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1526
In Time of War: Prayers and Meditations (Piano/Vocal Score)
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Henry Mollicone
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In Time of War: Prayers and Me
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano solo, percussion, harp and string orchestra - Difficult - Digital Download SKU: MQ.6446-E Composed by Henry Mollicone. 21st century, prayer. 19 p...
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Soprano solo, percussion, harp and string orchestra - Difficult - Digital Download SKU: MQ.6446-E Composed by Henry Mollicone. 21st century, prayer. 19 pages. Duration 24 minutes, 50 seconds. E. C. Schirmer Music Company - Digital #6446-E. Published by E. C. Schirmer Music Company - Digital (MQ.6446-E). Latin.In Time of War: Prayers and Meditations was completed in June, 2004. The work was written in response to the wartime events of our time, and juxtaposes vocal movements based upon Latin prayers with purely orchestral sections (meditations on wartime subjects). The Latin prayers in this work consist of the Agnus Dei from the Roman Catholic Mass, a prayer which asks God for forgiveness of the 'sins of the world,' and two hymns to the Virgin Mary: Ave Maria and Ave Maris Stella. The concept of the Blessed Mother as the spiritual mother of all humanity is a powerful one which I believe touches us on a deep level. As children, our mothers give us guidance, tenderness, unconditional love and protection in a world where evil exists. In our time, horrific wartime events daily take their toll on innocent civilians, while motherhood is revered in all cultures. This work is about the coexistence of these two disparate but ever present realities, representing the best (unconditional love) and worst (war) aspects of the human condition. -Henry Mollicone Duration: 24' 50 Contents:1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope.
Song List
: 1. Victims of War 2. Ave Maria 3. Meditation: 9-11-01 4. Agnus Dei I 5. Meditation: Preemptive Strike 6. Agnus Dei II 7. Ave maris stella 8. Meditation: Hope
$9.50
Patricia: A Ragtime Composition
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Fire In My Soul Tenor Voice and Piano -- E-flat minor
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Tenor voice, Piano
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INTERMEDIATE
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Cody Weinmann
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Fire In My Soul Tenor Voice an
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Cody Weinmann
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.835115 Composed by Cody Weinmann. Contemporary,Rock. 12 pages. Cody Weinmann #4719753. Publis...
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Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.835115 Composed by Cody Weinmann. Contemporary,Rock. 12 pages. Cody Weinmann #4719753. Published by Cody Weinmann (A0.835115). This song was originally composed in 2008. It was largely based out of depression. I felt like I was going nowhere. So, I wrote this in all my angst and sadness. The song is meant to have almost a happy ending in the second chorus as the singer clings to hope in Jesus. Little did I know that six years later, I would be transformed by a relationship with Christ, the Savior Himself.I hope this song could bring comfort to all those who mourn and are down. This piece is a good onefor somber events of all types, especially funerals. The piece's run time is about 4 minutes and 13 seconds in length. As for playing it, it is intermediate level piano playing. This is a special version of the song written and arranged for tenor solo voice and piano.We all have this fire in our souls that compels us to do well. Let's do it!
$5.99
In time of silver rain from I've Known Rivers (Piano/Choral Score)
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Choral SATB
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INTERMEDIATE
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Gospel/Spiritual
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Gwyneth W
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In time of silver rain from I'
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) and piano, or optional percussion and string orchestra - Medium - Digital Download SKU: MQ.7284-E Composed by Gwyneth W. Walker...
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SATB choir (choir divisi) and piano, or optional percussion and string orchestra - Medium - Digital Download SKU: MQ.7284-E Composed by Gwyneth W. Walker. African American Heritage. 11 pages. Duration 3 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #7284-E. Published by E. C. Schirmer Music Company - Digital (MQ.7284-E). English.Intended as the final movement of this set of four, this is a song of healing. With the arrival of spring and regeneration, the poet marvels at the wonder of life. Peaceful, but with the constant murmuring of water beneath. Duration: 3:30.
$2.65
Benediction (Go Forth in Joy)
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Choral 3-part
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EASY
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Sacred music
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Steve Sensenig
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Benediction
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Steve Sensenig
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1277974 Composed by Steve Sensenig. Christian,Religious,Sacred. Octavo. 2 pages. Steve Sensenig #...
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1277974 Composed by Steve Sensenig. Christian,Religious,Sacred. Octavo. 2 pages. Steve Sensenig #869678. Published by Steve Sensenig (A0.1277974). A very brief choral benedictionSAB + Piano (optional B div on the last note)(approx. 19 seconds performance time).
$1.99
Alexander’s Ragtime Band
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Irving Berlin
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F
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contact him at lessmith@ufl
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Alexander’s Ragtime Band
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patrio...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
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Contemporary
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugi
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Ma...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
The Sundials: I;Tempus Edax Rerum (Time devours things)
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Contemporary
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Re
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. M...
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
In the Evening by the Moonlight
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Brass ensemble
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INTERMEDIATE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and pa...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Signs of the Times
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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BYU-I Wind Quintet
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Signs of the Times
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Ryan Terry
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1440107 By BYU-I Wind Quintet. By Ryan Terry. 21...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1440107 By BYU-I Wind Quintet. By Ryan Terry. 21st Century,Chamber,Christian,Contemporary,Religious. 14 pages. Ryan Terry #1020051. Published by Ryan Terry (A0.1440107). An original piece by composer and clarinetist Ryan Terry. This unstable, suspenseful work details the the prophesied disastrous signs that will precede Christ's Second Coming through the use of asymetrical time signatures, whereas Christ's depicted descent from the heavens is the only part of the piece in 4/4, arguably the most comforting time signature. In fact, the title, Signs of the Times, is actually a play on words of the term time signatures, which is the main gimmick of the piece. The subtitle of the piece is (Matthew 24:29-30) which reads:29 Immediately after the tribulation of those days shall the sun be darkened, and the moon shall not give her light, and the stars shall fall from heaven, and the powers of the heavens shall be shaken:30 And then shall appear the sign of the Son of man in heaven: and then shall all the tribes of the earth mourn, and they shall see the Son of man coming in the clouds of heaven with power and great glory.This piece was originally performed by the Wind Quintet at Brigham Young University-Idaho during the Fall 2023 semester, and has since been polished.Estimated duration of piece: 5 min, 55 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.
$39.99
Look back on Time with kindly Eyes (Downloadable)
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Choral SATB
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INTERMEDIATE
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Kevin Uppercue
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Look back on Time with kindly
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir (choir divisi) and piano - Medium - Digital Download SKU: MQ.1.3563-E Composed by Kevin Uppercue. 11 pages. Duration 3 minutes, 30 seconds. Ga...
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SATB choir (choir divisi) and piano - Medium - Digital Download SKU: MQ.1.3563-E Composed by Kevin Uppercue. 11 pages. Duration 3 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3563-E. Published by Galaxy Music Corporation - Digital (MQ.1.3563-E). English.The work opens with a sardonic take on the title line, the first reaction being one of malice towards recollection. The piece then transitions to a nostalgic perspective, as continued pondering gives way to softer sentiment and encompasses the climax of the setting. A long, languid section provides the ending material with an open-ended close in the piano depicting the dreamy haze of memory. The varied and thoughtful reading of the text yields varied textures in both the chorus and accompaniment, with each section of the chorus given equal measure. This work may be performed in conjunction with In this short Life (1.3562) to create a multi-movement setting titled Two Dickinson Poems on Time. Duration: 3:30.
$2.65
TRUMPET TUNE, Jeremiah Clarke (sometimes attributed to H.Purcell), String Quartet, Intermediate Leve
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Jeremiah Clarke
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Sherry Lewis
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TRUMPET TUNE, Jeremiah Clarke
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Sherry Lewis Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521024 Composed by Jeremiah Clarke (sometimes attributed to H.Purce...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521024 Composed by Jeremiah Clarke (sometimes attributed to H.Purcell). Arranged by Sherry Lewis. Baroque,Wedding. 9 pages. Sherry Lewis Publishing #3383877. Published by Sherry Lewis Publishing (A0.521024). TRUMPET TUNE, Jeremiah Clarke (sometimes attributed to H.Purcell), String Quartet, Intermediate Level for 2 violins, viola and celloScore: 2 pagesParts: 4 pages Time: 1'15MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
TRUMPET TUNE, Jeremiah Clarke (sometimes attributed to H.Purcell), String Trio, Intermediate Level f
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String Trio: violin, viola, cello
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INTERMEDIATE
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Jeremiah Clarke
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Sherry Lewis Publishing
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TRUMPET TUNE, Jeremiah Clarke
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Sherry Lewis Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521025 Composed by Jeremiah Clarke. Arranged by Sherry Lewis Publishing. Baroque,Wedd...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521025 Composed by Jeremiah Clarke. Arranged by Sherry Lewis Publishing. Baroque,Wedding. 9 pages. Sherry Lewis Publishing #3383879. Published by Sherry Lewis Publishing (A0.521025). TRUMPET TUNE, Jeremiah Clarke (sometimes attributed to H.Purcell), String Trio, Intermediate Level for 2 violins and cello or violin, viola and celloScore: 2 pagesParts: 4 pages Time: 1'15MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
TRUMPET TUNE, Jeremiah Clarke (sometimes attributed to H.Purcell), String Duo, Intermediate Level fo
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Violin, Cello (duet)
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INTERMEDIATE
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Henry Purcell
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Sherry Lewis
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TRUMPET TUNE, Jeremiah Clarke
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Sherry Lewis Publishing
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521428 Composed by Henry Purcell. Arranged by Sherry Lewis. Baroque,Wedding. 7 pages....
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521428 Composed by Henry Purcell. Arranged by Sherry Lewis. Baroque,Wedding. 7 pages. Sherry Lewis Publishing #6061931. Published by Sherry Lewis Publishing (A0.521428). TRUMPET TUNE, Jeremiah Clarke (sometimes attributed to H.Purcell), String Duo, Intermediate Level for violin and celloScore: 1 pagesParts: 2 pages Time: 1'15MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.50
TRUMPET TUNE, Jeremiah Clarke (sometimes attributed to H.Purcell), Violin Solo, Intermediate Level
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Violin
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INTERMEDIATE
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Henry Purcell
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Sherry Lewis
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TRUMPET TUNE, Jeremiah Clarke
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Sherry Lewis Publishing
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SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.521429 Composed by Henry Purcell. Arranged by Sherry Lewis. Baroque,Wedding. 4 pages. Sherry Lewis Publi...
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Violin Solo - Level 3 - Digital Download SKU: A0.521429 Composed by Henry Purcell. Arranged by Sherry Lewis. Baroque,Wedding. 4 pages. Sherry Lewis Publishing #6062135. Published by Sherry Lewis Publishing (A0.521429). TRUMPET TUNE, Jeremiah Clarke (sometimes attributed to H.Purcell), Violin Solo, Intermediate LevelScore: 0 pagesParts: 1 pages Time: 1'15MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.50
Once In Love With Amy
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Brass ensemble
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INTERMEDIATE
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Contemporary
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 page...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Etude in C, Le Couppey-Nolte
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Piano solo
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ADVANCED
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instru...
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
In My Room
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Choral TTBB
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INTERMEDIATE/ADVANCED
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A C...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
Come, Josephine in My Flying Machine
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Brass ensemble
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INTERMEDIATE
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Fred Fisher
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F
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Come, Josephine in My Flying M
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional....
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706).     Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisher’s music with Alfred Bryan’s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be America’s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!    This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the song’s native ¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.    The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.    Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.99
I Don’t Want to Play in Your Yard: Trumpet Feature
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Brass Quartet
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INTERMEDIATE/ADVANCED
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H
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F
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I Don’t Want to Play in Your
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comed...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95
Times of Change
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Brass Quartet: 2 trumpets, horn, trombone
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ADVANCED
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Contemporary
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Lisa Lenke Sousa
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Times of Change
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Lisa Lenke Sousa
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.979556 Composed by Lisa Lenke Sousa. 20th Century,Concert,Contemporary. Score a...
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Brass Ensemble Horn,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.979556 Composed by Lisa Lenke Sousa. 20th Century,Concert,Contemporary. Score and parts. 12 pages. Lisa Lenke Sousa #6201007. Published by Lisa Lenke Sousa (A0.979556). Originally in 1993 and revised for a brass trio in 2020, Times of Change is an advanced work that involves a combination of different time signatures. These times signatures include those of 10/8, 3/8, 4/4, 3/4, 7/8, and 5/8. Times of Change is 1 minute and 57 seconds long and is an excellent edition as a recital or concert piece.
$8.58
Down by the Riverside - Brass Quintet arranged in Trad. New Orleans Brass Band Style
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gospel/Spiritual
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African - American Spiritual
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Dennis Ruello
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Down by the Riverside - Brass
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Chicory Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1230998 By African - American Spiritual. By Traditional Spiritual. Arranged...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1230998 By African - American Spiritual. By Traditional Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Spiritual,Traditional. 23 pages. Chicory Music #826635. Published by Chicory Music (A0.1230998). Gospel music has infiltrated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Brass Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ).  Performance Time: Approx. 2 minutes 40 seconds
$15.99
Down by the Riverside - Woodwind Quintet arranged in Trad. New Orleans Brass Band Style
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Gospel/Spiritual
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African - American Spiritual
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Dennis Ruello
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Down by the Riverside - Woodwi
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1226025 By African - American Spiritual. By Trad...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1226025 By African - American Spiritual. By Traditional Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,Spiritual,Traditional. 23 pages. Chicory Music #822026. Published by Chicory Music (A0.1226025). Gospel music has infiltrated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Woodwind Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ). Performance Time: Approx. 2 minutes 40 seconds
$15.99
Down by the Riverside - Sax Quintet arranged in Trad. New Orleans Brass Band Style
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE/ADVANCED
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African - American Spiritual
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Dennis Ruello
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Down by the Riverside - Sax Qu
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Chicory Music
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1226523 By A...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1226523 By African - American Spiritual. By Spiritual. Arranged by Dennis Ruello. 20th Century,Historic,Jazz,March,Spiritual. 23 pages. Chicory Music #822527. Published by Chicory Music (A0.1226523). Gospel music has infiltated the New Orleans jazz repertoire since the very early days of jazz. Although gospel songs were traditionally played by jazz bands at funerals or church, it is now common that these songs are also played in secular venues. “Down by the Riverside†is an example of such a song, adapted by jazz musicians to fit the New Orleans jazz or brass band style. It has been a staple in New Orleans jazz since at least the early 1920s. This arrangement for Sax Quintet plus optional Acoustic Bass and Drum Set is written in the style of a New Orleans Brass Band, the kind of tune you might hear at a Second Line Parade or Jazz Funeral. Play this piece with the attitude: Laissez les bons temps rouler ( Let the good times roll ).Performance Time: Approx. 2 minutes 40 seconds
$15.99
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