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You've selected:
Only To Hear Her Voice
Sheetmusic to print
680 sheet music found
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Only To Hear Her Voice
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Choral SATB
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Jas
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Only To Hear Her Voice
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4964 Composed by Jas. A. Bland. Love, Death, Grief. Lester S. Levy Collection. 4 pages....
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4964 Composed by Jas. A. Bland. Love, Death, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4964). America's Greatest Song Writer. Jas. A. Bland's Great Songs. Only To Hear Her Voice. Jas. A. Bland. Published 1881 by Mrs. Pauline Lieder, 60 Chatham St. in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Love, Death, Grief. First line reads Only to hear her voice once more, no sweeter one was ever heard.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Only To See Her Face Again
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Choral SATB
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James E
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Only To See Her Face Again
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4965 Composed by James E. Stewart. Courtship, Love, Farewells, Sadness. Lester S. Levy ...
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4965 Composed by James E. Stewart. Courtship, Love, Farewells, Sadness. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4965). Only To See Her Face Again. Words and Music by James E. Stewart. Published 1880 by Geo. D. Newhall & Co.] in Cincinnati. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Courtship, Love, Farewells, Sadness. First line reads Only to see her face again, only to hear her speak.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Near to Your Heart Medley
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Piano, Voice
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INTERMEDIATE
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Sacred music
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Cheryl Prazak
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Jon Burr
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Near to Your Heart Medley
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Cheryl Prazak
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294833 By Cheryl Prazak. By Lyric by Cheryl Prazak and Traditional Irish Melody. Arranged by Jon ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294833 By Cheryl Prazak. By Lyric by Cheryl Prazak and Traditional Irish Melody. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 6 pages. Cheryl Prazak #885159. Published by Cheryl Prazak (A0.1294833). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Near to Your Heart MedleyThe world was black as black as sin would always be.From the pit of hell I’m a refugee. I grasped the loving hand You reached down to me.I opened my heart’s door, You set me free. Only You could feel this aching of my heart.And only You could melt this heart of stone.Only You could mend again a life torn ‘part. Salvation comes, salvation comes, from You alone.Near to your heart, that’s where I always want to be,Take me in, draw me closer, Lord, to Thee. I want to be where joy and peace are calling me,I want to be where Jesus lives in me.It’s only You who restores my soul’s liberty.It’s only You who sets the captive free. You guide my steps so I can live victoriously. It’s only You, it’s only You, who rescues me.It’s You and only You who is my Savior.And only You who changed my destiny.It’s only You whose mercy will not waver.It’s only You who sets my spirit free.It’s only You who restores my soul’s liberty.It’s only You who sets the captive free. You guide my steps so I can live victoriously. It’s only You, it’s only You, who rescues me.
$4.99
We Must Learn to Walk Together
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
I Dream of You, to Wake (Mezzo-Soprano and Piano)
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Mezzo-Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
Instrumental Solo,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.1013579 Composed by Hunter A. Brown. Concert,Contemporary. Score and individual...
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Instrumental Solo,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.1013579 Composed by Hunter A. Brown. Concert,Contemporary. Score and individual part. 13 pages. Hunter A. Brown #6292317. Published by Hunter A. Brown (A0.1013579). I Dream of You, to Wake (mezzo-soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept singer, and would be ideal for a solo and ensemble contest or college recital.Key: E-flat major, E-flat minorRange: Bâ™4 - F5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
I Dream of You, to Wake (Soprano or Tenor and Piano)
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High voice
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INTERMEDIATE/ADVANCED
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243....
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Tenor voice
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ADVANCED
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Baritone voice, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabri...
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Hymns from Childhood - Set 5 (solo)
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Voice solo
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BEGINNER
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 5
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719766 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069385. Pub...
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719766 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069385. Published by Curtis Hanson (A0.719766). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Break Thou the Bread of Life, Come, Ye Thankful People, Come, and We Gather Together. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
If You Will Only Let God Guide You (If Thou but Suffer God to Guide Thee)
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Piano, Vocal and Guitar
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INTERMEDIATE
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Sacred music
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Ernest Wright
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Lyndell Leatherman
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some were not
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If You Will Only Let God Guide
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1250191 By Ernest Wright. By Words: Georg Neumark, tr. Catherine Winkworth / Music: Georg N...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1250191 By Ernest Wright. By Words: Georg Neumark, tr. Catherine Winkworth / Music: Georg Neumark. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #844525. Published by Leatherman Music Services (A0.1250191). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
Veni, veni Emmanuel (for Voice and Piano Accompaniment)
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Piano, Voice
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INTERMEDIATE
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Flavio Regis Cunha - Tradition
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Flavio Regis Cunha
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Veni, veni Emmanuel
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Flavio Regis Cunha
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597585 By Flavio Regis Cunha - Traditional. By Gregorian Chant, XV Century. Arranged by Flavio Reg...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.597585 By Flavio Regis Cunha - Traditional. By Gregorian Chant, XV Century. Arranged by Flavio Regis Cunha. Christmas,Classical,Film/TV,Instructional,Sacred. Score. 16 pages. Flavio Regis Cunha #6656831. Published by Flavio Regis Cunha (A0.597585). Beautiful, exotic and inspiring arrangement for the well-known Gregorian chant. The arrangement proposes a cathedral atmosphere, with the piano pedal often mixing sounds and chords to provide the reverberation of a cathedral. The text of the first stanza was placed in Latin to evoke the Gregorian ambience of the first centuries of sacred vocal music. You will love playing and singing this arrangement. It will really feel like a cathedral. Your audience will love to hear it. O Come, O Come, Emmanuel, is a song for the Advent period, that is, the four sunday period before the day of Christmas. It's a period of expectation, of wait for the coming of the Messiah. the anthem has a centuries-old and curious history: text and music came from countries different and from different periods of the story! The text already existed in the eighth century! and it was very sung! But the first publication that his if you know it is from the year 1710, coming from the city of Cologne, Germany. The melody we know today, was associated for the first time to the text in 1851, in a English hymnal of that year. But the origin of melody remained obscure. the mystery was solved in 1966, only when Marry Berry, English musicologist, discovered in the National Library of France, a manuscript from the 15th century that brought the melody score, but associated with another text, Bone Jesu dulcis. So, both melody and texts are, in fact, centenarians, but they were not born together: they were joined very late! But this union has become eternal: impossible imagine O Come, O come Emmanuel sung with another melody, just like the melody, our acquaintance, associated with another text! Album link: https://open.spotify.com/album/0PTAmxvGwRXw5788nIDaSU?si=RLRuFSKzQHSqzMx4OYaEZw Intermediate level Format: Concert, 9 x 12 inches 16 pages.
$4.99
If Only In My Dreams
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Piano, Voice
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INTERMEDIATE
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Cheryl Prazak
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Jon Burr
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If Only In My Dreams
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Cheryl Prazak
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327476 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music by Jon Burr. Arranged by Jon Burr. Co...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327476 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Music by Jon Burr. Arranged by Jon Burr. Contemporary,Country. Score. 15 pages. Cheryl Prazak #915493. Published by Cheryl Prazak (A0.1327476). If Only In My Dreams is a song of longing for a far away spouse sung by soldier stationed far away.Music, arranging and production by Jon BurrThe Lyrics:The moon shines bright, drifting through the pines tonight, The meadow lies blanketed with dew,Stars take their flight, chasing ‘way the lingering night, And I lie here dreaming, dear, of you.Lonely the nights, when I long to hold you tight, In my dreams, I linger and pretend.Ev’ning draws nigh, pensive fantasies take flight,My eyes close, dreamy visions descend.  Nights are cold and lonely; I’m so in love with you.Wrapped up in your arms, I surrender to your charms, If only in my dreams, can I hold you.Mournful day long, I am trying to stay strong.I can only sit here, dear, and dream.  Please play our song, you remember our love song,And together we will dream our dream.The moon gives way, breaking forth another day,And the last star’s twinkle has fade.I see your face, with the dawn of each new day, Morn breaks through, and I’m dreaming again.  Candles in the window, yellow ribbons on the door,When I see the glow and the ribbons I will knowThere you are, I will leave your arms no more.Every day will be a dream, dear, when I am there with you.Although we’re far apart, you linger in my heart, love of my life, my wonderful, amazing wife; my wonderful military wife.
$4.99
Mermaid in the Jar Full Score - Score Only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Rachel J Peters
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Mermaid in the Jar Full Score
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. Published by Rachel J Peters (A0.1325451). A short chamber operaLibretto by Royce Vavrek, based on the short story by Sheila Heti.Mermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voices. (If the Prologue is omitted, no bass-baritone is required.)INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-1.0.0.1.1 (Parts need to be rented separately.)DURATION: 20 minutesPAGES: 86WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright.. For all performance inquiries, please write to rachel@racheljpeters.com.
$28.00
Oh Wondrous Image, Vision Fair [Piano Accompaniment Only - A Minor]
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Sacred music
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Stacey Plays Hymns
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Anastace
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Oh Wondrous Image, Vision Fair
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Anastace
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1354166 By Stacey Plays Hymns. By 15th Century English Ballad. Arranged by Anastace. Christian,Eas...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1354166 By Stacey Plays Hymns. By 15th Century English Ballad. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Spiritual. Score. 4 pages. Anastace #938867. Published by Anastace (A0.1354166). Here is the full piano accompaniment version of my arrangement of Oh Wondrous Image, Vision Fair, as heard on my YouTube channel. This gorgeous, flowing piano arrangement features complex yet intuitive rhythms in 12/8, supporting the fluid energy of the piece. This song is often used in the time after Epiphany and around Christmas too, and most especially during the Sunday of the Transfiguration and Easter. It makes for a beautiful solo for church services all year long, or just playing for personal enjoyment. If you like soaring Celtic melodies woven around ancient hymn lyrics for a haunting yet uplifting mood, this is the perfect song. These are the lyrics as found in the Lutheran ELW hymnal, translated by John Mason Neale. Also available by searching my name or clicking on it below is a version in the higher key of C Minor to match most hymnals and suit a higher vocal range.For other formats including large print or simplified versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
"The Queen of Spades" : Herman's Solo from "Storm Scene". DICTION SCORE with IPA & translation
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Piano, Voice
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ADVANCED
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Peter Ilyich Tchaikovsky
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Russian for Singers
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"The Queen of Spades" : Herman
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1116808 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers....
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1116808 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 9 pages. Natalia Melnik #718464. Published by Natalia Melnik (A0.1116808). P.I.Tchaikovsky Herman's Solo from Storm Scene (“Poluchish smertel’nyj udar ty…â€) from The Queen of Spades (Pique Dame) act 1. Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK: Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available here https://www.russian4singers.com/product-page-2/tchaikovsky-herman-s-solo-from-storm-scene-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$11.50
"The Queen of Spades": Herman's Aria. DICTION SCORE with IPA & translation
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Peter Ilyich Tchaikovsky
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Russian for Singers
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"The Queen of Spades": Herman'
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1216958 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers....
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1216958 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 6 pages. Natalia Melnik #813489. Published by Natalia Melnik (A0.1216958). P.I.Tchaikovsky Herman’s Aria “Chto nasha zhizn'? Igra!†from The Queen of Spades (Pique Dame) RangeF#3 - A4Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1FULL SONG PACK: Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available herehttps://www.russian4singers.com/product-page-2/tchaikovsky-herman-s-aria-chto-nasha-zhizn-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel for a free diction tutorial https://youtu.be/v745gbBB1FE
$8.50
Hymns from Childhood - Set 9 (solo)
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Voice solo
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BEGINNER
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 9
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719769 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069395. Pub...
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719769 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069395. Published by Curtis Hanson (A0.719769). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Spirit of God, Descend upon My Heart, Just As I Am, and Savior, Again to Thy Dear Name. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
"Snowmaiden": Father Frost's Song and Scene. DICTION SCORE with IPA & translation
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Nikolay Andreyevich Rimsky-Kor
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Russian for Singers
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"Snowmaiden": Father Frost's S
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Natalia Melnik
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1160662 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged b...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1160662 By Nikolay Andreyevich Rimsky-Korsakov. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 15 pages. Natalia Melnik #760957. Published by Natalia Melnik (A0.1160662). N. Rimsky-Korsakov Father Frost's Song and Scene with Spring from “The Snow Maidenâ€â€œPo bogatym posadskim domam… Nedurno ty popiroval…â€Roles: Father Frost (Bass), Spring (Mezzo-Soprano)Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation.FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 .FULL SONG PACK: Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available here https://www.russian4singers.com/product-page-2/rimsky-korsakov-father-frost-s-song-and-scene-with-spring-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$11.50
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Hymns from the Heart - Low Voice
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Dale Wood
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Hymns from the Heart - Low Voi
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Sacred Music Press
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SheetMusicPlus
Low voice solo - Moderately Easy SKU: LO.30-1347S Treasured Melodies for Solo Voice. Composed by Dale Wood. Sacred Vocal. Vocal score. Sacred Musi...
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Low voice solo - Moderately Easy SKU: LO.30-1347S Treasured Melodies for Solo Voice. Composed by Dale Wood. Sacred Vocal. Vocal score. Sacred Music Press #30/1347S. Published by Sacred Music Press (LO.30-1347S). UPC: 000308043310.In new settings that are as fresh as a morning breeze, these captivating vocal solos are all based on cherished hymn tunes. The accompaniments are filled with refreshing new harmonies, and the hymn melodies are directly stated with only occasional alterations to add variety.
Song List
: My Faith Looks Up To Thee He Leadeth Me: O Blessed Thought! What a Friend We Have in Jesus Come Ye Disconsolate Savior Like A Shepherd Lead Us Softly And Tenderly
$19.95
Hymns from Childhood - Set 10 (solo)
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Piano solo
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BEGINNER
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Pu...
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99
KYRIE ELEISON (concert band, medium easy, score, parts & license to copy)
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Concert band
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EASY
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Antonio Lotti
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Brian Harris
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KYRIE ELEISON
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Bandroom.com Publications
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.859753 Composed by Antonio Lotti (c.1667-1740). Arranged by Brian Harris. Christian,Classical,Historic,...
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Concert Band - Level 2 - Digital Download SKU: A0.859753 Composed by Antonio Lotti (c.1667-1740). Arranged by Brian Harris. Christian,Classical,Historic,Instructional,Sacred. 38 pages. Bandroom.com Publications #3134913. Published by Bandroom.com Publications (A0.859753). _______________________Choral work by Antonio Lotti (c.1667-1740); transcribed for band by Brian HarrisThe Kyrie is part of the Ordinary of the Roman Catholic Mass. This musical setting of the Kyrie was written for choir by Italian composer Antonio Lotti, who spent his entire career at the famous St. Mark's Basilica in Venice.The adaptation of choir literature for use by wind players provides an ideal tool for teaching basic musicianship such as intonation, balance, and blend as well as the advanced techniques of phrasing, nuance of line, and accuracy of ensemble articulation. Because the work consists of only 4 voices, players can more readily hear and address individual, section, and ensemble problems.The score and each part is notated with the specific voice assignment (S = soprano, A = alto, T = tenor, B = bass). This allows the conductor to rehearse like groups by simply asking for all players with the alto line and so forth. Knowing that another instrument is playing the exact same line can encourage them to listen across the band in order to match style/balance with the other players.You may view the entire score as well as additional part samples and detailed information for this work at my site www.bandroom.com - - - - - - - - - - - - - - -ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director at the public school and college level for over 30 years. His works are available from www.bandroom.com and as digital downloads.__________________________________
$30.00
Somewhere (2-part or 3-part choir and piano)
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Choral 3-part
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BEGINNER
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Anthony Giamanco
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Somewhere
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Whole Tone Press
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SheetMusicPlus
Choral Choir (SAB) - Level 1 - Digital Download SKU: A0.773893 Composed by Anthony Giamanco. Children,Concert,Graduation,Instructional. Octavo. 8 pages. ...
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Choral Choir (SAB) - Level 1 - Digital Download SKU: A0.773893 Composed by Anthony Giamanco. Children,Concert,Graduation,Instructional. Octavo. 8 pages. Whole Tone Press #6055893. Published by Whole Tone Press (A0.773893). A beautiful, inspiring work, ideal for middle school/high school choirs. It may be performed by either 2-part treble voices only or by adding the 3rd part, well-suited to boys' changing voices.This piece is included in my collection, Songs without Words, available at my Sheet Music Plus publisher pageAnthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com, https://www.anthonygiamanco.com,on SoundCloud (https://soundcloud.com/tony-giamanco),and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg)Contact info:tony@shalomlife.org.
$2.10
Nebraska - My Heartland (INSTRUMENTAL PARTS)
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Contemporary
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #33...
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Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published by D. M. Gardner Music (A0.799662). INSTRUMENTAL PARTS***SCORE and CHORAL SCORE SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$75.00
Nebraska - My Heartland (FULL SCORE)
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Contemporary
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner ...
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Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. Published by D. M. Gardner Music (A0.799660). FULL SCORE***PARTS & CHORAL SCORE SOLD SEPARATELY*** Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine! INSTRUMENTATION 1 Piccolo 2 Flute 1 2 Flute 2 2 Flute 3 1 Oboe 1 1 Oboe 2 1 Bassoon 1 1 Bassoon 2 4 Bb Clarinet 1 4 Bb Clarinet 2 4 Bb Clarinet 3 2 Bb Bass Clarinet 1 Eb Alto Saxophone 1 1 Eb Alto Saxophone 2 1 Bb Tenor Saxophone 1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 4 2 Trombone 1 2 Trombone 2 2 Bass trombone 3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSION Suspended Cymbal Crash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional), *Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$200.00
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