushnell
#
Andante
#
RBMusic
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7...
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Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic #6014617. Published by RBMusic (A0.752422). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$9.50
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 2)
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Piano solo
#
EASY
#
Classical
#
Wolfgang Amadeus Mozart, Mozar
#
Rob Bushnell
#
Andante
#
RBMusic
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6...
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Piano Solo - Level 2 - Digital Download SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic #6014595. Published by RBMusic (A0.752421). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$5.75
God Moves in a Mysterious Way
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Piano, Vocal and Guitar
#
INTERMEDIATE
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Sacred music
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London Fox Singers
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Lyndell Leatherman
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God Moves in a Mysterious Way
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1247207 By London Fox Singers. By Words: William Cowper / Music: Anonymous. Arranged by Lyn...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1247207 By London Fox Singers. By Words: William Cowper / Music: Anonymous. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #841752. Published by Leatherman Music Services (A0.1247207). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
All The Right Moves
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Easy Piano
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EASY
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Pop music
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OneRepublic
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Matt Arnett
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All The Right Moves
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Matt Arnett Music
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1391104 By OneRepublic. By Ryan Tedder. Arranged by Matt Arnett. Pop. Score. 6 pages. Matt Arnett Music #...
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Easy Piano - Level 2 - Digital Download SKU: A0.1391104 By OneRepublic. By Ryan Tedder. Arranged by Matt Arnett. Pop. Score. 6 pages. Matt Arnett Music #973924. Published by Matt Arnett Music (A0.1391104). This song is part of my Easy Piano series. Arrangements in this series only use one note at a time in each hand, making it highly accessible for beginners. If you are serious about learning piano, consider finding a piano teacher to help you develop good technique and music reading ability. If you liked this arrangement, check out my YouTube channel EPICpianomatt for more songs.
$4.99
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
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Contemporary
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugi
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Ma...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
Cello - "And Can It Be?" Theme and Variations
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Cello, Piano
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Cello - "And Can It Be?" Theme
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Dan Cutchen Music
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. A...
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
Tuba solo - "And Can It Be?" Theme and Variations
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Tuba
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Tuba solo - "And Can It Be?" T
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Dan Cutchen Music
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SheetMusicPlus
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Ar...
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
Alto Sax - "And Can It Be?" Theme and Variations
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be?" Th
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and publishe...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Let Us Move (score - vocal choir and violin solo)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Mark O'Connor
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Let Us Move
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Mark O'Connor Musik International
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Conno...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Connor Musik International #6206201. Published by Mark O'Connor Musik International (A0.861905). Let Us Move (score - vocal choir and violin solo) MO144AVocal Choir (Soprano, Alto, Tenor, Baritone, Bass with violin obligato). Violin part availableMusic by Mark O’Connor34 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144ACopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Let Us Move (violin part - vocal choir and violin solo)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Mark O'Connor
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Let Us Move
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Mark O'Connor Musik International
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Conno...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Connor Musik International #6206203. Published by Mark O'Connor Musik International (A0.861906). Let Us Move (violin part - vocal choir and violin solo) MO144BViolin Obligato Part (vocal choir score available)Music by Mark O’Connor6 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144BCopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
Smells Like Me
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Piano solo
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INTERMEDIATE
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Charlie Puth
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Frank Pisani
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Smells Like Me
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Frank Pisani
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1140163 By Charlie Puth. By Charlie Puth and Jacob Kasher Hindlin. Arranged by Frank Pisani. Contemporary...
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Piano Solo - Level 3 - Digital Download SKU: A0.1140163 By Charlie Puth. By Charlie Puth and Jacob Kasher Hindlin. Arranged by Frank Pisani. Contemporary,Pop,Singer/Songwriter. Score. 6 pages. Frank Pisani #740419. Published by Frank Pisani (A0.1140163). Solo Piano arrangement for Charlie Puth's pop song, Smells Like Me, from his 2022 album CHARLIE. This arrangement is in the original key and is perfect for intermediate pianists - featuring a very accurate vocal line. This arrangement also features lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easy to know which fingers to use, and how to easily move around the keyboard. You may find it easier to learn how to play this song if you practice each hand separately first before trying to play them together. This arrangement is appropriate for schools and students. Arrangement Duration: 3:19.
$4.99
Smells Like Me
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Easy Piano
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EASY
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Charlie Puth
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Frank Pisani
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Smells Like Me
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Frank Pisani
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1163051 By Charlie Puth. By Charlie Puth and Jacob Kasher Hindlin. Arranged by Frank Pisani. Contemporary...
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Easy Piano - Level 2 - Digital Download SKU: A0.1163051 By Charlie Puth. By Charlie Puth and Jacob Kasher Hindlin. Arranged by Frank Pisani. Contemporary,Pop,Singer/Songwriter. Score. 5 pages. Frank Pisani #763405. Published by Frank Pisani (A0.1163051). Solo Piano arrangement for Charlie Puth's pop song, Smells Like Me, from his 2022 album CHARLIE. This arrangement is in an easy key (F rather than F#) and is perfect for beginner pianists - featuring a simplified vocal line. This arrangement also features lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easy to know which fingers to use, and how to easily move around the keyboard. You may find it easier to learn how to play this song if you practice each hand separately first before trying to play them together. This arrangement is appropriate for schools and students. Arrangement Duration: 3:37.
$4.99
Christmas This Year
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3 Clarinets (trio)
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INTERMEDIATE/ADVANCED
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Christmas
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Tobymac Feat
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Gary
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Christmas This Year
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DR GARY D BELSHAW
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 4 - Digital Download SKU: A0.796657 By Tobymac Feat. Leigh Nash. By Cary Barlowe, Jesse Frasure, and Tob...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 4 - Digital Download SKU: A0.796657 By Tobymac Feat. Leigh Nash. By Cary Barlowe, Jesse Frasure, and Toby McKeehan. Arranged by Gary. Contemporary. 34 pages. DR GARY D BELSHAW #3259473. Published by DR GARY D BELSHAW (A0.796657). 2017 Holiday Contest Entry. Duration 3:30. 33 pages after deleting Sample Part Page.How much fun is this Advanced Intermediate tobyMac Christmas song to play? Like Toby says: It's like I'm ten tears old again! This is a B-flat Clarinet Trio, but it just has to have rhythm under it. Perfect for that holiday studio recital, a school, civic, or social function. Great fun at church; even adults will move to the rhythm. Use this to build your breath control, long tones, precision, and facility. All three parts are well-balanced and share the load equally.There are two copies of the score for your pianist, formatted in two different ways. Some tablet users may prefer the version at the end of the file. Blank pages are inserted (after you delete the Sample Part Page) so you can print the whole file all at once. Be sure to set your copier/printer for two-sided printing!Follow and comment on Gary D. Belshaw Music on Facebook and Twitter.
$12.99
Christmas This Year
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Christmas
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Tobymac Feat
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Gary D
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Christmas This Year
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DR GARY D BELSHAW
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.796656 By Tobymac Feat. Leigh Nash. By Cary Barlowe, Jesse Frasure, and Toby McKeeha...
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Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.796656 By Tobymac Feat. Leigh Nash. By Cary Barlowe, Jesse Frasure, and Toby McKeehan. Arranged by Gary D. Belshaw (ASCAP). Contemporary. 34 pages. DR GARY D BELSHAW #3259465. Published by DR GARY D BELSHAW (A0.796656). 2017 Holiday Contest Entry. Duration 3:30. 33 pages after deleting Sample Part Page.How much fun is this Advanced Intermediate tobyMac Christmas song to play? Like Toby says: It's like I'm ten tears old again! This is an Alto Sax trio, but it just has to have rhythm under it. Perfect for that holiday studio recital, a school, civic, or social function. Great fun at church; even adults will move to the rhythm. Use this to build your breath control, long tones, precision, and facility. All three parts are well-balanced and share the load equally.There are two copies of the score for your pianist, formatted in two different ways. Some tablet users may prefer the version at the end of the file. Blank pages are inserted (after you delete the Sample Part Page) so you can print the whole file all at once. Be sure to set your copier/printer for two-sided printing!Follow and comment on Gary D. Belshaw Music on Facebook and Twitter.
$12.99
Christmas This Year
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Christmas
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Tobymac Feat
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Gary D
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Christmas This Year
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DR GARY D BELSHAW
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SheetMusicPlus
Piano Quintet,String Ensemble Piano - Level 4 - Digital Download SKU: A0.796659 By Tobymac Feat. Leigh Nash. By Cary Barlowe, Jesse Frasure, and Toby McK...
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Piano Quintet,String Ensemble Piano - Level 4 - Digital Download SKU: A0.796659 By Tobymac Feat. Leigh Nash. By Cary Barlowe, Jesse Frasure, and Toby McKeehan. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score and parts. 36 pages. DR GARY D BELSHAW #3358719. Published by DR GARY D BELSHAW (A0.796659). 2017 Holiday Contest Entry. Duration 3:30. 35 pages after deleting Sample Part Page.How much fun is this Advanced Intermediate tobyMac Christmas song to play? Like Toby says: It's like I'm ten tears old again! This is a String Quartet, but it just has to have rhythm under it, so I added the piano as an accompaniment. Perfect for that holiday studio recital, a school, civic, or social function. Great fun at church; even adults will move to the rhythm.There are two copies of the score for your pianist, formatted in two different ways. Some tablet users may prefer the version at the end of the file. Blank pages are inserted (after you delete the Sample Part Page) so you can print the whole file all at once. Be sure to set your copier/printer for two-sided printing!Follow and comment on Gary D. Belshaw Music on Facebook and Twitter.
$12.99
You Make It Feel Like Christmas
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Easy Piano
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BEGINNER
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Christmas
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Gwen Stefani Featuring Blake S
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Aster Kanke
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You Make It Feel Like Christma
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Aster Kanke
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1386272 By Gwen Stefani Featuring Blake Shelton. By Blake Shelton, Gwen Stefani, Justin Tranter, and Mich...
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Easy Piano - Level 1 - Digital Download SKU: A0.1386272 By Gwen Stefani Featuring Blake Shelton. By Blake Shelton, Gwen Stefani, Justin Tranter, and Michael Busbee. Arranged by Aster Kanke. Christmas. Score. 1 pages. Aster Kanke #970193. Published by Aster Kanke (A0.1386272). Make it feel like Christmas with this level 1 piano piece! Good for students who are learning to move their hands around the piano, switching left hand from middle C position to C 5-Finger Scale.
$4.99
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