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Movement for Violin Duo
Not classified
43
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25
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17
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7
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119
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109
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86
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17
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15
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15
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10
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9
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8
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6
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5
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4
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4
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3
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1
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Movement for Violin Duo
Sheetmusic to print
619 sheet music found
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26
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601
Movement for Violin Duo
#
2 Violins (duet)
#
ADVANCED
#
Contemporary
#
Robert Chamberlin
#
Movement for Violin Duo
#
Robert Chamberlin
#
SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.917247 Composed by Robert Chamberlin. 20th Century,Contemporary. Score and parts...
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Instrumental Duet Instrumental Duet - Level 5 - Digital Download SKU: A0.917247 Composed by Robert Chamberlin. 20th Century,Contemporary. Score and parts. 13 pages. Robert Chamberlin #4638787. Published by Robert Chamberlin (A0.917247). This is an energetic piece for two violins, composed in 1977 in Haarlem, Netherlands. Originally, it was scored in 31-tone equal temperament and was written specifically for the violin duo Bouw Lemkes and Jeanne Vos. This duo was noted for their performance and encouragement of tricesimoprimal music. In 2015, I revised the piece so that it could be performed in 12-tone equal temperament, in order to make it more accessible. Individual parts are included.
$10.00
Stamitz: Duetto Op. 27 No. 3 for Violin Duo
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2 Violins (duet)
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INTERMEDIATE
#
Stamitz
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James M
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Stamitz: Duetto Op. 27 No. 3 f
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jmsgu3
#
SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1354186 Composed by Stamitz. Arranged by James M. Guthrie. Chamber,Classical,Contest,Festival,Tra...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1354186 Composed by Stamitz. Arranged by James M. Guthrie. Chamber,Classical,Contest,Festival,Traditional,Wedding. 19 pages. Jmsgu3 #938888. Published by jmsgu3 (A0.1354186). The significance of Stamitz Duets Op. 27 lies in their contribution to the duet repertoire for two violins (or two flutes). Composed by Carl Stamitz, a prominent figure of this era, the duets were published in 1780. These duets are well-regarded for their musicality and are popular choices for duet performances and educational purposes. They are available in sheet music and have been performed in concerts and recordings, reflecting their enduring appeal and importance in the classical music domain. The duets are known for their melodic and expressive qualities, making them valuable for developing ensemble playing and musical interpretation skills. They are also appreciated for their historical significance in the context of classical music composition and the repertoire for violin or flute duets. Carl Stamitz, born in 1745 and passing away in 1801, was a significant figure in music history, particularly in the classical period. He was one of the most prolific Mannheim orchestral composers, known for writing numerous symphonies, concertos for various instruments, and other instrumental works. Stamitz's influence on the evolution of the Classical sonata form by introducing contrasting themes within a single movement is also noteworthy. He was a prominent representative of the second generation of the Mannheim School, and his contributions to the duet repertoire for two violins or two flutes are highly regarded for their musicality and historical significance. Despite not being as widely recognized as some of his contemporaries, his work has left a lasting impact on the classical music domain.Carl Stamitz significantly contributed to the Mannheim School of Music as the most prominent representative of its second generation. He was the eldest son of Johann Stamitz, a violinist and composer considered the Mannheim School's founder. Carl Stamitz's contribution to the school included his role as a prolific orchestral composer, writing numerous symphonies, concertos for various instruments, and other instrumental works. His work, along with that of other members of the Mannheim School, helped solidify the Classical symphony and its dynamic contrasts, impacting the evolution of the classical music period. Additionally, Carl Stamitz's choice of the viola as his favorite instrument and his compositions for the viola also contributed to the school's legacy.
$24.95
Turkish March by Beethoven for Violin Duet
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2 Violins (duet)
#
EASY
#
Classical
#
Classical
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for
#
Woods Only, Arrangements
#
SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.1189313 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic ...
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.1189313 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #788945. Published by Woods Only, Arrangements (A0.1189313). This arrangement adapted for violin duo was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$3.99
Ode to Joy by Beethoven for Violin Duet
#
2 Violins (duet)
#
EASY
#
Classical
#
Classical
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Vi
#
Woods Only, Arrangements
#
SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.1202674 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,...
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.1202674 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 8 pages. Woods Only, Arrangements #801438. Published by Woods Only, Arrangements (A0.1202674). This arrangement adapted for violin duo was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
$3.99
Turkish March by Beethoven for Violin and Viola
#
Violin, Viola (duet)
#
EASY
#
Classical
#
Classical
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for
#
Woods Only, Arrangements
#
SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1189318 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Ope...
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Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1189318 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #788950. Published by Woods Only, Arrangements (A0.1189318). This arrangement adapted for violin and viola duet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$3.99
Turkish March by Beethoven for Violin and Cello
#
Violin, Cello (duet)
#
EASY
#
Classical
#
Classical
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for
#
Woods Only, Arrangements
#
SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1189323 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Ope...
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Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1189323 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 6 pages. Woods Only, Arrangements #788955. Published by Woods Only, Arrangements (A0.1189323). This arrangement adapted for violin and violoncello duet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$3.99
Ode to Joy by Beethoven for Violin and Viola
#
Violin, Viola (duet)
#
EASY
#
Classical
#
Classical
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Vi
#
Woods Only, Arrangements
#
SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1202675 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,...
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Instrumental Duet,Viola,Violin - Level 2 - Digital Download SKU: A0.1202675 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 8 pages. Woods Only, Arrangements #801439. Published by Woods Only, Arrangements (A0.1202675). This arrangement adapted for violin and viola duet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
$3.99
Ode to Joy by Beethoven for Violin and Cello
#
Violin, Cello (duet)
#
EASY
#
Classical
#
Classical
#
Ludwig van Beethoven
#
Ander
#
Ode to Joy by Beethoven for Vi
#
Woods Only, Arrangements
#
SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1202677 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,...
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Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.1202677 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 8 pages. Woods Only, Arrangements #801441. Published by Woods Only, Arrangements (A0.1202677). This arrangement adapted for violin and violoncello duet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
$3.99
Bach: Wachet auf for Euphonium & Piano
#
Euphonium, Piano (duet)
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Euphonium
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duet)
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...
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Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Wachet auf for Bassoon & Piano
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Bassoon, Piano (duet)
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bassoon &
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Gut...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.549851 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555069. Published by jmsgu3 (A0.549851). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Wachet auf for Oboe & Piano
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Oboe, Piano (duet)
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe & Pi
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,...
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Oboe,Piano - Level 2 - Digital Download SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Swing Low, Swing Chariot, Gospel Song for Violin Duet
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2 Violins (duet)
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INTERMEDIATE
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Sacred music
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Wallis Willis
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David McKeown
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Swing Low, Swing Chariot, Gosp
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David McKeown
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.590020 Composed by Wallis Willis. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. 4...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.590020 Composed by Wallis Willis. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. 4 pages. David McKeown #6137567. Published by David McKeown (A0.590020). Swing Low, Sweet Chariot is an American nineteenth century spiritual. This version is arranged as a duet for two Violins. The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recent times Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other. Swing Low, Sweet Chariot is simply arranged in keys and range best suited to the instruments. The hymn is played three and a half times, once as a ballad, then twice in a slow rock style, before returning to the ballad at the end. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Swing Low, Sweet Chariot is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Swing Low, Sweet Chariot is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Zoe the Zen Zombie, Spooky Halloween Duet for Violin
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2 Violins (duet)
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INTERMEDIATE
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Halloween
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David McKeown
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Zoe the Zen Zombie, Spooky Hal
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David McKeown
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.592486 Composed by David McKeown. 20th Century,Contemporary,Standards. 4 pages. David McKeown #63...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.592486 Composed by David McKeown. 20th Century,Contemporary,Standards. 4 pages. David McKeown #6359917. Published by David McKeown (A0.592486). Zoe the Zen Zombie is a spooky and original duet written by David McKeown for two Violins. Zoe the Zen Zombie is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Violin.Zoe was interested in Eastern philosophy long before she became a zombie and nowadays it helps her cope with the unfortunate change of circumstances. So when all her zombie friends are out on a flesh-eating rampage, Zoe is usually at home sipping Tibetan tea and listening to George Harrison. But she does get lonely at times. Zoe the Zen Zombie is suitable for players at an intermediate level and above. The main melody in gentle and lyrical throughout with some accidentals, while the accompaniment has some quaver movement at a medium tempo. The range is accessible for both players. With a playing-time of around three minutes, Zoe the Zen Zombie is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements.
$3.99
Symphony No. 7 by Beethoven for Violin Duet
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2 Violins (duet)
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EASY
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Classical
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.1189416 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Marc...
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.1189416 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #789052. Published by Woods Only, Arrangements (A0.1189416). This arrangement adapted for violin duo was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$3.99
Telemann: Sonata Op. 2 No. 2 for Violin Duo
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2 Violins (duet)
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INTERMEDIATE
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Sonata Op. 2 No. 2 f
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jmsgu3
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SheetMusicPlus
String Ensemble - Level 3 - Digital Download SKU: A0.552333 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Instructi...
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String Ensemble - Level 3 - Digital Download SKU: A0.552333 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 31 pages. Jmsgu3 #6327363. Published by jmsgu3 (A0.552333). I. Largo II. Allegro III. Affettuoso IV. VivaceGeorg Philipp Telemann's Sonatas Op. 2, also known as the Six Sonatas for two flutes (or violins), are significant for several reasons. First, they are dedicated to two young music lovers, explicitly appealing to a circle of pupils and music enthusiasts. The pieces foster the ability of musical expression and are characterized by a combination of expansive baroque thematic material and charming galant features in the slow and fast movements, respectively. Telemann was considered one of the leading German composers of his time, and his works, including the Sonatas Op. 2, reflect his significant contribution to the Baroque music era. The Methodical nature of these sonatas, as described when they were published in 1732, is also noteworthy, as they included a second, ornamented version of the simple melodies, showcasing Telemann's innovative approach to composition.Furthermore, Telemann's music, which incorporates French, Italian, and German national styles, remained highly regarded by colleagues and critics alike during his lifetime and the latter half of the 18th century. Numerous theorists and prominent composers cited his works as models, and he influenced pupils of J.S. Bach in Leipzig, such as Wilhelm Friedemann Bach. Therefore, Telemann's Sonatas Op. 2 contributed to the expansion of domestic music-making and influenced other composers and musicians of his time and beyond.
$24.95
Nocturne. Original For Violin Duet and Piano.
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2 Violins (duet)
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INTERMEDIATE
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Grant Horsley
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Grant Horsley
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Nocturne. Original For Violin
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Grant Horsley
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1255062 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1255062 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Film/TV,Romantic Period,Wedding. 19 pages. Grant Horsley #848656. Published by Grant Horsley (A0.1255062). The name Nocturne (meaning of the night) was originally an ensemble piece in the 18th century in several movements used for for evening parties. Later In the 19thc it's one movement form, it was adopted by John Field and later popularised by Chopin. It generally has a tranquil lyrical melody and is very romantic and expressive. I have tried to keep these elements in this Nocturne. Written here for Violin Duet and Piano, the parts are equally divided. Highest note top F sharp, violin 1 (once). Bowing has been left to the performer. It is written in the key of concert B minor it has a very gentle opening with harmonies evolving around a cycle of 5th's in places. The piece has three definite sections- the lyrical melody to begin with, a middle section building to a climax before a return to the 1st section. This is followed by a transitional contrasting section (poco piu mosso) wandering through a few keys to settle on an inner pedal tonic note chime. Gentle chords restore the opening once more- this opening theme climaxes towards the end and a gentle reflection of the opening bars concludes the piece.It is 4 mins 20 in length and price is for the full score and parts.I have set it to intermediate level, but the whole score is on the youtube link for you to assess suitability. Versions for Flute Duet, Flute and Clarinet Duet and Solo Piano are also available.
$6.50
BACH: Wachet Auf BWV 140 for Violin & Harp
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Harp, Violin (duet)
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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BACH: Wachet Auf BWV 140 for V
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jmsgu3
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.552205 Composed by Johann Sebastian Bach. Arranged by James M. Guthr...
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Instrumental Duet Harp,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.552205 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #6265607. Published by jmsgu3 (A0.552205). Wachet auf, ruft uns die Stimme(Awake, the Voice is calling us) also known as: Sleepers AwakeBach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.Fourth MovementBach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.
$32.95
Violin Sonata No. 1 ('Circling')
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2 Violins (duet)
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ADVANCED
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Robert A
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Violin Sonata No. 1
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Robert A. Howard
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SheetMusicPlus
Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1503126 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,F...
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Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1503126 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 45 pages. Robert A. Howard #1078708. Published by Robert A. Howard (A0.1503126). This piece is an extended, three movement Violin Sonata for violin and piano. The work explores the subtitle concept of 'circling'. This is pursued through a wide variety of musical elements. These include: circling melodies, repetitive chains of (modulating) chord sequences, motoric cross-rhythms and syncopation, heterophonic canonic textures, and large-scale concentric structures. The fast, first movement is in a loose symmetrical sonata form in D (modal) minor. The resolute and scalic first subject, based on the opening core motif, is followed by a transition to a more lyrical and repetitive, cantabile second theme. The ensuing development section passes through various keys, with a new, modal third theme at its centre, featuring parallel motion, syncopation, and an ostinato in the accompaniment. The varied recapitulation presents the opening two themes in reverse order (thus giving overall structural symmetry to the movement). The heart of the work as a whole is the slow romanza-like second movement, centred on G. In ternary form, the outer sections present a highly memorable lyrical theme in a series of modulating and canonic textural variations. The contrasting middle section is much more unsettled in its three varied statements of a new theme accompanied by uncertain minor sevenths chords. The rondo-like finale in D is the most minimalist in style and rhythm. A circling, motivic and scalic main theme appears between highly contrasting episodes. The first of these is a folk-like rustic theme, while the second is a sentimental melody, played over an arpeggio and descending bass line accompaniment. Heard 3 times, in 3 different keys and registers, this idea leads to an recap of the main rondo theme, signalling the end of the work. Overall, the piece is genuinely melodic and is accessible to the listener. The work is suitable for performance by higher grade or professional violinists and pianists. Please note that the document provided is the full score only (also serves as the piano part), with reference audio.Duration: 22 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk.
$14.99
Aria from the Goldberg Variations for Two Violins
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2 Violins (duet)
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Dave Prudon
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Aria from the Goldberg Variati
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Prudon String Ensembles
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.732560 Composed by Johann Sebastian Bach. Arranged by Dave Prudon. Baroque,Contemporary,Easter,Sa...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.732560 Composed by Johann Sebastian Bach. Arranged by Dave Prudon. Baroque,Contemporary,Easter,Sacred,Wedding. 4 pages. Prudon String Ensembles #3914709. Published by Prudon String Ensembles (A0.732560). This gorgeous first movement of the Goldberg Variations for solo piano sounds lovely when played by two violins.  In this arrangement, each violinist gets a chance to play the serenely beautiful melody which adds to the magic of the performance.  For Two Violin Duos who are often asked to perform for special occasions, this arrangement will make a nice addition to their repertoire list.  You can find hundreds of other nice arrangements for strings at:  Prudon String Ensembles Sheet Music.
$8.99
Spring (from Four Seasons of Antonio Vivaldi) for Violin Duo
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2 Violins (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Antonio Vivaldi
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Fabio Britto
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Spring
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Fabio Britto
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SheetMusicPlus
Violin Duet Violin - Level 4 - Digital Download SKU: A0.1154567 Composed by Antonio Vivaldi. Arranged by Fabio Britto. Baroque,Classical,Wedding. 5 pages...
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Violin Duet Violin - Level 4 - Digital Download SKU: A0.1154567 Composed by Antonio Vivaldi. Arranged by Fabio Britto. Baroque,Classical,Wedding. 5 pages. Fabio Britto #754846. Published by Fabio Britto (A0.1154567). Arrangement of Spring 1st Movement from Four Seasons (Antonio Vivaldi) for Violin Duo. #baroquemusic #baroque #classical #vivaldi #fourseasons #spring.
$7.99
Loeillet: Six Sonatas Op. 5 No. 2 Complete for Violin Duo
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2 Violins (duet)
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EASY
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Jean Baptiste Loeillet of Ghen
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James M
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Loeillet: Six Sonatas Op. 5 No
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jmsgu3
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SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.612852 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Gut...
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.612852 Composed by Jean Baptiste Loeillet of Ghent (1688 – 1720). Arranged by James M. Guthrie. Baroque,Contest,Festival,Standards,Traditional,Wedding. 59 pages. Jmsgu3 #222047. Published by jmsgu3 (A0.612852). John Baptist Loeillet, a Flemish Baroque composer, wrote six sonatas for flute and basso continuo in his Op. 5 No. 2. This work is widely considered to be some of his most significant compositions, and they are still performed today.The sonatas are divided into three movements each, with two slow movements and one faster one. The flute part is very demanding, as Loeillet often wrote in the high register, and the accompanying basso continuo part provides a solid foundation for the piece. The music has an emotional intensity that was characteristic of the Baroque era, and it features various ornamentations, like trills and mordents. The influence of Corelli can be heard in the contrapuntal textures, and the melodic lines are often based on the scales and modes of the period.Loeillet's Op. 5 No. 2 is a beautiful and captivating work, and its timelessness is a testament to its quality. It has been transcribed and adapted for other instruments, and it remains a popular choice for many classical musicians.Contents:Sonata No. 1 Duration: 9:45 Score: 8 pages 1. Vivace 2. Affetuoso e Poco Vivace 3. Allegro 4. Largo 5. AllegroSonata No. 2 Duration: 16:00, Score: 12 pages 1. La¬rgo 2. Allegro 3. Largo 4. Vivace 5. Vivace 6. Largo 7. GigaSonata No. 3 Duration: 19:20, Score: 14 pages 1. Vivace 2. Largo 3. Gavotto – Allegro 4. Sarabanda 5. Allegro 6. Largo 7. Menuet 8. Giga - Allegro Sonata No. 4 Duration: 11:08, Score: 10 pages 1. Vivace 2. Gavott 3. Largo 4. Allegro 5. Sarabanda - Largo 6. AllegroSonata No. 5 Duration: 7:49, Score: 7 pages 1. Largo 2. Allegro 3. Largo 4. Gavott Sonata No. 6 Duration: 9:42, Score: 8 pages 1. Andante 2. Adagio 3. Allegro 1 4. Allegro 2.
$74.95
Swing Low, Swing Chariot, Gospel Song for Violin and Clarinet Duet
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Clarinet, Violin (duet)
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Wallis Willis
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David McKeown
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Swing Low, Swing Chariot, Gosp
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.590017 Composed by Wallis Willis. Arranged by David McKeown. Chr...
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.590017 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6137561. Published by David McKeown (A0.590017). Swing Low, Sweet Chariot is an American nineteenth century spiritual. This version is arranged as a duet for one Violin and one Clarinet.The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recent times Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other. Swing Low, Sweet Chariot is simply arranged in keys and range best suited to the instruments. The hymn is played three and a half times, once as a ballad, then twice in a slow rock style, before returning to the ballad at the end. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Swing Low, Sweet Chariot is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Swing Low, Sweet Chariot is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Swing Low, Swing Chariot, Gospel Song for Violin and Cello Duet
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Violin, Cello (duet)
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Wallis Willis
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David McKeown
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Swing Low, Swing Chariot, Gosp
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David McKeown
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.590019 Composed by Wallis Willis. Arranged by David McKeown. Christ...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.590019 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6137565. Published by David McKeown (A0.590019). Swing Low, Sweet Chariot is an American nineteenth century spiritual. This version is arranged as a duet for one Violin and one Cello.The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recent times Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other. Swing Low, Sweet Chariot is simply arranged in keys and range best suited to the instruments. The hymn is played three and a half times, once as a ballad, then twice in a slow rock style, before returning to the ballad at the end. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Swing Low, Sweet Chariot is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Swing Low, Sweet Chariot is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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