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You've selected:
Now Be Praised
Sheetmusic to print
46 sheet music found
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1
26
Now Be Praised
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Classical
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Johann Sebastian Bach
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Alan Gregory
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Now Be Praised
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Alan Gregory
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SheetMusicPlus
Brass Ensemble Euphonium,Trombone - Level 4 - Digital Download SKU: A0.1159196 Composed by Johann Sebastian Bach. Arranged by Alan Gregory. Baroque,Conte...
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Brass Ensemble Euphonium,Trombone - Level 4 - Digital Download SKU: A0.1159196 Composed by Johann Sebastian Bach. Arranged by Alan Gregory. Baroque,Contest,Festival. Score and parts. 20 pages. Alan Gregory #759465. Published by Alan Gregory (A0.1159196). An arrangement for Trombone Trio of the choral part of the first section of Bach's cantata BWV 41, Jesu, nun sei gepreiset (Jesus, now be praised). On the Texas UIL PML Class 1 ensemble list for Euphonium-Baritone Trio.
$16.00
Worthy to be Praised!
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Choral 3-part
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Byron J
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Worthy to be Praised!
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - Digital Download SKU: AX.00-PO-0002402 Worthy to be Praised! - SSA. Composed by Byron J. Smith. Lawson Gould Choral. 13 pages. Alfred Mus...
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Chorus - Digital Download SKU: AX.00-PO-0002402 Worthy to be Praised! - SSA. Composed by Byron J. Smith. Lawson Gould Choral. 13 pages. Alfred Music - Digital Sheet Music #00-PO-0002402. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002402). UPC: 038081483832.After a rubato opening, this robust work soon breaks into a driving gospel feel that will raise the roof! Now available for SSA, this classic continues to inspire twenty years after it was first published.
$2.20
When Morning Gilds the Sky (May Jesus Christ Be Praised) - for easy piano
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Easy Piano
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BEGINNER
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Edward Caswall, Joseph Barnby
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Samuel Stokes
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When Morning Gilds the Sky
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SamuelStokesMusic.com
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.562194 Composed by Edward Caswall, Joseph Barnby. Arranged by Samuel Stokes. Children,Christian,Concert,S...
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Easy Piano - Level 1 - Digital Download SKU: A0.562194 Composed by Edward Caswall, Joseph Barnby. Arranged by Samuel Stokes. Children,Christian,Concert,Sacred. Score. 1 pages. SamuelStokesMusic.com #5327591. Published by SamuelStokesMusic.com (A0.562194). This is an arrangement of When Morning Gilds the Sky (also known as May Jesus Christ Be Praised or When Morning Gilds the Skies) for easy piano in C major. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com
$2.50
Christ Be Praised
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Sacred music
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Thomas Grassi
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Choral Octavo
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Christ Be Praised
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36932 Arranged by Thomas Grassi. This edition: InstruPax. Choral (Sacred); Choral Octavo...
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36932 Arranged by Thomas Grassi. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred SingPraise Series. Sacred. Part(s). 46 pages. Jubilate Music Group - Digital #00-36932. Published by Jubilate Music Group - Digital (JX.00-36932). English. Words by Katholisches Gesangbuch; Wursburg; 1828; translated by Edward Caswall; additional text; music by Thomas Grassi.Lush harmonization and a moving melody feature in this new Thomas Grassi original setting of Caswall's well-known hymn translation. Suitable for worship any time of the liturgical year, it fits well into any style service. The expertly crafted accompaniment and vocal writing are superb. Related scripture: Psalm 34:1; Psalm 19:1; Hebrews 13:15.
$60.00
Now God Be Praised In Heaven Above
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Piano solo
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Sacred music
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Now God Be Praised In Heaven A
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.394513 This edition: Interactive Download. Easter,Sacred. Piano Solo. 3 pages. Published by Hal Leonard - Digital (HX.394513...
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Interactive Download SKU: HX.394513 This edition: Interactive Download. Easter,Sacred. Piano Solo. 3 pages. Published by Hal Leonard - Digital (HX.394513).
$4.99
Bock's Best Friends
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Piano solo
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Various
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Bock's Best Friends
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Fred Bock Music Company
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SheetMusicPlus
Piano Solo Piano/Keyboard - Difficulty: medium SKU: HL.310636 A Tribute To Fred Bock. Composed by Various. Piano solos. Piano Solo Songbook. Spiri...
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Piano Solo Piano/Keyboard - Difficulty: medium SKU: HL.310636 A Tribute To Fred Bock. Composed by Various. Piano solos. Piano Solo Songbook. Spiritual. Collection. With introductory text (does not include words to the songs). 76 pages. Fred Bock Music Company #BG0967. Published by Fred Bock Music Company (HL.310636). ISBN 9780634018404. UPC: 073999547184. 9x12 inches.Bock's Best series is one of the best sacred piano series of all time. How fitting that Fred Bock's keyboard colleagues would pay tribute to Fred by arranging their own favorite hymns in his honor. Featuring such renowned pianists as Mark Hayes, Ovid Young, Jan Sanborn, Kurt Kaiser and Ken Medema - plus nine more - this collection is a great tribute to their friend, Fred, and includes their own special remembrances of him.
Song List
: Amazing Grace Fairest Lord Jesus Simple Gifts A Mighty Fortress Is Our God When I Survey the Wondrous Cross ALL CREATURES OF OUR GOD AND KING (KIRCHENGESANG) OUR GREAT SAVIOR Like A River Glorious COME DOWN, O LOVE DIVINE Jesus Is All The World To Me Rejoice, The Lord Is King I Surrender All May Jesus Christ Be Praised Finally Home
$18.95
Hallelujah, Yeshua
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Contemporary
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the Spirit of God, and To the
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James Orcutt
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Hallelujah, Yeshua
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James Orcutt
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SheetMusicPlus
Small Ensemble Cello,Harp,Voice - Digital Download SKU: A0.1012216 Composed by James Orcutt. Contemporary. Score and parts. 4 pages. James Orcutt #391974...
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Small Ensemble Cello,Harp,Voice - Digital Download SKU: A0.1012216 Composed by James Orcutt. Contemporary. Score and parts. 4 pages. James Orcutt #3919743. Published by James Orcutt (A0.1012216). Item Number: S0.436499Hallelujah, Yeshua is a 1:45. This will be the initial song on a series of pieces praising Yeshua appearing on a dvd set or album. (Yeshua Adonai will be part of the dvd). This is a worshipful song of harp and cello. The cello fills in for the vocal part. A solo voice or the whole church family of Christian and Jewish brethren alike. The Christian roots in Judaism are always to be remembered and cherished and honored! The short, almost choppy style verses give way to the flowing melodic texture of the Chorus. May Jesus Christ be praised! As a seminary graduate, the utmost is put into each song for the best of Biblical theology I know to date. As the Lord keeps teaching and illuminating more about Himself, I'm certain the lyrics and songs will become even better than what they are presently. The Spirit of God enabled me to write all the compositions, and they are SPLENDID right now! All songs are From the Lord, By the Spirit of God, and To the praise of the Lord Jesus! Amen!!! :). OOOH...no piece of music is ever performed quite the same twice. If you wish, be creative and open the piece up...add other instruments as the Lord leads. Turn the mp3 off and expand the sheet music as the Spirit of God sees fit to take you. The sheet music is only the germ of the idea, right? Let the musicians go NUTS, if they wish...most musicians are better than halfway down that path already. LOL OR, simply stick w/what's on the mp3 and sheet music and let that be that. Jim Orcutt.
$1.99
Hallelujah Yeshua
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Sacred music
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the Spirit of God, and To the
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James Orcutt
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Hallelujah Yeshua
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James Orcutt
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SheetMusicPlus
Baritone Horn TC,Cello,Harp,Tenor Voice - Digital Download SKU: A0.1071788 Composed by James Orcutt. Christian,Jewish,Praise & Worship,Sacred. Accompanim...
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Baritone Horn TC,Cello,Harp,Tenor Voice - Digital Download SKU: A0.1071788 Composed by James Orcutt. Christian,Jewish,Praise & Worship,Sacred. Accompaniment. Duration 112. James Orcutt #4111663. Published by James Orcutt (A0.1071788). Hallelujah, Yeshua is a 1:45. This will be the initial song on a series of pieces praising Yeshua appearing on a dvd set or album. (Yeshua Adonai will be part of the dvd). This is a worshipful song of harp and cello. The cello fills in for the vocal part. A solo voice or the whole church family of Christian and Jewish brethren alike. The Christian roots in Judaism are always to be remembered and cherished and honored! The short, almost choppy style verses give way to the flowing melodic texture of the Chorus. May Jesus Christ be praised! As a seminary graduate, the utmost is put into each song for the best of Biblical theology I know to date. As the Lord keeps teaching and illuminating more about Himself, I'm certain the lyrics and songs will become even better than what they are presently. The Spirit of God enabled me to write all the compositions, and they are SPLENDID right now! All songs are From the Lord, By the Spirit of God, and To the praise of the Lord Jesus! Amen!!! :). OOOH...no piece of music is ever performed quite the same twice. If you wish, be creative and open the piece up...add other instruments as the Lord leads. Turn the mp3 off and expand the sheet music as the Spirit of God sees fit to take you. The sheet music is only the germ of the idea, right? Let the musicians go NUTS, if they wish...most musicians are better than halfway down that path already. LOL OR, simply stick w/what's on the mp3 and sheet music and let that be that. Jim Orcutt.
$1.99
Preces
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Choral SATB
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INTERMEDIATE
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Christian contemporary
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Sacred music
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William Hawley
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Preces
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William Hawley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.889697 Composed by William Hawley. Contemporary,Sacred. Octavo. 1 pages. William Hawley #3519379...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.889697 Composed by William Hawley. Contemporary,Sacred. Octavo. 1 pages. William Hawley #3519379. Published by William Hawley (A0.889697). William Hawley's Preces for Cantor and SATB Choir (or Officiant and Congregation), composed in 2010, is here presented on a single page for distribution and use in liturgical performance. This work sets the standard text from the Book of Common Prayer of the Anglican Communion, as follows:Cantor: O Lord, open thou our lips.Choir: And our mouth shall show forth thy praise.Cantor: O God, make speed to save us.Choir: O Lord, make haste to help us.Cantor: Glory be to the Father, and to the Son, and to the Holy Ghost;Choir: As it was in the beginning, is now, and ever shall be, world without end. Amen.Cantor: Praise ye the Lord.Choir: The Lord's Name be praised.The audio clip is of the full work in the composer's virtual instruments demo. The download includes permission to photocopy the score multiple times, as necessary and without limit, for distribution to the Music Director, Cantor, Priest, Choir, and Congregation for liturgical performance. Duration 2 minutes. ASCAP http://williamhawley.net
$4.95
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Baritone voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Soprano voice, Piano
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 1...
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Alto voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Pe...
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
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Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Enchanted
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Violin, Viola (duet)
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INTERMEDIATE
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Taylor Swift
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Sarah Cellobat Chaffee
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Enchanted
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Sarah Cellobat Chaffee
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1505735 By Taylor Swift. By Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemp...
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Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.1505735 By Taylor Swift. By Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 14 pages. Sarah Cellobat Chaffee #1081129. Published by Sarah Cellobat Chaffee (A0.1505735). *INSTRUMENTATION: VIOLIN AND VIOLA DUET*Written by Taylor Swift in 2010 for her third studio album Speak Now, Enchanted tells the story of meeting someone new and experiencing love at first sight, and hoping that your feelings are reciprocated by the object of your affections. Receiving critical acclaim and commercial success, the song was praised for its expert craftsmanship and captivating narrative; although it was considered one of her underrated songs initially, it has experienced a recent resurgence in popularity due to social media apps. So it's no wonder that it's now a popular request for weddings and events! This Cellobat arrangement for violin and viola maintains the soaring melodies, rhythmic drive, and passionate dynamic intensity of the original for a chart that will be as much fun to play as it is to listen to! Originally written for a wedding ceremony, this will also be perfect for receptions, proposals, cocktail hour, and more. Rated intermediate; this will be playable for students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$11.99
Sanbutsuge: A Buddhist Motet for Chorus SATB and Piano, with Solo Soprano
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Choral SATB
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INTERMEDIATE/ADVANCED
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Richard St
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Sanbutsuge: A Buddhist Motet f
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Richard St. Clair
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. C...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939717 Composed by Richard St. Clair. 20th Century,Contemporary. Octavo. 23 pages. Richard St. Clair #3002339. Published by Richard St. Clair (A0.939717). This 9-minute motet in which the Buddha-to-be Dharmakara praises His master, Lokeshvaraja Buddha and vows to become the Savior of all Beings (namely, Amida Buddha). The music beings with an extended recitative/aria by solo soprano, and proceeds to the full choral ensemble to its conclusion. The MP3 Audio Clip is a computer-generated soundfile of the entire work. The music is completely tonal and traditional, suitable for good amateur choirs and professional choruses alike.Words from the Larger Sutra on Amida Buddha expounded by Shakyamuni Buddha some 2500 years ago in India.[Setting: Many ages ago, Dharmakara Bhikshu (in his stage before becoming Amida Buddha) declares to his Master, Buddha Lokeshvararaja, his intention to create a Pure Land wherein all suffering beings can be saved.]Text (slightly abridged):Then appeared a Buddha named Lokeshvararaja, the Tathagata, Arhat, Perfectly Enlightened One, Possessed of Wisdom and Practice, Perfected One, Knower of the World, Unsurpassed One, Tamer of Men, Master of Gods and Men, Buddha and World-Honored One.At that time there was a king, who, having heard the Buddha's exposition of the Dharma, rejoiced in his heart and awakened aspiration for the highest, perfect Enlightenment. He renounced his kingdom and the throne, and became a monk named Dharmakara. Having superior intelligence, courage and wisdom, he distinguished himself in the world. He went to see the Tathagata Lokeshvararaja, knelt down at his feet, walked round him three times keeping him always on his right, prostrated himself on the ground, and putting his palms together in worship, praised the Buddha with these verses:The shining face of the Buddha is glorious;Boundless is his magnificence.Radiant splendor such as hisIs beyond all comparison.The sun, the moon and the mani-jewel,Though shining with dazzling brightness,Are completely dimmed and obscuredAs if they were a pile of ink-sticksThe countenance of the TathagataIs beyond compare in the whole world.The great voice of the Enlightened OneResounds throughout the ten regions.His morality, learning, endeavor,Absorption in meditation, wisdomAnd magnificent virtues have no equal;They are wonderful and unsurpassed.I resolve to become a Buddha,Equal in attainment to you, O holy king of the Dharma,To save living beings from birth-and-death,And to lead them all to emancipation.I vow that, when I have become a Buddha,I shall carry out this promise everywhere;And to all fear-ridden beingsShall I give great peace.Even though there are Buddhas,A thousand million kotis in number,And multiudes of great sagesCountless as the sands of the Ganges,I shall make offeringsTo all those Buddhas.I shall seek the supreme WayResolutely and tirelessly.Even though the Buddha-lands are as innumerableAs the sands of the Ganges,And other regions and worldsAre also without number,My light shall shine everywhere,Pervading all those lands.Such being the result of my efforts,My glorious power shall be immeasurable.When I have become a Buddha,My land shall be most exquisite,And its people wonderful and unexcelled;The seat of Enlightenment shall be supreme.My land, being like Nirvana itself,Shall be beyond comparison.I take pity on living beingsAnd resolve to save them all.Those who come from the ten quartersShall find joy and serenity of heart;When they reach my land,They shall dwell in peace and happiness.I beg you, the Buddha, to become my witnessAnd to vouch for the truth of my aspiration.Having now made my vows to you,I will strive to fulfilll them.The World-Honored Ones in the ten quartersHave unimpeded wisdom;I call upon those Honored OnesTo bear witness to my intention.Even though I mu.
$10.99
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
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Classical
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Classical
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Wolfgang Amadeus Mozart
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Nicole Elyse DiPaolo
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Ah, scostati!...Smanie implaca
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Nicole Elyse DiPaolo
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classi...
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Mezzo-Soprano Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Easy On Me
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Orchestra
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EASY
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Adele
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Paul Lorenz
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Easy On Me
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1494427 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Paul Lorenz. Broadway,Classical,Music...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1494427 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Paul Lorenz. Broadway,Classical,Musical/Show,Pop,Rock,Soul. 39 pages. Paul Lorenz #1071020. Published by Paul Lorenz (A0.1494427). Adele Easy On Me Orchestral Version by Paul Lorenz – Sheet Music for a Breathtaking Crossover Masterpiece Discover the extraordinary orchestral arrangement of Adele’s iconic hit Easy On Me by the renowned composer and arranger Paul Lorenz. This exclusive sheet music offers musicians and ensembles the chance to perform a piece that blends the emotional depth of Adele’s original song with the grandeur and sophistication of a full orchestra. Whether you are a professional musician or part of an ensemble, this sheet music is designed to elevate your performance and captivate your audience. A Unique Orchestral Experience Paul Lorenz, known for his collaborations with the London Symphony Orchestra, has created a version of Easy On Me that is both powerful and moving. The arrangement captures the soul of Adele’s lyrics and melodies while introducing rich, orchestral textures that add a new dimension to the song. This sheet music allows you to bring that same majestic sound to your own performances, whether in a concert hall, studio, or classroom setting. What You’ll Find in This Sheet Music Complete Orchestral Score: The sheet music includes a full score, meticulously arranged to ensure that every instrument shines. Each part is crafted with precision, allowing musicians to deliver a flawless performance.Individual Parts for All Instruments: From strings to woodwinds, brass, and percussion, every section of the orchestra is represented. The individual parts are easy to follow, making it simple for musicians of all levels to perform together.Detailed Performance Notes: Paul Lorenz has included insights and tips on how to best bring out the emotion and dynamics of the piece. These notes are invaluable for conductors and musicians looking to deliver a performance that resonates with their audience. Why Choose Paul Lorenz’s Orchestral Arrangement? This sheet music is more than just notes on a page; it’s a gateway to an unforgettable musical experience. Paul Lorenz’s arrangement of Easy On Me has been praised for its innovative approach to orchestral music, combining classical techniques with contemporary elements. By choosing this sheet music, you’re not only adding a stunning piece to your repertoire but also embracing a composition that bridges the gap between pop and classical music. Perfect for Concerts, Recitals, and Special Performances This orchestral version of Easy On Me is ideal for a wide range of performances. Whether you’re planning a concert, a recital, or a special event, this piece will leave a lasting impression on your audience. Its universal appeal makes it suitable for diverse audiences, ensuring that everyone in attendance will be moved by the performance. Get Your Copy Today Don’t miss out on the opportunity to perform this beautiful and powerful orchestral arrangement of Easy On Me. Purchase your copy of Paul Lorenz’s sheet music today and take the first step towards an unforgettable performance. Available in digital and print formats, this sheet music is ready to be part of your next musical journey.
$149.90
Enchanted
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2 Violins (duet)
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INTERMEDIATE
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Pop music
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Taylor Swift
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Sarah Cellobat Chaffee
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Enchanted
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Sarah Cellobat Chaffee
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1222992 By Taylor Swift. By Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Ro...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1222992 By Taylor Swift. By Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 13 pages. Sarah Cellobat Chaffee #819192. Published by Sarah Cellobat Chaffee (A0.1222992). *INSTRUMENTATION: TWO VIOLINS*Written by Taylor Swift in 2010 for her third studio album Speak Now, Enchanted tells the story of meeting someone new and experiencing love at first sight, and hoping that your feelings are reciprocated by the object of your affections. Receiving critical acclaim and commercial success, the song was praised for its expert craftsmanship and captivating narrative; although it was considered one of her underrated songs initially, it has experienced a recent resurgence in popularity due to social media apps. So it's no wonder that it's now a popular request for weddings and events! This Cellobat arrangement for two violins maintains the soaring melodies, rhythmic drive, and passionate dynamic intensity of the original for a chart that will be as much fun to play as it is to listen to!  Originally written for a wedding ceremony, this will also be perfect for receptions, proposals, cocktail hour, and more. Rated intermediate; this will be playable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99
Enchanted
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String Trio: 2 violins, cello
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INTERMEDIATE
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Pop music
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Taylor Swift
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Sarah Cellobat Chaffee
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Enchanted
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1312067 By Taylor Swift. By Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemporary,...
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String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1312067 By Taylor Swift. By Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 20 pages. Sarah Cellobat Chaffee #900963. Published by Sarah Cellobat Chaffee (A0.1312067). *INSTRUMENTATION: 2 VIOLINS & CELLO*Written by Taylor Swift in 2010 for her third studio album Speak Now, Enchanted tells the story of meeting someone new and experiencing love at first sight, and hoping that your feelings are reciprocated by the object of your affections. Receiving critical acclaim and commercial success, the song was praised for its expert craftsmanship and captivating narrative; although it was considered one of her underrated songs initially, it has experienced a recent resurgence in popularity due to social media apps. So it's no wonder that it's now a popular request for weddings and events! This Cellobat arrangement for your two-violin and cello trio maintains the soaring melodies, rhythmic drive, and passionate dynamic intensity of the original for a chart that will be as much fun to play as it is to listen to!  Originally written for a wedding ceremony, this will also be perfect for receptions, proposals, cocktail hour, and more. Rated intermediate; this will be playable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
Enchanted
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Violin, Cello (duet)
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INTERMEDIATE
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Pop music
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Taylor Swift
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Sarah Cellobat Chaffee
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Enchanted
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1316383 By Taylor Swift. By Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemp...
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1316383 By Taylor Swift. By Taylor Swift. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 14 pages. Sarah Cellobat Chaffee #905127. Published by Sarah Cellobat Chaffee (A0.1316383). Written by Taylor Swift in 2010 for her third studio album Speak Now, Enchanted tells the story of meeting someone new and experiencing love at first sight, and hoping that your feelings are reciprocated by the object of your affections. Receiving critical acclaim and commercial success, the song was praised for its expert craftsmanship and captivating narrative; although it was considered one of her underrated songs initially, it has experienced a recent resurgence in popularity due to social media apps. So it's no wonder that it's now a popular request for weddings and events! This Cellobat arrangement for violin and cello duet maintains the soaring melodies, rhythmic drive, and passionate dynamic intensity of the original for a chart that will be as much fun to play as it is to listen to!  Originally written for a wedding ceremony, this will also be perfect for receptions, proposals, cocktail hour, and more. Rated intermediate; this will be playable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99
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