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Name Above All Names - Violin 2
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You've selected:
Name Above All Names - Violin 2
Sheetmusic to print
85 sheet music found
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1
26
51
76
Jesus, Name Above All Names
#
Choral 2-part
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Sacred music
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John F
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Praise, Redemption
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Jesus, Name Above All Names
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Hope Publishing - Digital
#
SheetMusicPlus
Choral 2-Part or 3-Part Mixed Chorus (Choral, Orchestra) - Digital Download Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra. ...
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Choral 2-Part or 3-Part Mixed Chorus (Choral, Orchestra) - Digital Download Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra. Contemporary, General Worship, Name of Jesus, Adoration & Praise, Redemption. Octavo. 8 pages. Hope Publishing - Digital #C5122DP. Published by Hope Publishing - Digital
$3.25
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
#
dislocation I mean a degree of
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Jenni Roditi
#
SURRENDER, Between the Octaves
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Piano Praise and Worship #2
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Piano solo
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Fred Bock
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Piano Praise and Worship #2
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Fred Bock Music Company
#
SheetMusicPlus
Piano SKU: HL.8738361 Arr. Fred Bock. Arranged by Fred Bock. Piano solos. Fred Bock Publications. General Worship, Sacred. 40 pages. Fred Bock Mus...
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Piano SKU: HL.8738361 Arr. Fred Bock. Arranged by Fred Bock. Piano solos. Fred Bock Publications. General Worship, Sacred. 40 pages. Fred Bock Music Company #BG0788. Published by Fred Bock Music Company (HL.8738361). ISBN 9781934596197. UPC: 073999383614. 9.0x12.0x0.113 inches.Following the incredible success of #1, this second volume includes the top-ranked CCLI choruses - 14 songs in all arranged in Fred Bock's wonderfully inventive and creative stylings. This is a must for every church pianist's library. Titles include: All Hail King Jesus * As the Deer * Awesome God * I Exalt Thee * He Has Made Me Glad * Jesus, name Above All Names * Open Our Eyes, Lord * and more.
Song List
: All Hail, King Jesus (Bock) As the Deer (Bock) Awesome God/I Exalt Thee (Bock) Emmanuel (Bock) He Has Made Me Glad (Bock) I Exalt Thee/Awesome Good (Bock) I Will Call Upon the Lord (Bock) Jesus, Name Above All Names (Bock) Lord, Be Glorified/Sanctuary (Bock) Open Your Eyes (Bock) Praise the Name of Jesus (Bock) Sanctuary/Lord, Be Glorified (Bock) Shine, Jesus, Shine (Bock) This Is the Day (Bock)
$12.95
Jesus, Name Above All Names
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Naida Hearn
#
Naida Hearn
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John F
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Jesus, Name Above All Names
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Hope Publishing - Digital
#
SheetMusicPlus
(Choral, Orchestra) - Digital Download SKU: H1.GC934ODP Composed by Naida Hearn. Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra....
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(Choral, Orchestra) - Digital Download SKU: H1.GC934ODP Composed by Naida Hearn. Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra. Contemporary, General Worship, Name of Jesus, Adoration & Praise, Redemption. Set of Instrumental Parts. 32 pages. Hope Publishing - Digital #GC934ODP. Published by Hope Publishing - Digital (H1.GC934ODP). By Naida Hearn. Isaiah 6:9 - John 1:14 - Luke 1:31 - Matthew 1:21 - Philippians 2:9.Popular worship song by Naida HearnArranger John F. Wilson has provided a gentle setting of Naida Hearn's popular praise and worship song, Jesus, Name Above All Names, which includes a quote from the gospel hymn, My Jesus, I Love Thee. Available in both SATB and Two- or Three-Part.
$89.95
Jesus, Name Above All Names
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Naida Hearn
#
Naida Hearn
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John F
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Jesus, Name Above All Names
#
Hope Publishing - Digital
#
SheetMusicPlus
Choral (Choral, Orchestra) - Digital Download SKU: H1.GC934DP Composed by Naida Hearn. Arranged by John F. Wilson. Piano Accompaniment with Optional Orch...
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Choral (Choral, Orchestra) - Digital Download SKU: H1.GC934DP Composed by Naida Hearn. Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra. Contemporary, Praise & Worship, General Worship, Name of Jesus, Adoration & Praise, Redemption. Octavo. 8 pages. Hope Publishing - Digital #GC934DP. Published by Hope Publishing - Digital (H1.GC934DP). By Naida Hearn. Isaiah 6:9 - John 1:14 - Luke 1:31 - Matthew 1:21 - Philippians 2:9.Popular worship song by Naida HearnArranger John F. Wilson has provided a gentle setting of Naida Hearn's popular praise and worship song, Jesus, Name Above All Names, which includes a quote from the gospel hymn, My Jesus, I Love Thee. Available in both SATB and Two- or Three-Part.
$3.25
Jesus, Name Above All Names
#
Naida Hearn
#
John F
#
Jesus, Name Above All Names
#
Hope Publishing - Digital
#
SheetMusicPlus
(Choral, Orchestra) - Digital Download SKU: H1.C5122RDP Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra. Contemporary, General Wo...
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(Choral, Orchestra) - Digital Download SKU: H1.C5122RDP Arranged by John F. Wilson. Piano Accompaniment with Optional Orchestra. Contemporary, General Worship, Name of Jesus, Adoration & Praise, Redemption. Rhythm Chart. 2 pages. Hope Publishing - Digital #C5122RDP. Published by Hope Publishing - Digital (H1.C5122RDP). By Naida Hearn.Popular worship song by Naida HearnArranger John F. Wilson has provided a gentle setting of Naida Hearn's popular praise and worship song, Jesus, Name Above All Names, which includes a quote from the gospel hymn, My Jesus, I Love Thee. Available in both SATB and Two- or Three-Part.
$34.95
Jesus, Name Above All Names
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Contemporary
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Naida Hearn
#
PianoSheetNow
#
Jesus, Name Above All Names
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PianoSheetNow
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.556673 Composed by Naida Hearn. Arranged by PianoSheetNow. Contempo...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - Digital Download SKU: A0.556673 Composed by Naida Hearn. Arranged by PianoSheetNow. Contemporary. Score and parts. 3 pages. PianoSheetNow #4885339. Published by PianoSheetNow (A0.556673). Jesus Name Above All Names by Naida Hearn.For Guitar solo (Classsical or Acoustic) or Guitar and voice.With some finger position suggestions. With melody line and lyrics.With standard notation and tablature.
$4.99
Jesus, Name Above All Names
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Flute and Guitar
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EASY
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Naida Hearn
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PianoSheetNow
#
Jesus, Name Above All Names
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PianoSheetNow
#
SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.556674 Composed by Naida Hearn. Arranged by PianoSheetNow. 20th Cen...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.556674 Composed by Naida Hearn. Arranged by PianoSheetNow. 20th Century,Sacred. Score and parts. 6 pages. PianoSheetNow #4885341. Published by PianoSheetNow (A0.556674). Jesus Name Above All Names by Naida Hearn.For Flute and Guitar duet or Flute, Guitar and voice.With some finger position suggestions. With melody line and lyrics.With standard notation and tablature.
$4.99
Jesus, Name Above All Names
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Big Note Piano
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BEGINNER
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Jesus, Name Above All Names
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.455212 Christian,Sacred. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.455212). Abou...
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Digital Download SKU: HX.455212 Christian,Sacred. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.455212). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
Jesus, Name Above All Names
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Flute
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INTERMEDIATE
#
Contemporary
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Naida Hearn
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David Kocijan
#
Jesus, Name Above All Names
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David Kocijan
#
SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.772468 Composed by Naida Hearn. Arranged by David Kocijan. Contemporary. Individual part. 2 pages. David ...
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Flute Solo - Level 3 - Digital Download SKU: A0.772468 Composed by Naida Hearn. Arranged by David Kocijan. Contemporary. Individual part. 2 pages. David Kocijan #4968501. Published by David Kocijan (A0.772468). Flute transcription.
$4.99
Jesus, Name Above All Names
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Easy Piano
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BEGINNER
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Contemporary
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Naida Hearn
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David Hendra, easypianoteacher
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Jesus, Name Above All Names
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David Hendra
#
SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.820123 Composed by Naida Hearn. Arranged by David Hendra, easypianoteacher.com. Contemporary. Score. 2 pa...
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Easy Piano - Level 1 - Digital Download SKU: A0.820123 Composed by Naida Hearn. Arranged by David Hendra, easypianoteacher.com. Contemporary. Score. 2 pages. David Hendra #5296609. Published by David Hendra (A0.820123). A very easy piano arrangement for beginners. Free video tutorials also available (follow the link on the score).
$4.99
Jesus, Name Above All Names
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Alto Saxophone
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INTERMEDIATE
#
Contemporary
#
Naida Hearn
#
David Kocijan
#
Jesus, Name Above All Names
#
David Kocijan
#
SheetMusicPlus
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.772466 Composed by Naida Hearn. Arranged by David Kocijan. Contemporary. Individual part. 2 page...
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Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.772466 Composed by Naida Hearn. Arranged by David Kocijan. Contemporary. Individual part. 2 pages. David Kocijan #4967397. Published by David Kocijan (A0.772466). Alto saxophone transcription.
$4.99
Jesus, Name Above All Names
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Saxophone, Clarinet (duet)
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INTERMEDIATE
#
Contemporary
#
Naida Hearn
#
David Kocijan
#
Jesus, Name Above All Names
#
David Kocijan
#
SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.772467 Composed by Naida Hearn. Arranged by David Koc...
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Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.772467 Composed by Naida Hearn. Arranged by David Kocijan. Contemporary. Score and parts. 2 pages. David Kocijan #4968497. Published by David Kocijan (A0.772467). Clarinet in Bb transcription.
$4.99
Jesus, Name Above All Names
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Tenor Saxophone
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INTERMEDIATE
#
Contemporary
#
Naida Hearn
#
David Kocijan
#
Jesus, Name Above All Names
#
David Kocijan
#
SheetMusicPlus
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.772470 Composed by Naida Hearn. Arranged by David Kocijan. Contemporary. Individual part. 2 pag...
(+)
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.772470 Composed by Naida Hearn. Arranged by David Kocijan. Contemporary. Individual part. 2 pages. David Kocijan #4969199. Published by David Kocijan (A0.772470). Tenor Sax transcription.
$4.99
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
#
2 Pianos, 4 hands
#
Classical
#
dislocation I mean a degree of
#
Jenni Roditi
#
THREAD, Between the Octaves A
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
#
2 Pianos, 4 hands
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Jesus Paid It All (for Voice and 8-note Boomwhackers®)
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Jesus Paid It All
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Sharon Wilson
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SheetMusicPlus
Boomwhackers,Piano Accompaniment,Voice - Level 1 - Digital Download SKU: A0.565100 By Sharon Wilson. By John T. Grape. Arranged by Sharon Wilson. Childre...
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Boomwhackers,Piano Accompaniment,Voice - Level 1 - Digital Download SKU: A0.565100 By Sharon Wilson. By John T. Grape. Arranged by Sharon Wilson. Children,Easter,Instructional,Praise & Worship,Sacred. 10 pages. Sharon Wilson #3414721. Published by Sharon Wilson (A0.565100). This arrangement is for voice (either solo or unison group singing) with chord accompaniment using 8-note (C major diatonic scale) Boomwhackers® and an optional easy Piano accompaniment. The following pages provide several options for learning, teaching, and enjoying this timeless hymn. This packet includes the following pages: * chord chart using colored noteheads corresponding to the Boomwhackers® color system* 2-page combined score with the melody (for voice with the lyrics for one verse) on the top staff and Boomwhackers® 3-note chords on the bottom staff* 1-page melody staff with lyrics and chord names (referring to the chord chart, follow the chord names above the staff to whack out the 3 beats in each measure using the corresponding Boomwhackers®* 1-page with lyrics and chords for 4 verses divided into beats (referring to the chord chart, whack out the beat using the corresponding chord indicated above each syllable, word, or phrase); this page is most useful once the melody and rhythm have been learned* 1-page piano accompaniment score (the right hand plays the melody, especially helpful if the melody is unfamiliar)This arrangement is one of the hymns in a series of Timeless Hymns for Voice and Boomwhackers®. These hymn arrangements provide an excellent teaching tool for families, schools, churches, and other children's ministries. Children will enjoy learning the lyrics and tunes of these classic hymns while accompanying themselves by whacking out chords with the Boomwhackers®. Frequent use of these songs will store the hymns' messages in their memory which they will cherish throughout their lifetime. Other suggestions and uses: * have the melody played by other 8-note instruments such as handbells, xylophones, glockenspiels, or recorders; alternate singing one verse with playing an instrument on the melody for a second verse* use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make as many copies as needed for one family, church, or other group. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
I Shall Not Be Moved for 8-note Bells and Boomwhackers® (with Color Coded Notes)
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Gospel/Spiritual
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Sharon Wilson
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Sharon Wilson
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I Shall Not Be Moved for 8-not
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Ukulele,Voice - Level 2 - Digital Download SKU: A0.565163
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Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Ukulele,Voice - Level 2 - Digital Download SKU: A0.565163 By Sharon Wilson. By Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 12 pages. Sharon Wilson #3500091. Published by Sharon Wilson (A0.565163). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Handbells sold by Rhythm Band or KidsPlay also use this same color scheme (other brands may use different color schemes). Using color coded notes helps beginning musicians learn to read standard sheet music notation. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Notes used for each instrument are as follows: Bells –C D E G A B C* Boomwhackers® – C D E G A Bwhere C* is high C, one octave above middle C  Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of G major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided on the last page for 6 or 10 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Ride On! Ride On in Majesty! — SATB voices, organ
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Choral SATB
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INTERMEDIATE
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English ballad
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Todd Marchand
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Ride On! Ride On in Majesty!
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacr...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty†was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias†(aka The Agincourt Carol), with the refrain Ride on in majesty!†following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
Jesus, name all names above. A new tune to a wonderful old hymn.
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Choral Unison
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EASY
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Harry Hicks
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Jesus, name all names above. A
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.994500 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4357...
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.994500 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4357479. Published by Harry Hicks (A0.994500). This is a new tune to an old hymn that needs to be rediscovered.It is taken from a book of mine of over 400 hymns that have been given new tunes – written by me - that reflect the sentiment of the words. The book is entitled Praise! and is available. There are also some brand new hymns that need to be more widely known. All are Biblically sound, and all are suitable for congregational singing.
$1.99
I Shall Not Be Moved for 8-note Bells and Boomwhackers® (with Black and White Notes)
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Gospel/Spiritual
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Sharon Wilson
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Sharon Wilson
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I Shall Not Be Moved for 8-not
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565162 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565162 By Sharon Wilson. By Spiritual. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Spiritual. Score and parts. 12 pages. Sharon Wilson #3500087. Published by Sharon Wilson (A0.565162). This sheet music is notated for handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate 1-staff score for each instrument. This set of scores uses black and white noteheads. This same set of scores is available (sold separately) with color coded noteheads which may make it easier for beginning players if you have access to a color printer.Notes used for each instrument are as follows: Bells –C D E G A B C* Boomwhackers® – C D E G A Bwhere C* is high C, one octave above middle C  Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The staves are shown without sharps or flats for simplicity since even though this song is actually written in the key of G major, no sharps or flats are used.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided on the last page for 6 or 10 players.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs included in the collection Ten Traditional Spirituals for 8-Note Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
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