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Open Arms - Eb Alto Sax
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Open Arms - Eb Alto Sax
Sheetmusic to print
18 sheet music found
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1
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE
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Classical
#
Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvo...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
#
Saxophone Quintet: 5 Saxophones
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Co...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
Open Arms: 2nd E-flat Alto Saxophone
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Saxophone (band part)
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Journey
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Victor Lopez
#
Pop/Rock
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Open Arms: 2nd E-flat Alto Sax
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017517_AX2 2nd E-flat Alto Saxophone. By Journey. By Jonathan Cain and Steve Perry. Arranged by Vi...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017517_AX2 2nd E-flat Alto Saxophone. By Journey. By Jonathan Cain and Steve Perry. Arranged by Victor Lopez. Jazz; Pop/Rock; Rock. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017517_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017517_AX2). UPC: 038081386454.Check out this ever-popular ballad from the group Journey---the melody is truly captivating. The chart is an easy waltz that goes into a swing-waltz feel as arranged by Victor LA3pez. Features include a written melody solo for 1st trumpet, no improvised solos, 1st trumpet range to written D fourth line. All the usual optional parts are included. A classy chart on a wonderful pop tune.
$3.00
Open Arms: E-flat Alto Saxophone
#
Saxophone (band part)
#
Journey
#
Victor Lopez
#
Pop/Rock
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Open Arms: E-flat Alto Saxopho
#
Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017517_AX1 E-flat Alto Saxophone. By Journey. By Jonathan Cain and Steve Perry. Arranged by Victor...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017517_AX1 E-flat Alto Saxophone. By Journey. By Jonathan Cain and Steve Perry. Arranged by Victor Lopez. Jazz; Pop/Rock; Rock. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017517_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017517_AX1). UPC: 038081386454.Check out this ever-popular ballad from the group Journey---the melody is truly captivating. The chart is an easy waltz that goes into a swing-waltz feel as arranged by Victor LA3pez. Features include a written melody solo for 1st trumpet, no improvised solos, 1st trumpet range to written D fourth line. All the usual optional parts are included. A classy chart on a wonderful pop tune.
$3.00
Open Arms
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Alto Saxophone
#
Wedding/Ballad
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Rock
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Journey
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Open Arms
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Hal Leonard - Digital
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SheetMusicPlus
Alto Saxophone Solo - Interactive Download SKU: HX.1018302 By Journey. This edition: Interactive Download,scorch. Love,Pop,Rock. Individual part. 1 pages...
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Alto Saxophone Solo - Interactive Download SKU: HX.1018302 By Journey. This edition: Interactive Download,scorch. Love,Pop,Rock. Individual part. 1 pages. Hal Leonard - Digital #1886. Published by Hal Leonard - Digital (HX.1018302).
$2.99
Open Arms
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Jazz
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Rock
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Journey
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Blake LaBarge
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Open Arms
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Blake LaBarge
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Drum Set,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1356997 By Journey. By Jonathan Cai...
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Alto Saxophone,Baritone Saxophone,Drum Set,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1356997 By Journey. By Jonathan Cain and Steve Perry. Arranged by Blake LaBarge. Jazz,Rock. 14 pages. Blake LaBarge #941624. Published by Blake LaBarge (A0.1356997). This is a 7-piece brass band cover of the top hit song Open Arms by the American rock band Journey. Feel free to workshop this chart to fit your bands needs and wishes!
$25.00
Journey: Open Arms - alto saxophone solo
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Alto Saxophone
#
INTERMEDIATE
#
Wedding/Ballad
#
Rock
#
Journey
#
Virtualsheetmusic
Instantly printable sheet music by Journey for alto saxophone solo of MEDIUM skill level. / love,pop,rock
Instantly printable sheet music by Journey for alto saxophone solo of MEDIUM skill level. / love,pop,rock
$5.97
20,000
#
Alto Saxophone
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ADVANCED
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Contemporary
#
Sy Brandon
#
20,000
#
Sy Brandon
#
SheetMusicPlus
Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy ...
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Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
$4.99
Open Arms: Optional Alto Sax
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Marching band
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Open Arms: Optional Alto Sax
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0018222_OAX1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018222_OAX1. Published by ...
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Marching Band - Digital Download SKU: AX.00-PC-0018222_OAX1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018222_OAX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018222_OAX1). UPC: 038081386089.
$3.00
Open Arms: E-flat Alto Saxophone
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Marching band
#
Open Arms: E-flat Alto Saxopho
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0018222_AX1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018222_AX1. Published by Al...
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Marching Band - Digital Download SKU: AX.00-PC-0018222_AX1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018222_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018222_AX1). UPC: 038081386089.
$3.00
Open Arms
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Saxophone Quartet: 4 saxophones
#
Steve Perry/Jonathan Cain
#
Jeff Tincher
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Open Arms
#
Jeff Tincher
#
SheetMusicPlus
By Steve Perry/Jonathan Cain. Arranged by Jeff Tincher. Score, Set of Parts. 14 pages. Published by Jeff Tincher (H0.351325-1886). - Score,Set of Parts - - Jef...
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By Steve Perry/Jonathan Cain. Arranged by Jeff Tincher. Score, Set of Parts. 14 pages. Published by Jeff Tincher (H0.351325-1886). - Score,Set of Parts - - Jeff Tincher
$12.99
I've Got The World On A String
Small Ensemble
Intermediate level
#
Jazz
#
Dick Hyman
#
Joseph Hasper
#
I've Got The World On A String
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Joseph Hasper
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.734833
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.734833 By Dick Hyman. By Harold Arlen. Arranged by Joseph Hasper. Jazz. Score and parts. 36 pages. Joseph Hasper #3563033. Published by Joseph Hasper (A0.734833). The beloved anthem popularized by Frank Sinatra, Louis Armstrong, Michael Buble, Sarah Vaughan and others arranged for vocal solo and small jazz ensemble. Ensemble includes three saxes (alto sax, tenor sax, baritone sax), two trumpets, one trombone, and rhythm section (piano, bass, and drums).Key of G. 89 measures. Includes a full score, vocal part, and complete set of instrument parts.I've Got The World on a String was composed by Harold Arlen in 1932. It was written for the twenty-first edition of the Cotton Club series which opened on October 23, 1932.The song was introduced and recorded by Cab Calloway. Bing Crosby recorded the song in 1933 with the Dorsey Brothers and their Orchestra The song was one of the first recorded by Frank Sinatra when he transferred to Capitol Records in 1953. His recording (with orchestra conducted by Nelson Riddle) reached #14 on Billboard's most played list that year.
$18.99
Autumn In New York
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Bud Powell
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Kevin Riley
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Autumn In New York
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. S...
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Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. Score and parts. 31 pages. Kevin Riley #457309. Published by Kevin Riley (A0.850639). Autumn in New York is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up!. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella Fitzgerald as a duet. This version for Solo Alto Saxophone and Orchestra requires your soloist to be able to improvise.
$60.00
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