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Opposite You
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93 sheet music found
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Album for the Young - 24 Pieces Tschaikowsky
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Piano solo
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EASY
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Tschaikowsky, P
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Michael Bomier
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Album for the Young - 24 Piece
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.862660 Composed by Tschaikowsky, P. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Score....
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Piano Solo - Level 2 - Digital Download SKU: A0.862660 Composed by Tschaikowsky, P. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Score. 37 pages. Michael Butkus-Bomier #3603673. Published by Michael Butkus-Bomier (A0.862660). These pieces, unlike Schumann's Scenes from Childhood, but very much like his own Jugendblatt, are kid stuff for kids. Our edition here removes many musical indications and durational obscurities, and leaves the original notes and the dynamics, the two most important aspects of any score for teaching purposes, especially for the recreational players, who make up the vast majority of most piano students. Some chords respelled, some notes assigned to the opposite hand. Pedaling is assumed rather than written durationally. Print these single-sided, and you'll get them all on a single-page, or two pages facing. Musical sample is MOTHER, which we thought appropriate! MBB.
$5.99
All I Want For Christmas Is You
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String Orchestra
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EASY
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Christmas
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Mariah Carey
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arr
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All I Want For Christmas Is Yo
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Matt Arnett Music
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1181692 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by arr. Matt Arnett. Chris...
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String Orchestra - Level 2 - Digital Download SKU: A0.1181692 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by arr. Matt Arnett. Christmas,Pop. Score and parts. 27 pages. Matt Arnett Music #781472. Published by Matt Arnett Music (A0.1181692). Guaranteed to steal the show, this arrangement will challenge your advanced middle school or lower high school orchestra. While it may take some time for the students to get used to the compound meter (12/8), the rhythm of the accompmaniment is kept quite simple. Harder will be the fast tempo and the chromatic finger patterns. The piece also starts with two difficult solos for your most advanced violin or viola players - I recommend having them stand on opposite sides of the front of the stage to help with projection. Have the lower strings focus especially on keeping the light staccato style of the piece - put space in between those grooving notes when the eighth rest is marked. I hope you enjoy performing this piece!
$49.99
You Drive Me Crazy
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Piano, Vocal and Guitar
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INTERMEDIATE
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Zane Kuchera
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Zane Kuchera
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You Drive Me Crazy
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Zane Kuchera Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1098130 By Zane Kuchera. By Music by Zane Kuchera and words by David M. Murray. Arranged by...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1098130 By Zane Kuchera. By Music by Zane Kuchera and words by David M. Murray. Arranged by Zane Kuchera. Broadway,Folk,Jazz,Musical/Show,Pop,Singer/Songwriter. Score. 7 pages. Zane Kuchera Music #702002. Published by Zane Kuchera Music (A0.1098130). “You Drive Me Crazy†- They say what attracts are opposites well I guess we're the proof of that. You make me smile all the while and chase away my blues. And I've become accustom to your quirks and peccadillos. Words: David M. Murray, music and performance: Zane Kuchera ©2021 Zane Kuchera Music (ASCAP) All Rights Reserved Worldwide https://album.link/hj0mnfmrwhjdd.
$4.99
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contempor...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
Word Opposites
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Melody line, (Lyrics) and Chords
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Tim Weller
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Tim Weller
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Word Opposites
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Tim Weller
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SheetMusicPlus
Choral C Instrument - Digital Download SKU: A0.1003685 By Tim Weller. By Tim Weller. Arranged by Tim Weller. Children,Instructional,Pop. Lead Sheet / Fak...
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Choral C Instrument - Digital Download SKU: A0.1003685 By Tim Weller. By Tim Weller. Arranged by Tim Weller. Children,Instructional,Pop. Lead Sheet / Fake Book. 1 pages. Tim Weller #2991235. Published by Tim Weller (A0.1003685). Explain opposites through music. Your class will want to dance along.
$1.99
I Fly to You
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Choral SATB
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ADVANCED
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New Age
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Contemporary
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Michael A
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I Fly to You
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Michael A. McKay
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1014323 Composed by Michael A. McKay. 20th Century,A Cappella,Contemporary,New Age. Octav...
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1014323 Composed by Michael A. McKay. 20th Century,A Cappella,Contemporary,New Age. Octavo. 20 pages. Michael A. McKay #6080903. Published by Michael A. McKay (A0.1014323). I Fly to You is a setting of part of Alexander Scriabin's poem for The Prefatory Action. The Russian text is an esoteric hymn to the spiritual union of opposites, the soul of alchemy. The music is dramatic: sometimes foreboding, sometimes erotic, sometimes triumphant, even ecstatic. It is a challenging, but impactful work.See the video sample for a complete view of the score.
$1.99
Opposite You (from The Glorious Ones)
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Piano, Voice
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Broadway
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Lynn Ahrens and Stephen Flaher
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Opposite You
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.472444 Composed by Lynn Ahrens and Stephen Flaherty and Stephen Flaherty. Broadway,Musical/Show. Piano Vocal. 8 pages. Published...
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Digital Download SKU: HX.472444 Composed by Lynn Ahrens and Stephen Flaherty and Stephen Flaherty. Broadway,Musical/Show. Piano Vocal. 8 pages. Published by Hal Leonard - Digital (HX.472444).
$4.99
MY FATHER’S FAVORITE HYMNS Piano/Vocal Arrangements-full book
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Jazz combo
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INTERMEDIATE
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Christian contemporary
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Sacred music
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Deborah Johnson, Various Publi
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DJWorks Music
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Just a Closer Walk with Thee
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MY FATHER’S FAVORITE HYMNS P
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Deborah Johnson
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SheetMusicPlus
Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson, Various Public Domain. Arranged by DJWorks Music. A Cappella,Christia...
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Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson, Various Public Domain. Arranged by DJWorks Music. A Cappella,Christian,Contemporary,Easter,Sacred. Score and parts. 99 pages. Deborah Johnson #4309241. Published by Deborah Johnson (A0.877827). Full book of twelve contemporary arrangements of timeless favorites, including two new hymns by Deborah Johnson. These are piano-based instrumentals and vocals with vocal and orchestral accompaniment. This 99-page book (including cover and table of contents) also includes a beautiful title page for each song with a brief history and lyrics for the two new hymns. The piano transcriptions are completely written out, including the chords and vocal parts. Several have secondary piano parts included. Also available are individual song downloads and some of the MP3 accompaniment tracks.Album notes: My Father’s Favorite Hymns is dedicated to my mom and dad. I have memories of being on the front row of church as a little girl, singing as loud as I could. The album is a tribute to my parents who raised my sisters and I to love God, our country and our families. As many musicians do, I got my start in the church, playing the piano for the Children’s church at the age of 10. It didn’t take long before I started sitting at a 9’ Steinway opposite an incredible organist who changed keys as often as a woman changes her clothes. I fell in love with the simplicity of the hymns and with the many fun arrangements that were possible. The lyrics of some of these hymns have been ingrained in my soul and have brought me comfort, deepened my faith, and have taught me that when all is said and done, the Truth and Faithfulness of God are what will carry me through.If you’re searching for: Christian music, inspirational music or church hymns, consider My Father’s Favorite Hymns. Songs include: Tell Me the Old Old Story; Just a Closer Walk with Thee; Great is Thy Faithfulness; Immortal Invisible; Amazing Grace/It is Well; Your Truth it Stands; Glory to His Name; Stand Up for Jesus/Leaning on the Everlasting Arms; In the Garden; Were You There when they Crucified my Lord? (acapella); What a Friend we Have in Jesus; You are Faithful, You are Lord. Separate song downloads also available, where you can hear and preview each selection.From the album up for a 2012 GRAMMY Award®: My Father’s Favorite Hymns, available on Amazon (https://www.amazon.com/music/player/albums/B008O86FQI) or on the website (https://DJWorksMusic.com/products) by Deborah Johnson. You can hear selections of each song on either of those sites, as well as purchase the album. Video playlist at: http://youtu.be/srvbPkI4eKM?list=PLE49F87AC9C76AE49. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, available on Amazon as well as a spiral-bound print version of this music book. Check out http://www.djworksmusic.com/fathershymns/For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$28.50
Beneath the Cross of Jesus
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Piano solo
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ADVANCED
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Christian contemporary
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple
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Beneath the Cross of Jesus
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.818235 By Stephen R Dalrymple. By Elizabeth C. Clephane 1830–1869 (lyrics) and Frederick Charles M...
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Piano Solo - Level 5 - Digital Download SKU: A0.818235 By Stephen R Dalrymple. By Elizabeth C. Clephane 1830–1869 (lyrics) and Frederick Charles Maker 1844–1927. Arranged by Stephen R Dalrymple. Contemporary,Sacred. Score. 12 pages. Stephen R Dalrymple #3098321. Published by Stephen R Dalrymple (A0.818235). Beneath the Cross of Jesus ♫ Original piano arrangement by Stephen R Dalrymple ♫ Based on the public domain hymn by Elizabeth C. Clephane 1830–1869 (lyrics) and Frederick Charles Maker 1844–1927 (melody) ♫ In preparing to compose the arrangement I asked myself “What would be the opposite of “Beneath the cross of Jesus I fain would take my stand.†How could I picture that? The opposite of firm footing, stability, taking a stand is vacillating between ideas or chasing numerous ideas. ♫ I pictured the wind scattering leaves and debris, but failing to budge heavy objects, anchored to the ground. ♫ Our culture bids us chase after status, power, money, pleasure, thrills … The problem, of course is that the shelf life of the satisfaction that these things brings is very short. Chasing after status, power, money, pleasure, thrills, etc. is like is like chasing the wind. ♫ Portraying chasing the wind allowed me to use some contemporary classical composition techniques such as polymeter, polytonality, and deliberate dissonance. The first theme suggests the futility and inevitable frustration of chasing the wind. The score opens up to the beauty of a life grounded on the cross of Jesus Christ. ♫ music © 2017 (copyright registered in ‘I See Your Glory’ collection) ♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ performed by the composer ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet, 4) Small page piano score for performing from a 10 inch tablet. ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50
I Won't Dance
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Choral SSAA
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INTERMEDIATE
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Contemporary
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Dorothy Fields, Jerome Kern, J
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Liz Garnett
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I Won't Dance
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856179 Composed by Dorothy Fields, Jerome Kern, Jimmy McHugh, Oscar Hammerstein, and Otto Harbac...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856179 Composed by Dorothy Fields, Jerome Kern, Jimmy McHugh, Oscar Hammerstein, and Otto Harbach. Arranged by Liz Garnett. Contemporary. Octavo. 8 pages. Liz Garnett #3916823. Published by Liz Garnett (A0.856179). This arrangement uses the second version of this song, with Dorothy Fields' playful lyrics, as sung by Frank Sinatra. It is one of those songs where the words are saying one thing, but the music is telling you the exact opposite, the contradiction giving the whole an expressive spritz and energy that carries it along as much as the brisk swing rhythms.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: C4 - F#5Lead: A3 - D5Bari: B flat3 - E flat5Bass: E flat 3 - F#4www.HelpingYouHarmonise.com
$2.99
Too Much For Our Thirst (Trombone and Piano)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
A Pulchritudinous Posy of Pleasing Party-Pieces, nr 1.
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Friedrich Silcher, Hill/Hill,
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Des McNutty
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A Pulchritudinous Posy of Plea
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Des Press
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arran...
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Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNutty. Concert,Folk,Holiday,Latin. Score and parts. 24 pages. Des Press #6437339. Published by Des Press (A0.977351). Happy Birthday EdMuss i DennLa CucarachaAt last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! This arrangement of Happy Birthday was written in 2011 for Edward H Tarr's 75th birthday concert in Basel (CH). Ed conducted many pieces from the Charamela Real, mostly for trumpets in two different tonalities. Happy Birthday was slipped in the programme before the second encore without his knowledge. At his downbeat, he got quite a surprise. The rest of these arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$5.99
Raindrops Keep Fallin' On My Head
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Contemporary
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Foster & Allen
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Des McNutty
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Raindrops Keep Fallin' On My H
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Des Press
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SheetMusicPlus
Small Ensemble Timpani,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.977354 By Foster & Allen. By Burt Bacharach and Hal David. Arranged by Des M...
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Small Ensemble Timpani,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.977354 By Foster & Allen. By Burt Bacharach and Hal David. Arranged by Des McNutty. Contemporary. Score and parts. 20 pages. Des Press #6438147. Published by Des Press (A0.977354). Part of the series: A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble with optional timpani. Plus three trombones. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change!
$12.99
The Peanut Vendor (el Manisero)
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Contemporary
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Louis Armstrong & His Orchestr
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Des McNutty
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The Peanut Vendor
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Des Press
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SheetMusicPlus
Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty....
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Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438143. Published by Des Press (A0.977352). Part of the series A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$12.99
Samba De Janeiro
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Contemporary
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Various Artists
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Des McNutty
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Samba De Janeiro
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Des Press
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SheetMusicPlus
Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977353 By Various Artists. By Airto G Moreira, Gottfried Engels, and Ramon Zenker. Ar...
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Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977353 By Various Artists. By Airto G Moreira, Gottfried Engels, and Ramon Zenker. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438145. Published by Des Press (A0.977353). Part of the series: A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$12.99
Infinite, Eternal, Invisible, Undetectable God
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple
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Infinite, Eternal, Invisible,
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R D...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377). Infinite, Eternal, Invisible, Undetectable God ♫ original song by Stephen R Dalrymple ♫ based on 2 Chronicles 2:6, John 1:18, John 4:24 ♫ CCLI song # 7193328 ♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14) ♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.] ♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent). ♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him. ♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question. ♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence ♫ music © 2022 Stephen R Dalrymploe♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
$4.50
Blue
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Easy Piano
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BEGINNER
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Lynne Cox
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Blue
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Lynne Coc Publications
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1033500 Composed by Lynne Cox. Children,Contest,Festival,Instructional. Score. 4 pages. Lynne Coc Publica...
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Easy Piano - Level 1 - Digital Download SKU: A0.1033500 Composed by Lynne Cox. Children,Contest,Festival,Instructional. Score. 4 pages. Lynne Coc Publications #638805. Published by Lynne Coc Publications (A0.1033500). Blue, in Lynne's new series, Box of Paints, was created around the color that is the most favored of all the colors. This piano solo is built entirely on whole-tone (whole step) scales and clusters and could be taught by rote. The whole-tone scale is also called the hexatonic scale because it is comprised of 6 tones (consecutive). It is the opposite of the chromatic scale which moves by half-tones (half-steps). Blue was created to be performed languidly in 6/4 with quarter note = 105 and liberal use of both damper and soft pedals, it expresses musically the feeling of floating. Explores 4 octave range. Created to be performed very expressively and with some rubato, the student enjoys exploring almost entire keyboard. Form is A B A B Fingering is made up entirely in each hand of 2 3 4 with some crossing over of hands. Great piece for beginners and how to perform an ending with finesse this ending being a low cluster held by the 6 full counts plus a fermata, teaches one how to continue the dreamy mood in this setting entirely opposite from ending with finesse on my Orange-this being flashy with ending. Defined as a cool color, blue is one of the 3 primary colors. Like the color green, serene blue evokes feelings of calmness and relaxation. Some even speculate that just looking at the color blue causes the body to create chemicals that are calming. Blue is also symbolic of stability and reliability, inspiring use of this color in the business world in advertising. It is the color of the sky and ocean (reflecting the sky). Lynne Cox is the artist who performs the vocals and piano on this you tube site (and other streaming platforms) Also on you tube and other streaming platforms, Lynne performs an instrumental version.
$3.40
At Last I Am Free
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Piano solo
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INTERMEDIATE
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Contemporary
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Bernard Edwards and Nile Rodge
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Stacy Fahrion (ASCAP)
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At Last I Am Free
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Stacy Fahrion
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.851111 Composed by Bernard Edwards and Nile Rodgers. Arranged by Stacy Fahrion (ASCAP). Contemporary. Sco...
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Piano Solo - Level 3 - Digital Download SKU: A0.851111 Composed by Bernard Edwards and Nile Rodgers. Arranged by Stacy Fahrion (ASCAP). Contemporary. Score. 2 pages. Stacy Fahrion #6444713. Published by Stacy Fahrion (A0.851111). The inspiration is the song At Last I Am Free, by Chic, released originally in 1978, but this is more of a dystopian-sounding version of it. I love the chorus of this song and how it raises more questions than it answers, and I re-harmonized it with a steady half-note chord progression that sounds like the opposite of freedom.This solo piano arrangement is by Stacy Fahrion/Whimsically Macabre Music (ASCAP).You can find more Whimsically Macabre Music in the following places:Facebook page: https://www.facebook.com/WhimsicallyMacabreMusicrecordings: https://whimsicallymacabre.bandcamp.com/YouTube: https://www.youtube.com/user/WhimsicallyMacabreother Whimsically Macabre sheet music: https://pianopronto.com/composers-community/stacy-fahrion/.
$4.99
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Choral SATB
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EASY
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Moriz...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
Me!
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Choral SATB
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INTERMEDIATE/ADVANCED
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Pop music
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Taylor Swift
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G
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Me!
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G. M. Morley
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.500706 By Taylor Swift. By Brendon Urie, Joel Little, and Taylor Swift. Arranged by G. M. Morley...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.500706 By Taylor Swift. By Brendon Urie, Joel Little, and Taylor Swift. Arranged by G. M. Morley. A Cappella,Pop. Octavo. 13 pages. G. M. Morley #5296523. Published by G. M. Morley (A0.500706). This four part a cappella arrangement of Taylor Swift and Brendon Urie's song, Me! from Swift's 2019 album, Lover, requires a bit of vocal acrobatics. If your singers can handle octave leaps then this version of the song should be a welcome addition to the repertoire for weddings and pop or community choir performances.Given Swift and Urie’s stance on gender equality I have included some suggestions for alternative lyrics in places where either a gender neutral term or the opposite gender might be preferable to the one in the original lyrics depending on the social occasion the song is being performed in.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.
$3.00
Canzon Septimi Toni a 8 No. 2 for Horn Octet
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French horn
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Renaissance
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Giovanni Gabrieli
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Spencer Causey
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Canzon Septimi Toni a 8 No. 2
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Spencer Causey
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SheetMusicPlus
French Horn Solo - Digital Download SKU: A0.920295 Composed by Giovanni Gabrieli. Arranged by Spencer Causey. Renaissance. Individual part. 16 pages. Spe...
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French Horn Solo - Digital Download SKU: A0.920295 Composed by Giovanni Gabrieli. Arranged by Spencer Causey. Renaissance. Individual part. 16 pages. Spencer Causey #6013615. Published by Spencer Causey (A0.920295). This interesting piece by Giovanni Gabrieli has been arranged for 8 horns. It features 2 choirs of 4 horns that should be seated on opposite sides of the stage to provide a stereo experience for listeners. At the time this was done in opposite church balconies. This arrangement is perfect for high school, college, and professional groups seeking a piece that isn't too difficult to put together but sounds great.MP3 Audio Clip and Youtube video played 1 hole step higher than written.
$15.00
Pasajera eterna [piano]
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Piano solo
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INTERMEDIATE
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Juan MarÃa Solare
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Pasajera eterna [piano]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.596505 Composed by Juan MarÃa Solare. 20th Century,Concert,Standards. Score. 9 pages. Juan Maria Solar...
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Piano Solo - Level 3 - Digital Download SKU: A0.596505 Composed by Juan MarÃa Solare. 20th Century,Concert,Standards. Score. 9 pages. Juan Maria Solare #3360751. Published by Juan Maria Solare (A0.596505). Pasajera eterna [Eternal passenger] was composed in 2011 in Bremen and Worpswede (Germany). This piano prelude is dedicated to Belén Rouco. Duration: 5 minutes (or slightly less). ISWC: T-803.153.190-6 Video clip: https://www.youtube.com/watch?v=KBeZFFrVE8g Recording on Spotify: https://open.spotify.com/album/4fWhzoB99Se9BrLrZ9f7yd Pasajera eterna is also part of the CD Sombras blancas (White shadows) by Juan MarÃa Solare. The title 'Pasajera eterna' is in Spanish an oxymoron, that is, a figure of thought that consists of complementing a word with another word that has a contradictory or opposite meaning. 'Pasajera' (temporary, transient), as an adjective, is a situation that does not last forever, ephemeral, while 'eternal' is just the opposite. Furthermore, if we read 'pasajera' (traveller, passenger) as a noun, the title alludes to a person on a constant journey, on the move. The expression 'Pasajera eterna' was invented by the dedicatee of this work, Belén Rouco, who kindly authorised me to use it to title this music. Under the literary name of 'Pasajera eterna', Belén signs and publishes her writings, poems and reflections. Keywords: romantic piano music, easy listening, post-romantic, neo-classical, contemporary classical, melodic. World Premiere: by Juan MarÃa Solare on Tue 16/OCT/2012, recital Neue Konsonanz (New Consonance) at the Theater of the University of Bremen. Argentine premiere by Juan MarÃa Solare on 25/APR/2014 at the Legislatura Porteña (cycle Música Clásica Argentina), Buenos Aires. British premiere: by Juan MarÃa Solare on 23/MAY/2014 at the BolÃvar Hall in London (recital Tango Bar). There is also a second version for quintet (flute, alto saxophone, cello, double bass and piano), recorded in Birmingham (UK) by the ensemble El ultimo tango and a third version for alto saxophone and piano (2016).
$2.50
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