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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Rhythm
Not classified
7,047
Piano & keyboards
Piano solo
3,484
Big Note Piano
3,300
Organ
1,700
Easy Piano
1,246
Piano, Voice
664
Piano, Vocal and Guitar
488
C Instruments
388
Piano (band part)
151
1 Piano, 4 hands
139
Piano Accompaniment
129
Keyboard
61
Piano Trio: piano, violin, cello
45
2 Pianos, 4 hands
36
Piano Quartet: piano, violin, viola, cello
26
Accordion
15
Piano Quintet: piano, 2 violins, viola, cello
10
1 Piano, 6 hands
6
Organ, Trumpet (duet)
6
Harpsichord
6
Organ, Piano (duet)
3
Piano Quartet: piano, 2 violins, cello
2
All Instruments
1
+ 17 instrumentations
-
Retract
Guitars
Guitar
866
Guitar notes and tablatures
861
Guitar (band part)
171
Melody line, (Lyrics) and Chords
112
Bass guitar
76
Dulcimer
46
Ukulele
45
2 Guitars (duet)
25
Lyrics and Chords
24
4 Guitars (Quartet)
20
Mandolin
17
Piano, Guitar (duet)
15
Guitar Ensemble
15
Banjo
13
3 Guitars (trio)
10
2 Dulcimers (duet)
3
Electric Bass (band part)
3
2 Mandolins (duet)
2
Band Scores
1
2 Ukuleles
1
Plectrum Orchestra
1
Baritone Ukulele
1
Dobro
1
Guitar, Violin, Cello (trio)
1
Guitar, String Quartet
1
Mandolin, Guitar (duet)
1
+ 21 instrumentations
-
Retract
Voice
Choral SATB
1,803
Choral 3-part
627
Choral Instrumental Pak
563
Choral 2-part
315
Choral Unison
312
Choral TTBB
247
Choral SSAA
203
Choral
45
Tenor voice, Piano
35
Soprano voice, Piano
31
Alto voice, Piano
31
High voice
20
Vocal duet, Piano
18
Vocal duet
14
Voice solo
13
Choral SSATB
9
Choral SSAATTBB
6
Medium voice, Piano
6
Tenor voice
4
Choral SSAB, Piano
4
Choral SSAB a cappella
3
Baritone voice, Piano
3
Soprano voice
2
Choral SSATTB
2
Choral SSAATB
1
Voix Masculines
1
Low voice
1
Mezzo-Soprano voice, Piano
1
Low voice, Piano
1
+ 24 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
593
Saxophone (band part)
428
Saxophone Quartet: 4 saxophones
333
2 Flutes (duet)
305
2 Clarinets (duet)
292
Descant (Soprano) Recorder
277
Ocarina
263
Saxophone, Clarinet (duet)
257
Flute and Piano
244
Flute
215
Clarinet, Violin (duet)
202
Flute, Oboe, Clarinet, Bassoon
190
Clarinet
190
Treble (Alto) Recorder
188
Clarinet and Piano
183
Clarinet Quartet: 4 clarinets
177
Clarinet, Trumpet (duet)
170
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
169
Alto Saxophone
162
Oboe, Piano (duet)
159
Alto Saxophone and Piano
153
Flute, Clarinet (duet)
129
Flute Quartet: 4 flutes
126
Tenor Saxophone
118
Oboe (band part)
114
2 Oboes (duet)
113
Oboe, Clarinet (duet)
108
Clarinet and Viola
102
Oboe, Bassoon (duet)
101
Flute, Violin
101
Tenor Saxophone and Piano
98
Flute, Saxophone (duet)
94
Flute, Viola (duet)
85
Saxophone Quintet: 5 Saxophones
83
Flute (band part)
80
Clarinet (band part)
79
Flute, Trumpet (duet)
78
Oboe, Flute
77
3 Saxophones (trio)
72
Soprano Saxophone and Piano
59
2 Recorders (duet)
58
Saxophone
50
Flute Trio: 3 flutes
50
3 Clarinets (trio)
47
Saxophone ensemble
44
Flute ensemble
44
Clarinet Quintet: 5 clarinets
43
Clarinet Ensemble
42
Baritone Saxophone, Piano
37
Treble (Alto) Recorder, Piano
33
Flute, Oboe (duet)
32
Bass Clarinet, Piano
31
Oboe
25
Flute and Guitar
24
Flute, Violin, Piano
23
Oboe, Violin (duet)
20
English horn, Piano
19
Flute Quintet : 5 flutes
17
Clarinet, Bassoon (duet)
15
Oboe, Clarinet, Bassoon (trio)
14
Flute, Clarinet and Bassoon.
14
Clarinet, Trombone (duet)
14
Clarinet, Cello (duet)
13
Soprano Saxophone
13
Recorder Quartet
12
3 Recorders (trio)
11
Flute, Oboe, Bassoon
11
English Horn
10
Recorder
10
Flute, Violoncello
10
Flute, Oboe, Clarinet (trio)
8
Oboe, Cello
8
Flute, Oboe, Piano (trio)
8
Flute, Clarinet, Piano (trio)
7
Bass Clarinet
7
2 Flutes, Piano
6
Recorder Ensemble
5
Clarinet, Harp (duet)
5
Baritone Saxophone
5
2 Saxophones, Piano
5
Flute, Viola and Piano
5
Oboe and viola (duet)
5
Flute, Organ (duet)
5
Clarinet, Guitar (duet)
5
Flute, Bassoon, and Piano
4
Flute, harp and violin
4
Oboe, Harp
4
5 Recorders
4
Eb Instruments
3
Piccolo
3
Flute, Violin and Violoncello
3
Piccolo, Piano
3
3 Oboes
3
Flute, Violin, Violoncello and Piano
3
Saxophone and Guitar
3
Descent (Soprano) Recorder, Piano
3
Clarinet, Cello, Piano (trio)
3
Oboe, Violin, Piano
2
Flute, Harp and Cello
2
Wind ensemble
2
Harmonica
2
Flute, Cello, Piano (trio)
2
Clarinet, trumpet and piano
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
2 Clarinets, Bassoon
2
Flute, trombone and piano
2
2 Clarinets, Piano
2
Tenor Recorder
2
Oboe, Trombone (duet)
1
Pennywhistle
1
Flute, Oboe, Violin
1
Saxophone and Organ
1
Saxophone and Piano
1
Clarinet, Double bass (duet)
1
4 Oboes
1
Flute, Basso continuo
1
Flute, Trombone (duet)
1
Flute, Viola and harp
1
English Horn, Guitar (duet)
1
Saxophone and Harp
1
Recorder, Piano
1
Oboe ensemble
1
Clarinet, Tuba
1
2 English horns and Pianoforte
1
Oboe, Trumpet (duet)
1
Harmonica, Piano
1
Clarinette, Viola and Piano (trio)
1
2 Flutes, 2 Clarinets (Quartet)
1
+ 123 instrumentations
-
Retract
Woodbrass
Trombone (band part)
353
Trumpet (band part)
286
Brass Quintet: 2 trumpets, horn, trombone, tuba
202
Trumpet, Saxophone (duet)
187
Trumpet
180
Trombone
142
2 Trombones (duet)
140
2 Trumpets (duet)
134
Trombone and Piano
133
Trumpet, Piano
128
Brass quartet : 2 trumpets, trombone, tuba
122
Trumpet, Trombone (duet)
109
French horn
97
French Horn and Piano
88
French horn (band part)
78
Tuba (band part)
61
Tuba and Piano
52
Brass Quartet: 2 trumpets, horn, trombone
45
Brass Quartet
41
Tuba
40
Euphonium, Piano (duet)
39
Brass Quartet: 4 trombones
28
Trombone ensemble
21
English horn, Piano
19
Brass Quartet: 4 horns
14
Trumpet ensemble
14
2 French horns (duet)
13
2 Tubas (duet)
11
2 Euphoniums (duet)
11
Brass Quartet: 2 trumpets, 2 trombones
10
English Horn
10
3 Trumpets (trio)
9
Trombone, Organ
8
Euphonium
8
3 Trombones (trio)
8
Euphonium, Tuba (duet)
6
Brass Quartet: 4 trumpets
6
Bb Instruments
5
4 Tubas
5
Bass Clef Instruments
5
Horn Ensemble
5
Brass Trio
4
Trumpet, Tuba (duet)
4
Trumpet and Guitar
3
Trombone, Horn (duet)
3
Cornet
3
Trumpet, Horn (duert)
2
2 Euphoniums and 2 Tubas
2
Trumpet, Harp
2
Horn, Tuba (duet)
2
Bass Trombone
2
French Horn and Harp
2
Horn, Cello (duet)
1
Tuba and Organ
1
Trumpet, Bassoon (duet)
1
Clarinet, Horn (duet)
1
F Instruments
1
Bass Trombone and Piano
1
3 Euphoniums
1
English Horn, Guitar (duet)
1
Trombone, Tuba (duet)
1
Trombone and Orchestra
1
Trumpet, Cello, Piano
1
2 English horns and Pianoforte
1
+ 59 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
837
Violin and Piano
403
Violin
331
Violin, Cello (duet)
270
Doublebass (band part)
267
2 Violins (duet)
188
Cello
188
Cello, Piano
181
Violin (band part)
181
Harp
158
2 Cellos (duet)
155
Viola, Piano
152
2 Violas (duet)
146
Violin, Viola (duet)
144
String Trio: violin, viola, cello
128
Viola
114
String Trio: 2 violins, cello
92
Viola (band part)
63
Double bass, Piano (duet)
62
Double Bass
46
String Quintet: 2 violins, viola, cello, bass
43
Cello (band part)
36
String Trio: 3 violins
35
Viola, Cello (duet)
24
4 Cellos
22
Violin, Guitar (duet)
21
Cello, String Bass (duet)
15
String quartet: 4 violins
15
2 Harps (duet)
15
String Trio: 2 violins, viola
15
String Trio: 3 cellos
12
2 Double basses (duet)
10
Harp, Flute (duet)
9
Piano Trio: Violin, Viola, Piano
8
Violin, Bassoon (duet)
8
String Quartet : 4 violas
8
Harp, Violin (duet)
7
String Trio: 3 violas
7
Harp, Cello (duet)
5
Viola, Guitar (duet)
4
Autoharp
4
Viola and Harp
4
Cello, Guitar (duet)
3
Cello Ensemble
3
3 Harps
3
Harp, Violin, Violoncello
3
Violin ensemble
3
5 Harps
2
String Quintet: 2 violins, 2 violas, cello
2
4 Double Basses
2
Viola and Bassoon
2
Violin, Trumpet and Piano
1
4 Harps
1
Viola and orchestra
1
Harp and mandolin
1
Harp, Trombone (duet)
1
Harp, Voice
1
Harp and Piano
1
Flute, Doublebass (duet)
1
2 Violins, Piano
1
Cello, Organ
1
Violin, Organ
1
Violin, Clarinet, Piano (trio)
1
+ 58 instrumentations
-
Retract
Orchestra & Percussion
Concert band
3,565
Jazz Ensemble
963
String Orchestra
806
Orchestra
783
Handbells
386
Jazz combo
339
Drums
315
Brass ensemble
195
Marching band
182
Drum (band part)
122
Percussion Ensemble
114
Chamber Orchestra
99
Percussion (band part)
48
Percussion
32
Marimba
25
Xylophone, Piano
15
2 Xylophones
7
Vibraphone
5
Piano and Orchestra
5
Xylophone
5
School Ensemble
5
Timpani (band part)
4
Snare drums
4
Conga
3
Bongos
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Cajon
2
Bodhran
2
Big band
2
Vibraphone and Marimba
2
Marimba, Piano (duet)
1
Flexible Instrumentation
1
Marimba or Xylophone and Piano
1
2 Marimbas
1
2 Snare Drums (duet)
1
3 Percussions
1
Timpani
1
3 Marimbas
1
+ 33 instrumentations
-
Retract
Others
Musical course - Solfege
7
Music Theory
2
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9976
"Us" for Jazz Trombone Quintet & Rhythm Section
#
Trombone ensemble
#
ADVANCED
#
Jazz
#
Thad Jones
#
Fletcher, David
#
"Us" for Jazz Trombone Quintet
#
Cherry Classics Music
#
SheetMusicPlus
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Big Band, Rock...
(+)
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Big Band, Rock. Score, Set of Parts. 45 pages. Published by Cherry Classics Music
Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ‘band’ (for this version, read: “trombones”) and intricate saxophone lines which are challenging but very rewardingly playable.
David Fletcher has done a magnificent job of translating the richness of Thad’s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals.
David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.
$25.00
ROXY for Jazz Trombone Quintet and Rhythm Section
#
Trombone ensemble
#
ADVANCED
#
Jazz
#
Edmonds, Euan
#
ROXY for Jazz Trombone Quintet
#
Cherry Classics Music
#
SheetMusicPlus
Jazz Trombone Ensemble and Rhythm Section - Advanced - Digital Download Composed by Edmonds, Euan. Jazz, Latin Jazz, Big Band, Funk Jazz, Bossa Nova. S...
(+)
Jazz Trombone Ensemble and Rhythm Section - Advanced - Digital Download Composed by Edmonds, Euan. Jazz, Latin Jazz, Big Band, Funk Jazz, Bossa Nova. Score, Set of Parts. 41 pages. Published by Cherry Classics Music
ROXY by Euan Edmonds is a chart written for Jazz Trombone Quintet and Rhythm section and is part of the University of Illinois Jazz Trombone Ensemble series.
This work begins with a funky bass line that returns several times throughout the work. A sultry melody featuring a solo trombone follows and eventually the work opens up for solos and ends with the entire ensemble laying down some lush rhythmic chords.
ROXY is about 8 minutes in length.
$30.00
Three And One for Jazz Trombone Quintet and Rhythm Section
#
Trombone ensemble
#
ADVANCED
#
Jazz
#
Thad Jones
#
Fletcher, David
#
Three And One for Jazz Trombon
#
Cherry Classics Music
#
SheetMusicPlus
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Swing, Big Ban...
(+)
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Swing, Big Band. 105 pages. Published by Cherry Classics Music
Jones wrote this work in 1958 for a small group session with his two brothers Hank (piano) and Elvin (drums) and is in the album Keepin' Up With The Joneses. The title refers to the three brothers plus another Jones, Eddie, who was the bass player on the session...therefore Three and One.
David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 7-8 minutes in length and includes improvised jazz solos for Bass Trombone and 2nd Trombone and is appropriate for advanced performers.
$25.00
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
#
Choral SATB
#
INTERMEDIATE
#
Nathan Petitpas - Dots and Bea
#
Rhythm Only - Book 2 - Eighths
#
Dots and Beams
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Do...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: ...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
RHYTHMICAL DIAGRAMS FOR MUSIC EDUCATION
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Easy Piano
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BEGINNER
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Marcelo Borba
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RHYTHMICAL DIAGRAMS FOR MUSIC
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Marcelo Borba
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SheetMusicPlus
C Instrument - Level 1 - Digital Download SKU: A0.513312 Composed by Marcelo Borba. Multicultural,Pop,Rock,Traditional,Video Game,World. Lead Sheet / Fak...
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C Instrument - Level 1 - Digital Download SKU: A0.513312 Composed by Marcelo Borba. Multicultural,Pop,Rock,Traditional,Video Game,World. Lead Sheet / Fake Book. 14 pages. Marcelo Borba #124076. Published by Marcelo Borba (A0.513312). RHYTHMICAL DIAGRAMS FOR MUSIC EDUCATION - In this e-book you will find exercises with rhythmic diagrams. The exercises can be performed with claps or any other percussive instrument. It is possible to practice and create rhythmic writing exercises with children and young people at school level. Sound innovations for elementary school.Rhythm diagrams are visual representations of musical rhythms that help musicians understand and communicate the timing and duration of notes and rests within a piece of music. They are a way to notate rhythm in a simplified and intuitive manner.In a rhythm diagram, the vertical axis represents time, while the horizontal axis represents the different subdivisions of the beat. Each subdivision is represented by a box or a symbol, and the presence or absence of a mark inside the box indicates whether a note or rest is played at that specific moment.
$2.50
If it Ain't Got That Rhythm
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Kian Beatty
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If it Ain't Got That Rhythm
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Kian Beatty
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SheetMusicPlus
Small Ensemble Bongos,Piano,Snare Drum - Digital Download SKU: A0.494041 By Kian Beatty. By Kian Beatty. 20th Century,Jazz,Multicultural,World. Score and...
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Small Ensemble Bongos,Piano,Snare Drum - Digital Download SKU: A0.494041 By Kian Beatty. By Kian Beatty. 20th Century,Jazz,Multicultural,World. Score and parts. 3 pages. Published by Kian Beatty (A0.494041). A trio piece I wrote for a composition module for Snare drum, Bongos and Piano. This piece displays polyrhythms, rhythmic displacement and metric modulation.
$3.99
Rhythm of the Winds: (wp) 2nd B-flat Trombone B.C.
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by Frank Erickson. Instructional. World Part...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTN2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTN2BC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) 1st Horn in E-flat
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPEH1 (wp) 1st Horn in E-flat. Composed by Frank Erickson. Instructional. World Part. 2 page...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPEH1 (wp) 1st Horn in E-flat. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPEH1). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) B-flat Baritone B.C.
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPBBBC (wp) B-flat Baritone B.C.. Composed by Frank Erickson. Instructional. World Part. 2 p...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPBBBC (wp) B-flat Baritone B.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPBBBC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) 2nd Horn in E-flat
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPEH2 (wp) 2nd Horn in E-flat. Composed by Frank Erickson. Instructional. World Part. 2 page...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPEH2 (wp) 2nd Horn in E-flat. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpEH2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPEH2). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) 3rd B-flat Trombone T.C.
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN3TC (wp) 3rd B-flat Trombone T.C.. Composed by Frank Erickson. Instructional. World Part...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN3TC (wp) 3rd B-flat Trombone T.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTN3TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTN3TC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) 2nd B-flat Trombone T.C.
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN2TC (wp) 2nd B-flat Trombone T.C.. Composed by Frank Erickson. Instructional. World Part...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN2TC (wp) 2nd B-flat Trombone T.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTN2TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTN2TC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) 3rd & 4th Horngs in E-flat
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPEH34 (wp) 3rd & 4th Horngs in E-flat. Composed by Frank Erickson. Instructional. World Par...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPEH34 (wp) 3rd & 4th Horngs in E-flat. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpEH34. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPEH34). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) 3rd B-flat Trombone B.C.
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN3BC (wp) 3rd B-flat Trombone B.C.. Composed by Frank Erickson. Instructional. World Part...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN3BC (wp) 3rd B-flat Trombone B.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTN3BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTN3BC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) E-flat Tuba T.C.
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBETC (wp) E-flat Tuba T.C.. Composed by Frank Erickson. Instructional. World Part. 2 page...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBETC (wp) E-flat Tuba T.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTBETC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) 1st B-flat Trombone T.C.
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Frank Erickson. Instructional. World Part...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTN1TC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) 1st B-flat Trombone B.C.
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Frank Erickson. Instructional. World Part...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTN1BC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) E-flat Tuba B.C.
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Frank Erickson. Instructional. World Part. 2 page...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTBEBC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) B-flat Tuba T.C.
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Frank Erickson. Instructional. World Part. 2 page...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTBBTC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm of the Winds: (wp) B-flat Tuba B.C.
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Concert band
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Instructional
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Frank Erickson
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Rhythm of the Winds:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Frank Erickson. Instructional. World Part. 2 page...
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Concert Band - Digital Download SKU: AX.00-PC-0001965_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Frank Erickson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001965_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001965_WPTBBBC). ISBN 9780757933608. UPC: 029156020649.What a great interplay of rhythms! History will remember this work as one of the most played concert and contest pieces of all time. The alternation of two rhythms, one syncopated and the other an after-beat pattern, form the rhythmic foundation for the work's theme. This rhythmic pattern has become a staple for many contemporary band compositions. It's just as classy as it is classic! (5:16)Concert/Contest.
$3.00
Rhythm Change- score
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Oboe, Clarinet (duet)
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INTERMEDIATE
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Melanie Guerin
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Rhythm Change- score
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Melanie B Guerin
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.854297 Composed by Melanie Guerin. Contemporary,Standards. Score a...
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Instrumental Duet Clarinet,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.854297 Composed by Melanie Guerin. Contemporary,Standards. Score and parts. 3 pages. Melanie B Guerin #7757. Published by Melanie B Guerin (A0.854297). This energetic duet for oboe and clarinet begins with the title spelled out in Morse code, and ends with a quote from I Got Rhythm. In between is a sly tango with some Arabian flair, including stomping, hissing, and pencil tapping to add to the rhythmic drive. The range is appropriate for intermediate high school players, with some challenging syncopations and cross-rhythms as well as a few technical passages for both instruments. Parts available.
$4.00
Rhythms of the Spirit
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Concert band
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Contemporary
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James M
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Rhythms of the Spirit
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Jim Stephenson Music, Inc.
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48...
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Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
$140.00
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