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Sarabanda and Gavotta for Clarinet
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Sarabanda and Gavotta for Clarinet
Sheetmusic to print
2 sheet music found
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1
Sarabanda and Gavotta for Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Arcangelo Corelli
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Daniel Leeman
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Sarabanda and Gavotta for Clar
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Daniel Leeman
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SheetMusicPlus
Clarinet Solo - Level 3 - Digital Download SKU: A0.870678 Composed by Arcangelo Corelli. Arranged by Daniel Leeman. Baroque. Individual part. 5 pages. Da...
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Clarinet Solo - Level 3 - Digital Download SKU: A0.870678 Composed by Arcangelo Corelli. Arranged by Daniel Leeman. Baroque. Individual part. 5 pages. Daniel Leeman #2961107. Published by Daniel Leeman (A0.870678). Two starkly contrasting movements, Arcangelo Corelli's Sarabanda and Gavotta presents an enjoyable insight into the Baroque. The opening largo movement is a great opportunity for players to work on sustained tone control while the Gavotta playfully dances between the solo and piano accompaniment.
$4.99
Sonata X, Op.5-10 for Violin & Viola
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Violin, Viola (duet)
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INTERMEDIATE
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Classical
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Arcangelo Corelli
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Kamada, Mikio
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Sonata X, Op.5-10 for Violin &
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet - Level 3 - Digital Download SKU: A0.1285513 Composed by Arcangelo Corelli. Arranged by Kamada, Mikio. Baroque. 6 pages. ACORDO Sheet M...
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Instrumental Duet - Level 3 - Digital Download SKU: A0.1285513 Composed by Arcangelo Corelli. Arranged by Kamada, Mikio. Baroque. 6 pages. ACORDO Sheet Music #876618. Published by ACORDO Sheet Music (A0.1285513). Corelli's Op. 5 consists of 12 sonatas for violin and basso continuo. Sonata, Op.5, No.10 has five movements: I. Preludio, II. Allemanda, III. Sarabanda, IV. Gavotta, V. Giga. The fourth movement (IV) is especially well-known.Basso continuo is usually played by harpsichord and cello. However, Lumiere Duo has released a beautiful CD recording of Op. 5, No. 7, performed as a duet for violin and cello. The sheet music we're sharing here is arranged for duets of Op. 5, No. 10, for violin and viola.Viola is tuned one octave above the cello. As a result, the viola can't faithfully replicate the cello part from the original. There are notes that are too low for the viola's range. In the arrangement for violin and viola, we strive to stay true to the original notes. If the notes aren't in the viola's range, we raise them by one octave. However, following this rule too strictly can lead to unnatural sequences. In such cases, even when the note is within the viola's range, we use a note one octave higher to maintain naturalness. While there's no rigid rule for this treatment, we're trying to imagine what Corelli might do if he were arranging for violin and viola. Additionally, in the third and fourth movements, we've swapped the solo part and basso continuo part in the repeating sections. Shifting the melody to the viola brings a fresh sound. In the audio samples below, we've used a flute sound for the violin part and a clarinet sound for the viola part. This should help you better understand how the swapping works.
$4.80
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