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ONE SMALL SON SATB a capella
Sheetmusic to print
7 sheet music found
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1
ONE SMALL SON SATB a capella
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Choral SATB
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INTERMEDIATE
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Alan Edgar
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ONE SMALL SON SATB a capella
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Alan Edgar Ted Moon
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.903749 Composed by Alan Edgar (music), Richard Armour (lyrics). 20th Century,A Cappella,Contempo...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.903749 Composed by Alan Edgar (music), Richard Armour (lyrics). 20th Century,A Cappella,Contemporary. Octavo. 8 pages. Alan Edgar Ted Moon #3053849. Published by Alan Edgar Ted Moon (A0.903749). SATB a capella. Fairly easy four-part choral, but uses my octatonic scale.. A mother realises her son will grow up and leave her. I have been unable to find a copyright owner for Richard Armour's lyric. This was a competition entry.
$5.00
The Bonnie Banks of Loch Lomond (SSATB)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Traditional
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Sara Garrard
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The Bonnie Banks of Loch Lomon
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Sara Garrard
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.819480 Composed by Traditional. Arranged by Sara Garrard. A Cappella,Contemporary,Folk,Gr...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.819480 Composed by Traditional. Arranged by Sara Garrard. A Cappella,Contemporary,Folk,Graduation,World. Octavo. 8 pages. Sara Garrard #6097335. Published by Sara Garrard (A0.819480). Arrangement of the traditional Scottish folk song. Suitable for full choir or a quintet / small a capella ensemble, this is a challenging arrangement that will reward with rich harmonies and interweaving lines.Rehearsal recording.A possible story being told through these lyrics (of which many variants exist) is of a soldier's farewell - taken prisoner and sentenced to be executed, he will take the low road home through death - to a friend or lover with whom he shared an idyllic lost youth. The verses tell of the beauty of the landscape of their childhood home and how nature keeps going, spring coming again each year, regardless of their trials and sadness. The world does na ken how we're greetin': The world does not know how we're grieving
$4.50
Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M...
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 44 pages. Jmsgu3 #3462167. Published by jmsgu3 (A0.549207). Instrumentation: Double Sax Quartet (SSAATTBB) arranged antiphonally (SATB - SATB). Full Score: 28 pg. Study Score: 14 pg. Instrumental parts: 2 pg. ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
The Chipmunk Song
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Choral SATB
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INTERMEDIATE/ADVANCED
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Alvin And The Chipmunks
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Will Lynch
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The Chipmunk Song
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Will Lynch
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1401703 By Alvin And The Chipmunks. By Ross Bagdasarian Jr. Arranged by Will ...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1401703 By Alvin And The Chipmunks. By Ross Bagdasarian Jr. Arranged by Will Lynch. A Cappella,Film/TV,Holiday. 7 pages. Will Lynch #984887. Published by Will Lynch (A0.1401703). Acapella chorus arrangement of this novelty holiday tune. Chorus splits into 8 parts at one point, and there is a feature passage for a small ensemble/quartet (featuring an 8va section intended to imitate the original 'chipmunk' sound from the 1958 recording).
$1.99
Missa Brevis ad Puerum - "Lux Aeternam" (Opus 4, #2) (Tenor)
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Choral Unison
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INTERMEDIATE
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Daniel Hay
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Missa Brevis ad Puerum - "Lux
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Daniel Hay Music
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.596415 Composed by Daniel Hay. A Cappella,Contemporary,Multicultural,Sacred,World. Octavo. 1 p...
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.596415 Composed by Daniel Hay. A Cappella,Contemporary,Multicultural,Sacred,World. Octavo. 1 pages. Daniel Hay Music #5723985. Published by Daniel Hay Music (A0.596415). This Lux Aeternam is one of just a few surviving portions of the Missa Brevis ad Puerum (Small Mass for a Boy) by composer Daniel Hay. The mass was written as memorial for the composer's cousin, Farley McDaniel. The majority of this a capella mass was lost in the aftermath of Hurricane Katrina. Originally written for SATB solo voices it could be performed by SATB choral group. The Lux Aeternam is for tenor voice only although it could fit an alto voice.
$2.29
Were You There When They Crucified My Lord? MP3 accompaniment
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Sacred music
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Traditional
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Deborah Johnson
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Were You There When They Cruci
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Deborah Johnson
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SheetMusicPlus
Choir,Voice - Digital Download SKU: A0.1068171 Composed by Traditional. Arranged by Deborah Johnson. A Cappella,Christian,Easter,Praise & Worship,Spiritu...
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Choir,Voice - Digital Download SKU: A0.1068171 Composed by Traditional. Arranged by Deborah Johnson. A Cappella,Christian,Easter,Praise & Worship,Spiritual. Accompaniment. Duration 163. Deborah Johnson #6733775. Published by Deborah Johnson (A0.1068171). This MP3 includes the background vocals for Were You There When They Crucified my Lord? starting at measure 19, after the acapella solo begins. It is a beautiful acapella arrangement perfect for small ensembles but can also be performed as a solo or unison duet, cueing the background vocal track. The inspiration for this arrangement was from Deborah singing Were You There? Acapella in front of the Garden Tomb in Israel. This arrangement is for vocal solo/unison duet plus SATB chorus, acapella.Were You There? is a beautiful arrangement of a timeless traditional spiritual with rich harmonies. The chorus part can be performed with full choir or single voices. At the very end, it splits into six to eight parts, but can be modified for smaller groups. The chorus contains many oohs and ahs until the third verse. This arrangement contains four verses and the additional verses are noted on the lyric sheet.Up for a GRAMMY Award, My Father’s Favorite Hymns album is available here: https://DJWorksMusic.com/products by Deborah Johnson. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B008O86FQI There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on Amazon or direct from here: https://goalsforyourlife.com/gods-music-hymns/ Were You There? Is a traditional Negro Spiritual written before 1865. Traditionally it has seven verses and is a part of the spiritual heritage that affected both gospel music and jazz music.For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$8.99
Settle Down
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Choral SATB
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INTERMEDIATE
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Francois Tetaz and Kimbra John
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Jane Berry
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Settle Down
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Jane Berry
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.928298 Composed by Francois Tetaz and Kimbra Johnson. Arranged by Jane Berry. A Cappella. Octavo...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.928298 Composed by Francois Tetaz and Kimbra Johnson. Arranged by Jane Berry. A Cappella. Octavo. 8 pages. Jane Berry #5337437. Published by Jane Berry (A0.928298). Kimbra's unique style and use of looping techniques make her music very well suited to accapella arrangements. This arrangement of Settle Down strikes a good balance between being accessible to a wide variety of groups regardless of size or skill level while still holding tons of room for nuance. The voicing is SATB throughout and there is a small section involving homophonic divisi in the sopranos. This arrangement includes a layer of very basic beat boxing/body percussion (very simple vocalization, clap, and snap patterns) that can be done by the full ensemble of by a soloist or small group.
$4.50
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