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On Perception...
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Sheetmusic to print
104 sheet music found
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51
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101
On Perception...
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Contemporary
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Enrique Vazquez
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On Perception...
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Enrique Vázquez
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.1014765 Composed by Enrique Vazquez. Contemporary. Score and parts. 26 pages. Enrique Vázquez #6090825. Publ...
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Small Ensemble - Digital Download SKU: A0.1014765 Composed by Enrique Vazquez. Contemporary. Score and parts. 26 pages. Enrique Vázquez #6090825. Published by Enrique Vázquez (A0.1014765).
$6.00
Candle on Fire
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Piano solo
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Contemporary
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Felix Ventouras
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Candle on Fire
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Chicago, TX Publishing
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1028289 Composed by Felix Ventouras. 20th Century,Contemporary. Score. 8 pages. Chicago, TX Publishing #3455001. Pu...
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Piano Solo - Digital Download SKU: A0.1028289 Composed by Felix Ventouras. 20th Century,Contemporary. Score. 8 pages. Chicago, TX Publishing #3455001. Published by Chicago, TX Publishing (A0.1028289). Candle on Fire is from the ballet Three Sisters by Andrey Bartenev premiered in Moscow in 2009. In this piece, from Chekov's masterpiece, the music reflects the atmosphere of old, when people would sit around the candlelight telling stories to pass the time. The piece opens by setting the atmosphere of an open room, followed by a descent into the story telling. An adventurous story unfolds, and upon reaching a climax, the listener is gently brought back into the room, with a new context and perception. .
$8.88
Fantasia on CWM Rhondda ('God of Grace and God of Glory')
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Organ
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INTERMEDIATE/ADVANCED
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Sacred music
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John Burkett
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John Burkett
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Fantasia on CWM Rhondda
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John Burkett
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.1346808 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Sacred. Score. 8 pages. Joh...
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Organ - Level 4 - Digital Download SKU: A0.1346808 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Sacred. Score. 8 pages. John Burkett #931590. Published by John Burkett (A0.1346808). The Fantasia on CWM Rhondda is structured as a long crescendo, building incrementally from a piano dynamic to forte fortissimo. Along the way several key changes contribute to the sense of growth, beginning in G major and ending in E-flat major. Imitative processes increase the perception of forward motion, culminating in a grandiose harmonization of the second half of the hymn tune, accompanied by a rhythmic ostinato played by the feet. I have provided a full-length reording to aid the prospective buyer in the decision-making process. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.
$10.00
Perceptions, original solo for Lever or Pedal Harp
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Harp
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INTERMEDIATE
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New Age
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Contemporary
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Cindy Blevins
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Perceptions, original solo for
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Cindy Blevins
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SheetMusicPlus
Harp - Level 3 - Digital Download SKU: A0.540774 Composed by Cindy Blevins. Contemporary,New Age. Score. 3 pages. Cindy Blevins #3072165. Published by Ci...
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Harp - Level 3 - Digital Download SKU: A0.540774 Composed by Cindy Blevins. Contemporary,New Age. Score. 3 pages. Cindy Blevins #3072165. Published by Cindy Blevins (A0.540774). Perceptions is a beautiful, haunting harp piece. You need to have G# levers on your lever harp. Two pages, approximately Intermediate. This piece is from my harp book Perceptions, which is available on my website.
$3.99
Perceptions, Solo Lap Harp
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Harp
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New Age
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Contemporary
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Cindy Blevins
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Perceptions, Solo Lap Harp
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Cindy Blevins
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SheetMusicPlus
Harp - Digital Download SKU: A0.1058629 Composed by Cindy Blevins. Contemporary,New Age. Full Performance. Duration 91. Cindy Blevins #3109565. Published...
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Harp - Digital Download SKU: A0.1058629 Composed by Cindy Blevins. Contemporary,New Age. Full Performance. Duration 91. Cindy Blevins #3109565. Published by Cindy Blevins (A0.1058629). The sheet music for this original lap harp piece is available here on Sheet Music Plus. The item # is S0.238201. It is from my harp book Perceptions. You can just enjoy listening, or if you are a harpist and have the sheet music, you can hear how the arrangement sounds and even play along. This music was recorded on my Blevins harp. Perceptions, the book of 14 lap harp solos, is available here, item # S0.238219.My website: https://www.blevinsmusic.comMy YouTube Channel: https://www.youtube.com/channel/UCuTv5LTRQW-uI_pIxg94IkQ?
$1.99
Perceptions, 14 original solos for Lap Harp, based on modal and exotic scales
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Harp
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New Age
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Contemporary
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Cindy Blevins
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Perceptions, 14 original solos
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Cindy Blevins
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SheetMusicPlus
Instrumental Solo,Lap Harp - Digital Download SKU: A0.541387 Composed by Cindy Blevins. Contemporary,New Age. Individual part. 54 pages. Cindy Blevins #3...
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Instrumental Solo,Lap Harp - Digital Download SKU: A0.541387 Composed by Cindy Blevins. Contemporary,New Age. Individual part. 54 pages. Cindy Blevins #3109611. Published by Cindy Blevins (A0.541387). Perceptions is a funky book I wrote based upon modal and exotic scales. This book contains 14 original lap harp-friendly harp pieces written in modes and exotic scales, in 42 pages. You need C below middle C and 22-24 strings. Two of the pieces require levers on G strings.
$23.95
Turkey on the Loose
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Piano solo
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EASY
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LeAnn Halvorson
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Turkey on the Loose
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Music Perceptions
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1135127 By LeAnn Halvorson. By LeAnn Halvorson. 20th Century,Blues,Children,Comedy,Holiday. Score. 4 page...
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Piano Solo - Level 2 - Digital Download SKU: A0.1135127 By LeAnn Halvorson. By LeAnn Halvorson. 20th Century,Blues,Children,Comedy,Holiday. Score. 4 pages. Music Perceptions #735169. Published by Music Perceptions (A0.1135127). Turkey on the Loose is a Late Elementary/Early Intermediate Piano Solo in C Major. Students will love the tale of this crazy bird. The music encourages students to work on melody/harmony balance, dynamics, chords and C Major scale patterns. Thanksgiving is a holiday that often is ignored for musicians, so now students can have a piece to play for this holiday too.
$2.99
Footprints on the Window
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Piano solo
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EASY
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LeAnn Halvorson
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Footprints on the Window
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Music Perceptions
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1202068 By LeAnn Halvorson. By LeAnn Halvorson. 20th Century,Children,Comedy,Contemporary,Instructional. ...
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Piano Solo - Level 2 - Digital Download SKU: A0.1202068 By LeAnn Halvorson. By LeAnn Halvorson. 20th Century,Children,Comedy,Contemporary,Instructional. Score. 4 pages. Music Perceptions #800701. Published by Music Perceptions (A0.1202068). Footprints on the Window is an early intermediate level piano solo. Its engaging conversational style will engage students from the first phrase. It is written in D flat Major with a sudden suprise key change to wholetone with a brief excursion to minor before returning to D flat Major. Pianists needing more exposure to other key signatures will enjoy learning this piece. With its mysterious middle section, it could be used for Halloween. The winter theme lends it use for more than one season.
$2.99
Perceptions, Harp Duet
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2 Harps (duet)
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INTERMEDIATE
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New Age
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Contemporary
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Cindy Blevins
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Perceptions, Harp Duet
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Cindy Blevins
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SheetMusicPlus
Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.540843 Composed by Cindy Blevins. Contemporary,New Age. 9 pages. Cindy Blevins #3078015. Publ...
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Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.540843 Composed by Cindy Blevins. Contemporary,New Age. 9 pages. Cindy Blevins #3078015. Published by Cindy Blevins (A0.540843). This download includes the score, Harp I and Harp II. The harp parts are two pages each. My harp duets are consistent in their configuration. Harp I part is the most difficult, and can be played on lever or pedal harp. Harp II part is generally easier, and lap harp friendly. So this duet is suitable for student/teacher duet practice, and for almost any combination of two harp players. Or even an ensemble with several playing each part.My website: https://www.blevinsmusic.com
$4.99
What Will My World Be Today
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Choral SATB
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INTERMEDIATE
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Jairen Ritter
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What Will My World Be Today
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Jairen Ritter
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030847 Composed by Jairen Ritter. Christian,Contemporary,World. Octavo. 6 pages. Jairen Ritter ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1030847 Composed by Jairen Ritter. Christian,Contemporary,World. Octavo. 6 pages. Jairen Ritter #11625. Published by Jairen Ritter (A0.1030847). Based on a poem by Fred Bogert, the piece is written for SATB chorus, optional guitar, and djembe. The poem itself plays on the wonders of perception, and gives light to turning a bad situation into a good one with a change in that perception. The piece could potentially be performed in both a secular or a sacred setting, and has no limits to the amount of creativity each individual choir would like to add to it.
$2.99
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestra
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ADVANCED
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #94204...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestra
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ADVANCED
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Contemporary
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Highlands [2 violins]
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2 Violins (duet)
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EASY
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John Winstead and Miguel Angel
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,...
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00
Brass Quintet - Three Pastoral Sketches
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Contemporary
#
Mike Lyons
#
Brass Quintet - Three Pastoral
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Lyons Music Services
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Crow with no mouth
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Piano, Voice
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ADVANCED
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Amos Elkana
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Crow with no mouth
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Amos Elkana
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. ...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amos Elkana (A0.1324262). In this composition, we delve into the enigmatic world of Ikkyu Sojun, a 15th-century Zen Buddhist monk renowned for his poetry that defies conventional boundaries. Ikkyu's work often reflects Zen principles, blending deep philosophical insights with a stark, often provocative simplicity. Among his most striking poems is Crow with No Mouth, a piece that captures the essence of Zen’s emphasis on the ineffable nature of reality and the limits of language.Crow With No Mouth Hearing a crow with no mouthCry in the deepDarkness of the night,I feel a longing forMy father before he was born. In these lines, Ikkyu conjures an image that is as perplexing as it is profound. The crow, a traditional symbol of mystery and the unknown, is rendered even more inscrutable by its lack of a mouth - a paradoxical figure that seems to transcend ordinary existence. This poem encapsulates the Zen concept of mu, or the negation of fixed concepts, challenging the listener to embrace the boundless nature of understanding.In my composition, I have strived to translate this philosophical depth into music. The interplay between the piano and the voice is crafted to reflect the paradoxical imagery of the poem. The music moves through moments of tension and release, mirroring the poem’s journey from perplexity to a serene acceptance of the unknown.This piece is an invitation to explore the spaces between notes, between words, where the essence of understanding might lie.The emotional core of this composition is also deeply personal. It resonates with my own longing for my father, who passed away seven years prior to the creation of this work. Just as Ikkyu's poem reflects a yearning for a connection with the past, this music embodies my own journey of grief, memory, and the search for peace in the echoes of loss. The intertwining of my personal narrative with Ikkyu’s profound words aims to offer a universal contemplation on the themes of absence, longing, and the ephemeral nature of existence.In creating this work, my aim has been to offer not just a musical experience, but a doorway into the profound simplicity of Zen thought. Through the synthesis of voice, piano, and Ikkyu's evocative poetry, we embark on a journey that transcends the mere act of listening, inviting contemplation, and perhaps, a glimpse into the boundless sky of our own perception.
$8.00
Zvonimir Nagy: Enchantments for piano trio
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Piano Trio: piano, violin, cello
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ADVANCED
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Zvonimir Nagy
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Zvonimir Nagy: Enchantments fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.533329 Composed by Zvonimir Nagy. Concert,Contemporary,Standards. Scor...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.533329 Composed by Zvonimir Nagy. Concert,Contemporary,Standards. Score and parts. 54 pages. Musik Fabrik Music Publishing #2344333. Published by Musik Fabrik Music Publishing (A0.533329). A native of Croatia, the American composer Zvonimir Nagy has been the recipient of music honors and awards, most notably the Seattle Symphony Orchestra Composition Prize and Swan Prize in Music Composition. Nagy received a doctor of music composition degree from Northwestern University (USA); he also studied music at Texas Christian University, the école Normale de Musique (France), and the Academy of Music-University of Zagreb (Croatia). Nagy's compositions are inspired by the intersection of music aesthetics and perception. He explores various contexts and critical perspectives that illuminate ideas on music and its impact on the mind. His music is frequently commissioned and performed throughout the United States and Europe. Nagy has taught on the faculties of Northwestern and St. Xavier University in Chicago (USA) and has presented at music conferences, workshops, and colloquia. Currently, he serves as Assistant Professor of Music at Duquesne University in Pittsburgh, Pennsylvania. He is also the Cathedral Organist at St. Joseph Cathedral in Wheeling, West Virginia. Nagy continues to perform as a solo and collaborative organist and pianist.
$25.95
Christmas Children
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Choral TTBB
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INTERMEDIATE
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Christmas
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Leslie Bricusse
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EDDY CLEMENT
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Christmas Children
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Eddy Clement
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927819 Composed by Leslie Bricusse. Arranged by EDDY CLEMENT. Contemporary. Octavo. 9 pages. Edd...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927819 Composed by Leslie Bricusse. Arranged by EDDY CLEMENT. Contemporary. Octavo. 9 pages. Eddy Clement #5797457. Published by Eddy Clement (A0.927819). Not a Christmas classic, but should be, this haunting tune by Leslie Bricusse tells the age-old tale of children's anticipation of Santa's arrival on Christmas morning. The text creates beautiful nostalgic images from an innocent child's perception, but reminds us that Christmas is for children young and old. Cleverly inserted in the original song is a joyous major key statement of the Glorias from the beloved French carol Angels We Have Heard On High. Optional small instrumental ensemble (Ehn or Cl, Syn, Perc, Bs) available separately can be added to the Piano accompaniment. SATB voicing version available NOW on sheetmusicplus.com.
$2.95
Zvonimir Nagy: Collage for wind trio
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Oboe, Clarinet, Bassoon (trio)
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ADVANCED
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Zvonimir Nagy
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Zvonimir Nagy: Collage for win
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.534404 Composed by Zvonimir Nagy. Contemporary,Standards. 20 p...
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 5 - Digital Download SKU: A0.534404 Composed by Zvonimir Nagy. Contemporary,Standards. 20 pages. Musik Fabrik Music Publishing #3459129. Published by Musik Fabrik Music Publishing (A0.534404). A native of Croatia, the American composer Zvonimir Nagy has been the recipient of music honors and awards, most notably the Seattle Symphony Orchestra Composition Prize and Swan Prize in Music Composition. Nagy received a doctor of music composition degree from Northwestern University (USA); he also studied music at Texas Christian University, the école Normale de Musique (France), and the Academy of Music-University of Zagreb (Croatia). Nagy's compositions are inspired by the intersection of music aesthetics and perception. He explores various contexts and critical perspectives that illuminate ideas on music and its impact on the mind. His music is frequently commissioned and performed throughout the United States and Europe. Nagy has taught on the faculties of Northwestern and St. Xavier University in Chicago (USA) and has presented at music conferences, workshops, and colloquia. Currently, he serves as Assistant Professor of Music at Duquesne University in Pittsburgh, Pennsylvania. He is also the Cathedral Organist at St. Joseph Cathedral in Wheeling, West Virginia. Nagy continues to perform as a solo and collaborative organist and pianist.
$12.95
Zvonimir Nagy: Vestiges for piano
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Piano solo
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ADVANCED
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Zvonimir Nagy
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Zvonimir Nagy: Vestiges for pi
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.534405 Composed by Zvonimir Nagy. Concert,Contemporary,Standards. Score. 28 pages. Musik Fabrik Music Pub...
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Piano Solo - Level 5 - Digital Download SKU: A0.534405 Composed by Zvonimir Nagy. Concert,Contemporary,Standards. Score. 28 pages. Musik Fabrik Music Publishing #3459139. Published by Musik Fabrik Music Publishing (A0.534405). A native of Croatia, the American composer Zvonimir Nagy has been the recipient of music honors and awards, most notably the Seattle Symphony Orchestra Composition Prize and Swan Prize in Music Composition. Nagy received a doctor of music composition degree from Northwestern University (USA); he also studied music at Texas Christian University, the école Normale de Musique (France), and the Academy of Music-University of Zagreb (Croatia). Nagy's compositions are inspired by the intersection of music aesthetics and perception. He explores various contexts and critical perspectives that illuminate ideas on music and its impact on the mind. His music is frequently commissioned and performed throughout the United States and Europe. Nagy has taught on the faculties of Northwestern and St. Xavier University in Chicago (USA) and has presented at music conferences, workshops, and colloquia. Currently, he serves as Assistant Professor of Music at Duquesne University in Pittsburgh, Pennsylvania. He is also the Cathedral Organist at St. Joseph Cathedral in Wheeling, West Virginia. Nagy continues to perform as a solo and collaborative organist and pianist.
$25.95
The Black Mass
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Orchestra
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ADVANCED
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Contemporary
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Piano Sonata No
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Blake P
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The Black Mass
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Blake P. McCabe
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th C...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1143117 Composed by Piano Sonata No. 9 Op. 68 Alexander Scriabin. Arranged by Blake P. McCabe. 20th Century,New Age. Score and parts. 43 pages. Blake P. McCabe #743479. Published by Blake P. McCabe (A0.1143117). This composition is an arrangement of Scriabin’s Piano Sonata No. 9 Op 68. This piece has traditionally been nicknamed The Black Mass and was written for piano. Scriabin himself accepted this nickname for the piece and earlier on wrote a piece that would be nicknamed The White Mass. The Black mass was completed in 1913, a mere 2 years before his untimely death. The piece is built upon his ‘mystic chord, a hexachord built on fourths. Scriabin described this chord of embodying the divine and having a smoky tonal color, stemming from his own perception of sound as color. This piece moves from haunting sounds in its first motif to a chilling climax, returning to a mysterious murmur, and moves through multiple tempos to drag the listener along its march through its gothic vision, until finally returning to its first motif and leaving the listener haunted by the dark, colorful visions it invokes. To date of publication of this arrangement, I have yet to find an arrangement of The Black Mass for orchestra, band, nor symphony. The piece has many layers within it and includes complex polyrhythms typical of his music. The dark uncurrent, along with the form and choice of lack of direct key signature pose a unique challenge in the arrangement of this piece. I have deigned to maintain the feel of the original piano version, including his choice of time signatures and rhythmic choices while bringing it to life through the sounds of a modified symphony orchestra. This arrangement relies on the timbres of the instrument families to portray the emotional colors of the piece and particularly highlights the woodwind section of the symphony orchestra, along with the angelic sounds of the harp. Percussion is added through timpani, xylophone, glockenspiel, and multi-percussion to heighten the emotional experience of the arrangement.
$35.00
The Wooded Blur
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Jose Luis Arellano Jr
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Jose Luis Arellano Jr
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The Wooded Blur
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Arellano, Jose Luis Jr
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SheetMusicPlus
Flute Solo - Level 4 - Digital Download SKU: A0.1515510 Composed by Jose Luis Arellano Jr. Arranged by Jose Luis Arellano Jr. 21st Century,Contemporary. ...
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Flute Solo - Level 4 - Digital Download SKU: A0.1515510 Composed by Jose Luis Arellano Jr. Arranged by Jose Luis Arellano Jr. 21st Century,Contemporary. Individual part. 4 pages. Arellano, Jose Luis Jr #1089863. Published by Arellano, Jose Luis Jr (A0.1515510). Wooded Blur was based on the ideas of an impressionist style painting that if you take a closer look at a piece art you could only see blurriness.However, if you took a step back you could see the whole context. The main idea that you hear in the piece is the “closer look” that is so blurred that you don’tunderstand the context until you see the big picture. You hear this repeating pattern (the main idea) becoming home and the root of this atonal piece. The variation around thismain idea becomes the context and helps create the bigger picture. It allows youas the listener to see the character of the piece. The piece is the forest itself who isplayful, a trickster, and a guardian of his own home. The sections that take you on this strangejourney will give you glimpses of imagery that you can picture that gets you involved.Building you a perception of this Wooded Blur.
$7.99
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