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You've selected:
Seven Years Old
Sheetmusic to print
230 sheet music found
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226
Seven Spanish Songs
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Piano, Voice
#
INTERMEDIATE
#
Martin Jeremy Richardson
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Seven Spanish Songs
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M J Richardson
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996625 Composed by Martin Jeremy Richardson. Contemporary,World. Score. 44 pages. M J Richardson #...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996625 Composed by Martin Jeremy Richardson. Contemporary,World. Score. 44 pages. M J Richardson #5307647. Published by M J Richardson (A0.996625). This collection of seven songs is inspired by Spanish folk and flamenco music. Each song is representative of a different style or genre, including dances, romances, work, and religious and songs. Spain has a long history of folk music dating back to the Middle Ages; a tradition that is still very much alive today. The music has been influenced by many different cultures over the centuries and has been the inspiration for musicians across the world.Songs1.Sevillanas are a type of folk song and associated dance for couples, originating in the nineteenth century. Today they are still very popular, particularly at fiestas and other social events.2.Cabaliño is a Galician work song about a young horse, arranged in the style of a flamenco tango.3. La Petenera is a combination of two songs in very different styles - a flamenco Petenera from AndalucÃa and a Mexican son huasteco, a genre that is noteworthy for its flamboyant and virtuoso violin parts.4. Saetas are religious songs that are performed at Easter (Semana Santa).5.There are many hundreds of versions of the old folk tale Gerineldo, telling the story of love between a Queen and her page boy. This Spanish/Jewish version is over 500 years old, from the time when the Moors ruled over much of the Iberian Peninsula.6.Villancico Asturiano is a traditional Christmas carol from Asturias, combined with a setting of a Christmas poem written in the seventeenth century by Robert Herrick for King Charles II of England.7.The lyrics from La Tarara are drawn from the poem of the same name by the Spanish poet Federico Lorca, who based his poem on a traditional children´s playground song. La Tarara is a mystical woman who dances around the countryside. The music in this version is in the style of a Tanguillo – a type of flamenco dance from Cadiz.
$9.99
Sieben Deutches Kirchegesänge (Seven German Hymns) for SATB choir, a cappella
#
Choral SATB
#
EASY
#
Sacred music
#
Aaron Lee
#
Sieben Deutches Kirchegesä
#
J. Aaron Lee
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1039220 Composed by Aaron Lee. A Cappella,Baroque,Praise & Worship,Sacred. Octavo. 24 pages. J. ...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1039220 Composed by Aaron Lee. A Cappella,Baroque,Praise & Worship,Sacred. Octavo. 24 pages. J. Aaron Lee #644161. Published by J. Aaron Lee (A0.1039220). This collection of chorales is based on seven different Lutheran chants ranging in age from 400-500 years old. The included texts are all in German and, where possible, the original composer and poets are listed alongside their dates of birth/death. All of the chorales are moderate in difficult and should be very achievable for amateur or student choirs. The individual chorales in this set are also available for purchase individually. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$9.99
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Seven Years Old
#
Easy Piano
#
EASY
#
Martin John James Phillipps
#
Dennis Jankowski
#
Seven Years Old
#
Dennis Jankowski
#
SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1477618 Composed by Martin John James Phillipps. Arranged by Dennis Jankowski. Contemporary,Pop. Score. 5...
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Easy Piano - Level 2 - Digital Download SKU: A0.1477618 Composed by Martin John James Phillipps. Arranged by Dennis Jankowski. Contemporary,Pop. Score. 5 pages. Dennis Jankowski #1054999. Published by Dennis Jankowski (A0.1477618). Arranged as piano arrangement for the beginner-to-intermediate piano player.
$4.99
The Magnificent Seven
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Flute Quartet: 4 flutes
#
INTERMEDIATE/ADVANCED
#
Elmer Bernstein
#
Diego Marani
#
The Magnificent Seven
#
Diego Marani
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.527829 Composed by Elmer Bernstein. Arranged by Diego Marani. Contemporary,...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.527829 Composed by Elmer Bernstein. Arranged by Diego Marani. Contemporary,Country,Film/TV,Instructional,Standards. 26 pages. Diego Marani #3505717. Published by Diego Marani (A0.527829). The Magnificent Seven is a 1960 American Western film directed by John Sturges and starring Yul Brynner, Eli Wallach, Steve McQueen, Charles Bronson and James Coburn. The film is an Old West-style remake of Akira Kurosawa's 1954 Japanese film Seven Samurai. Bernstein's score has frequently been quoted in the media and popular culture. Starting in 1963, the theme was used in commercials in the U.S. for Marlboro cigarettes for many years. A similar-sounding (but different) tune was used for Victoria Bitter beer in Australia. The theme was included in the James Bond film Moonraker.This arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.It is suitable for repertoire, classroom and recital.
$22.99
Holding Back The Years
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Orchestra
#
INTERMEDIATE
#
Pop music
#
Simply Red
#
Kevin Riley
#
Holding Back The Years
#
Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1076562 By Simply Red. By Mick Hucknall and Neil Moss. Arranged by Kevin Riley. Pop. Score and parts....
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Full Orchestra - Level 3 - Digital Download SKU: A0.1076562 By Simply Red. By Mick Hucknall and Neil Moss. Arranged by Kevin Riley. Pop. Score and parts. 30 pages. Kevin Riley #680701. Published by Kevin Riley (A0.1076562). Holding Back the Years is the seventh track on Simply Red's debut studio album Picture Book (1985). It remains their most successful single, having reached number one on the US Billboard Hot 100 and number two on the UK Singles Chart. It is one of two Simply Red songs (the other being their cover of If You Don't Know Me by Now) to reach number one in the US. It also reached number four on the Adult Contemporary chart. Holding Back the Years had initially been released in the UK the year before, reaching number 51. The song was nominated in the category of Best Pop Performance by a Duo or Group with Vocals at the 29th Annual Grammy Awards.
$60.00
Bethany
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Piano solo
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INTERMEDIATE/ADVANCED
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Katherine Brookes
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Bethany
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Katherine Brookes
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.999069 Composed by Katherine Brookes. 20th Century,Concert,Standards. Score. 6 pages. Katherine Brookes #...
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Piano Solo - Level 4 - Digital Download SKU: A0.999069 Composed by Katherine Brookes. 20th Century,Concert,Standards. Score. 6 pages. Katherine Brookes #5709135. Published by Katherine Brookes (A0.999069). 'Bethany' is a piece for solo piano and was written for my daughter. The piece represents the different parts of her character and how she has changed and matured as she has got older, and how she will continue to do so (she was seven years old when this piece was written). Katherine Brookes is a Guinness World Record holding flute player. To contact Katherine please email katherine@katherinebrookes.com and for more information about her please visit her website www.katherinebrookes.com Duration: ca. 4:46 .
$5.00
English version of "Song of Autumn Fog"
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Piano, Voice
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Johnson K
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e-Pllination Inc
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English version of "Song of Au
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Johnson Gao
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.1006984 Composed by Johnson K. Gao. Arranged by e-Pllination Inc. Children,Concert,Contemporary,World. Score...
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Piano,Vocal,Voice - Digital Download SKU: A0.1006984 Composed by Johnson K. Gao. Arranged by e-Pllination Inc. Children,Concert,Contemporary,World. Score. 1 pages. Johnson Gao #3372983. Published by Johnson Gao (A0.1006984). September 12, 1991, I met a fog in the city of Knoxville, Tennessee. Everything became very vague. Not only that the Great Smoky Mountain, which was clearly visible on the sunny day, was completely blocked by the fog, the neighbors' brick houses and flowers are also very hazy. But, the cricket's sound could be heard clearly. I wrote the Autumn fog in twenty eight Chinese characters. Twenty-three years later, when I was seventy-seven years old, I found the poem in the old manuscript and scanned it into an electronic version. I used two days to compose a song for the poem. February 2016, I visited New Orleans and added another 28 Chinese characters to form a longer poem as following. 秋霧 高é雄作: é 看白紗掩é’å±±, è¿‘è½ç§‹èŸ²é³´ç¿ 壇; 石屋朦朧隱芳è‰, 旋花迷離上窗欖。茫茫人生å«è‰±éšª, 旦夕ç¦ç¦èŽ«æ„天。良機åªå¾…有心人, 霾消日照彩雲邊。And I composed a longer song, published in my music sheet book. This is a short version of English translation of the original short poem.
$1.99
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
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String Trio: violin, viola, cello
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EASY
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Contemporary
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Anon
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Shigeo Ida & Peet du Toit
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Romance
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Peet du Toit
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
$14.50
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Concert band
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INTERMEDIATE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Publi...
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Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
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Saxophone and Organ
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ADVANCED
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Contemporary
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Judith Cloud
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What Would Nina Simone Say? Fo
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Judith Cloud
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and...
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
Mozart Piano Sonata No. 10 in C Major
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Piano solo
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Allegro Music Publishing LLC
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Mozart Piano Sonata No. 10 in
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Allegro Music Publishing LLC
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.935467 Composed by Wolfgang Amadeus Mozart. Arranged by Allegro Music Publishing LLC. Classical,World. Sc...
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Piano Solo - Level 5 - Digital Download SKU: A0.935467 Composed by Wolfgang Amadeus Mozart. Arranged by Allegro Music Publishing LLC. Classical,World. Score. 14 pages. Allegro Music Publishing LLC #4890517. Published by Allegro Music Publishing LLC (A0.935467). Mozart’s Piano Sonata No. 10 in C major, K 330 (300h), was composed in 1783, when he was twenty-seven years old – at the height of his musical power. It is considered one of Mozart’s most popular piano sonatas.
$1.99
The Magnificent Seven for Clarinet Quartet
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Film/TV
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Diego Marani
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The Magnificent Seven for Clar
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Diego Marani
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SheetMusicPlus
Clarinet, Woodwind Quartet - Advanced Intermediate - Digital Download Arranged by Diego Marani. Score, Set of Parts. 29 pages. Published by Diego Mar...
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Clarinet, Woodwind Quartet - Advanced Intermediate - Digital Download Arranged by Diego Marani. Score, Set of Parts. 29 pages. Published by Diego Marani
The Magnificent Seven is a 1960 American Western film directed by John Sturges and starring Yul Brynner, Eli Wallach, Steve McQueen, Charles Bronson and James Coburn. The film is an Old West-style remake of Akira Kurosawa's 1954 Japanese film Seven Samurai. Bernstein's score has frequently been quoted in the media and popular culture. Starting in 1963, the theme was used in commercials in the U.S. for Marlboro cigarettes for many years. A similar-sounding (but different) tune was used for Victoria Bitter beer in Australia. The theme was included in the James Bond film Moonraker.
This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
It is suitable for repertoire, classroom and recital.
$22.99
The Magnificent Seven for Brass Quartet
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE/ADVANCED
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Film/TV
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Diego Marani
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The Magnificent Seven for Bras
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Diego Marani
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SheetMusicPlus
Brass Quartet - Advanced Intermediate - Digital Download Arranged by Diego Marani. Score, Set of Parts. 26 pages. Published by Diego Marani ...
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Brass Quartet - Advanced Intermediate - Digital Download Arranged by Diego Marani. Score, Set of Parts. 26 pages. Published by Diego Marani
The Magnificent Seven is a 1960 American Western film directed by John Sturges and starring Yul Brynner, Eli Wallach, Steve McQueen, Charles Bronson and James Coburn. The film is an Old West-style remake of Akira Kurosawa's 1954 Japanese film Seven Samurai. Bernstein's score has frequently been quoted in the media and popular culture. Starting in 1963, the theme was used in commercials in the U.S. for Marlboro cigarettes for many years. A similar-sounding (but different) tune was used for Victoria Bitter beer in Australia. The theme was included in the James Bond film Moonraker.
This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.
It is suitable for repertoire, classroom and recital.
$22.99
Piano Suite #1 (Ancient Scenes)
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Piano solo
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ADVANCED
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Contemporary
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James Domine
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Piano Suite #1
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.976506 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 49 pages. Earth Music, Ltd. #2...
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Piano Solo - Level 5 - Digital Download SKU: A0.976506 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 49 pages. Earth Music, Ltd. #2081751. Published by Earth Music, Ltd. (A0.976506). Based on the myth of Taliesin, the Ancient Scenes concert suite is made up of five piano solo arrangements extracted from the Legend complete ballet. These are the Invocation, Processional March, Fire Dance, Snake Dance (The Oracular Serpent) and Bacchanal. The music of the Invocation prepares for the reenactment of the myth of the Sun King, whose life and subsequent sacrifice is executed to placate the wrath of the Moon Goddess. According to legendary accounts, King Maelgwynhad determined to offer Taliesin as the sacrificial victim, and led him off in chains to the cadence of the Processional March to the dungeon at Dyganwy where along with Prince Elphin he was imprisoned. The King caused a great sacrificial funeral pyre to be built, stacked high with wood and stoked by burning embers taken from a fir tree, still smoldering from a winter’s storm lightning strike. The people of Gwynedd leapt in a furious sacrificial Fire Dance as Taliesin was brought enmeshed in a wicker cage to the edge of the pyre. A great snake appeared before the fire, coiling threateningly, and rearing up with a fearful hiss, spoke to Taliesin as the Snake Dance unfolds: Can you answer the riddle of the oracular serpent? As soon as Taliesin answered the correct mysterious formula in secret words only audible to the snake, the flames of the pyre roared back into life, and the serpent disappeared into fire to the sound of drums pounding an inexorable rhythm. King Maelgwyn was seized by his own soldiers and thrown without ceremony on the burning maelstrom, and led by the High Priest and the Council of Elders, Taliesin was proclaimed Sun King, who will reign for a period of seven years. All join in a great Bacchanal in celebration of the preservation of order in the universe.
$14.99
An Irish Melody - HB Score
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Handbells
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EASY
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Christmas
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Margaret R Tucker
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An Irish Melody - HB Score
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2 - Digital Download SKU: C7.CGB289 Composed by Margaret R Tucker. Christmas. With 3 octaves handchimes, SATB. Score...
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3, 4, or 5 octaves handbells - Level 2 - Digital Download SKU: C7.CGB289 Composed by Margaret R Tucker. Christmas. With 3 octaves handchimes, SATB. Score. 8 pages. Chorister's Guild - Digital #CGB289. Published by Chorister's Guild - Digital (C7.CGB289). UPC: 749193008003.Divertimento No. 3 in E-Flat Major is said to have been written by Mozart when he was only seventeen years old. This Allegro (the final movement)was originally scored for oboes, clarinets, English Horns, Horns in Eb, and Bassoons. Filled with life and energy, the work has many phrases, which quickly alternate between rung notes and staccato notes and can be thumb damped, plucked, or played with mallets. This piece should be rung at a brisk tempo, cleanly damped, and have the clarity and lightness typical of Mozart's early writing. Achieving this will make the piece more difficult than it may first appear. Those familiar with MozartAEs The Sleigh Ride and his Alleluia from EXSULTATE JUBILATE, will be able to hear elements of both in this delightful piece.
$4.50
Divertimento No 3 in E-Flat
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Handbells
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INTERMEDIATE
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Martha Lynn Thompson and Wolfg
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Martha Lynn Thompson and Wolfg
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Divertimento No 3 in E-Flat
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4 or 5 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB296 Composed by Martha Lynn Thompson and Wolfgang Amadeus Mozart. Arranged by Martha...
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3, 4 or 5 octaves handbells - Level 3+ - Digital Download SKU: C7.CGB296 Composed by Martha Lynn Thompson and Wolfgang Amadeus Mozart. Arranged by Martha Lynn Thompson and Wolfgang Amadeus Mozart. General. Score. 12 pages. Chorister's Guild - Digital #CGB296. Published by Chorister's Guild - Digital (C7.CGB296). UPC: 749193007969.Divertimento No. 3 in E-Flat Major is said to have been written by Mozart when he was only seventeen years old. This Allegro (the final movement)was originally scored for oboes, clarinets, English Horns, Horns in Eb, and Bassoons. Filled with life and energy, the work has many phrases, which quickly alternate between rung notes and staccato notes and can be thumb damped, plucked, or played with mallets. This piece should be rung at a brisk tempo, cleanly damped, and have the clarity and lightness typical of Mozart's early writing. Achieving this will make the piece more difficult than it may first appear. Those familiar with MozartAEs The Sleigh Ride and his Alleluia from EXSULTATE JUBILATE, will be able to hear elements of both in this delightful piece.
$4.95
Wieniawski Romance Sans Paroles Et Rondo Élégant Op. 9 for Violin and String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Henri Wieniawski
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Paul Wood
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Wieniawski Romance Sans Parole
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1036593 Composed by Henri Wieniawski. Arranged by Paul Wood. Romantic Period. Score and parts. 71 p...
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String Orchestra - Level 4 - Digital Download SKU: A0.1036593 Composed by Henri Wieniawski. Arranged by Paul Wood. Romantic Period. Score and parts. 71 pages. MyMusicScores.com #641101. Published by MyMusicScores.com (A0.1036593). The Romance sans paroles et Rondo élégant, Op. 9 was composed by Wieniawski in 1852 when he was just seventeen years old. Here's an arrangement for violin and string orchestra The PDF contains the score and all parts.
$24.99
Kiss Tomorrow Goodbye A/k/a Capri C'est Fini
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Alto Saxophone
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Herve Vilard and Paul Anka
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Leo Silva
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Kiss Tomorrow Goodbye A/k/a Ca
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MP Sheet Music
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SheetMusicPlus
Alto Saxophone Solo - Digital Download SKU: A0.508780 Composed by Herve Vilard and Paul Anka. Arranged by Leo Silva. Multicultural,World. Individual part...
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Alto Saxophone Solo - Digital Download SKU: A0.508780 Composed by Herve Vilard and Paul Anka. Arranged by Leo Silva. Multicultural,World. Individual part. 2 pages. Published by MP Sheet Music (A0.508780). Capri c'est fini is a French song, composed and sung by Hervé Vilard. This song enjoyed great success in France from its release in June 1965 and launched the career of the young singer who was then 19 years old. Vilard recorded the song in seven languages ​​and sold 2.5 million copies. The lyrics describe a romantic breakup. The song's title, which is identified with its chorus, uses the Italian island of Capri, where the relationship was formed and lasted, to represent the couple who break up. Hervé Vilard, who had just signed his first contract with Mercury Records, was not successful in singing the songs in English re-recorded in that studio's catalogue. The idea of ​​the title came to him by chance, when he saw a tourist advertisement on the Paris Metro, calling attention to that island, making him think of the song C'est fini, which Charles Aznavour had released in the same year and which Villard often hummed. In that song, there was also a repetition of the phrase C' est fini (it's over).
$4.99
Kiss Tomorrow Goodbye A/k/a Capri C'est Fini
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Alto Saxophone
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Herve Vilard and Paul Anka
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Leo Silva
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Kiss Tomorrow Goodbye A/k/a Ca
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MP Sheet Music
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SheetMusicPlus
Alto Saxophone Solo - Digital Download SKU: A0.508781 Composed by Herve Vilard and Paul Anka. Arranged by Leo Silva. Multicultural,World. Individual part...
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Alto Saxophone Solo - Digital Download SKU: A0.508781 Composed by Herve Vilard and Paul Anka. Arranged by Leo Silva. Multicultural,World. Individual part. 2 pages. Published by MP Sheet Music (A0.508781). Capri c'est fini is a French song, composed and sung by Hervé Vilard. This song enjoyed great success in France from its release in June 1965 and launched the career of the young singer who was then 19 years old. Vilard recorded the song in seven languages ​​and sold 2.5 million copies. The lyrics describe a romantic breakup. The song's title, which is identified with its chorus, uses the Italian island of Capri, where the relationship was formed and lasted, to represent the couple who break up. Hervé Vilard, who had just signed his first contract with Mercury Records, was not successful in singing the songs in English re-recorded in that studio's catalogue. The idea of ​​the title came to him by chance, when he saw a tourist advertisement on the Paris Metro, calling attention to that island, making him think of the song C'est fini, which Charles Aznavour had released in the same year and which Villard often hummed. In that song, there was also a repetition of the phrase C' est fini (it's over). PS: ALTERNATIVE TUNE.
$4.99
Kiss Tomorrow Goodbye A/k/a Capri C'est Fini
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Tenor Saxophone
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Herve Vilard and Paul Anka
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Leo Silva
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Kiss Tomorrow Goodbye A/k/a Ca
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MP Sheet Music
#
SheetMusicPlus
Tenor Saxophone Solo - Digital Download SKU: A0.508778 Composed by Herve Vilard and Paul Anka. Arranged by Leo Silva. Multicultural,World. Individual par...
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Tenor Saxophone Solo - Digital Download SKU: A0.508778 Composed by Herve Vilard and Paul Anka. Arranged by Leo Silva. Multicultural,World. Individual part. 2 pages. Published by MP Sheet Music (A0.508778). Capri c'est fini is a French song, composed and sung by Hervé Vilard. This song enjoyed great success in France from its release in June 1965 and launched the career of the young singer who was then 19 years old. Vilard recorded the song in seven languages ​​and sold 2.5 million copies. The lyrics describe a romantic breakup. The song's title, which is identified with its chorus, uses the Italian island of Capri, where the relationship was formed and lasted, to represent the couple who break up. Hervé Vilard, who had just signed his first contract with Mercury Records, was not successful in singing the songs in English re-recorded in that studio's catalogue. The idea of ​​the title came to him by chance, when he saw a tourist advertisement on the Paris Metro, calling attention to that island, making him think of the song C'est fini, which Charles Aznavour had released in the same year and which Villard often hummed. In that song, there was also a repetition of the phrase C' est fini (it's over).
$4.99
Kiss Tomorrow Goodbye A/k/a Capri C'est Fini
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Saxophone (band part)
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Herve Vilard and Paul Anka
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Leo Silva
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Kiss Tomorrow Goodbye A/k/a Ca
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MP Sheet Music
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SheetMusicPlus
Soprano Saxophone Solo - Digital Download SKU: A0.508779 Composed by Herve Vilard and Paul Anka. Arranged by Leo Silva. Multicultural,World. Individual p...
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Soprano Saxophone Solo - Digital Download SKU: A0.508779 Composed by Herve Vilard and Paul Anka. Arranged by Leo Silva. Multicultural,World. Individual part. 2 pages. Published by MP Sheet Music (A0.508779). Capri c'est fini is a French song, composed and sung by Hervé Vilard. This song enjoyed great success in France from its release in June 1965 and launched the career of the young singer who was then 19 years old. Vilard recorded the song in seven languages ​​and sold 2.5 million copies. The lyrics describe a romantic breakup. The song's title, which is identified with its chorus, uses the Italian island of Capri, where the relationship was formed and lasted, to represent the couple who break up. Hervé Vilard, who had just signed his first contract with Mercury Records, was not successful in singing the songs in English re-recorded in that studio's catalogue. The idea of ​​the title came to him by chance, when he saw a tourist advertisement on the Paris Metro, calling attention to that island, making him think of the song C'est fini, which Charles Aznavour had released in the same year and which Villard often hummed. In that song, there was also a repetition of the phrase C' est fini (it's over).
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