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Saint-Saëns: Le Carnaval des Animaux (The Carnival of the Animals (A Selection of pieces from) - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
#
Classical
#
Camille Saint- Saens
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Saint-Saëns: Le Carnaval des
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RayThompsonMusic
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SheetMusicPlus
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by Ra...
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by Ray Thompson. Romantic Period, Repertoire, Anniversary, Wedding, Recital. Score, Set of Parts. 48 pages. Published by RayThompsonMusic
The Carnival of the Animals (Le carnaval des animaux) is a humorous musical suite of fourteen movements by the French Romantic composer Camille Saint-Saëns. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments, and the complete work lasts around 25 minutes.
I have arranged a selection of pieces from this suite for wind quintet-
They are:
I. Introduction et Marche Royale du Lion( Inroduction and Royal March of the Lion)
II. Poules et Coqs (Hens and Roosters)
IV. Tortues (Tortoises)
V. L'Eléphant (The Elephant)
XII. Fossiles (Fossils)
XII. Le Cygne (The Swan)
XIV. Final (Finale)
$19.95
Saint-Saëns: The Swan for Cello & Piano
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Cello, Piano
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INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Cel
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jmsgu3
#
SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,His...
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Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for French Horn & Piano
#
French Horn and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Fre
#
jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contes...
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Bass Clarinet & Piano
#
Bass Clarinet
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Bas
#
jmsgu3
#
SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,...
(+)
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Clarinet & Piano
#
Clarinet and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Cla
#
jmsgu3
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Co...
(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Flute & Piano
#
Flute and Piano
#
INTERMEDIATE
#
Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Flu
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jmsgu3
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Cont...
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Con...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Sop
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Oboe & Piano
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Oboe, Piano (duet)
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Obo
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jmsgu3
#
SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festi...
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saens: The Swan for Viola and Piano
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Viola, Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Conte...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Saint-Saens: The Swan for Violin and Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
#
Saint-Saens: The Swan for Viol
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jmsgu3
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Cont...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
Le Cygne (The Swan) / Camille Saint-Saëns
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2 Flutes (duet)
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INTERMEDIATE
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Camille Saint-Saens
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Kan Saito / Japan Duo Notes
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Le Cygne
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1491737 Composed by Camille Saint-Saens. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th...
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1491737 Composed by Camille Saint-Saens. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Film/TV. Score. 2 pages. Japan Duo Notes #1068411. Published by Japan Duo Notes (A0.1491737). Title: Le Cygne (The Swan) by Camille Saint-Saëns – Flute Duet ArrangementDescription:Immerse yourself in the serene beauty of Camille Saint-Saëns’ Le Cygne (The Swan) with this exquisite flute duet arrangement. Originally composed as part of Le Carnaval des Animaux (The Carnival of the Animals), this iconic piece is known for its graceful melody that evokes the image of a swan gliding gracefully across the water. Perfectly adapted for two flutes, this arrangement captures the tranquil elegance and emotional depth of Saint-Saëns’ beloved work.Key Features:Composer: Camille Saint-SaënsArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis flute duet version of Le Cygne showcases the beautiful lyrical qualities of the flute, with both parts engaging in expressive and melodic interplay. Ideal for both performance and teaching, this arrangement is perfect for musicians looking to explore the delicate artistry of Saint-Saëns’ composition.Why Choose This Arrangement?Iconic Melody: Enjoy one of classical music’s most recognizable and beautiful pieces in a new flute duet adaptation.Versatile Performance: Suitable for recitals, concerts, and special occasions, offering a peaceful and lyrical moment in any program.Expressive and Accessible: Designed for intermediate flutists, allowing performers to engage with the emotional depth of the piece while refining their expressive techniques.Enhance your flute repertoire with this refined arrangement of Le Cygne by Camille Saint-Saëns. Its serene melody and flowing lines make it a timeless favorite for both performers and audiences alike.Keywords: Camille Saint-Saëns, Le Cygne, The Swan, flute duet, flute sheet music, classical music, intermediate flute music, Saint-Saëns arrangements, lyrical flute duet, recital music, chamber music.
$4.99
Saint-Saens: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Tollite Hostias - Camille Saint-Saëns - for Men’s Choir TTBB
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Choral TTBB
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BEGINNER
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Camille Saint-Saens
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L
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Tollite Hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 1 - Digital Download SKU: A0.1514381 Composed by Camille Saint-Saens. Arranged by L. Müller. 19th Century,Chri...
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Choral Choir,Choral (TTBB Chorus) - Level 1 - Digital Download SKU: A0.1514381 Composed by Camille Saint-Saens. Arranged by L. Müller. 19th Century,Christmas,Classical,Religious,Sacred. 16 pages. Müller Publishing company #1088864. Published by Müller Publishing company (A0.1514381). Tollite hostias - Camille Saint-Saëns - for Men’s Choir TTBBExperience the sublime beauty of “Tollite hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns in this magnificent arrangement by L. Müller for Men’s Choir TTBB. Known for its joyful and spiritual celebration, “Tollite hostias” exudes joy and reverence, now splendidly adapted for male vocal harmonies. This version captures the triumphant and uplifting spirit of the original, bringing to life the richness of vocal harmonies. Perfect for concert performances, recitals, and sacred services, this piece will add a timeless classic to your choir’s repertoire. Let your voices resonate with the glory and magnificence of Saint-Saëns’ masterpiece in this exceptional rendition.
$2.99
Tollite Hostias - Camille Saint-Saëns - for Men’s Choir TTBB A Cappella
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Choral TTBB
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BEGINNER
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Camille Saint-Saens
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L
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Tollite Hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 1 - Digital Download SKU: A0.1514383 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christ...
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Choral Choir,Choral (TTBB Chorus) - Level 1 - Digital Download SKU: A0.1514383 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 5 pages. Müller Publishing company #1088867. Published by Müller Publishing company (A0.1514383). Tollite hostias - Camille Saint-Saëns - for Men’s Choir TTBB A CappellaExperience the sublime beauty of “Tollite hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns in this magnificent a cappella arrangement by L. Müller for Men’s Choir TTBB. Known for its joyful and spiritual celebration, “Tollite hostias” exudes joy and reverence, now splendidly adapted for male vocal harmonies without instrumental accompaniment. This version captures the triumphant and uplifting spirit of the original, bringing to life the richness of vocal harmonies. Perfect for concert performances, recitals, and sacred services, this piece will add a timeless classic to your choir’s repertoire. Let your voices resonate with the glory and magnificence of Saint-Saëns’ masterpiece in this exceptional a cappella rendition.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major A capella - Bilingual version
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Choral SATB
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BEGINNER
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Camille Saint-Saens
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L
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Tollite Hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514739 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christ...
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Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514739 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 5 pages. Müller Publishing company #1089230. Published by Müller Publishing company (A0.1514739). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major A capella - Bilingual versionExperience the pure vocal beauty of “Tollite hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, in this stunning a cappella arrangement for SATB in F Major with bilingual lyrics by L. Müller. This version, featuring both English and Latin lyrics, emphasizes the rich and harmonious vocal lines, making it perfect for sacred services, concerts, and recitals. This arrangement will bring a timeless elegance to your choir’s performances, highlighting the spiritual and joyful essence of Saint-Saëns’ masterpiece.
$2.99
Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - with Optional Accompaniment
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Choral SATB
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BEGINNER
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Camille Saint-Saens
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L
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Bring Forth Your Offerings
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514735 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christ...
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Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514735 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089227. Published by Müller Publishing company (A0.1514735). Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - for SATB Choir in G Major with Optional Accompaniment Bring the festive and spiritual celebration of “Tollite Hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns, to your choir with this versatile arrangement for SATB in G Major with optional piano and English lyrics by L. Müller. Titled “Bring Forth Your Offerings”, this version can be performed with or without piano accompaniment, offering flexibility for different performance settings. The triumphant and uplifting nature of this arrangement will add a classic touch to your choir’s repertoire, showcasing the grandeur of Saint-Saëns’ work.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir in G Major with Optional Accompaniment
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Choral SATB
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BEGINNER
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Camille Saint-Saens
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L
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Tollite Hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514729 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christ...
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Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514729 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089220. Published by Müller Publishing company (A0.1514729). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in G Major with Optional Accompaniment Bring the festive and spiritual celebration of “Tollite Hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns, to your choir with this versatile arrangement for SATB in G Major with optional piano by L. Müller. Featuring the original Latin lyrics, this version can be performed with or without piano accompaniment, offering flexibility for different performance settings. The triumphant and uplifting nature of this arrangement will add a classic touch to your choir’s repertoire, showcasing the grandeur of Saint-Saëns’ work.
$2.99
Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - with Optional Accompaniment
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Choral SATB
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BEGINNER
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Camille Saint-Saens
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L
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Bring Forth Your Offerings
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514734 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christ...
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Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514734 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089226. Published by Müller Publishing company (A0.1514734). Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - for SATB Choir in F Major with Optional Accompaniment Enhance your choir’s performance with the joyful and reverent “Tollite Hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, arranged for SATB in F Major with optional piano and English lyrics by L. Müller. Titled “Bring Forth Your Offerings”, this version offers the flexibility of performing with or without piano accompaniment, making it suitable for various settings. The rich harmonies and uplifting spirit of this arrangement will elevate your choir’s repertoire, bringing the timeless beauty of Saint-Saëns’ masterpiece to life.
$2.99
Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - for SATB Choir in G Major
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Choral SATB
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BEGINNER
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Camille Saint-Saens
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L
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Bring Forth Your Offerings
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514731 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christ...
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Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514731 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 2 pages. Müller Publishing company #1089223. Published by Müller Publishing company (A0.1514731). Bring Forth Your Offerings (Tollite Hostias) - Camille Saint-Saëns - for SATB Choir in G MajorImmerse your choir in the celebratory and spiritual essence of “Tollite Hostias” from the “Oratorio de Noël”, op. 12 by Camille Saint-Saëns, arranged for SATB in G Major with English lyrics by L. Müller. This version, titled “Bring Forth Your Offerings”, brings out the triumphant and uplifting nature of the piece. Ideal for a variety of performances, this arrangement will enhance your choir’s repertoire with its beautiful harmonies and celebratory tone. Let the majestic sounds of Saint-Saëns’ work resonate through your choir’s voices.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major with Optional Accompaniment
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Choral SATB
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BEGINNER
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Camille Saint-Saens
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L
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Tollite Hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514727 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christ...
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Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514727 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089218. Published by Müller Publishing company (A0.1514727). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major with Optional Accompaniment Enhance your choir’s performance with the joyful and reverent “Tollite Hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, arranged for SATB in F Major with optional piano by L. Müller. This version, with its Latin lyrics, offers the flexibility of performing with or without piano accompaniment, making it suitable for various settings. The rich harmonies and uplifting spirit of this arrangement will elevate your choir’s repertoire, bringing the timeless beauty of Saint-Saëns’ masterpiece to life.
$2.99
Tollite hostias - Camille Saint-Saëns - for SATB Choir in F Major
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Choral SATB
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BEGINNER
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Camille Saint-Saens
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L
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Tollite hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514723 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christ...
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Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514723 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 2 pages. Müller Publishing company #1089214. Published by Müller Publishing company (A0.1514723). Tollite hostias - Camille Saint-Saëns - for SATB Choir in F Major Discover the enchanting beauty of “Tollite hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, in this exquisite SATB arrangement in F Major by L. Müller. This version, with its Latin lyrics, brings out the joyous and reverent spirit of the original composition. Ideal for concerts, recitals, and sacred services, this arrangement will elevate your choir’s performance with its rich harmonies and uplifting melodies. Add this timeless classic to your repertoire and let your voices shine with the glory of Saint-Saëns’ masterpiece.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir - Bilingual version - Optional Accompaniment
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Choral SATB
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BEGINNER
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Camille Saint-Saens
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L
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Tollite Hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514742 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christ...
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Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514742 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089233. Published by Müller Publishing company (A0.1514742). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in G Major A capella - Bilingual version - Optional Accompaniment Enhance your choir’s performance with the joyful and reverent “Tollite hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, arranged for SATB in G Major with optional piano and bilingual lyrics by L. Müller. This version, featuring both English and Latin lyrics, offers the flexibility of performing with or without piano accompaniment, making it suitable for various settings. The rich harmonies and uplifting spirit of this arrangement will elevate your choir’s repertoire, bringing the timeless beauty of Saint-Saëns’ masterpiece to life.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir - Bilingual version - Optional Accompaniment
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Choral SATB
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BEGINNER
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Camille Saint-Saens
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L
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Tollite Hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514741 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christ...
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Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514741 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 15 pages. Müller Publishing company #1089232. Published by Müller Publishing company (A0.1514741). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major A capella - Bilingual version - Optional Accompaniment Enhance your choir’s performance with the joyful and reverent “Tollite hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, arranged for SATB in F Major with optional piano and bilingual lyrics by L. Müller. This version, featuring both English and Latin lyrics, offers the flexibility of performing with or without piano accompaniment, making it suitable for various settings. The rich harmonies and uplifting spirit of this arrangement will elevate your choir’s repertoire, bringing the timeless beauty of Saint-Saëns’ masterpiece to life.
$2.99
Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major Bilingual version
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Choral SATB
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BEGINNER
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Camille Saint-Saens
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L
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Tollite Hostias - Camille Sain
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514736 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christ...
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Choral Choir,Choral (SATB Chorus) - Level 1 - Digital Download SKU: A0.1514736 Composed by Camille Saint-Saens. Arranged by L. Müller. A Cappella,Christmas,Classical,Religious,Sacred. 2 pages. Müller Publishing company #1089228. Published by Müller Publishing company (A0.1514736). Tollite Hostias - Camille Saint-Saëns - for SATB Choir in F Major Bilingual versionExperience the best of both worlds with “Tollite Hostias” from Camille Saint-Saëns’ “Oratorio de Noël”, op. 12, in this bilingual SATB arrangement in F Major by L. Müller. Featuring both English and Latin lyrics, this version captures the joyous and reverent spirit of the original piece. Perfect for concerts, recitals, and sacred services, this arrangement will add a timeless classic to your choir’s repertoire. Let your voices resonate with the glory and magnificence of Saint-Saëns’ masterpiece in this exceptional rendition.
$2.99
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