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Piano Drama Movement I
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Piano Drama Movement I
SheetMusicPlus
Sheetmusic to print
42 sheet music found
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Piano Drama Movement I
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Piano solo
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INTERMEDIATE
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Classical
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Anthony Edwin Phillips
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Todd J
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Piano Drama Movement I
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Todd J. Scallan
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1085579 Composed by Anthony Edwin Phillips. Arranged by Todd J. Scallan. Classical,Romantic Period. Score...
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Piano Solo - Level 3 - Digital Download SKU: A0.1085579 Composed by Anthony Edwin Phillips. Arranged by Todd J. Scallan. Classical,Romantic Period. Score. 10 pages. Todd J. Scallan #689748. Published by Todd J. Scallan (A0.1085579). Piano sheet music arrangement of Piano Drama Movement I from the Anthony Phillips album Private Parts & Extra Pieces III.
$5.99
Sketches of Christ 3 "I Was Blind; Now I See" - Tone Poem for Instrumental Solo and Piano by Stephen
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Cello, Piano
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Contemporary
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Stephen R Dalrymple
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Sketches of Christ 3 "I Was Bl
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Stephen R Dalrymple
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - Digital Download SKU: A0.818293 Composed by Stephen R Dalrymple (Dalrymple Designs). ...
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Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - Digital Download SKU: A0.818293 Composed by Stephen R Dalrymple (Dalrymple Designs). Contemporary. Score and parts. 109 pages. Stephen R Dalrymple #4991045. Published by Stephen R Dalrymple (A0.818293). Sketches of Christ Movement 3 Though I Was Blind; Now I SeeTone Poem for Cello and Piano and Piano by Stephen R Dalrymplebased on John 9, the account of the interactions of the man born blind, Jewish authorities, and Jesus Christtranscribed for solo flute, clarinet, trumpet, euphonium/trombone, and violin Sketches of Christ is a 3 movement work by Stephen R Dalrymple intended for the concert stage (contrasted with preludes and offertories at church). It was originally titled Sonata for Cello and Piano. As I composed similar works, I realized that, although I have used the concepts of sonata form in various movements, because these pieces reflect the drama of selected passages of the Bible, Tone Poem was a more fitting genre title. I have begun the process of transcribing these Tone Poems for additional instruments. I consider these Tone Poems as contemporary classical music. I have used modal harmonies; polychords and polytonality; free dissonance; atonality, mixed meters, etc. to convey the drama of the Bible. Sketches of Christ is based on 3 episodes from Christ’s Life: The calming of the Sea of Galilee, Mary and Martha, and the healing of the man born blind. This score is movement 3 of a 3 movement tone poem, originally scored and premiered as a sonata for Cello and Violin. It is presented here for 5 additional solo instruments: Flute, Clarinet, Trumpet, Euphonium (or Trombone) and Violin.  Sketches of Christ is written in 20th Century Classical Music composition techniques. Various movements employ a mix of bitonality, modal harmony, deliberate dissonance, and mixed meter. Each movement dramatizes an event form the Life of Christ. This movement expresses the interactions of the man born blind, Jewish authorities, and Jesus Christ from John 9.  The score shows the parts for cello and piano, but individual parts are provided for the other solo instruments.  Includes 14 scores: Full Score for cello and piano letter size; Cello, Flute, Clarinet, Trumpet, Euphonium (or trombone), and Violin solo parts; Full Score for cello and small page format for performing from a 10 inch tablet and the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)  The 3 movements of the tone poem are published separately. This tone poem is actually a more like a solo instrument and piano duet rather than a solo with a piano accompaniment.
$6.50
Concerto for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages....
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Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
Concertino for Trombone & Piano, "Devil or Angel?"
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Trombone and Piano
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ADVANCED
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Ian McDougall
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Concertino for Trombone & Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.792589 Composed by Ian McDougall. 20th Century,Contemporary. Score and part. 24 pages. Gordon Cherry ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792589 Composed by Ian McDougall. 20th Century,Contemporary. Score and part. 24 pages. Gordon Cherry #5010287. Published by Gordon Cherry (A0.792589). Ian McDougall has written a stellar new major work entitled Concertino for Trombone with Piano accompaniment, Devil or Angel?. The composition is in three movements: I Cherub vs Imp II Guardian III Old Nick This new work was commissioned by his former student, Gordon Wolfe, Principal Trombonist of the Toronto Symphony. The Concertino is one of the featured works on Wolfe's beautiful new recording, REFLECTIONS. Here is what the composer says about his own work: The 'tritone' has been referred to as a dissonance for centuries, and has been called 'the devil in music'. This interval can be quite difficult to sing in tune, and can often grate on the ears, yet it can also have a great dramatic effect. It is tuly a 'devilish' little beast, and it is what inspired me. The devil's antagonist is surely an angel. So, imagine one's guardian angel on one shoulder, and 'Old Nick' on the other, battling for your conscience, and you will essentially have what this three movement piece is all about. Concertino is for very advanced performers and is about 15 minutes in length.
$27.50
Movement I from Piano Sonata No. 1 in A minor
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Piano solo
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ADVANCED
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Steve Shade
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Movement I from Piano Sonata N
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Steve Shade
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.834353 Composed by Steve Shade. 20th Century,Concert,Contemporary,Standards. Score. 18 pages. Steve Shade...
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Piano Solo - Level 5 - Digital Download SKU: A0.834353 Composed by Steve Shade. 20th Century,Concert,Contemporary,Standards. Score. 18 pages. Steve Shade #4639517. Published by Steve Shade (A0.834353). This is the first movement to my Piano Sonata No. 1 in A minor. This is an advanced piece written in a neo-classical/-romantic style. It features a slow, melodic introduction that paves the way for the dramatic exposition within the first movement. This is a good stand-alone movement that would work well in a recital. This piece is for advanced pianist, and the contents include 18 pages.
$8.95
Prelude Impressions (for solo piano)
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Piano solo
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ADVANCED
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Contemporary
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Paul SanGregory
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Prelude Impressions
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Publi...
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Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.
$8.00
Sonata in 1 movement
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Piano solo
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EASY
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James Knight
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Sonata in 1 movement
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James Knight
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SheetMusicPlus
Piano Solo - Digital Download Composed by James Knight. 10 pages. Published by James Knight...
Piano Solo - Digital Download Composed by James Knight. 10 pages. Published by James Knight
This piece is essentially in the early Germanic 20th century style with an earlier Romantic feel in the development section. Play the outer sections with a sense of mystery and drama. The influence of Berg and Chopin was felt as I wrote it.
$5.99
Carson Cooman: Sonata for Tuba and Piano (2007)
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Tuba and Piano
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ADVANCED
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Gospel/Spiritual
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Sacred music
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Carson Cooman
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Carson Cooman: Sonata for Tuba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.533704 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 38 pages. Musik Fabrik ...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.533704 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 38 pages. Musik Fabrik Music Publishing #3039001. Published by Musik Fabrik Music Publishing (A0.533704). Sonata for Tuba and Piano (2007) was commissioned by and is dedicated to tubist MarkNelson for premiere at the 2007 Southwest Tuba and Euphonium Conference. The work isin three movements, each using the same basic musical material. Throughout the work,there is an integration of the total chromatic spectrum (represented through row-likeconstructions) with triadic and tonal elements, particularly connected to the interval of aminor third.The first movement, Speaking of Sunsets, is bold and dramatic throughout. The musicalmaterial is subjected to a series of circular paths that loop back on themselves until themovement ends. (The title refers to American poet James Tate’s poem Never Again theSame and also Charles Wuorinen’s musical setting of that text.)The second movement, Build Me a Garden, takes its title from an original song I overheardwhile planning this work. It sung by a homeless man who was then sitting on the banks ofthe Charles River in Boston, Massachusetts. His song (bearing both textual and musicalresemblance to various folk songs and African-American spirituals) spoke of hopes anddreams:Build me a garden, far ‘cross the seaBuild me a garden, a place I can beThe water is wide, the journey is long.I’ve put all my sorrows into this song.The movement opens with a slightly modified version of the song, which is developed overthe course of the movement. Connections are made between the first movement’s materialand the pentatonic melody (with its opening intervals of minor thirds).The third movement, Rising at Dawn, is a moto perpetuo. The ideas from both previousmovements are put together in new, dancing combinations. Coming out of the darker firsttwo movements, this movement continually seeks places of joy. The dance breaks down,and a recollection of the first movement leads to a bright coda.
$25.95
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 hands
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ADVANCED
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois É
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Beethoven's Symphony No.5 in C minor (1st movement)
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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performing this version, piani
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Ludwig van Beethoven
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Ernst Pauer and Samuel Sequeir
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Beethoven's Symphony No.5 in C
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Samuel Sequeira
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1244980 Composed by Ludwig van Beethoven. Arranged by Ernst Pauer and Samuel Sequeira. 19th Century,Class...
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Piano Solo - Level 4 - Digital Download SKU: A0.1244980 Composed by Ludwig van Beethoven. Arranged by Ernst Pauer and Samuel Sequeira. 19th Century,Classical,Historic,Romantic Period. Score. 15 pages. Samuel Sequeira #839901. Published by Samuel Sequeira (A0.1244980). Symphony No.5 in C minor (1st movement) - Ludwig van Beethoven  - PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you an adaptation for piano of the first movement of Beethoven's famous Fifth Symphony.In this adaptation, the piano takes on the challenge of depicting the grandeur and intensity of the original orchestral work. Through careful arrangement, the piano seeks to capture the emotional essence and key themes of the symphony.At the beginning of the piece, the piano introduces the iconic melody with the distinctive four-note motif. With powerful chords and appropriate execution techniques, the piano conveys the energy and tension present in the original composition.Throughout the movement, the piano explores the different voices and orchestral textures, bringing to life the melodic and contrapuntal elements of Beethoven's work. Through arpeggios, virtuosic passages, and subtle dynamic variations, the piano seeks to convey the expressiveness and drama of the symphony.The piano adaptation of Beethoven's Fifth Symphony offers pianists the opportunity to delve into the nuances and complexity of this masterpiece through the possibilities of the instrument. By performing this version, pianists can challenge themselves to reproduce the emotional intensity and majesty of the symphony in a solo setting.This piano adaptation allows lovers of classical music to experience the richness and depth of Beethoven's Fifth Symphony in a more intimate and personal way, through the unique colors and expressiveness of the piano.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$9.99
Guthrie: Piano Sonata No. 1
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Piano solo
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ADVANCED
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James M
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Guthrie: Piano Sonata No. 1
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jmsgu3
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.547960 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 25 pages. Jmsgu3 #3089255. Publish...
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Piano Solo - Level 5 - Digital Download SKU: A0.547960 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 25 pages. Jmsgu3 #3089255. Published by jmsgu3 (A0.547960). A show piece for solo piano with plenty of dramatic twists & turnsScore: 25 pagesDuration: 25:08Three movements:I. Adagio/AllegroII. NocturneIII. Scherzo.
$34.95
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven, Cees Nie
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Fantasia Sonata in D Major for
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Upstream Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #...
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
Breton Fantasy (Two Movements) – Piano Duet
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1 Piano, 4 hands
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INTERMEDIATE/ADVANCED
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Celtic/Irish
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Joshua Tyra
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Breton Fantasy
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Joshua Tyra
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.953895 Composed by Joshua Tyra. Celtic,Contemporary. Score. 26 pages. Joshua Tyra #601892...
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.953895 Composed by Joshua Tyra. Celtic,Contemporary. Score. 26 pages. Joshua Tyra #6018923. Published by Joshua Tyra (A0.953895). This exciting two-movement piece for one piano, four hands is inspired by the region of Brittany (Bretagne), France. The first movement, Plougastell, is a lively original dance tune (with a more lyrical middle section) written to honor and evoke the idyllic Breton commune of Plougastell-Daoulaz. The second movement, Mouezhioù an Amzer Dremenet (Voices of the Past), is a dynamic medley of four well-known Breton folk tunes that interact playfully as they build to the final dramatic flourish. Program notes included. Composer's note: I wrote these movements as Mother's Day gifts for my mother Rae Anne Tyra in 2017 and 2019. We still enjoy playing them together.
$5.99
180 Shift for piano trio
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Piano Trio: piano, violin, cello
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ADVANCED
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Contemporary
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Robert M
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180 Shift for piano trio
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Robert M. Greenberg
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Sco...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.987846 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 69 pages. Robert M. Greenberg #90269. Published by Robert M. Greenberg (A0.987846). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: https://www.youtube.com/watch?v=dZvxnzZ1oA8 Duration: ca. 18 minutes Year of composition: 2013 Program Note: I. Elegy and Variations II. Song and Dance (Shake, Rattle and Roll) III. Re-Invention (Toccatissima) Aside from being an obvious (if hackneyed) reference to the commissioning ensemble, Trio 180, the title 180 Shift well describes the large-scale dramatic action of the piece: from beginning to end, it traverses an expressive distance of 180 degrees, from elegiac sorrow to hot-footed sizzle. 180 Shift is cast in three movements. Each movement is based on the same thematic material, although that material is transformed continuously across the span of the piece. Movement one, Elegy and Variations consists of a series of a theme, six free variations of the theme and a quiet intermezzo before the sixth and final variation. The movement is melancholy, reflective, and generally subdued in tone. Movement two, entitled Song and Dance (Shake, Rattle, and Roll) sees materials introduced in the Elegy transformed first into a introspective song and finally into a vigorous, gigue-like dance. The three parts of the movement are characterized, respectively, by shakes (tremolos), rattles (in the piano; we’ll know them when we hear them) and rolls (arpeggios). Movement three – Re-Invention (Toccatissima) is fast and virtuosic, a (mostly) two-part invention that sees the basic thematic material re-invented once again. 180 Shift is dedicated, with great affection and respect, to Trio 180: Ann Miller, Nina Flyer, and Sonia Leong.
$32.00
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Three Elegies (voice and piano)
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Piano, Voice
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INTERMEDIATE
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Contemporary
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Philip Orem
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Three Elegies
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Philip Orem
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.872681 Composed by Philip Orem. Contemporary. Score. 20 pages. Philip Orem #3918943. Published by ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.872681 Composed by Philip Orem. Contemporary. Score. 20 pages. Philip Orem #3918943. Published by Philip Orem (A0.872681). This song cycle uses two texts by John Donne as the outer movements, No Man Is an Island and Death Be Not Proud and Sonnet XXX by William Shakespeare as the middle movement. Each is dedicated to the memory of a voice teacher I worked for and that had a profound influence on me.These are for medium voice with a range of Bb-F and very lyrical and at times dramatic.Also available for voice and orchestra on this website.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$20.00
Breton Fantasy – II. Mouezhioù an Amzer Dremenet (Voices of the Past) (Second Movement Only) –
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1 Piano, 4 hands
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INTERMEDIATE/ADVANCED
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Celtic/Irish
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Joshua Tyra
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Breton Fantasy – II. Mouezhi
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Joshua Tyra
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.953897 Composed by Joshua Tyra. Celtic,Contemporary. Score. 18 pages. Joshua Tyra #601893...
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.953897 Composed by Joshua Tyra. Celtic,Contemporary. Score. 18 pages. Joshua Tyra #6018937. Published by Joshua Tyra (A0.953897). This is the second movement of Breton Fantasy, an exciting two-movement piece for one piano, four hands inspired by the region of Brittany (Bretagne), France. Mouezhioù an Amzer Dremenet (Voices of the Past) is a dynamic medley of four well-known Breton folk tunes that interact playfully as they build to the final dramatic flourish. Program notes included. Composer's note: I wrote this movement as a Mother's Day gift for my mother Rae Anne Tyra in 2019. We still enjoy playing it together.
$3.99
Sonata for Flute (or Violin) And Piano - Opus 6
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Daniel Carr
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Sonata for Flute
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Daniel Carr
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SheetMusicPlus
Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Composed by Daniel Carr. 20th Century,Contemporary,Romantic Period. Score a...
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Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Composed by Daniel Carr. 20th Century,Contemporary,Romantic Period. Score and parts. 86 pages. Daniel Carr #30873. Published by Daniel Carr (A0.918710). The Sonata for Flute and Piano is the longest and most complex work I have composed for Flute and Piano. My goal for this piece was to push myself as a composer, and to push both flautist and pianist to their absolute limits – both musically and technically. The flute is capable of much more than just being pretty – and in this work it depicts violence, drama, joy, sorrow and heroism. Extended techniques are used throughout the sonata (aire, percussive tonguing, pitch bends, harmonics and flutter tonguing) but always within a tonal framework. The first movement starts out peacefully, as if beginning a legend, with a folk-like and serene melody. The second and third themes are more percussive and rhythmical – the flute and piano engaging in a violent, interlaced dance in a section marked Allegro Swordfight. In the recapitulation, the first theme reappears in much more dramatic form. The second movement begins with a forceful march before a darker and more cabalistic middle section emerges. The movement builds to a formidable climax in the final measures. The third movement begins simply and quietly, offering a respite from the energy of the first two movements, and quoting themes from both of them. It then leads attacca (without pause) into the final movement, which surges forward relentlessly before a lyrical section provides the flute an opportunity to soar above wave-like arpeggios in the piano. The piece ends on an ethereal note, with flute and piano hovering near silence in their upper ranges.
$10.00
Oneness in This World (clarinet, cello, piano)
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Jeffrey Hoover
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Oneness in This World
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Musicart Publications
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Conte...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite
$21.95
Sonata Franckoniana
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Oboe, Piano (duet)
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ADVANCED
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Contemporary
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Cesar Auguste Franck
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Robert Fruehwald
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Sonata Franckoniana
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Robert Fruehwald
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th...
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - Digital Download SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
$8.99
One-Note Concerto for piano and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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David Rubinstein
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One-Note Concerto for piano an
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David Rubinstein
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1249638 Composed by David Rubinstein. 20th Century,21st Century,Comedy. Score and Parts. 170 pages. D...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1249638 Composed by David Rubinstein. 20th Century,21st Century,Comedy. Score and Parts. 170 pages. David Rubinstein #844042. Published by David Rubinstein (A0.1249638). ...one of the very few piano concertos ever written that I could handle technically. -Peter Schickele (P.D.Q. Bach) Transposed orchestral score and parts - one PDF.One-Note Concerto: a neo-classical romp on the key of B7 for piano and orchestra in three short movements. Premiered by the Hartford Symphony in 2006.One-Note Concerto combines a wide range of melodies that are surprisingly woven together through the reiteration - by the 'soloist' - of a single pitch (a very high “Bâ€). From carnival-like tunes in the first movement, to introspective waltzes in the second, to a violent (yet lighthearted!) presto in the finale, this concerto aggressively pursues a sense of musical drama with its tongue firmly placed in its cheek.† -  Jamie Allen, director of the Santa Fe New Music YouthFest.
$75.00
Water
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Trumpet, Piano
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INTERMEDIATE
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Michelle Kraak
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Water
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Michelle Kraak
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1012605 Composed by Michelle Kraak. Contemporary,Standards. Score and part. 26 pages. Michelle ...
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1012605 Composed by Michelle Kraak. Contemporary,Standards. Score and part. 26 pages. Michelle Kraak #6102947. Published by Michelle Kraak (A0.1012605). Intermediate trumpet solo with piano, three short movements (I. Thunder, II. Gentle Rain, III. The Tempest) I was inspired by the sounds of water for this piece. The accents and the swells played by the piano accompaniment in the first movement work to depict the crash of thunder during a storm. The second movement captures the sound of the calm after the storm. The accompaniment is gentler than in the first movement and lighter, reflective of a more gentle rain. In the final movement, the storm returns in full force. This movement also uses accents to highlight the chaos of the storm. It is highly dramatic, with an unrelenting pulse that propels the piece forward. The piece would be a great recital piece for a student.6 minutes 39 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/
$26.95
Beethoven: Piano Sonata No.14 in C# min. (quasi una Fantasia)(Moonlight) Op.27. No.2 - brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Piano Sonata No.14
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RayThompsonMusic
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.553593 Composed by Ludwig van Beethoven. Arranged by Ray Tho...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.553593 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical,Contemporary,Holiday,Standards,Wedding. Score and parts. 8 pages. RayThompsonMusic #3134943. Published by RayThompsonMusic (A0.553593). Beethoven's Piano Sonata No.14 in C# minor (Sonata quasi una Fantasia) Op.27. No.2, Mvt.1 also known as the Moonlight Sonata is probably the best known of his compositions.Unlike other arrangements you will find on this site (and other sites) I have taken the unusual step of removing a large proportion of the triplet accompaniment figure, which is found in the original piano composition.Other arrangers for brass quintet tend give this figure, as a rule, to the horn or trombone who play the triplets all the way through the piece.I have tried to arrange it as though it had been originally written for the brass  quintet.My arrangement retains some of the triplets (the rising arpeggios) and sometimes uses the triplets on one note to add dramatic effect.The net result is more of a chorale, but I feel it does retain the forward movement from the original with the use of moving staccato crotchets (quarter notes) I have transposed this arrangement into D minor from the original C sharp minor.
$9.95
E. Satie - "Le Fils des Étoiles", Preludes I,II,III, Orchestrated by A. Leytush - Score Only
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Orchestra
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Contemporary
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E
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A
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E. Satie - "Le Fils des Étoil
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1455596 Composed by E. Satie. Arranged by A. Leytush. 20th Century. 36 pages. Arkady Leytush #1034690. Publishe...
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Full Orchestra - Digital Download SKU: A0.1455596 Composed by E. Satie. Arranged by A. Leytush. 20th Century. 36 pages. Arkady Leytush #1034690. Published by Arkady Leytush (A0.1455596).
$50.00
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