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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
On s\
Not classified
12,179
Piano & keyboards
Piano solo
6,971
Big Note Piano
3,314
Piano, Voice
2,579
Easy Piano
2,433
Organ
2,261
Piano, Vocal and Guitar
1,474
Accordion
951
C Instruments
904
1 Piano, 4 hands
246
Piano Accompaniment
236
Piano (band part)
162
Piano Trio: piano, violin, cello
155
2 Pianos, 4 hands
82
Keyboard
60
Piano Quartet: piano, violin, viola, cello
33
Piano Quintet: piano, 2 violins, viola, cello
22
Piano Quartet: piano, 2 violins, cello
17
Organ, Piano (duet)
16
Accordion, String(s)
12
Harpsichord
11
1 Piano, 6 hands
11
Organ, Trumpet (duet)
9
Accordion, Voice
5
Accordion, Piano
5
2 Pianos, 8 hands
4
Melody line, Piano
2
2 Accordions
2
Accordion and Orchestra
1
+ 23 instrumentations
-
Retract
Guitars
Guitar
738
Guitar notes and tablatures
629
Bass guitar
391
Melody line, (Lyrics) and Chords
280
Guitar (band part)
274
Ukulele
166
2 Guitars (duet)
75
Lyrics and Chords
66
Piano, Guitar (duet)
42
4 Guitars (Quartet)
32
Dulcimer
32
Mandolin
29
Banjo
24
3 Guitars (trio)
17
Guitar Ensemble
15
Electric Bass (band part)
14
Ukulele Ensemble
4
Baritone Ukulele
4
2 Ukuleles
3
Dobro
3
Mandolin, Guitar (duet)
2
2 Mandolins (duet)
2
Mandolin, Piano (duet)
1
2 Dulcimers (duet)
1
Guitar, Violin, Cello (trio)
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
3,160
Choral 3-part
876
Choral TTBB
677
Choral 2-part
629
Choral Unison
471
Choral SSAA
449
Soprano voice, Piano
134
Vocal duet, Piano
115
Tenor voice, Piano
100
Alto voice, Piano
93
Vocal duet
83
High voice
79
Voice solo
64
Baritone voice, Piano
51
Choral
31
Medium voice, Piano
27
Low voice, Piano
17
Tenor voice
15
Choral SSAATTBB
15
Choral Instrumental Pak
12
Mezzo-Soprano voice, Piano
11
Soli, Mixted choir and accompaniment
6
Choral SSATTB
6
Soprano voice
5
Choral SSATB
5
Soprano voice, Orchestra
5
Low voice
4
Voice, Guitar
2
Choral SSAB, Piano
2
Choral SATBB
2
Choral SSATBB
1
Choral SSAATB
1
Choral SAATB A Cappella
1
Baritone voice
1
Choral SATTBB A Cappella
1
Voice, Basso continuo
1
Lyrics only
1
+ 32 instrumentations
-
Retract
Woodwind
Saxophone (band part)
1,923
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
828
Saxophone Quartet: 4 saxophones
827
Flute and Piano
749
2 Saxophones (duet)
730
Flute
679
Clarinet (band part)
623
Clarinet and Piano
592
Flute, Oboe, Clarinet, Bassoon
587
Clarinet
575
Oboe (band part)
554
Oboe, Piano (duet)
544
Alto Saxophone and Piano
517
Alto Saxophone
458
Clarinet Quartet: 4 clarinets
445
Saxophone Quintet: 5 Saxophones
411
2 Flutes (duet)
396
Tenor Saxophone
387
2 Clarinets (duet)
358
Flute (band part)
327
Tenor Saxophone and Piano
302
Saxophone
243
Soprano Saxophone and Piano
234
Flute Quartet: 4 flutes
203
Saxophone, Clarinet (duet)
170
2 Oboes (duet)
168
Flute, Clarinet (duet)
159
Baritone Saxophone, Piano
146
Saxophone ensemble
146
Clarinet, Violin (duet)
145
3 Saxophones (trio)
132
Clarinet Ensemble
127
2 Recorders (duet)
118
3 Clarinets (trio)
112
Clarinet Quintet: 5 clarinets
112
Oboe
110
Clarinet, Trumpet (duet)
105
English horn, Piano
104
Oboe, Bassoon (duet)
99
Flute ensemble
97
Recorder
95
Flute and Guitar
92
Oboe, Clarinet (duet)
92
Soprano Saxophone
91
Flute, Violin
91
Pennywhistle
84
Flute Quintet : 5 flutes
75
Clarinet and Viola
72
Flute, Viola (duet)
68
Flute Trio: 3 flutes
67
Flute, Saxophone (duet)
65
Bass Clarinet, Piano
63
Descant (Soprano) Recorder
60
Clarinet, Guitar (duet)
58
Oboe, Flute
56
Flute, Trumpet (duet)
53
Flute, Clarinet and Bassoon.
45
Flute, Oboe, Clarinet (trio)
40
Oboe, Clarinet, Bassoon (trio)
39
Flute, Violoncello
38
Flute, Violin, Piano
38
English Horn
38
Clarinet, Cello (duet)
37
Baritone Saxophone
36
Recorder Quartet
35
Recorder Ensemble
35
Clarinet, Bassoon (duet)
32
Flute, Oboe (duet)
31
Oboe, Cello
28
Treble (Alto) Recorder
27
Flute, Oboe, Bassoon
25
Oboe, Violin (duet)
18
Tenor Recorder
17
Oboe, Guitar (duet)
15
Harmonica
15
Flute, Trombone (duet)
13
English Horn, Guitar (duet)
13
3 Recorders (trio)
13
Ocarina
12
Saxophone and Guitar
12
Clarinet, Trombone (duet)
12
Descent (Soprano) Recorder, Piano
12
Clarinet, Harp (duet)
12
Bass Clarinet
12
2 Flutes, Piano
10
Flute, Clarinet, Horn and Bassoon (Quartet)
9
Flute, Clarinet, Piano (trio)
9
Treble (Alto) Recorder, Piano
8
Flute, harp and violin
8
2 Saxophones, Piano
8
Piccolo, Piano
7
Flute, Harp and Cello
7
2 Clarinets, Piano
7
Flute, Oboe, Piano (trio)
7
Flute, Bassoon, and Piano
6
2 English horns and Pianoforte
6
Saxophone and Organ
5
3 Oboes
5
Clarinet, Cello, Piano (trio)
5
Piccolo
5
Flute, Clarinet, Violin (trio)
5
Oboe and viola (duet)
5
Flute, Cello, Piano (trio)
5
5 Recorders
5
Saxophone and Piano
4
Clarinet, Double bass (duet)
4
Flute, Violin and Violoncello
4
Eb Instruments
3
Oboe ensemble
3
Clarinet, Organ
3
2 Clarinets, Bassoon
3
Bagpipe
3
Clarinet Quartet: Clarinet, Violin, Viola, Cello
3
Oboe, Harp
2
Flute, Cello, Guitar
2
Flute, Violin, Violoncello and Piano
2
Clarinet Quintet: Clarinet, String Quartet
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Flute, Tuba (duet)
2
Oboe, Violin, Piano
2
4 Oboes
2
Clarinet, Tuba
2
Flute, Organ (duet)
1
Flute, Viola and Piano
1
Flute and Strings Trio
1
Clarinet, Orchestra
1
Recorder, Guitar (duet)
1
Flute, Oboe, Violin
1
Oboe, Clarinet and Piano (Trio)
1
Saxophone and cello
1
Flute, Orchestra
1
Treble (Alto) Recorder, Basso continuo
1
English horn, Harp (duet)
1
2 Flutes and Harp
1
2 Oboes, 2 Horns and 2 Bassoons
1
Oboe, Trumpet (duet)
1
Oboe, Trombone (duet)
1
2 Recorders, Guitar
1
Flute, Basso continuo
1
+ 134 instrumentations
-
Retract
Woodbrass
Trombone (band part)
1,171
Trumpet (band part)
1,057
Brass Quintet: 2 trumpets, horn, trombone, tuba
862
Trumpet
624
Brass quartet : 2 trumpets, trombone, tuba
526
Trombone
489
Trumpet, Piano
469
Trombone and Piano
435
French Horn and Piano
360
French horn (band part)
342
French horn
280
Tuba (band part)
275
Tuba
222
Tuba and Piano
210
2 Trombones (duet)
195
Brass Quartet
187
2 Trumpets (duet)
184
Brass Quartet: 2 trumpets, horn, trombone
154
Trumpet, Saxophone (duet)
124
Trumpet, Trombone (duet)
113
English horn, Piano
104
Euphonium, Piano (duet)
93
Brass Quartet: 4 trombones
82
2 French horns (duet)
79
Trumpet ensemble
70
Trombone ensemble
63
Euphonium
45
English Horn
38
2 Tubas (duet)
37
Brass Quartet: 4 horns
30
3 Trombones (trio)
28
Trumpet, Horn (duert)
28
2 Euphoniums (duet)
23
Brass Trio
21
4 Tubas
16
Brass Quartet: 4 trumpets
14
Horn, Cello (duet)
14
English Horn, Guitar (duet)
13
Bass Trombone
13
Horn Ensemble
13
Trumpet, Bassoon (duet)
13
2 Euphoniums and 2 Tubas
12
Trumpet, Cello (duet)
11
Tuba and Organ
11
3 Trumpets (trio)
11
3 French horns (trio)
8
3 Tubas (trio)
7
French horn and Basson (duet)
6
2 English horns and Pianoforte
6
Euphonium, Tuba (duet)
6
Horn and Orchestra
5
Trombone, Horn (duet)
5
Brass Quintet: 2 trumpets, horn, 2 trombones
4
Bass Clef Instruments
4
Euphonium (band part)
4
Bass Trombone and Piano
4
Trumpet, violin (duet)
4
Trumpet, Cello, Piano
4
Trombone, Tuba (duet)
4
Trumpet, Tuba (duet)
4
Brass Quartet: 2 trumpets, 2 trombones
4
French Horn and Harp
3
Trumpet, Trombone, Piano
3
Trombone, Organ
3
Bb Instruments
3
Horn, Tuba (duet)
2
3 Euphoniums
2
Trumpet and Guitar
2
2 Trumpets, Keyboard (piano or organ)
2
Horn, Trumpet, Trombone (trio)
2
Trumpet, Harp
2
Trombone, Violin (duet)
2
Horn and Organ
1
Tuba ensemble
1
Trumpet, Euphonium (duet)
1
Trombone and Orchestra
1
F Instruments
1
English horn, Harp (duet)
1
Tuba or Euphonium or Saxhorn
1
+ 74 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
2,028
Violin and Piano
934
Violin
862
Cello, Piano
649
Cello
607
Viola, Piano
540
Harp
424
Violin (band part)
416
Violin, Cello (duet)
410
Viola
380
Doublebass (band part)
358
2 Violins (duet)
311
Viola (band part)
302
String Trio: violin, viola, cello
297
String Quintet: 2 violins, viola, cello, bass
215
2 Cellos (duet)
211
Double Bass
208
Violin, Viola (duet)
191
Double bass, Piano (duet)
183
2 Violas (duet)
167
String Trio: 2 violins, cello
154
Cello (band part)
118
Violin, Guitar (duet)
49
Viola, Cello (duet)
48
2 Harps (duet)
43
Harp, Flute (duet)
42
String Trio: 3 violins
38
4 Cellos
33
Piano Trio: Violin, Viola, Piano
33
2 Double basses (duet)
29
String Trio: 3 cellos
27
Cello, Guitar (duet)
22
Violin, Bassoon (duet)
21
String quartet: 4 violins
19
Harp, Voice
18
Viola and Bassoon
18
String Trio: 3 violas
18
String Trio: 2 violins, viola
17
Violin ensemble
17
Cello, String Bass (duet)
16
Harp, Violin (duet)
16
String Quintet: 2 violins, 2 violas, cello
16
Viola ensemble
15
String Quintet: 2 violins, viola, 2 cellos
14
Cello, Orchestra
14
String Quartet : 4 violas
12
Viola, Guitar (duet)
11
String trio
10
Harp, Cello (duet)
9
Cello, Organ
9
Viola and Harp
8
2 Violins, Piano
6
Harp (band part)
6
Flute, Doublebass (duet)
5
Harp and Piano
5
Cello Ensemble
5
2 Cellos, Piano
4
Harp, Violin, Violoncello
4
Autoharp
3
3 double basses
2
Violin, Clarinet, Piano (trio)
2
4 Double Basses
2
Viola, Organ
2
Violin, Tuba (duet)
2
Violin, Cello, Clarinet
1
2 Violas, Piano
1
Viola and orchestra
1
Violoncello, Basso continuo
1
Violin, Organ
1
Harp and mandolin
1
+ 65 instrumentations
-
Retract
Orchestra & Percussion
Concert band
3,346
Orchestra
1,052
String Orchestra
671
Jazz Ensemble
649
Handbells
534
Brass ensemble
420
Percussion (band part)
385
Chamber Orchestra
297
Marching band
226
Drums
204
Drum (band part)
193
Jazz combo
127
Percussion Ensemble
89
Timpani (band part)
88
Piano and Orchestra
38
Marimba
25
Xylophone
23
Orchestra, Violin
21
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
20
Xylophone, Piano
19
Vibraphone
13
Percussion
6
2 Xylophones
6
2 Marimbas
4
Brass Quintet: other combinaisons
4
School Ensemble
3
3 Marimbas
2
Bongos
2
Woodwind Quintet
2
Voice and Orchestra
2
Vibraphone (band part)
1
Bodhran
1
Snare drums
1
Timpani
1
Vibraphone and Marimba
1
+ 30 instrumentations
-
Retract
Others
Musical course - Solfege
6
Music Theory
4
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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
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BASS
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CHORAL - VOCAL…
CLARINET
CORNET
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DJ GEAR
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RECORDER
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9976
On s'attache (Intermediate Level)
#
Drums
#
INTERMEDIATE
#
French Songs
#
Christophe Maé
#
On s'attache
#
Tomplay
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On s'attache - Original Version (Intermediate/Advanced Level)
#
Drums
#
INTERMEDIATE/ADVANCED
#
French Songs
#
Christophe Maé
#
On s'attache
#
Tomplay
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On s'attache (Beginner Level)
#
Drums
#
BEGINNER
#
French Songs
#
Christophe Maé
#
On s'attache
#
Tomplay
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5.99€
On s'attache (Easy Level)
#
Drums
#
EASY
#
French Songs
#
Christophe Maé
#
On s'attache
#
Tomplay
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5.99€
On s'attache (Easy Level)
#
Guitar
#
EASY
#
French Songs
#
Christophe Maé
#
On s'attache
#
Tomplay
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On s'attache
#
Voice solo
#
EASY
#
French Songs
#
Christophe Maé
#
On s'attache
#
Tomplay
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On s'attache - Original Version (Intermediate Level)
#
Guitar
#
INTERMEDIATE
#
French Songs
#
Christophe Maé
#
On s'attache
#
Tomplay
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Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
#
Trumpet (band part)
#
INTERMEDIATE/ADVANCED
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin ...
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
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Trumpet (band part)
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin ...
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Flute 2
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Flute (band part)
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sa...
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Flute Solo - Level 4 - Digital Download SKU: A0.1018943 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078667. Published by Benjamin Sajo (A0.1018943). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Oboe 2
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Oboe (band part)
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INTERMEDIATE
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 3 - Digital Download SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Saj...
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Oboe Solo - Level 3 - Digital Download SKU: A0.1018945 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078673. Published by Benjamin Sajo (A0.1018945). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Oboe 1
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Oboe (band part)
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - Digital Download SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Saj...
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Oboe Solo - Level 4 - Digital Download SKU: A0.1018944 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078671. Published by Benjamin Sajo (A0.1018944). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Viola
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Viola (band part)
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Viola Solo - Level 4 - Digital Download SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sa...
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Viola Solo - Level 4 - Digital Download SKU: A0.1018957 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078711. Published by Benjamin Sajo (A0.1018957). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 1
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Oboe (band part)
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - Digital Download SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Saj...
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Oboe Solo - Level 4 - Digital Download SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Published by Benjamin Sajo (A0.1018903). Programme Notes: Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or dawn song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. A song for the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences, camping in Northern Canada, a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection in this case is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves--the dawn of his special genius.About the Composer:Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Now Proclaim Messiah's Birth - Reproducible Inst Parts
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Christmas
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arr
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Andrea Handley
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Now Proclaim Messiah's Birth -
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Chorister's Guild - Digital
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SheetMusicPlus
Includes parts for Now Proclaim Messiah’s Birth combines two favorite carols, Angels from the Realms of Glory and Angels We Have Heard on High into a sti...
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Includes parts for Now Proclaim Messiah’s Birth combines two favorite carols, Angels from the Realms of Glory and Angels We Have Heard on High into a stirring arrangement that works well as a stand-alone handbell piece, a choral SATB anthem, or in a - Digital Download SKU: C7.CGRP53 Composed by arr. Andrea Handley. Arranged by Andrea Handley. With Includes parts for “Now Proclaim Messiah’s Birth combines two favorite carols, “Angels from the Realms of Glory and “Angels We Have Heard on High into a stirring arrangement that works well as a stand-alone handbell piece, a choral SATB anthem, or in. Set of parts. 20 pages. Chorister's Guild - Digital #CGRP53. Published by Chorister's Guild - Digital (C7.CGRP53). Now Proclaim Messiah’s Birth combines two favorite carols, Angels from the Realms of Glory and Angels We Have Heard on High into a stirring arrangement that works well as a stand-alone handbell piece, a choral SATB anthem, or in a variety of other options using various combinations of the optional organ, brass quintet, and percussion parts. The refrains from both of the carols are combined creatively as the piece moves through exciting key changes. The final triumphant stanza features a descant from the refrain of Angels We Have Heard on High superimposed over the tune of Angels from the Realms of Glory. This is a versatile and exciting work that can be used in many arenas throughout the Christmas season.
$17.95
Angels from the Realms of Glory (Variations on Regent Square) - Full Score
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Handbells
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INTERMEDIATE
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Christmas
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Jane McFadden and Janet Linker
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Angels from the Realms of Glor
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4 or 5 octaves handbells, Conductor's Score - Level 3+ - Digital Download SKU: C7.CGB462 Composed by Jane McFadden and Janet Linker. Christmas. With 3...
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3, 4 or 5 octaves handbells, Conductor's Score - Level 3+ - Digital Download SKU: C7.CGB462 Composed by Jane McFadden and Janet Linker. Christmas. With 3 octaves handchimes, Brass Quintet, Timpani, Organ. Full score. 28 pages. Chorister's Guild - Digital #CGB462. Published by Chorister's Guild - Digital (C7.CGB462). UPC: 749193011515.The optional brass quintet may substitute for organ, if desired. When both brass and organ are used, suggestions are offered for the brass to tacet during parts of the piece. The setting may be played in its entirety, or sections may be used separately in various ways. The fanfare introduction and first variation may accompany congregational singing. The second variation modulates and is written in 6/8 time, including the use of handchimes on the melody. The rhythm and texture build on the third variation. A return to the original key and style features the organ trumpet on melody with handbells malleting the accompaniment. The fanfare returns to close the arrangement. Additional suggestions for use are offered. The piece is a festive, challenging and versatile addition to the Christmas celebration.
$14.95
Get on Board, Little Children
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Handbells
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INTERMEDIATE
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Greg Gilpin and Martha Lynn Th
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Greg Gilpin and Martha Lynn Th
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Get on Board, Little Children
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB826 Composed by Greg Gilpin and Martha Lynn Thompson. Arranged by Greg Gilpin and Ma...
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3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB826 Composed by Greg Gilpin and Martha Lynn Thompson. Arranged by Greg Gilpin and Martha Lynn Thompson. General. Score. 8 pages. Chorister's Guild - Digital #CGB826. Published by Chorister's Guild - Digital (C7.CGB826). UPC: 749193019535.This handbell arrangement of Get on Board, Little Children is based on Greg Gilpin’s spirited and fun choral setting of the spiritual. In the handbell arrangement, the accompaniment makes extensive use of bells malleted on the table while the melody is rung above. A train whistle is optional, but adds much fun to the arrangement. There is a key change in the middle, but it shouldn't cause any train wrecks! The 3 octave version is as musically satisfying as the 4 and 5 octave versions. Ringers of all ages will enjoy this lively piece.
$4.50
Mary's Song
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Choral Unison
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EASY
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Sacred music
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Meg Baker
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Mary's Song
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Chorister's Guild - Digital
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SheetMusicPlus
Unison choir or cantor - Easy - Digital Download SKU: C7.CGA1498 The Magnificat. Composed by Meg Baker. Advent, Christmas. With Guitar, Congregati...
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Unison choir or cantor - Easy - Digital Download SKU: C7.CGA1498 The Magnificat. Composed by Meg Baker. Advent, Christmas. With Guitar, Congregation. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1498. Published by Chorister's Guild - Digital (C7.CGA1498). UPC: 749193028094.This liturgical anthem, based on the Magnificat, is a lovely addition to worship on the 4th Sunday of Advent. A cantor or unison choir recounts Mary’s song of God’s faithfulness, while the assembly may join on the refrain. A reproducible congregational page and guitar chords are included.
$2.45
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (band part)
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ADVANCED
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sa...
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Flute Solo - Level 5 - Digital Download SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (band part)
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ADVANCED
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sa...
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Flute Solo - Level 5 - Digital Download SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Oboe (band part)
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Saj...
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Oboe (band part)
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Saj...
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Oboe Solo - Level 5 - Digital Download SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Ride On!
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Choral SATB
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Sacred music
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Taylor Davis
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Ride On!
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Chorister's Guild - Digital
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SheetMusicPlus
SATB chorus - Digital Download SKU: C7.CGA1116 Composed by Taylor Davis. Palm Sunday. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA111...
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SATB chorus - Digital Download SKU: C7.CGA1116 Composed by Taylor Davis. Palm Sunday. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1116. Published by Chorister's Guild - Digital (C7.CGA1116). UPC: 749193012710.Triumphant and bold, this Palm Sunday anthem for mixed voices combines the 19th-century hymn text Ride On! Ride On in Majesty! by Henry Hart Milman with invigorating new music by Taylor Davis. Recurring duplet patterns in both the vocal parts and piano accompaniment create ongoing two-against-three rhythms throughout the anthem written in 6/8 meter. Melodic repetition and mainly unison voicing in the men's vocal part offer choirs with limited rehearsal time the chance to learn the piece quickly and easily.
$1.95
Variations on a Theme by Brahms
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Handbells
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EASY
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Classical
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Johannes Brahms and Michael He
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Johannes Brahms and Michael He
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Variations on a Theme by Brahm
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2 - Digital Download SKU: C7.CGB425 Composed by Johannes Brahms and Michael Helman. Arranged by Johannes Brahms and ...
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3, 4, or 5 octaves handbells - Level 2 - Digital Download SKU: C7.CGB425 Composed by Johannes Brahms and Michael Helman. Arranged by Johannes Brahms and Michael Helman. General. With Congregation. Score. 8 pages. Chorister's Guild - Digital #CGB425. Published by Chorister's Guild - Digital (C7.CGB425). UPC: 749193010921.Commissioned in memory of Carolyn Tenery, the bright opening and closing themes of this original composition are filled with syncopation, expressing the colorful and happy nature of Carolyn's personality. Sections using mallets, echoes, martellatos and shakes are employed, as Carolyn was a percussionist who loved techniques on handbells. The contrasting middle section is the blue period, and is best played on handchimes if possible. This work is suitable for worship, festivals and concerts. The alternate title, The Colors of Love, may be used in secular settings.
$4.50
Ride on, Ride on in Majesty
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Sacred music
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John Ferguson
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Ride on, Ride on in Majesty
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Chorister's Guild - Digital
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SheetMusicPlus
Mixed chorus - Digital Download SKU: C7.CGA843 Composed by John Ferguson. Palm Sunday. Combined Choirs. With Organ. Sacred Anthem. Octavo. 16 pages. Chor...
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Mixed chorus - Digital Download SKU: C7.CGA843 Composed by John Ferguson. Palm Sunday. Combined Choirs. With Organ. Sacred Anthem. Octavo. 16 pages. Chorister's Guild - Digital #CGA843. Published by Chorister's Guild - Digital (C7.CGA843). UPC: 749193005996.Combined Unison SAB and SATB choirs with Organ Palm Sunday- A majestic new tune and setting of Henry Milman's famous Palm Sunday text contrasts the jubilant hosannas of Palm Sunday with the approaching sacrifice of Good Friday. Envisioned for three choirs (although it can be done by adult and children's ensembles), each choir has a stanza to sing alone, in addition to the antiphonal singing of joyous hosannas.
$2.10
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