Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Reach Toward What
Not classified
5
Piano & keyboards
Piano solo
1
Piano, Voice
1
Guitars
Guitar
1
Bass guitar
1
Voice
Choral SATB
1
Choral Unison
1
Woodwind
Clarinet and Piano
1
Alto Saxophone and Piano
1
Oboe, Piano (duet)
1
Tenor Saxophone and Piano
1
Flute and Piano
1
Woodbrass
French Horn and Piano
1
Brass Quintet: 2 trumpets, horn, trombone, tuba
1
Trumpet, Piano
1
Strings
String Quartet: 2 violins, viola, cello
2
Viola, Piano
1
Violin and Piano
1
Cello, Piano
1
Orchestra & Percussion
Orchestra
2
Concert band
1
Piano and Orchestra
1
Others
Free Sheet Music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
10
Digital Sheet Music
28
Sheet Music Books
12
Music Equipment
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Reach Toward What
Sheetmusic to print
28 sheet music found
<
1
26
Reach Toward What's Next
#
Choral Unison
#
Sacred music
#
Katie Houts
#
Reach Toward What's Next
#
Chorister's Guild - Digital
#
SheetMusicPlus
Unison chorus - Digital Download SKU: C7.CGA1673 Composed by Katie Houts. General. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1673....
(+)
Unison chorus - Digital Download SKU: C7.CGA1673 Composed by Katie Houts. General. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1673. Published by Chorister's Guild - Digital (C7.CGA1673). Written to celebrate the unique beauty of unison treble voices, this contemporary piece highlights the importance of friendship and community. Flexible text options make this piece an excellent selection for all types of treble choirs and a great choice for a school concert or assembly, community event, or worship service. A dynamic piano accompaniment and a vivid poetic text help voices soar as they sing, Won't you come with me? Be all we can be? Sharing joy and welcome, hope and courage, shining light that might encourage all God's children (all around us) to reach for what's next. The memorable melody resonates especially well with developing voices, and an optional descant helps bring this piece to an inspiring close.
$2.45
The Girl By the Spring - SATB Ensemble
#
Choral SATB
#
INTERMEDIATE
#
Celtic/Irish
#
Mark R Lewis
#
The Girl By the Spring - SATB
#
Mark R Lewis
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1044850 By Mark R Lewis. By Mark R Lewis. Celtic,Folk,Irish. Octavo. 48 pages. Mark R Lewis #649...
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1044850 By Mark R Lewis. By Mark R Lewis. Celtic,Folk,Irish. Octavo. 48 pages. Mark R Lewis #649472. Published by Mark R Lewis (A0.1044850). This original song tells a fairy tail in the style of a Celtic folk song. Both the story and the tune are wholly original and were composed as part of a music production class that Mark participated in during the spring of 2022. This song tells the story of a young boy's adventure in the woods, his skepticism towards what the old folks say, and the results of his failure to listen to them. This piece by Mark R Lewis is arranged for SATB ensemble. All parts get the melody at some point and there are several duets between voices parts throughout the piece. Additionally the accompaniment voices switch between homophonic harmonies and arpeggiating chords several times for increased complexity and interest. The instrumental parts consist of vibraphone, piano, bass guitar, and floor tom parts. Any mellow metallophone would be an appropriate substitute for the vibraphone and the bass guitar part can be played on almost any bass instrument. The optional floor tom could be substituted with any other lower, resonant drum available but should not be a short, sharp sound. All that said, both the vibraphone and bass guitar parts are mostly doubled in the piano or vocal lines so groups that do not have access to those instruments should still be able to perform this piece without concern. This piece is also available for Vocal Trio w/ Mixed Ensemble and the sound files sampled here are from that arrangement. Vocal Range: d minor Soprano - 1+ octave (D4 to E5) Alto - 1+ octave (A3 to D5) Tenor - 1+ octave (C3 to D4) Bass - 1+ octave (F2 to A3) Instrumental Range: Vibraphone - 1+ octave (D4 to E5) Piano - ability to reach at least an octave in both hands Bass guitar - 1+ octave (E2 to A3).
$1.99
The Girl By the Spring - vocal trio
#
Bass guitar
#
INTERMEDIATE
#
Celtic/Irish
#
Mark R Lewis
#
The Girl By the Spring - vocal
#
Mark R Lewis
#
SheetMusicPlus
Small Ensemble Bass Guitar,Piano Accompaniment,Tenor Drum,Vibraphone,Voice - Level 3 - Digital Download SKU: A0.1044838 By Mark R Lewis. By Mark R Lewis....
(+)
Small Ensemble Bass Guitar,Piano Accompaniment,Tenor Drum,Vibraphone,Voice - Level 3 - Digital Download SKU: A0.1044838 By Mark R Lewis. By Mark R Lewis. Celtic,Folk,Irish. Score and parts. 46 pages. Mark R Lewis #649456. Published by Mark R Lewis (A0.1044838). This original song tells a fairy tail in the style of a Celtic folk song. Both the story and the tune are wholly original and were composed as part of a music production class that Mark participated in during the spring of 2022. This song tells the story of a young boy's adventure in the woods, his skepticism towards what the old folks say, and the results of his failure to listen to them. This piece by Mark Lewis is intended for a vocal soloist with two part vocal accompaniment. The voice parts are all written in treble clef for ease of reading but the Lead should be sing-able by most singers. The Upper Harmony should be sing-able by all except contraltos and true basses, and the Lower Harmony will sound best with altos, baritones, or basses. The instrumental parts consist of vibraphone, piano, bass guitar, and floor tom parts. Any mellow metallophone would be an appropriate substitute for the vibraphone and the bass guitar part can be played on almost any bass instrument. The optional floor tom could be substituted with any other lower, resonant drum available but should not be a short, sharp sound. All that said, both the vibraphone and bass guitar parts are mostly doubled in the piano or vocal lines so groups that do not have access to those instruments should still be able to perform this piece without concern. This piece is also available for SATB Ensemble. Vocal Range: d minor Lead - 1 octave (C3 to C4 or C4 to C5) Upper Harmony - 1+ octave (C3 to E4 or C4 to E5) Lower Harmony - 1+ octave (F2 to A3 or F3 to A4) Instrumental Range: Vibraphone - 1+ octave (D4 to E5) Piano - ability to reach at least an octave in both hands Bass guitar - 1+ octave (E2 to A3).
$11.99
Playing with Scales
#
Richard Hirsch
#
Playing with Scales
#
Richard Hirsch
#
SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Pu...
(+)
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
Jump
#
Rock
#
Van Halen
#
Igor Escalona
#
Jump
#
Igor Escalona
#
SheetMusicPlus
Percussion Septet Bass Marimba,Drum Set,Glockenspiel,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.1238303 By Van Halen. By Alex Van Halen, D...
(+)
Percussion Septet Bass Marimba,Drum Set,Glockenspiel,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.1238303 By Van Halen. By Alex Van Halen, David Lee Roth, and Eddie Van Halen. Arranged by Igor Escalona. Rock. 25 pages. Igor Escalona #833768. Published by Igor Escalona (A0.1238303). “Jump†is a song recorded by the hard rock group Van Halen. It is the only single of the group released in their career to have reached number one on the Billboard Hot 100. It was released in 1984 as the second track on the album also called 1984. The lyrics encourage listeners to leave behind their fears and doubts, and jump towards what they really want in life.Duration: 2' 34Instruments: Glockenspiel, Vibraphone 1, Vibraphone 2, Xylophone, Marimba 1, Bass Marimba, and Drum Set. More Percussion sheet music HERE
$14.99
I Press On
#
Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Andrew Mc Donald
#
I Press On
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841607 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka...
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841607 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #3472763. Published by Andrew Mc Donald (Macka Records) (A0.841607). I Press On is a song about pressing on to towards my goal until I reach the end and claim my crown, forgetting whats behind and straining ahead to eternity.When we feel like giving up this is what we should do.
$4.99
I Want You To Know
#
Clarinet and Piano
#
INTERMEDIATE/ADVANCED
#
John Legend
#
George B Chave
#
I Want You To Know
#
BrassMagicMusic.com
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1199001 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Sc...
(+)
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1199001 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Chamber,Contemporary,Multicultural,Pop,Rock,World. Score and part. 7 pages. BrassMagicMusic.com #798071. Published by BrassMagicMusic.com (A0.1199001). This catchy Reggae-style piece, originally made famous by John Legend, features solo Clarinet with Piano Accompaniment geared toward the High School or advanced Middle School performer. Â It is in concert Bb-major (written C-major). Â The clarinet range in this arrangement spans from written G4 to G5 [top of the staff]. The diatonic nature of this arrangement (only 2 measures contain an accidental) and the range make this easily accessible to younger performers. There is, however, some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer. Â The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.
$5.00
I Want You To Know
#
Flute and Piano
#
INTERMEDIATE/ADVANCED
#
John Legend
#
George B Chave
#
I Want You To Know
#
BrassMagicMusic.com
#
SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.1198960 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Mic...
(+)
Flute,Piano - Level 4 - Digital Download SKU: A0.1198960 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Chamber,Contemporary,Multicultural,Pop,Rock,World. Score and part. 7 pages. BrassMagicMusic.com #798064. Published by BrassMagicMusic.com (A0.1198960). This catchy Reggae-style piece, originally made famous by John Legend, features solo Flute with Piano Accompaniment geared toward the High School or advanced Middle School performer. Â It is in concert G-major. Â The flute range in this arrangement spans from D5 to D6 [two ledger lines above the staff]. The diatonic nature of this arrangement (only 2 measures contain an accidental) and the range make this easily accessible to younger performers. There is, however, some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer. Â The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.
$5.00
I Want You To Know
#
Viola, Piano
#
INTERMEDIATE/ADVANCED
#
John Legend
#
George B Chave
#
I Want You To Know
#
BrassMagicMusic.com
#
SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.1199017 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Mic...
(+)
Piano,Viola - Level 4 - Digital Download SKU: A0.1199017 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Chamber,Contemporary,Multicultural,Pop,Rock,World. Score and part. 7 pages. BrassMagicMusic.com #798088. Published by BrassMagicMusic.com (A0.1199017). This catchy Reggae-style piece, originally made famous by John Legend, features solo Viola with Piano Accompaniment geared toward the High School or advanced Middle School performer. Â It is in concert G-major. Â The viola range in this arrangement spans from written D4 to D5 [two ledger lines above the staff]. The diatonic nature of this arrangement (only 2 measures contain an accidental) and the range make this easily accessible to younger performers. There is, however, some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer. Â The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.
$5.00
I Want You To Know
#
Cello, Piano
#
INTERMEDIATE/ADVANCED
#
John Legend
#
George B Chave
#
I Want You To Know
#
BrassMagicMusic.com
#
SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.1199020 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Mic...
(+)
Cello,Piano - Level 4 - Digital Download SKU: A0.1199020 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Chamber,Contemporary,Multicultural,Pop,Rock,World. Score and part. 7 pages. BrassMagicMusic.com #798091. Published by BrassMagicMusic.com (A0.1199020). This catchy Reggae-style piece, originally made famous by John Legend, features solo Violoncello with Piano Accompaniment geared toward the High School or advanced Middle School performer. Â It is in concert G-major. Â The cello range in this arrangement spans from written D3 to D4 [one ledger line above the staff]. The diatonic nature of this arrangement (only 2 measures contain an accidental) and the range make this easily accessible to younger performers. There is, however, some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer. Â The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.
$5.00
I Want You To Know
#
Trumpet, Piano
#
INTERMEDIATE
#
John Legend
#
George B Chave
#
I Want You To Know
#
BrassMagicMusic.com
#
SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1208169 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Sch...
(+)
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1208169 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Chamber,Contemporary,Multicultural,Pop,Rock,World. Score and part. 6 pages. BrassMagicMusic.com #806286. Published by BrassMagicMusic.com (A0.1208169). This catchy Reggae-style piece, originally made famous by John Legend, features solo B-flat Trumpet with Piano Accompaniment geared toward the High School or advanced Middle School performer. Â It is in concert Ab-major (B-flat on the b-flat trumpet). Â The trumpet range in this arrangement spans from F4 to F5 [top note on staff]. The diatonic nature of this arrangement (only 2 measures contain an accidental) and the range make this easily accessible to younger performers. There is, however, some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer. Â The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.
$4.99
I Want You To Know
#
French Horn and Piano
#
INTERMEDIATE
#
John Legend
#
George B Chave
#
I Want You To Know
#
BrassMagicMusic.com
#
SheetMusicPlus
French Horn,Piano - Level 3 - Digital Download SKU: A0.1208570 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulz...
(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.1208570 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Chamber,Contemporary,Multicultural,Pop,Rock,World. Score and part. 6 pages. BrassMagicMusic.com #806681. Published by BrassMagicMusic.com (A0.1208570). This catchy Reggae-style piece, originally made famous by John Legend, features solo Horn(F) with Piano Accompaniment geared toward the High School or advanced Middle School performer. Â It is in concert Bflat-major (F-major for Horn). Â The horn range in this arrangement spans from written C4 to C5. The diatonic nature of this arrangement (only 2 measures contain an accidental) and the range make this easily accessible to younger performers. There is, however, some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer. Â The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.
$4.99
I Want You To Know
#
Alto Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
John Legend
#
George B Chave
#
I Want You To Know
#
BrassMagicMusic.com
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1199007 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Sch...
(+)
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1199007 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Chamber,Contemporary,Multicultural,Pop,Rock,World. Score and part. 7 pages. BrassMagicMusic.com #798078. Published by BrassMagicMusic.com (A0.1199007). This catchy Reggae-style piece, originally made famous by John Legend, features solo Alto Saxophone with Piano Accompaniment geared toward the High School or advanced Middle School performer. Â It is in concert Bb-major (written G-major). Â The alto sax range in this arrangement spans from written D4 to D5 [on the staff]. The diatonic nature of this arrangement (only 2 measures contain an accidental) and the range make this easily accessible to younger performers. There is, however, some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer. Â The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.
$5.00
I Want You To Know
#
Tenor Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
John Legend
#
George B Chave
#
I Want You To Know
#
BrassMagicMusic.com
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1198479 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Sc...
(+)
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1198479 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Contemporary,Multicultural,Pop,World. Score and part. 7 pages. BrassMagicMusic.com #797621. Published by BrassMagicMusic.com (A0.1198479). An arrangement of this catchy Reggae-style work features a solo Tenor Saxophone with Piano Accompaniment geared toward the High School or advanced Middle School performer. It is in concert Bb (written C for Tenor Sax). The Tenor Sax written range in this arrangement spans from G4 to G5 [top note on staff]. There is some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer. The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.
$5.00
I Want You To Know
#
Oboe, Piano (duet)
#
INTERMEDIATE/ADVANCED
#
John Legend
#
George B Chave
#
I Want You To Know
#
BrassMagicMusic.com
#
SheetMusicPlus
Oboe,Piano - Level 4 - Digital Download SKU: A0.1198962 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Mich...
(+)
Oboe,Piano - Level 4 - Digital Download SKU: A0.1198962 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Contemporary,Multicultural,Pop,Rock,World. Score and part. 7 pages. BrassMagicMusic.com #798066. Published by BrassMagicMusic.com (A0.1198962). This catchy Reggae-style piece, originally made famous by John Legend, features solo Oboe with Piano Accompaniment geared toward the High School or advanced Middle School performer. Â It is in concert C-major. Â The oboe range in this arrangement spans from G4 to G5 [top of the staff]. The diatonic nature of this arrangement (only 2 measures contain an accidental) and the range make this easily accessible to younger performers. There is, however, some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer. Â The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.
$5.00
I Want You To Know
#
Violin and Piano
#
INTERMEDIATE/ADVANCED
#
John Legend
#
George B Chave
#
I Want You To Know
#
BrassMagicMusic.com
#
SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1199014 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Mi...
(+)
Piano,Violin - Level 4 - Digital Download SKU: A0.1199014 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Chamber,Contemporary,Multicultural,Pop,Rock,World. 7 pages. BrassMagicMusic.com #798085. Published by BrassMagicMusic.com (A0.1199014). This catchy Reggae-style piece, originally made famous by John Legend, features solo Violin with Piano Accompaniment geared toward the High School or advanced Middle School performer. Â It is in concert C-major. Â The violin range in this arrangement spans from written G4 to G5 [top of the staff]. The diatonic nature of this arrangement (only 2 measures contain an accidental) and the range make this easily accessible to younger performers. There is, however, some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer. Â The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.
$5.00
String Quartet No. 1
#
String Quartet: 2 violins, viola, cello
#
ADVANCED
#
Olli Mustonen
#
String Quartet No. 1
#
Schott Music - Digital
#
SheetMusicPlus
String quartet - advanced - Digital Download SKU: S9.Q49206 Composed by Olli Mustonen. This edition: score and parts. Downloadable, Score and parts. Dura...
(+)
String quartet - advanced - Digital Download SKU: S9.Q49206 Composed by Olli Mustonen. This edition: score and parts. Downloadable, Score and parts. Duration 23 minutes. Schott Music - Digital #Q49206. Published by Schott Music - Digital (S9.Q49206). It is not a coincidence that many composers seem to have written some of their most important and meaningful works for the string quartet. I grew up listening to string quartets, especially those by Beethoven and Bartók, and those works have had a tremendous impact on what I am as a composer, musician and as a human being. In many of my works one can see some sort of a journey from darkness toward the light, in various forms. In the case of my String Quartet this journey is exceptionally arduous. There is an element of hope in some sections of the third movement, but the hope it offers is more of an otherworldly nature. In the beginning of the fourth movement the very dramatic elements of the beginning of the quartet return. Just at the point, when the listener thinks that the darker elements will ultimately prevail, the music reaches an important turning point. Through a heroic, dissonant struggle it reaches the finale, which is full of ecstasy and instrumental joy. I have given the finale, along with the metronome marking, the indication Con fuoco all’Ungharese - all this of course as a homage to the great Hungarian master, one of my greatest musical heroes already since the very early days of my life. (Olli Mustonen).
$93.99
Higher Ground ("I'm pressing on the upward way") — brass quintet
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
INTERMEDIATE
#
Sacred music
#
Charles H
#
Todd Marchand
#
Higher Ground
#
Con Spirito Music
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Cen...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.†Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
Doubt & Determination (An Epic Sonata of Indeterminacy)
#
Dennis Garretson
#
Doubt & Determination
#
Dennis Garretson
#
SheetMusicPlus
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baro...
(+)
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - Digital Download SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99
God Rest Ye Merry Gentlemen - - String Quartet
#
String Quartet: 2 violins, viola, cello
#
Christmas
#
Traditional English Christmas
#
Pietro Prugna
#
God Rest Ye Merry Gentlemen -
#
Pietro Prugna
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.498022 Composed by Traditional English Christmas Carol. Arranged by Pietro Pr...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.498022 Composed by Traditional English Christmas Carol. Arranged by Pietro Prugna. Celtic,Christmas,Irish,Praise & Worship,Traditional. Score and parts. 16 pages. Published by Pietro Prugna (A0.498022). This is a popular Christmas song arranged for string quartet. It is arranged in a OST-like (original soundtrack) style. It starts with a mysterious mood, reminiscent of OSTs of spy-movies. It then builds up to more action. In the middle, it slows down and ascends in pitch with a crescendo decrescendo sense of anticipation. It then reaches a climax where there is release of the anticipation and goes into a celebratory mood. Towards the end, it returns to the mysterious mood of the start, somewhat signalling that despite what appears happy, there is more to come.
$1.99
Symphony No. 3 in A minor, op. 17 (parts)
#
Orchestra
#
ADVANCED
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #94204...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Orpheus: Un Amore Immortale (A Cinematic String Trio Symphony)
#
Broadway
#
Dennis Garretson
#
Dennis Garretson
#
film scores
#
Orpheus: Un Amore Immortale
#
Dennis Garretson
#
SheetMusicPlus
String Ensemble,String Trio Cello,Double Bass,Violin - Level 4 - Digital Download SKU: A0.993653 Composed by Dennis Garretson. Arranged by Dennis Garrets...
(+)
String Ensemble,String Trio Cello,Double Bass,Violin - Level 4 - Digital Download SKU: A0.993653 Composed by Dennis Garretson. Arranged by Dennis Garretson. 20th Century,Broadway,Contemporary. Score and parts. 9 pages. Dennis Garretson #4580793. Published by Dennis Garretson (A0.993653). Retelling the myth of the lovers, in a modern fashionDescriptionOrpheus: Un Amore Immortale features a 6 minutes symphony written for violins, cellos and double basses, with an optional solo violin and cello part for a better depths. Debut in the 2018 Acadia University Composer Recital.This Trio Symphony features a Violin, Cello and Double bass, in contrast to the original string trio layout to deliver full harmony. The piece possesses a structure deeply related to modern film scores through the use of rhythmic pulses and ostinatos, with a stable ritornello (theme) occurring throughout the six-minute performance. This piece is a direct retelling of the story Orpheus and Eurydice, as it goesOrpheus, a legendary musician gifted with superhuman musical abilities, traveled to the Underworld to save his bride Eurydice, whom during the wedding died an untimely death. the symphony utilized modern cinematic elements to speak out the events. a saddening finale which ultimately points to the original tragedy of Eurydice's ultimate fate.For the following for the Full Recording:https://soundcloud.com/dcgarretsoncomposer/orpheus-amore-immortale-a-cinematic-trio-symphonyAbout the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$9.99
Symphony No. 3 in A minor, op. 17
#
Orchestra
#
ADVANCED
#
Contemporary
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Edwin Culver: a bridge a-way, exits within (for solo guitar)
#
Guitar
#
INTERMEDIATE
#
Contemporary
#
Edwin Culver
#
Edwin Culver: a bridge a-way,
#
Edwin Culver
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #434...
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
Beacons for Euphonium Quartet
#
Contemporary
#
Matthew Nunes
#
Beacons for Euphonium Quartet
#
Matthew Nunes Music
#
SheetMusicPlus
Euphonium - Level 5 - Digital Download SKU: A0.489190 Composed by Matthew Nunes. Classical,Contemporary. 86 pages. Matthew Nunes Music #105703. Published...
(+)
Euphonium - Level 5 - Digital Download SKU: A0.489190 Composed by Matthew Nunes. Classical,Contemporary. 86 pages. Matthew Nunes Music #105703. Published by Matthew Nunes Music (A0.489190). Listen to this piece hereBeacons is a four movement work for euphonium quartet begun during the final year of my undergraduate degree and completed during my first semester of graduate school. In this work are a multitude of emotions I was living or struggling with during a period where life never went as expected. The first movement, Glimmer, represents an individual seeing a faint light in the darkness unsure of what it truly is or how long the path to it will take. Regardless, they move towards it while reflecting on the possibilities of what awaits them. In the second movement, Beacon Bacchanal, the surety of reaching this goal has seduced this person into a doomed revelry of overconfidence. The celebration spirals out of control into Aura Awry where time churns on and inner demons surface. In the final movement, Shine, this individual finds themselves standing at the edge of the light. They do not know where it comes from or what lies ahead once they cross this threshold. Regardless, they step forth….
$25.99
<
1
26
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
