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Poems Almost of This World
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You've selected:
Poems Almost of This World
Sheetmusic to print
10 sheet music found
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1
Poems Almost of This World
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Richard Causton
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Poems Almost of This World
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Oxford University Press Digital
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SheetMusicPlus
Unaccompanied voice - Digital Download SKU: OX.9780193568471 Composed by Richard Causton. Score. 9 pages. Oxford University Press Digital #9780193568471....
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Unaccompanied voice - Digital Download SKU: OX.9780193568471 Composed by Richard Causton. Score. 9 pages. Oxford University Press Digital #9780193568471. Published by Oxford University Press Digital (OX.9780193568471). ISBN 9780193568471.For unaccompanied voice. The five short songs which make up this work are all settings of translations of Chinese poetry from the Tang dynasty (618-906AD) and several of them are about the separation of the lover from her beloved. The vocal range used is from the A below middle C to the A two octaves above.
$15.99
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE
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Contemporary
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S
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A
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Comfort 2
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S. Prokofiev: Fleetingness, op
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #92...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Eight Haikus
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Choral SSAATTBB
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Frank Corcoran
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Eight Haikus
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSAATTBB) a cappella - Digital Download SKU: S9.Q40422 Composed by Frank Corcoran. This edition: choral score. Distinguished Choral Music. D...
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Mixed choir (SSAATTBB) a cappella - Digital Download SKU: S9.Q40422 Composed by Frank Corcoran. This edition: choral score. Distinguished Choral Music. Downloadable, Choral score. Duration 9 minutes, 30 seconds. Schott Music - Digital #Q40422. Published by Schott Music - Digital (S9.Q40422). English.The Irish composer Frank Corcoran already won several first prizes, such as for his English-language choral composition 'Eight Haikus' at the International Foundation for Choral Music in 2013. The almost 10-minute work for 4- to 8-part mixed a-cappella choir is based on eight secular texts written by Corcoran himself in the style of the famous Japanese haiku poems. In this shortest lyrical form of world literature which consists of only three lines, the composer born in 1944 uses a large variety of labials, sibilants and plosives and addresses socially relevant topics by means of simple descriptions of nature and seasons in a content-wise and musically figurative and almost mystical language.
$9.99
Sunshine On My Shoulders
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Concert band
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INTERMEDIATE
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Rock
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John Denver
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Brendan Elliget MAGA 537
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Sunshine On My Shoulders
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.751041 By John Denver. By Dick Kniss, John Denver, and Mike Taylor. Arranged by Brendan Elliget MAGA 53...
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Concert Band - Level 3 - Digital Download SKU: A0.751041 By John Denver. By Dick Kniss, John Denver, and Mike Taylor. Arranged by Brendan Elliget MAGA 537. Rock. Score and parts. 36 pages. BJE Music #6487663. Published by BJE Music (A0.751041). Sunshine On My Shoulders – Concert Band Sunshine on my shoulders makes me happy Sunshine in my eyes can make me cry Sunshine on the water looks so lovely Sunshine almost always makes me high Sunshine on My Shoulders (sometimes titled simply Sunshine) is a song recorded and co-written by American singer-songwriter John Denver. It was originally released as an album track on 1971's Poems, Prayers & Promises and later, as a single in 1973. Denver wrote this song on an early spring day in Minnesota when the rain was gently falling. He found himself looking forward to spending more time outdoors and enjoying the sunshine. He said of the song, On one level it was about the virtues of love. On another, more deeply felt level, it reached for something the whole world could embrace. This is an arrangement for Concert Band with an optional Piano part...Grade = 3 Duration = 2:45 mins The MP3 and Video audio was recorded with NotePerformer 3. Copyright © 1971; Renewed 1999 BMG Ruby Songs, My Pop's Songs, Dino Park Publishing, Jesse Belle Denver and Reservoir Media Music in the U.S. All Rights for BMG Ruby Songs Administered by BMG Rights Management (US) LLC All Rights for My Pop's Songs and Dino Park Publishing Administered by Kobalt Songs Music Publishing All Rights for Jesse Belle Denver Administered by WB Music Corp. All Rights for Reservoir Media Music Administered by Reservoir Media Management, Inc. (Publishing) and Alfred Music (Print) All Rights Reserved Used by Permission
$49.99
Goethe-Lieder
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Fazil Say
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Goethe-Lieder
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Schott Music - Digital
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SheetMusicPlus
S. (P. · Xyl. · Vibratone [in e2] · hg. Beck. · gr. Tr.) (1 Spieler) - Str. (6 · 5 · 4 · 3 · 2) soprano and string orchestra with percus...
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S. (P. · Xyl. · Vibratone [in e2] · hg. Beck. · gr. Tr.) (1 Spieler) - Str. (6 · 5 · 4 · 3 · 2) soprano and string orchestra with percussion - Digital Download SKU: S9.Q46266 For soprano and string orchestra with percussion. Composed by Fazil Say. This edition: vocal/piano score. Downloadable, Piano reduction. Op. 44. Duration 20 minutes. Schott Music - Digital #Q46266. Published by Schott Music - Digital (S9.Q46266). German.In his set of five lieder with finale, Fazıl Say sets a selection of contrasting poems from Goethe’s cycle West-Eastern Divan in which the poet skilfully intertwines the intellectual Western world with oriental mysticism. Say creates passages of aria and recitative, the latter being characterised by the conventional accompaniment almost devoid of rhythm beneath quasi-improvisational vocal style, where the aria sections are passionate and dramatic. Arabic rhythms and melodies dominate the metrically varied structures of bars in multiples of nine which typify Say’s music. In his settings of the texts Say attaches great importance to comprehensibility, writing vocal lines that consist primarily of syllabic steps and intervalic leaps, with extended melismatic sections written as vocalises.
$27.99
Vltava - From 'Ma Vlast' (For 2 B Flat Clarinets and Piano)
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2 Clarinets (duet)
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INTERMEDIATE
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Classical
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Bedrich Smetana
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Raymond Fenech
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Vltava - From 'Ma Vlast'
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Raymond Fenech
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.759854 Composed by Bedrich Smetana. Arranged by Raymond Fenech. Easter,Holiday,Multicultural,...
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Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.759854 Composed by Bedrich Smetana. Arranged by Raymond Fenech. Easter,Holiday,Multicultural,Romantic Period,Wedding,World. 2 scores. 17 pages. Raymond Fenech #3387271. Published by Raymond Fenech (A0.759854). Má vlast meaning My homeland in the Czech language is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements and – with the exception of Vltava – is almost always recorded that way. This aria is arranged for 2 B Flat Clarinets and Piano. The level is Intermediate and the duration is approximately 2.22 minutes
$5.95
Vltava - From 'Ma Vlast' (For 2 Flutes and Piano)
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2 Flutes (duet)
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INTERMEDIATE
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Classical
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Bedrich Smetana
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Raymond Fenech
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Vltava - From 'Ma Vlast'
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Raymond Fenech
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.759855 Composed by Bedrich Smetana. Arranged by Raymond Fenech. Easter,Multicultural,Romantic Perio...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.759855 Composed by Bedrich Smetana. Arranged by Raymond Fenech. Easter,Multicultural,Romantic Period,Standards,Wedding,World. Score. 17 pages. Raymond Fenech #3387277. Published by Raymond Fenech (A0.759855). Má vlast meaning My homeland in the Czech language is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements and – with the exception of Vltava – is almost always recorded that way. This aria is arranged for 2 Flutes and Piano. The level is Intermediate and the duration is approximately 2.22 minutes
$4.99
Vltava - From 'Ma Vlast' Woodwind Quartet (2 Flutes, Clarinet in B Flat and Bass Clarinet)
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Classical
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Bedrich Smetana
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Raymond Fenech
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Vltava - From 'Ma Vlast' Woodw
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Raymond Fenech
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet,Flute - Level 3 - Digital Download SKU: A0.759861 Composed by Bedrich Smetana. Arranged by Raymond Fenech. Ea...
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Woodwind Ensemble,Woodwind Quartet Clarinet,Flute - Level 3 - Digital Download SKU: A0.759861 Composed by Bedrich Smetana. Arranged by Raymond Fenech. Easter,Holiday,Multicultural,Romantic Period,Wedding,World. 18 pages. Raymond Fenech #3392395. Published by Raymond Fenech (A0.759861). Má vlast meaning My homeland in the Czech language is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements and – with the exception of Vltava – is almost always recorded that way. This aria is arranged for Woodwind Quartet (2 Flutes, Clarinet in B Flat and Bass Clarinet). The level is Intermediate and the duration is approximately 2.22 minutes.
$7.95
Vltava - From 'Ma Vlast' (For Brass Quartet - 2 Trumpets in B Flat, Horn in F and Tuba)
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Classical
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Bedrich Smetana
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Raymond Fenech
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Vltava - From 'Ma Vlast'
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Raymond Fenech
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SheetMusicPlus
Brass Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.759858 Composed by Bedrich Smetana. Arranged by Raymond Fenech. Easter,Holiday,Mult...
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Brass Ensemble Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.759858 Composed by Bedrich Smetana. Arranged by Raymond Fenech. Easter,Holiday,Multicultural,Romantic Period,Wedding,World. Score and parts. 20 pages. Raymond Fenech #3392379. Published by Raymond Fenech (A0.759858). Má vlast meaning My homeland in the Czech language is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements and – with the exception of Vltava – is almost always recorded that way. This aria is arranged for Brass Quartet (2 Trumpets in B Flat, Horn in F and Tuba). The level is Intermediate and the duration is approximately 2.22 minutes.
$7.95
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