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Over the Ocean, Under the Sea
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Over the Ocean, Under the Sea
Sheetmusic to print
9 sheet music found
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1
Over the Ocean, Under the Sea (12 Quick & Easy Action Songs for Elementary Students)
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Choral Unison
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BEGINNER
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Carol Troutman Wiggins
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Over the Ocean, Under the Sea
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727685 Composed by Carol Troutman Wiggins. Children,Contemporary,Instructional. Octavo. 53 pag...
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727685 Composed by Carol Troutman Wiggins. Children,Contemporary,Instructional. Octavo. 53 pages. Carol Troutman Wiggins #6699881. Published by Carol Troutman Wiggins (A0.727685). OVER THE OCEAN, UNDER THE SEA was written to celebrate God’s creation. The music appeals to the imagination of the elementary child who loves going to the beach, looking for seashells, watching playful dolphins jump in and out of the waves, and dreaming that a mermaid will actually appear! This book includes songs about going to the beach, wearing flip flops, seashells, seals, mermaids, mighty sailing ships and a pop-eyed pirate! As a part of the Instant Concert Series, the songs are easy to teach and easy to learn, and most can be learned during one class period. A quick Spring concert can be planned by using any of these songs. Percussion instruments, Wood blocks, two-tone blocks, triangles, slide whistles, and body movements were added to help bring the ocean to life! Most of the work has been done to make the teacher’s job a little easier. I sincerely hope you – the teacher – enjoy teaching these songs and my wish is that the children to have fun singing about the sea!Piano Accompaniment Track available on this site.
$12.95
Over the Ocean, Under the Sea (Piano Accompaniment/Rehearsal Track)
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Carol Troutman Wiggins
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Over the Ocean, Under the Sea
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Carol Troutman Wiggins
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SheetMusicPlus
Choir - Digital Download SKU: A0.1065429 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 73. Carol Troutman...
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Choir - Digital Download SKU: A0.1065429 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 73. Carol Troutman Wiggins #3246577. Published by Carol Troutman Wiggins (A0.1065429). OVER THE OCEAN, UNDER THE SEA (Piano Accompaniment/Rehearsal Track)Unison with Triangles, Rhythm Sticks, & Action CuesSwim with the fishies in this rollicking, lilting song of the ocean!Excellent for elementary or middle school studentsComfortable singing rangePercussion instructions on scoreAction cues on score6/8 time signature
$5.99
Over the Ocean, Under the Sea
Choir,Unison,Rhythm sticks,triangle,ocean,fish,sea,waves
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Children
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Carol Troutman Wiggins
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Over the Ocean, Under the Sea
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Carol Troutman Wiggins
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SheetMusicPlus
Composed by Carol Troutman Wiggins. Repertoire, Classroom, Children's Music. Octavo. 2 pages. Published by Carol Troutman Wiggins (S0.270481). - Octavo - Repert...
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Composed by Carol Troutman Wiggins. Repertoire, Classroom, Children's Music. Octavo. 2 pages. Published by Carol Troutman Wiggins (S0.270481). - Octavo - Repertoire,Classroom,Children's Music - Carol Troutman Wiggins
$2.50
Sharktooth Frenzy
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,...
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
Almost May Lead Sheet
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C Instruments
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructiona...
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
Almost May Score and Parts
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arrange...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
Wind and Water Ballet
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Piano solo
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INTERMEDIATE/ADVANCED
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Kim S
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Wind and Water Ballet
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.961646 Composed by Kim S. Bean. Contemporary,Sacred,Spiritual,Standards. Score. 9 pages. Kim S. Bean #587...
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Piano Solo - Level 4 - Digital Download SKU: A0.961646 Composed by Kim S. Bean. Contemporary,Sacred,Spiritual,Standards. Score. 9 pages. Kim S. Bean #5871383. Published by Kim S. Bean (A0.961646). Piano Solo, with optional narration. 9 pages. Day 5 from a suite called The Seven Days of Creation. This piece opens under the ocean with dolphins playfully swimming. Later, over land, the dazzling and daring hummingbird displays its acrobatics. A majestic eagle makes its entrance, soaring overhead.Other pieces available in this suite are: Let There Be Light, Sky, Land and Sea, Celestial Guides, Parade of Creatures and Sabbath Rest.
$5.99
Almost May for Piano Solo
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Piano solo
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EASY
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,...
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
Skye Boat Song
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Choral SSAA
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INTERMEDIATE/ADVANCED
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anonymous/traditional
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Stella Claire ter Hart
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Skye Boat Song
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Stella ter Hart
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1163839 Composed by anonymous/traditional. Arranged by Stella Claire ter Hart. Celtic,Con...
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Choral Choir,Choral (SSAA) - Level 4 - Digital Download SKU: A0.1163839 Composed by anonymous/traditional. Arranged by Stella Claire ter Hart. Celtic,Contest,Festival,Folk,Historic,Irish,Multicultural,World. 14 pages. Stella ter Hart #749496. Published by Stella ter Hart (A0.1163839). A new, exciting arrangement for SSAA choir of this much loved Scottish folk song. Stirring, powerful, harmonically rich and innovative, Skye Boat Song arranged by Stella ter Hart is perfect for advanced high school choirs, community and professional choirs. The words behind this well-known song carry significant historical significance. The piece is actually not just a isn't that a lovely tune folksong. The familiar main chorus Speed bonny boat like a bird on the wing... is repeated between the four verses which tell the story of the brutal battle of Culloden in Scotland and the end of the Highland way of life. The accompanying violin and piano are characters in their own right and use word painting to highlight the emotional text. Scottish snare adds drama! The vocal writing uses different effects to ensure each verse has its own impact and expression. Sure to be a favourite with intermediate and higher level treble choirs!Speed bonny boat like a bird on the wing. Onward! the sailors cry. Carry the lad that is born to be King over the sea to Skye. Loud the winds howl, loud the waves roar. Thunder clouds rend the air. Baffled our foes stand by the shore. Follow they do not dare. Though the waves leap soft shall ye sleep ocean's a royal bed. Rocked in the deep, Flora will keep watch by your weary head. Many's the lad fought on that day. Well the claymore did wield. When the night came silently lay Dead in Culloden's field. Burned are our homes. Exile and death scatter the loyal men. Yet e'er the sword cools in the sheath Charlie will come again. Speed bonny boat like a bird on the wing. Onward! the sailor’s cry. Carry the lad that is born to be King over the sea to Skye.
$2.45
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