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Second Nature
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Second Nature
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951
Four Forces (Second movement) II. Weak Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Choral SSAA
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INTERMEDIATE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
The Four Beauties of Nature Piano Sonata
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Adam Walter Carlsen
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Trio
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The Four Beauties of Nature Pi
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Adam Walter Carlsen
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1488630 Composed by Adam Walter Carlsen. Contemporary. Score. 45 pages. Adam Walter Carlsen #1065472. Pub...
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Piano Solo - Level 4 - Digital Download SKU: A0.1488630 Composed by Adam Walter Carlsen. Contemporary. Score. 45 pages. Adam Walter Carlsen #1065472. Published by Adam Walter Carlsen (A0.1488630). This is a four movement piano sonata I composed in a more traditional style with a little bit of modern twists. Each movement of this piece describes the four beauties of nature that the Japanese use meaning to observe nature and discover yourself: Flowers, Birds, Wind and Moon. The first movement is titled Wind which is conveyed by the fast scale moving sixteenth notes sounding throughout the movement. This second movement is titled Moon which is conveyed by the Chopin Nocturne style accompaniment that's present throughout the movement. This third movement is titled Flowers which is a Minuet & Trio. Basically, this movement has a light graceful musical style played throughout with a moderate tempo. The fourth movement's title is Birds because of the wide range of musical emotions that are expressed in this finale. Facebook: https://www.facebook.com/adam.carlsen.35Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.
$5.99
The Four Beauties of Nature Piano Sonata Mov. 2 - Moon
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Adam Walter Carlsen
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The Four Beauties of Nature Pi
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Adam Walter Carlsen
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1131170 Composed by Adam Walter Carlsen. Classical,Contemporary. Score. 13 pages. Adam Walter Carlsen #73...
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Piano Solo - Level 4 - Digital Download SKU: A0.1131170 Composed by Adam Walter Carlsen. Classical,Contemporary. Score. 13 pages. Adam Walter Carlsen #731434. Published by Adam Walter Carlsen (A0.1131170). This is a piano sonata I composed in a more traditional style with a little bit of modern twists. Each movement of this piece describes the four beauties of nature that the Japanese use meaning to observe nature and discover yourself: Flower, bird, wind, moon. This second movement is titled Moon which is conveyed by the Chopin Nocturne style accompaniment that's present throughout the movement. Facebook: https://www.facebook.com/adam.carlsen.35 Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.
$1.99
5 Vignettes from Norwegian Nature (for Alto Saxophone and Piano)
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Alto Saxophone and Piano
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Nikolai Clavier
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5 Vignettes from Norwegian Nat
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Nikolai Clavier
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.942498 Composed by Nikolai Clavier. 20th Century,Contemporary,Folk,Wo...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.942498 Composed by Nikolai Clavier. 20th Century,Contemporary,Folk,World. Score and parts. 58 pages. Nikolai Clavier #6039345. Published by Nikolai Clavier (A0.942498). I was asked to write this piece for a Norwegian saxophonist studying in Copenhagen. He was looking for new music from each of the Scandinavian countries, and I decided to make my contribution a homage to the beautiful nature that Norway has to offer. Thus I drew inspiration from traditional folk music, as well as the majestic images of mountains, fjords and valleys across the Norwegian landscape. This piece has five movements and each has an illustrating title, creating a narrative sequence of movements. A vignette is a brief evocative description, account or episode. This produced a challenge in the sense that I had to be musically brief and technically concrete withing the span of a short movement. This in addition to the challenge of creating appropriate soundscapes and colors. The five movements are:I. Views over the FjordII. Winter sceneryIII. Nora at the farmIV. The Midnight Sun over the Finnmark HighlandsV. Autumn rain at the southern coastAn other interesting fact to note is the fact that the last four movements has rather specific seasons attached to themselves. Second movement is a winter movement with the original title Snow covered mountains and icy waters, and then follows a spring movement, a clear summer movement and autumn at last.
$19.99
Human Nature
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Jazz Ensemble
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EASY
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Pop music
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Michael Jackson
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Jeff Tincher
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Human Nature
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Jeff Tincher
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.582277 By Michael Jackson. By John Bettis and Steve Porcaro. Arranged by Jeff Tincher. P...
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.582277 By Michael Jackson. By John Bettis and Steve Porcaro. Arranged by Jeff Tincher. Pop. Score and parts. 39 pages. Jeff Tincher #2965875. Published by Jeff Tincher (A0.582277). This is a jazz band arrangement of Michael Jackson's Human Nature hit. The instrumentation is 5 saxes, 4 trumpets, 4 trombones, piano, bass, and drums. It is great for school stage bands as well as professional big bands. Duration is 2 minutes and 6 seconds. You can contact me through facebook https://www.facebook.com/jefftinktincher. Visit my website http://jefftincher.wixsite.com/home
$40.00
The Second Time Around from HIGH TIME
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C Instruments
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Contemporary
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James Van Heusen and Sammy Cah
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Mark W
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The Second Time Around from HI
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - Digital Download SKU: A0.808218 Composed by James Van Heusen and Sammy Cahn. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake ...
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C Instrument - Digital Download SKU: A0.808218 Composed by James Van Heusen and Sammy Cahn. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #3523855. Published by Mark Wayne Music, LLC (A0.808218). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99
Second Violin Fantasia Opus 7 No.6
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Violin
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INTERMEDIATE/ADVANCED
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Contemporary
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Jacq Daniel Francisco
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Second Violin Fantasia Opus 7
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Donna Francisco
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SheetMusicPlus
Violin Solo - Level 4 - Digital Download SKU: A0.1029235 Composed by Jacq Daniel Francisco. Contemporary. 17 pages. Donna Francisco #4784237. Published b...
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Violin Solo - Level 4 - Digital Download SKU: A0.1029235 Composed by Jacq Daniel Francisco. Contemporary. 17 pages. Donna Francisco #4784237. Published by Donna Francisco (A0.1029235). The piece, which is 150 measures long, is great for those who loves expressive fast music of the violin. It features massive passages with fast notes containing the key signature of A Flat Major to C sharp Minor, and it finds a way going back to the home key.... Very wonderful piece...
$4.49
Simply Second Nature
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Piano, Vocal and Guitar
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Broadway
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Marc Shaiman & Scott Wittman
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Simply Second Nature
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.305578 By Marc Shaiman & Scott Wittman. This edition: Interactive Download. Musical/Show. Piano/Vocal/Guitar. 5 pages. Publi...
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Interactive Download SKU: HX.305578 By Marc Shaiman & Scott Wittman. This edition: Interactive Download. Musical/Show. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital (HX.305578).
$4.99
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: ...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
Once In Love With Amy
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Brass ensemble
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INTERMEDIATE
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Contemporary
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 page...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Second Nature by Bon Iver - Piano/Vocal/Chords, Singer Pro
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Piano, Voice
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Bon Iver
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Second Nature
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Musicnotes
Sheet Music for Second Nature from Don't Look Up arranged for Piano/Vocal/Chords;Singer Pro in C Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Second Nature from Don't Look Up arranged for Piano/Vocal/Chords;Singer Pro in C Major. Digital sheet music from Musicnotes.
$5.99
Simply Second Nature from Charlie and the Chocolate Factory [Musical] - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
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Broadway
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Simply Second Nature from Char
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Musicnotes
Marc Shaiman - Simply Second Nature - from Charlie and the Chocolate Factory Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downlo...
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Marc Shaiman - Simply Second Nature - from Charlie and the Chocolate Factory Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Musical~~Show/Broadway
$5.50
Second Nature from Bloody Bloody Andrew Jackson - Piano/Vocal/Chords, Singer Pro
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Piano, Vocal and Guitar
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Broadway
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Second Nature from Bloody Bloo
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Musicnotes
Michael Friedman - Second Nature - from the Broadway Musical Bloody Bloody Andrew Jackson Digital Sheetmusic - instantly downloadable sheet music plus an intera...
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Michael Friedman - Second Nature - from the Broadway Musical Bloody Bloody Andrew Jackson Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 6 pages -- Show/Broadway~~Musical
$5.79
Second Nature by Joy Williams - Piano/Vocal/Chords, Singer Pro
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Piano, Voice
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Christian contemporary
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Joy Williams
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Second Nature
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Musicnotes
Performed by: Joy Williams: Second Nature Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (th...
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Performed by: Joy Williams: Second Nature Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Singer Pro;Piano/Vocal/Chords, instruments: Piano;Voice; 8 pages -- CCM~~Christian
$5.50
Snow In California
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Choral SATB
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INTERMEDIATE
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Antonio Dixon, Kenneth Babyfac
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Christopher Alexander
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Snow In California
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1409005 Composed by Antonio Dixon, Kenneth Babyface Edmonds, Khristopher Van Riddick...
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1409005 Composed by Antonio Dixon, Kenneth Babyface Edmonds, Khristopher Van Riddick-Tynes, and Leon G. Thomas III. Arranged by Christopher Alexander. A Cappella,Christmas,Pop. 16 pages. Christopher Alexander #991612. Published by Christopher Alexander (A0.1409005). This choral arrangement brings a doo-wop style to the instant Christmas classic by Ariana Grande.  Featuring one or two soloists from your choir, the chorus creates a supportive accompaniment with its easy-going vocal lines and gentle harmonic rhythms.  The choir is encouraged to perform the simple ‘step-touch’ dance that most doo-wop groups perform.  To help the soloists with the tricky rhythms of the lyrics, I suggest listening to Ariana’s version at a slower tempo until the words become second nature and feeling how each difficult rhythm actually helps lead into the next.  Your choir will love to perform this song everywhere during the holiday season.
$2.50
Sanctus, Sanctus, Sanctus (Holy, Holy, Holy)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Thamar Juan Tyson
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Sanctus, Sanctus, Sanctus
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T.J.T. Music Productions
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.957848 Composed by Thamar Juan Tyson. Christian,Contemporary,Standards. Octavo. 18 pages. T.J.T....
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.957848 Composed by Thamar Juan Tyson. Christian,Contemporary,Standards. Octavo. 18 pages. T.J.T. Music Productions #2025441. Published by T.J.T. Music Productions (A0.957848). A very vibrant, expressive and high quality work, Sanctus, Sanctus, Sanctus is a versatile SATB work. Set in Five-four Time, the driving rhythm in the male voices provide a catchy and memorable undercurrent to the off-beat duet part in the female voices. This work is suitable for intermediate to advanced choral ensembles in search of a very challenging and upbeat work. The accents in the four voices create a rhythmic shift between Five-four and Ten-eight time signatures. As a result, choir directors, particularly in high school, college and university settings will be able to instruct and assist their choral students with understanding the conceptual relationship and shift between Five-four and Ten-eight time signatures, while reading rhythmically in Five-four Time. The rhythmic feel is sure to become natural and second nature to choirs that have the opportunity to experience this dynamic and exciting work. This work also can assist high school choral directors with introducing, and teaching their choirs to understand and perform music written with Latin text in a very contemporary style.
$4.99
Pickles and Peppers Rag for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
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Folkloric/Traditional
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Adeline Shepard
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John Gibson
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Pickles and Peppers Rag for Cl
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.581992 Composed by Adeline Shepard. Arranged by John Gibson. Folk. 2...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.581992 Composed by Adeline Shepard. Arranged by John Gibson. Folk. 27 pages. JB Linear #3882867. Published by JB Linear (A0.581992). Pickles and Peppers Rag by Adeline Shepard (1906) set for clarinet choir by John Gibson. (Eb, Bb clarinet 1-3, Alto - with an alternate 4th Bb part, Bass, Contrabass or Contra Alto). Adeline's ragtime piece became one of the most popular published sheet music of the time and was even used as a theme song in William Jennings Bryan's presidential campaign in 1908. Bryan lost the election, but Adeline's sheet music sold two million copies! The rhythms are a bit difficult, but they are natural sounding and become second nature as you play them.
$14.95
Teresa Young's Music Reader Cheat Sheet
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Piano, Vocal and Guitar
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BEGINNER
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Instructional
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Teresa Young
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Teresa Young
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Teresa Young's Music Reader Ch
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Teresa Young
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1106719 By Teresa Young. By Teresa Young. Arranged by Teresa Young. Instructional. Score. 5...
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1106719 By Teresa Young. By Teresa Young. Arranged by Teresa Young. Instructional. Score. 5 pages. Teresa Young #709656. Published by Teresa Young (A0.1106719). As a music coach for decades, Teresa Young's superpower is making note-reading skills development fun. (For real!) Use her cheat sheet along with some music-note flash cards to make a timed game of note recognition, for points. 4 minutes works great. With a teacher or knowledgeable helper as time-keeper and score-keeper, gradually progress up and down the treble and bass staves to ledger lines, over a period of a few weeks. Beat your last score each time to fire up your music-reading skills. First, make it an open book game, then set the cheat sheet aside, picking it up as needed. Next, make sight-reading actual music a game too, keeping it equally light and fun. And take little mental breaks as needed.After all, learning any language is a neurological process, and music is no different. Using Teresa's enjoyable approach to note recognition, before you know it this foundational skill will become second-nature. Then just keep it fresh. Because, bottom line, use it or lose it absolutely applies to music-reading. The more you read, the better you'll read. So go for it, and have fun!
$4.99
Kiss Me
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Easy Piano
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BEGINNER
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Pop music
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Ed Sheeran
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Robert Newth
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Kiss Me
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Robert Newth
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.845561 By Ed Sheeran. By Ed Sheeran, Ernest Wilson, Julie Frost, and Justin Franks. Arranged by Robert Ne...
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Easy Piano - Level 1 - Digital Download SKU: A0.845561 By Ed Sheeran. By Ed Sheeran, Ernest Wilson, Julie Frost, and Justin Franks. Arranged by Robert Newth. Pop. Score. 2 pages. Robert Newth #3218189. Published by Robert Newth (A0.845561). This simple arrangement of Ed Sheeran's song Kiss Me is perfect for piano beginners. There are suggested fingerings, and chord symbols for those playing on keyboards with accompaniment. I've transposed the song down from the key of D major to C major to make it even more accessible.The left hand part has a few tricky fingerings but with separate hand practice it will become second nature!
$4.99
Three Bassoon Solos
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Bassoon
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INTERMEDIATE/ADVANCED
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Robert A
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Three Bassoon Solos
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Robert A. Howard
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SheetMusicPlus
Bassoon Solo - Level 4 - Digital Download SKU: A0.998889 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional...
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Bassoon Solo - Level 4 - Digital Download SKU: A0.998889 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Individual part. 7 pages. Robert A. Howard #6496061. Published by Robert A. Howard (A0.998889). This is a set of three solo bassoon works. The first piece, Pierrot, develops the notion of 'line'. It explores various facets of the instrument (as in the more complex nature of Pierrot's Commedia Dell'Arte character). The piece features a serial 'note-row' procedure but in a relaxed manner, more akin to Berg than either Schoenberg or Webern. The second piece, Folk Lament, alludes to a folk idiom by using modality (characterised by the flattened seventh degree of the scale) within a sonata form structure. The two main themes give a broad feel of being improvised and, particularly in the case of the second subject, includes composed-out forms of folk-like ornamentation. The final piece, The Clown, employs bluesy inflections, an irregular time signature (5/4) and a clear rondo structure. Varied repetitions of the main, jaunty theme, alternate with contrasting episodes in related keys, one of which is even a derivation of the 12-bar Blues. The set is highly accessible and suitable for more advanced bassoonists including students and professionals. Each movement within this set is also available to purchase individually via Sheet Music Plus.Duration: 8 minutes 40 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$5.49
Once In Love With Amy
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Contemporary
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 page...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Brass Press #5020113. Published by Sweetwater Brass Press (A0.808700). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy, particularly its chorus, seems to lend itself to performance by musical instruments in the lower registers. And that’s what inspired this arrangement in which bass tuba carries the load with strong support from euphonium and tuba. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features euphonium and tuba playing melody while bass tuba provides tempo and pulse. Then comes the familiar chorus-Once in love with Amy, always in love with Amy-and bass tuba takes over. The first time through, bass tuba plays melody with the other two providing accompaniment; the second time, bass tuba plays an intricate counterpoint while euph and tuba do a rather smooth swing version of the melody. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 75 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for euphonium and bass tuba should be within normal playing range. Tuba, on the other hand, plays quite a few G and A notes at the top of the treble clef. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for brass quintet. This arrangement was completed in 2020, and performance time runs about 3 minutes, 1 second. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for euphonium) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Hommages and Prelude No. 1
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Piano solo
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ADVANCED
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Classical
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
Four Forces (First movement) I. Strong Forces
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Percussion Ensemble
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ADVANCED
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
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