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Paul Van Atta
Sheetmusic to print
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1
Dust In The Wind
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1000680 By Kansas. By Kerry Livgre…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1000680 By Kansas. By Kerry Livgren. Arranged by Paul Van Atta. Rock. Individual part. 6 pages. Paul Van Atta #6206541. Published by Paul Van Atta (A0.1000680). For solo fingerstyle guitar (Acoustic guitar or Classical guitar). Intermediate level.Arrangement includes the vocal melody and the violin solo.With guitar tablaturePages: 6 pages.
$4.99
4.58 €
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Guitar
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Kansas
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Dust In The Wind
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Paul Van Atta
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SheetMusicPlus
Peter Warlock: Capriol (Suite for String Orchestra) k/a Capriol Suite: 1.Basse-Danse 2.Pavane 3.Tord
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553777 Composed by Peter Warlock. Arranged by Ray Thompson. 20th Century,Concert,Contemporary,Graduation,Standards. Score and parts. 92 pages. RayThompsonMusic #4303953. Published by RayThompsonMusic (A0.553777). The Capriol Suite is a set of dances composed in October 1926 by Peter Warlock, and is considered one of his most popular works. Originally written for piano duet, Warlock later scored it for both string and full orchestras. According to the composer, it was based on tunes in Thoinot Arbeau's Orchésographie, a manual of Renaissance dances. Nevertheless, Warlock's biographer, Cecil Gray, said that if one compares these tunes with what the composer has made of them it will be seen that to all intents and purposes it can be regarded as an original work.The work is dedicated to the Breton Composer Paul Ladmirault.The suite consists of six movements:Basse-Danse, Allegro moderato, D minorPavane, Allegretto, ma un poco lento, G minorTordion, Con moto, G minorBransles, Presto, G minorPieds-en-l'air, Andante tranquillo, G majorMattachins (Sword Dance), Allegro con brio, F majorThe individual movements are very brief; a performance of the suite lasts about 10 minutes.Interesting parts for all players...scored for double wind quintet/ bass.
$19.95
18.32 €
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Peter Warlock
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Peter Warlock: Capriol
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RayThompsonMusic
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SheetMusicPlus
Personet Armonia (clarinets)
Small Ensemble B-Flat Bass Clarinet,B-Flat Clarinet - Level 3 - Digital Download SKU: A…
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Small Ensemble B-Flat Bass Clarinet,B-Flat Clarinet - Level 3 - Digital Download SKU: A0.799485 Composed by Anonymous. Arranged by Drake Mabry. Classical. Score and parts. 7 pages. Drake Mabry #3079033. Published by Drake Mabry (A0.799485). Personet Armonia comes from a collection of music composed in Cyprus during the beginning of the 15th century. Many French musicians and composers were active at the Cypriot court, and the town of Nicosia became one of the most important centers of the Ars Subtilior style. This piece provides a perfect introduction to the beautiful and mysterious world of this 14th and 15th century musical style. The duration is 3'50. The King, Janus I de Lusignan (1374-1432), was one of the most important figures in the music life of Cyprus. His daughter Anna, upon her marriage to Louis, Count of Geneva, took with her a thick manuscript, written between 1413 and 1426. It consists of 159 folios containing over two hundred polyphonic compositions both sacred and secular. Two peculiarities make this manuscript unique: first, not a single composer is mentioned by name; and second, each work is without exception a unique copy: not one has ever been found in any other manuscript. This, then, is the only record of the Cypriot Ars Subtilior style. The central compositional concern of those working in the Cypriot Ars Subtilior style was the logical, consistent attainment of the polyphonic ideal. Each voice is completely independent of the others, and moves through the polyphonic fabric to form a contour of its own. As to rhythm, Cypriot compositional technique is extremely complex. Ample use was made of rhythmic novelties such as syncopation, color and proportion, and new note symbols permitted the representation of note values that had previously defied graphical rendering. Thus, metric accents in the different voices almost never coincide, and the laws of rhythm were at times out of joint. In fact, a rhythm that was regular and without syncopation would stand out immediately as particularly conspicuous detail. This trio also exists in my adapted versions for either recorders or trombones. Paul Van Nevel has recorded a version for three sackbuts with his Huelgas Ensemble.
$4.99
4.58 €
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Anonymous
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Personet Armonia
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Drake Mabry
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SheetMusicPlus
Personet Armonia (trombones or sackbuts)
Brass Ensemble Trombone - Digital Download SKU: A0.799487 Composed by Anonymous. Ar…
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Brass Ensemble Trombone - Digital Download SKU: A0.799487 Composed by Anonymous. Arranged by Drake Mabry. Classical. Score and parts. 7 pages. Drake Mabry #3079037. Published by Drake Mabry (A0.799487). Personet Armonia comes from a collection of music composed in Cyprus during the beginning of the 15th century. Many French musicians and composers were active at the Cypriot court, and the town of Nicosia became one of the most important centers of the Ars Subtilior style. This piece provides a perfect introduction to the beautiful and mysterious world of this 14th and 15th century musical style. The duration is 3'50. The King, Janus I de Lusignan (1374-1432), was one of the most important figures in the music life of Cyprus. His daughter Anna, upon her marriage to Louis, Count of Geneva, took with her a thick manuscript, written between 1413 and 1426. It consists of 159 folios containing over two hundred polyphonic compositions both sacred and secular. Two peculiarities make this manuscript unique: first, not a single composer is mentioned by name; and second, each work is without exception a unique copy: not one has ever been found in any other manuscript. This, then, is the only record of the Cypriot Ars Subtilior style. The central compositional concern of those working in the Cypriot Ars Subtilior style was the logical, consistent attainment of the polyphonic ideal. Each voice is completely independent of the others, and moves through the polyphonic fabric to form a contour of its own. As to rhythm, Cypriot compositional technique is extremely complex. Ample use was made of rhythmic novelties such as syncopation, color and proportion, and new note symbols permitted the representation of note values that had previously defied graphical rendering. Thus, metric accents in the different voices almost never coincide, and the laws of rhythm were at times out of joint. In fact, a rhythm that was regular and without syncopation would stand out immediately as particularly conspicuous detail. I have also adapted this trio in versions for either clarinets or recorders. Paul Van Nevel has recorded a version for three sackbuts with his Huelgas Ensemble.
$4.99
4.58 €
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Anonymous
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Personet Armonia
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Drake Mabry
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SheetMusicPlus
Boudicca, Queen of the Iceni
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
55.1 €
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Brass ensemble
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Blackbird
Brass Quartet: 4 trombones
Trombone Quartet - Level 4 - Digital Download SKU: A0.1287108 By The Beatles. By Jo…
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Trombone Quartet - Level 4 - Digital Download SKU: A0.1287108 By The Beatles. By John Lennon and Paul McCartney. Arranged by John van Gulik. Pop,Rock. 20 pages. Linden Brass Press Inc. #878116. Published by Linden Brass Press Inc. (A0.1287108). ===BlackbirdTrombone Quartet with Optional Bass and DrumsJohn Lennon and Paul McCartneyArranged by John van GulikHere's an arrangement of a beautiful song from the White Album by the Beatles. It sounds great with rhythm section, but also works well as a standalone trombone feature.The range is moderate and it should be playable by good high school musicians. Arranger John has added some jazzy licks to the 1st and 2nd trombone parts that will require agile playing. You'll also need F attachment or bass trombone for the 4th part.===.
$14.95
13.73 €
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Brass Quartet: 4 trombones
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The Beatles
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Blackbird
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Linden Brass Press Inc.
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SheetMusicPlus
I'm The Urban Spaceman
Choral 2-part
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.520042 By Bonzo Dog Band. By…
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.520042 By Bonzo Dog Band. By Neil James Innes. Arranged by Karen Ivana. 20th Century,Comedy,Pop. Octavo. 5 pages. Karen Ivana #130171. Published by Karen Ivana (A0.520042). A slightly silly song about unattainable personal perfection, recorded originally by the Bonzo Dog Doo-Dah band. Neil Innes won an Ivor Novello award for this song, and was the musician for the Monty Python team. It was produced by Paul McCartney under the pseudonym Apollo C. Vermouth. This a simple arrangement for two part women's choir with an easy piano part.
$2.99
2.75 €
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Choral 2-part
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Bonzo Dog Band
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I'm The Urban Spaceman
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Karen Ivana
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SheetMusicPlus
Castaways
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1184279 Composed by Dougla…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1184279 Composed by Douglas Wieselman, Evan Lurie, Leslie Valdes, and Paul Smith. Arranged by Jed Scott. Jazz,Latin. Octavo. 28 pages. Jed Scott #783995. Published by Jed Scott (A0.1184279). The vocal jazz arrangement of Castaways that you've been waiting for! It's straightforward, with a mix of unison vocals and tight Manhattan Transfer-style voicings. Ample room for soloing, and blowing changes for all standard transpositions. A quick learn for vocal jazz ensembles and a surefire hit with high school and college audiences. (And parents who watched Backyardigans with their kids!)SATB Vocals, piano/bass/drums/optional instrumental solos.
$1.99
1.83 €
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Choral SATB
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Douglas Wieselman, Evan Lurie, Leslie Valdes, and Paul Smith
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Castaways
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Jed Scott
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SheetMusicPlus
O Come, O Come, Emmanuel (arr.)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.904605 Composed by 15th-ce…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.904605 Composed by 15th-century hymn tune. Arranged by Paul Pisano. 20th Century,A Cappella,Christian,Christmas,Contemporary,Sacred. Octavo. 8 pages. PWP Enterprises #2956791. Published by PWP Enterprises (A0.904605). Freely imitative, tonally/harmonically fluid treatment of this ancient Christmas melody. Lush harmonic textures alternate with (or in some cases result from) contrapuntal combination of disparate segments or motives of the melody. SATB a cappella with occasional divisi, almost entirely in the tenor and bass parts; piano reduction included for rehearsal purposes. Appropriate for university or advanced church choirs, including small ensembles. Low D-flat required of second basses, optional low C. Duration ca. 3:30.Other Titles by Paul Pisano on sheetmusicplus.com:--Have Yourself a Merry Little Christmas (SSAATTBB a cappella): jazz arrangement a la Manhattan Transfer of this holiday classic from the movie Meet Me in St. Louis, starring Judy Garland;--Carol of the Bells...and Friends: a Christmas Fantasietta of this and several other Christmas classics in stylistic parody of Chopin, Liszt, Brahms, Balakirev, and Ginastera;--Seven Limerick Songs for voice and piano, English and Italian lyrics by the composer (available in soprano and mezzo soprano/tenor keys);--Nearer, My God, to Thee/I Need Thee Every Hour (arr. SSAATTBB a cappella);--Come, Thou Glorious Day of Promise (arr. SATB divisi a cappella);--Come unto Me (SATB divisi), original setting of Matthew 11:28-29;--Joseph Smith Said WHAT?! Two songs for tenor and piano: 1) You don't have to bray like a jackass 2) Josiah Butterfield
$3.49
3.2 €
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Choral SATB
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15th-century hymn tune
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O Come, O Come, Emmanuel
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PWP Enterprises
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SheetMusicPlus
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Tuba ensemble
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
11.93 €
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Tuba ensemble
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Glenn Miller
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Moonlight Serenade for Tuba Quintet
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Music for all Occasions
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SheetMusicPlus
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