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Paris Qui Danse
Sheetmusic to print
9 sheet music found
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1
Paris Qui Danse (Musikanten Polka). No. 2
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1 Piano, 4 hands
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A
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Paris Qui Danse
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano, 4-hands - Digital Download SKU: LV.9372 Composed by A. Wallerstein. Ballroom dancing, Couples, Light fixtures, Courtship. Lester S. Levy Collectio...
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Piano, 4-hands - Digital Download SKU: LV.9372 Composed by A. Wallerstein. Ballroom dancing, Couples, Light fixtures, Courtship. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9372). Paris Qui Danse (Musikanten Polka). No. 2. Pour Piano Par A. Wallerstein, Op. 86. Published [n.d.] by B. Schott in Mayence. Composition of da capo with trio with piano four hands instrumentation. Subject headings for this piece include Ballroom dancing, Couples, Light fixtures, Courtship. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Danse Bohème (from Carmen) for Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Georges Bizet
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Antonio Livio Spaltro
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Danse Bohème
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Antonio Livio Spaltro
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.759722 Composed by Georges Bizet. Arranged by An...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.759722 Composed by Georges Bizet. Arranged by Antonio Livio Spaltro. Opera,Standards. 40 pages. Antonio Livio Spaltro #4623675. Published by Antonio Livio Spaltro (A0.759722). Woodwind Quintet sheet music of Carmen Danse Bohème.Carmen opera, composed by Georges Bizet, was first performed in Paris on 1875.This arrangement includes parts for Flute, Oboe, Clarinet in A, Horn in F, Bassoon and it's appropriate for repertoire and recital.Music duration: 5 minutesIf you like my arrangement, please write a review.Browse my arrangements catalogue: http://bit.ly/2KZ8YMESubscribe to my YouTube channel for updates: http://bit.ly/2HpzZH1SOCIALhttps://www.facebook.com/antonio.spaltrohttps://www.linkedin.com/in/antonio-livio-spaltrohttps://antoniospaltro.it
$15.99
Germaine Tailleferre: Trois Petits Danses dans le style "Louis XV" for oboe, violin, viola, cello a
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String Trio: violin, viola, cello
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INTERMEDIATE
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Germaine Tailleferre
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Germaine Tailleferre: Trois Pe
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.533997 Composed by Germaine Tailleferre. 20th Century,Baroque. Score and parts. 18 pages...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.533997 Composed by Germaine Tailleferre. 20th Century,Baroque. Score and parts. 18 pages. Musik Fabrik Music Publishing #3094439. Published by Musik Fabrik Music Publishing (A0.533997). In 1935, Germaine Tailleferre was asked to write the stage music for Jean Sarment's play Madame Quinze which was produced by the Comédie Française. The play was about Madame de Pompadour and Louis XV and also featured the Société de la Musique Ancienne (Henri Casadesus playing the viola d'amour, Marius Casadesus on the quinton, Régina Patorni-Casadesus playing the harpsichord, Lucette Casadesus at the viola de gamba, Maurice Devilliers at the bass viol). The production was reprised by the Comédie Française in 1950, this time at the Odéon theatre and Tailleferre revised her score at that time. These three pieces are not present in the 1935 mansucript score at the Paris Opera Libarary. They were apparently added to the score for the 1950 production and are sourced through materials at the Library of the Comédie Française
$12.95
Danse Nègre from African Suite. Op. 35 for Brass Band
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Samuel Coleridge-Taylor
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Charles Decker
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Danse Nègre from African Suit
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Charles Decker Music Press
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.1157493 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,World. Brass Band. 124 pages. Charles Decker Music Press #757828. Published by Charles Decker Music Press (A0.1157493). This brilliant brass band arrangement captures the brilliance and excitement of the Coleridge-Taylor's orchestral showpiece Danse Nègre from his African Suite, Op. 35. Born of an African father, Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. The five-minute arrangement is scored for a traditional British Brass Band of soprano E-flat cornet, B-flat cornets, flugelhorn, 3 E-flat alto horns, 2 baritone horns, euphonium, and E-flat and B-flat bass. A complete set of substitute parts are include for common band brass instruments being F horn substitutes for E-flat alto horns and all low brass instruments set in the bass clef. The recording is of the entire arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$34.95
Danse Nègre from African Suite. Op. 35 for Brass Choir
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Samuel Coleridge-Taylor
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Richard Decker
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Danse Nègre from African Suit
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1047096 Composed by Samuel Coleridge-Taylor. Arra...
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Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1047096 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,World. 80 pages. Charles Decker Music Press #651613. Published by Charles Decker Music Press (A0.1047096). This brilliant brass choir arrangement captures the excitement of the composer’s orchestral showpiece Danse Nègre from his African Suite, Op. 35. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. The five-minute arrangement is scored for four B-flat trumpets (1st trumpet doubles on piccolo B-flat; trumpets 3 and 4 double on flugelhorn), 4 horns, 3 trombones, euphonium and tuba with brass orchestration that mirrors the texture and excitement of Coleridge-Taylor's orchestral work to inspire performers and excite audiences. Consider this impressive arrangement to feature your band or orchestra brass section on your next concert. The recording is of the entire arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$28.99
Contredanse Opus 8 - Guitar
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Guitar
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INTERMEDIATE
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Dionisio Aguado
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Arte Nova Music Lab
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Contredanse Opus 8 - Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.742410 Composed by Dionisio Aguado. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,W...
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Solo Guitar - Level 3 - Digital Download SKU: A0.742410 Composed by Dionisio Aguado. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 3 pages. Arte Nova Music Lab #3009123. Published by Arte Nova Music Lab (A0.742410). Dionisio Aguado y GarcÃa (8 April 1784 – 29 December 1849) was a Spanish classical guitarist and composer. Born in Madrid, he studied with Miguel GarcÃa. In 1826, Aguado visited Paris, where he met and became friends with and for a while lived with Fernando Sor.[1] Sor's duo Les Deux Amis (The Two Friends) commemorated the friendship: one part is marked Sor and the other Aguado.Aguado's major work Escuela de Guitarra was a guitar tutor published in 1825.[1] As of 2011, it is still in print, with Tecla Editions releasing a reprint in 2005.[2] In the Escuela Aguado describes his use of fingernails on the right hand as well as his invention of a tripodison: a device that held the guitar and thus minimized the damping effect of the player's body on the guitar's back and sides.[3] Aguado's other works include Trois Rondos Brillants (Opus 2), Le Menuet Affandangado (Opus 15), Le Fandango Varie (Opus 16), as well as numerous waltzes, minuets, and other light pieces. The more extended works require a virtuoso technique and left-hand stretches that are almost impossible on the longer string lengths of modern guitars. (See Frederick Noad, The Classical Guitar). Taken from https://en.wikipedia.org/wiki/Dionisio_Aguado_y_Garc%C3%ADa
$5.00
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Suites d’Enac, Je peux vous demander le monde qui est là-bas
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Raphaël Novarina
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Raphaël Novarina
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Suites d’Enac, Je peux vous
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Raphaël Novarina
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1424436 Composed by Raphaël Novarina. Arranged by Raphaël Novarina. Contemporary. Score. 5 pages. Rapha...
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Piano Solo - Level 4 - Digital Download SKU: A0.1424436 Composed by Raphaël Novarina. Arranged by Raphaël Novarina. Contemporary. Score. 5 pages. Raphaël Novarina #1005627. Published by Raphaël Novarina (A0.1424436). Raphaël Novarina is a French composer and Pianist born in Paris in 1980, that composes in a variety of musical styles and setting, but mainly focuses on contemporary classical piano. Novarina also manages a music label. Novarina has an extensive collection of albums. His Solo Piano series has over ten albums of original solo piano music. The style of each album varies, but Novarina’s compositional styles are always based in the rich European classical tradition of forms and harmonic and melodic developments. Each album contains solid playing and themed around various forms. For example, Solo Piano VIII, is comprised of ten Etudes. While Solo Piano VII is all Funeral Marches. Now Novarina is releasing Solo Piano X, which has a theme of suites. The album contains ten suites composed by Novarina. A suite, in Western classical music, is an ordered set of instrumental pieces. Originating in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude. The separate movements were often thematically and tonally linked. In the Baroque era, the suite was an important musical form, also known as Suite de danses, Partita or Ouverture (after the theatrical “overture” which often included a series of dances) as with the orchestral suites of Christoph Graupner and Telemann.#piano #pianocover #pianomusic #pianoplayer #pianoforte #pianoman #pianosolo #pianolessons #pianolove #pianoteacher #pianobar #pianopiano #pianolover #pianos #pianogram #pianoplaying #pianogirl #pianolesson #pianocovers #pianokeys #pianotime.
$1.99
Debussy, Claude : Goliwogg's Cake-Walk (Collection Anacrouse)
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Piano solo
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French Songs
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Debussy, Claude
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Goliwogg's Cake-Walk
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Note4Piano
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époq...
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Golliwogg's Cake-Walk est la dernière et sixième pièce d'un recueil de suites pour piano intitulé Children's Corner (« le coin des enfants »). Debussy commence à composer en 1906 ce petit recueil plein de féérie, une dédicace à sa fille Claude-Emma, plus connue sous le surnom de Chouchou, en 1908. C'est cette même année que le recueil est publié chez les éditions Durand, avec une couverture originale et plaisante faite par le compositeur lui-même. La première écoute officielle est créée au Cercle Musical à Paris le 18 décembre 1908 par Harold Bauer. Quelques années plus tard, Children's Corner est retranscrit pour orchestre par le compositeur André Caplet. Son audition est conduite par Debussy lui-même le 25 mars 1911. Bien que ces six petites suites soient dédicacées à sa fille avec les mots suivants : « A ma très chère petite Chouchou, avec les tendres excuses de son père pour ce qui va suivre », elles ne s'adressent pas à des mains d'enfants. Car elles possèdent, pour certaines, des difficulté techniques inaccessibles pour de très jeunes éxécutants. Les six pièces ont toutes un titre anglais, peut être faut-il y voir une aimable moquerie à l'anglomanie dominante de cette époque : 1) Doctor Gradus ad Parnassum 2)Jimbo's Lullaby (Berceuse des éléphants) 3)Serenade for the doll (Sérénade à la poupée) 4)The snow is dancing (La neige danse) 5)The litthe shepherd (Le petit berger) 6)Golliwogg's cake-walk Golliwogg's Cake-walk (allegro giusto, mi bémol à 2/4) est la pièce la plus célèbre du recueil, surnommée par le pianiste Alfred Cortot « Ataxique et dégingandée ». Elle représente l'apothéose finale de ce recueil. Il faut noter que le terme Cake-Wake correspond à une danse noire américaine et le mot Golliwogg représente une poupée de nègre en étoffe. Debussy emprunte pour la première fois la musique jazz pour exprimer la danse des gestes articulés et saccadés de cette poupée nègre. Au milieu du Cake-Walk, il cite à demi-ironique les premières mesures de Tristan de Wagner en indiquant une annotation piquante : « avec une grande émotion »! puis reprend une deuxième citation dans l'accord final. Gràce à cette pièce pleines d'effets musicaux et de contre temps rythmiques, le pianiste interprète développera un touché nuancé, de la sensibilité et de l'imagination dans l'éxécution pour faire vivre une oeuvre sautillante très originale. Partition + Biographie + Notes sur l'oeuvre
3.30€
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