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Octave Scales in Contrary Motion
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Octave Scales in Contrary Motion
Sheetmusic to print
5 sheet music found
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1
Chromatic Octave Scales in Contrary Motion (Op. 14, No. 3)
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Ehsanul Haque
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Chromatic Octave Scales in Con
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Ehsanul Haque
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.1387579 Composed by Ehsanul Haque. Instructional. Educational Exercises. 3 pages. Ehsanul Haque #971436. Published by ...
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Level 5 - Digital Download SKU: A0.1387579 Composed by Ehsanul Haque. Instructional. Educational Exercises. 3 pages. Ehsanul Haque #971436. Published by Ehsanul Haque (A0.1387579).
$3.50
Octave Scales in Contrary Motion (Major Keys, Op. 14, No. 4)
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Ehsanul Haque
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Octave Scales in Contrary Moti
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Ehsanul Haque
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SheetMusicPlus
Digital Download SKU: A0.1388189 Composed by Ehsanul Haque. Instructional. Educational Exercises. 2 pages. Ehsanul Haque #971786. Published by Ehsanul Ha...
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Digital Download SKU: A0.1388189 Composed by Ehsanul Haque. Instructional. Educational Exercises. 2 pages. Ehsanul Haque #971786. Published by Ehsanul Haque (A0.1388189).
$4.00
Octave Scales in Contrary Motion (Harmonic Minors, Op. 14, No. 5)
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Ehsanul Haque
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Octave Scales in Contrary Moti
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Ehsanul Haque
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SheetMusicPlus
Digital Download SKU: A0.1388192 Composed by Ehsanul Haque. Instructional. Educational Exercises. 2 pages. Ehsanul Haque #971788. Published by Ehsanul Ha...
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Digital Download SKU: A0.1388192 Composed by Ehsanul Haque. Instructional. Educational Exercises. 2 pages. Ehsanul Haque #971788. Published by Ehsanul Haque (A0.1388192).
$4.00
ColourWheel a Modern Solo
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Piano solo
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INTERMEDIATE
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Michael Bomier
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ColourWheel a Modern Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.862594 Composed by Michael Bomier. 20th Century,Contemporary,Instructional,New Age. Score. 5 pages. Micha...
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Piano Solo - Level 3 - Digital Download SKU: A0.862594 Composed by Michael Bomier. 20th Century,Contemporary,Instructional,New Age. Score. 5 pages. Michael Butkus-Bomier #443027. Published by Michael Butkus-Bomier (A0.862594). 2015 Piano Contest The tritonic scale has been in use since the days of Chopin, who used it in several of his etudes. Beethoven also used it in his final sonata Arietta movement. It consists of the root, a 4th up, and the 5th from the root as well, making it feel like a note, the next note up a 4th, followed by another whole-step up, and then the root again. It is such a versatile structure because not only can it stand on its own, but has lots of combinatorial possibilities with other tritonic scales, simultaneously. This piece explores some of those combinations. It also adds an element of contrary motion, in that, as the right-hand scale rises, the left-hand scale descends, in terms of the starting pitches. This makes for the colour shifts that are the piece's namesake and hallmark. So, after a brief octave introduction, the tritonics take off, and show their colours in combination. It is the only structure present in the piece. Thus the dynamics and accents give the piece additional contrasts in mood and flavor. An Intermediate piece, since the one structure can be easily mastered. Pedaling throughout, except for staccato passages. Can work at various tempi. MP3 MIDI audio. MBB.
$2.25
Extreme Warm-Ups and Chops Builders for Guitar
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Guitar notes and tablatures
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INTERMEDIATE
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Michael J
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Extreme Warm-Ups and Chops Bui
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate-Advanced - Digital Download SKU: M0.30510EB Composed by Michael J. Anthony. Scales, Arpeggios, Technique, Style. Jazz and Contempor...
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Guitar - Intermediate-Advanced - Digital Download SKU: M0.30510EB Composed by Michael J. Anthony. Scales, Arpeggios, Technique, Style. Jazz and Contemporary. E-book. Mel Bay Publications - Digital Sheet Music #30510EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30510EB). ISBN 9781619115484. 8.75x11.75 inches.In this comprehensive book jazz guitarist Michael Anthony addresses the need to build flexibility and technical proficiency in a way consistent with the melodic motifs of contemporary music. Though the warm-ups are numbered, there is no order that must be followed. The guitarist may approach them according to his or her interest and inspiration. They include: arpeggios, scale patterns, melodic minor forms, chord-melody groups, stretching and contrary motion, double-stops, octave displacement, walking bass with comping, two line phrases, 'out of the box' geometric shapes, overlapping rhythms, long arpeggios and diminished scale patterns. The finish line exemplifies arpeggios outlining I-VI-II-V7 progressions in major and minor. In the words of Michael Anthony, I find that isolation of the right and left hand is useful, but ultimately it is the timing and coordination of the two that is necessary. The benefits of these warm-ups are threefold: 1. Technical improvement. 2. Fingerboard knowledge. 3. Ear training. Written in notation and tablature.
$17.99
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