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You've selected:
Obsessions
Sheetmusic to print
29 sheet music found
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1
26
Obsessions
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Piano solo
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INTERMEDIATE/ADVANCED
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Vasilis Tsantilas
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Obsessions
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Vasilis Tsantilas
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.999307 Composed by Vasilis Tsantilas. Concert,Contemporary,Instructional,Standards. Score. 3 pages. Vasil...
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Piano Solo - Level 4 - Digital Download SKU: A0.999307 Composed by Vasilis Tsantilas. Concert,Contemporary,Instructional,Standards. Score. 3 pages. Vasilis Tsantilas #5793635. Published by Vasilis Tsantilas (A0.999307). Obsessions is a solo piano composition, composed by Vasilis Tsantilas. Vasilis is a composer and pianist based in Athens,Greece. The style of the composition is Contemporary-Classical and has been structured with the Twelve-Tone technique.It is also appropriate for Advanced Intermediate piano students. For more information about performance details you can contact with composer at the following email: tsantilass@gmail.com, as well as at the following social media links: https://www.linkedin.com/in/tsantilass/ , https://twitter.com/tsantilass , https://www.facebook.com/vasilis.tsantilas.71 , YouTube channels: https://bit.ly/YouTubeVasilisTsantilas , https://bit.ly/YouTubeVasilisTsantilasTopic , Spotify Artist: https://bit.ly/SpotifyVasilisTsantilas
$3.99
Obsessions of a Composer
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Piano solo
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ADVANCED
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Classical
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Emili Rackemann
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Obsessions of a Composer
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Emili Rackemann
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1159776 By Emili Rackemann. By Emili Rackemann. Classical. Score. 11 pages. Emili Rackemann #760038. Publ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1159776 By Emili Rackemann. By Emili Rackemann. Classical. Score. 11 pages. Emili Rackemann #760038. Published by Emili Rackemann (A0.1159776). Album: Queens EnglishRelease date: 01-11-2018Song: Obsessions of a Composer.
$9.99
Satie Obsessions
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Piano solo
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Classical
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Contemporary
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Erik Satie
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Stanley M
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Satie Obsessions
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stanleymhoffman.com
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.924888 Composed by Erik Satie. Arranged by Stanley M. Hoffman. 20th Century. Score. 4 pages. Stanleymhoffman.com #6...
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Piano Solo - Digital Download SKU: A0.924888 Composed by Erik Satie. Arranged by Stanley M. Hoffman. 20th Century. Score. 4 pages. Stanleymhoffman.com #6876287. Published by stanleymhoffman.com (A0.924888). Two Variations on Berceuse from Enfantillages Pittoresques. ThemeVariation 1 - ModeratoVariation 2 - Moderato (Satie Meets Bartok)
$2.00
Obsessions (Accordion Solo)
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Accordion
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INTERMEDIATE
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Contemporary
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Megumi Hada
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Obsessions
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Meg Publication
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SheetMusicPlus
Composed by Megumi Hada. World. Solo Part. 3 pages. Published by Meg Publication...
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Composed by Megumi Hada. World. Solo Part. 3 pages. Published by Meg Publication
$5.99
Obsessions by Marina and The Diamonds - Piano/Vocal/Guitar, Singer Pro
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Piano, Vocal and Guitar
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Marina and The Diamonds
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Obsessions
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Musicnotes
Performed by: Marina and The Diamonds: Obsessions Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music ...
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Performed by: Marina and The Diamonds: Obsessions Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Singer Pro;Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar;Backup Vocals; 7 pages -- Alternative Pop/Rock~~Pop Rock~~Singer-Songwriter~~Indie Pop
$5.50
Carson Cooman: Dionis Dreaming (2004) for two guitars
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2 Guitars (duet)
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ADVANCED
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Carson Cooman
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Two copies should be printed
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Carson Cooman: Dionis Dreaming
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Musik Fabrik Music Publishing
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.533633 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabri...
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Solo Guitar - Level 5 - Digital Download SKU: A0.533633 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishing #3034033. Published by Musik Fabrik Music Publishing (A0.533633). Dionis Dreaming (2004) for two guitars is dedicated to the Ferla-Marcinizyn Guitar Duo ofPittsburgh, Pennsylvania.The title refers to Dionis, a beach region on the north shore of Nantucket Island, MassachusettsUSA. This work is one of a variety of pieces deeply connected to the landscape of Nantucket.In this case, the work is about memory and psychological journeys, using the landscape ofDionis as a starting point.The part consists of one score for two players. Two copies should be printed.I. Obsessions and MemoriesII. Dune Dream (Fragment in the Sand)III. North Shore (Cantilena)IV. Spirit and Release
$25.95
Carson Cooman: Dionis Dreaming (2002) for mandolin and guitar
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Guitar
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ADVANCED
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Carson Cooman
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Carson Cooman: Dionis Dreaming
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.533634 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabri...
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Solo Guitar - Level 5 - Digital Download SKU: A0.533634 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishing #3034035. Published by Musik Fabrik Music Publishing (A0.533634). Dionis Dreaming (2002) for mandolin and guitar was commissioned by Duo Ahlert andSchwab.The title refers to Dionis, a beach region on the north shore of Nantucket Island,Massachusetts USA. This work is one of a variety of pieces deeply connected to thelandscape of Nantucket. In this case, the work is about memory and psychological journeys,using the landscape of Dionis as a starting point. The material is one score for two players. Two copies should be printed.I. Obsessions and MemoriesII. Dune Dream (Fragment in the Sand)III. North Shore (Cantilena)IV. Spirit and Release
$25.95
Scriabin: Prelude, Op. 51, No. 2 for Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
Clarinet,Piano - Level 3 - Digital Download SKU: A0.1401552 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contempora...
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.1401552 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984736. Published by jmsgu3 (A0.1401552). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2, for Soprano Saxophone & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
#
Alexander Scriabin
#
James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1401579 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,C...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1401579 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984760. Published by jmsgu3 (A0.1401579). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2, for Violin & Harp
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Violin and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1401520 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1401520 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. 7 pages. Jmsgu3 #984703. Published by jmsgu3 (A0.1401520). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2 for Viola & Harp
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Viola, Piano
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INTERMEDIATE
#
Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1401524 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984707. Published by jmsgu3 (A0.1401524). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2 for Alto Flute & Harp
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Flute and Piano
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INTERMEDIATE
#
Alexander Scriabin
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James M
#
Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - Digital Download SKU: A0.1401558 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,...
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Flute,Piano - Level 3 - Digital Download SKU: A0.1401558 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984742. Published by jmsgu3 (A0.1401558). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2 for Clarinet & Harp
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Clarinet and Piano
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INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude, Op. 51, No.
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jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1401553 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Con...
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1401553 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984737. Published by jmsgu3 (A0.1401553). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2 for Violin & Piano
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Violin and Piano
#
INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude, Op. 51, No.
#
jmsgu3
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1401470 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1401470 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. 7 pages. Jmsgu3 #984666. Published by jmsgu3 (A0.1401470). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2 for Cello & Harp
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Cello, Piano
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INTERMEDIATE
#
Alexander Scriabin
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James M
#
Scriabin: Prelude, Op. 51, No.
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1401530 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,...
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Cello,Piano - Level 3 - Digital Download SKU: A0.1401530 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984713. Published by jmsgu3 (A0.1401530). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2, for Cello & Piano
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Cello, Piano
#
INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude, Op. 51, No.
#
jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1401541 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,...
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Cello,Piano - Level 3 - Digital Download SKU: A0.1401541 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984725. Published by jmsgu3 (A0.1401541). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2 for Viola & Piano
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Viola, Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1401537 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1401537 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. Score and part. 7 pages. Jmsgu3 #984720. Published by jmsgu3 (A0.1401537). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Sharktooth Frenzy
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,...
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
RADICI
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Piano solo
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EASY
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Diego Spitaleri
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Diego Spitaleri
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RADICI
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Diego Spitaleri
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1252499 By Diego Spitaleri. By Diego Spitaleri. Arranged by Diego Spitaleri. Classical,New Age. Score. 3 ...
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Piano Solo - Level 2 - Digital Download SKU: A0.1252499 By Diego Spitaleri. By Diego Spitaleri. Arranged by Diego Spitaleri. Classical,New Age. Score. 3 pages. Diego Spitaleri #846477. Published by Diego Spitaleri (A0.1252499). Radici (Roots) was composed for a theatrical performance. The track has an initially slow and then increasingly unrelenting tempo with a single note obsessively repeated over harmonic variations. The mood of the song is meant to represent the roots of a tree slowly but surely sinking deeper and deeper into the ground, but also the roots of man slowly but surely making him stronger.
$4.00
Mercy
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Juan Maria Solare
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Mercy
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Forton Music - Digital
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SheetMusicPlus
Ssax. Asax. Tsax. Bsax. - Intermediate - Digital Download SKU: F2.FM458 Composed by Juan Maria Solare. Saxophone Quartet. Score and parts. 8 pages. Forto...
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Ssax. Asax. Tsax. Bsax. - Intermediate - Digital Download SKU: F2.FM458 Composed by Juan Maria Solare. Saxophone Quartet. Score and parts. 8 pages. Forton Music - Digital #FM458. Published by Forton Music - Digital (F2.FM458). ISBN 9790570483570.For SATB Saxophone Quartet, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems. While the first part requires more experienced players, parts 2, 3 and 4 are relatively easy to play. Most groups would be able to master this piece after only a couple of rehearsals. Some would say that mercy is a virtue, others (following Nietzsche) that it is a weakness. Do not seek in this piece a one-to-one musical transcription of merciful feelings, but rather concentrate on the smoothness and tender sound quality associated with it. Rather than 'pity', mercy is about empathy, togetherness and support - this attitude can also show while performing music.
$9.95
Mercy
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Juan Maria Solare
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Mercy
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Forton Music - Digital
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SheetMusicPlus
Flexible Wind Ens - Intermediate - Digital Download SKU: F2.FM459 Composed by Juan Maria Solare. Flexible Wind Quartet. Score and parts. 12 pages. Forton...
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Flexible Wind Ens - Intermediate - Digital Download SKU: F2.FM459 Composed by Juan Maria Solare. Flexible Wind Quartet. Score and parts. 12 pages. Forton Music - Digital #FM459. Published by Forton Music - Digital (F2.FM459). ISBN 9790570483587.For Flexible Wind Ensemble. Flute1/Clarinet 1, Oboe 2/Clarinet 2, Instrument in F/Clarinet 3, Bassoon or Bass Clarinet 4. 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems. While the first part requires more experienced players, parts 2, 3 and 4 are relatively easy to play. Most groups would be able to master this piece after only a couple of rehearsals. Some would say that mercy is a virtue, others (following Nietzsche) that it is a weakness. Do not seek in this piece a one-to-one musical transcription of merciful feelings, but rather concentrate on the smoothness and tender sound quality associated with it. Rather than 'pity', mercy is about empathy, togetherness and support - this attitude can also show while performing music.
$9.95
Mercy
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Clarinet Ensemble
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INTERMEDIATE
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Juan Maria Solare
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Mercy
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Forton Music - Digital
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SheetMusicPlus
Clar ensemble - Intermediate - Digital Download SKU: F2.FM457 Composed by Juan Maria Solare. Clarinet Ensemble. Score and parts. 8 pages. Forton Music - ...
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Clar ensemble - Intermediate - Digital Download SKU: F2.FM457 Composed by Juan Maria Solare. Clarinet Ensemble. Score and parts. 8 pages. Forton Music - Digital #FM457. Published by Forton Music - Digital (F2.FM457). ISBN 9790570483563.For 3 Bb Clarinets and 1 Bass Clarinet, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems. While the first part requires more experienced players, parts 2, 3 and 4 are relatively easy to play. Most groups would be able to master this piece after only a couple of rehearsals. Some would say that mercy is a virtue, others (following Nietzsche) that it is a weakness. Do not seek in this piece a one-to-one musical transcription of merciful feelings, but rather concentrate on the smoothness and tender sound quality associated with it. Rather than 'pity', mercy is about empathy, togetherness and support - this attitude can also show while performing music.
$9.95
Carson Cooman - Shadowbook (Three Songs in the Night) (2013) for clarinet, tuba, and piano
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Tuba and Piano
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INTERMEDIATE/ADVANCED
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Cason Cooman
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Carson Cooman - Shadowbook
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Tuba - Level 4 - Digital Download SKU: A0.775974 Composed by Cason Cooman. Contemporary,Standards. Score and parts. 48 page...
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Small Ensemble Clarinet,Piano,Tuba - Level 4 - Digital Download SKU: A0.775974 Composed by Cason Cooman. Contemporary,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2034873. Published by Musik Fabrik Music Publishing (A0.775974). Shadowbook (Three Songs in the Night) (2013) for clarinet, tuba, and piano was commissioned by and is dedicated to Kevin and Susan Wass. As the title implies, it is music that possesses a certain dark energy. It evokes not so much a night of tranquility, but rather one of great intensity. The titles of the movements are poetic, not programmatic-each intends to give a sense of the mood that pervades the music. The Bearer of Bad News begins obsessively with re-iterations of a unison pitch. The movement unfolds lyrically outwards from this texture, finally reaching a climax in an intense return of the re-iterations, before a coda brings the energy back down. A Desperate Peace draws from the spirit of fierce lament. It evokes a line from Tecumseh of the Shawnee American Indian tribe: When your time comes to die, be not like those whose hearts are filled with fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song, and die like a hero going home. In Towards Morning an obsessive rhythmic pulse pushes the music forwards towards the coming day. The night’s dark energy, however, is not soon forgotten. The set includes a piano score and parts for Bb clarinet and tuba.
$25.95
Mercy
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Juan Maria Solare
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Mercy
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Forton Music - Digital
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SheetMusicPlus
Brass Quintet - Intermediate - Digital Download SKU: F2.FM460 Composed by Juan Maria Solare. Brass Quintet. Score and parts. 10 pages. Forton Music - Dig...
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Brass Quintet - Intermediate - Digital Download SKU: F2.FM460 Composed by Juan Maria Solare. Brass Quintet. Score and parts. 10 pages. Forton Music - Digital #FM460. Published by Forton Music - Digital (F2.FM460). ISBN 9790570483594.For Brass Quintet, 'Mercy' is an obsessively expressive Adagio (so to say, a Samuel Barber's equivalent for woodwinds) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems. While the first part requires more experienced players, parts 2, 3 and 4 are relatively easy to play. Most groups would be able to master this piece after only a couple of rehearsals. Some would say that mercy is a virtue, others (following Nietzsche) that it is a weakness. Do not seek in this piece a one-to-one musical transcription of merciful feelings, but rather concentrate on the smoothness and tender sound quality associated with it. Rather than 'pity', mercy is about empathy, togetherness and support - this attitude can also show while performing music.
$10.95
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