Now I'm Here Sheet Music to download and print

Now I'm Here

#Now I'm Here

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa ClausÂ â€œJolly Old St Nicholasâ€Â Iâ€™m here to see Santa ClausÂ But, itâ€™s a long, long line,Â With lotâ€™s of kids ahead of me,Â It will take some timeÂ I have with me my Christmas listTo tell dear Santa what I wishÂ Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his earÂ Jolly old dear Santa Claus, lean your ear this wayDonâ€™t you tell a single soul what Iâ€™m going to sayChristmas eve is coming soon, now you dear old manWhisper what youâ€™ll bring to me â€“ tell me if you canÂ Down the chimney you will comeRight next to the tree,You can put the presents thereI hope thereâ€™s one for meÂ You never make any noiseI wait for you each yearBut I sleep all through the nightSo I canâ€™t catch you hereÂ Then he looked and smiled at meÂ and whispered in my earIt will be a big surpriseÂ what I bring to you this year.

Here I Am - A Graduation Song [full score] Piano, Voice

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1007855 Composed by by Austr…(+)

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1007855 Composed by by Australian composer Rebecca Summers. Contemporary,Singer/Songwriter. Score. 14 pages. Rebecca Summers #3879235. Published by Rebecca Summers (A0.1007855). A perfect song for a school or college graduation ceremony with lyrics capturing the excitement of breaking into a new chapter of life. Written with a diva in mind who's not afraid to create some drama and excitement on stage. Piano part effective without being out of the reach of most student pianists.Â Example of lyricsVerse 1Hello world. What you got in store for me?If I prise apart your clenched fist,Â what would your palm lines tell my future readsIs it you who holds the story? Or is it me who holds the dream?ChorusHere I am, it's time for leaving and I want to say goodbyeHere I am can't wait for providence nothing happens 'less I tryand I know I'm getting misty, but there's something 'bout this placeHello world, here I am I'm yours to take.
$9.99 9.2 € #Piano, Voice #by Australian composer Rebecca Summers #Here I Am - A Graduation Song [full score] #Rebecca Summers #SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. â€˜Is that you kids?â€™ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the shipâ€¦ You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you knowâ€”them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For â€¦he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

I'M HERE 2 Recorders (duet)

Recorder Duet Recorder - Level 1 - Digital Download SKU: A0.1047828 By MI-TUNâ‚�…(+)

Recorder Duet Recorder - Level 1 - Digital Download SKU: A0.1047828 By MI-TUNâ‚¬S. By MI-TUâ‚¬NES. Arranged by Mulis. Hip-Hop,Jazz,Pop,R & B,Spiritual. Score. 6 pages. MULIS #652265. Published by MULIS (A0.1047828). I'm here, to exposin' on the excellence I'm here, to identifyin' all the treatments I'm here, for the last and for the end, Well, I lead this through like hey'yo that's my thing, I don't wanna see it like bring, bring it here, You know is my past what I really, really fear,.
$1.99 1.83 € #2 Recorders (duet) #MI-TUNâ‚¬S #I'M HERE #MULIS #SheetMusicPlus

You Know I'm No Good

You Know I'm No Good Jazz combo

Jazz Combo - Level 3 - Digital Download SKU: A0.1419913 By Amy Winehouse Featuring …(+)

Jazz Combo - Level 3 - Digital Download SKU: A0.1419913 By Amy Winehouse Featuring Ghostface Killah. By Amy Winehouse. Arranged by Matt Amy. Contemporary,Jazz,Pop,R & B,Soul. 35 pages. Matt Amy Music #1001337. Published by Matt Amy Music (A0.1419913). Key: D minorBPM: 110Style: RnB/SoulDuration: 4:02â€œÂ Ensemble type: Small Band (3 horns)Please note - this arrangement does not include a written vocal part, the arrangement follows the standard routine/form.Full Recording (MIDI): You Know I'm No Good (MIDI)Instrumentation- Trumpet- Tenor Sax- Trombone- Guitar- Piano- Bass- DrumsClick the following link for more arrangements by Matt AmyContact Matt hereÂ
$25.00 23.01 € #Jazz combo #Amy Winehouse Featuring Ghostface Killah #You Know I'm No Good #Matt Amy Music #SheetMusicPlus

#You Know I'm No Good