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You've selected:
She's Famous Now
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She's Famous Now
Marching band
Composed by Aaron Barrett. Arranged by Shane Howell. Pop, Rock. Score and parts. 13 …
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Composed by Aaron Barrett. Arranged by Shane Howell. Pop, Rock. Score and parts. 13 pages. Published by Shane Howell
$49.99
46.17 €
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Marching band
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Aaron Barrett
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She's Famous Now
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Shane Howell
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SheetMusicPlus
Bach: Sheep May Safely Graze for Baritone Sax & Piano
Baritone Saxophone, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.548979 Composed by Jo…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.43 €
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Baritone Saxophone, Piano
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Johann Sebastian Bach
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Bach: Sheep May Safely Graze for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Sheep May Safely Graze for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
30.43 €
#
Alto Saxophone and Piano
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Johann Sebastian Bach
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Bach: Sheep May Safely Graze for Alto Sax & Piano
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jmsgu3
#
SheetMusicPlus
Now Is the Month of Maying
Chorus - Digital Download SKU: AX.00-PO-0002110 Now Is the Month of Maying - 3-P…
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Chorus - Digital Download SKU: AX.00-PO-0002110 Now Is the Month of Maying - 3-Part Mixed, a cappella. Composed by Thomas Morley. Arranged by Russell L. Robinson. Secular Choral. 10 pages. Alfred Music - Digital Sheet Music #00-PO-0002110. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002110). UPC: 038081157146.Morley's famous madrigal is arranged perfectly for 3-part mixed voices. Excellent for developing choirs and small vocal ensembles. Limited range male part.A cappella.
$2.25
2.08 €
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Thomas Morley
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Now Is the Month of Maying
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Too Fat Polka (she's Too Fat For Me)
Large Ensemble Accordion,Bass Voice,Clarinet,Drum Set,Piano,Trombone,Trumpet,Tuba - Level …
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Large Ensemble Accordion,Bass Voice,Clarinet,Drum Set,Piano,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.734594 Composed by Arthur Richardson and Ross MacLean. Arranged by Dennis Ruello. Contemporary. Score and parts. 36 pages. Chicory Music #6535109. Published by Chicory Music (A0.734594). The ‘Too Fat Polka’, of which the recurrent chorus was ‘I don’t want her, you can have her, she’s too fat for me’. The song, recorded by the then famous but now generally forgotten American broadcaster and entertainer Arthur Godfrey, was a big hit in 1947 when people may have been more amused than offended by gentle mockery of the obese.This Intermediate Level German Band arrangement includes: a Full Score, Voice (Opt.), 1st and 2nd Clarinet, Trumpet, Trombone, Tuba, Piano / Accordion, Acoustic Bass (Tuba Sub.) and Drum Set .
$17.99
16.61 €
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Arthur Richardson and Ross MacLean
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Too Fat Polka
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Chicory Music
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
46.17 €
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Concert band
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A
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
Four Famous Concertos for E-Flat Trumpet by Haydn, Hummel, Neruda & Sasche (Eb & Bb solo parts only)
Trumpet (band part)
Trumpet Solo - Level 5 - Digital Download SKU: A0.817140 Composed by Franz Joseph H…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.817140 Composed by Franz Joseph Haydn, Johann Nepomuk Hummel, Neruda, and Sasche. Arranged by Charles Decker. Classical,Contest,Festival,Historic,Instructional,Romantic Period. Individual part. 53 pages. Charles Decker Music Press #3905635. Published by Charles Decker Music Press (A0.817140). Now in in one collection are the four famous concertos for E-flat trumpet by Franz Josef Haydn (1796), Johann Nepomuk Hummel (1803), Johann Baptiste Neruda (ca. 1750) and Sasche (1871) that are the core of the trumpet's solo literature edited with dynamics, articulations, and new cadenzas. This essential collection for ambitious trumpeters comes with two sets of solo parts for E-flat trumpet and B-flat trumpet with no piano accompaniment. For more trumpet study materials to improve performance capabilities and musicianship see my Intermediate Serial Studies for Trumpet (highly recommended by the International Trumpet Guild Journal) and Supplemental Practice Approaches for Trumpet, as well as my First Technical Studies for Trumpet for young students, all with Charles Decker Music Press at Sheet Music Plus. To further expand your solo literature knowledge see my collection at Sheet Music Plus of Three Famous Baroque Works for Two Trumpets which has D, C, piccolo A and B-flat trumpet solo parts for the frequently performed Vivaldi and Manfredini Concertos and Francheschini Sonata. If looking for more trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this like to Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$14.99
13.84 €
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Trumpet (band part)
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Franz Joseph Haydn, Johann Nepomuk Hummel, Neruda, and Sasche
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Four Famous Concertos for E-Flat Trumpet by Haydn, Hummel, Neruda & Sasche
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Charles Decker Music Press
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SheetMusicPlus
Waltz For Elise's Sister
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1095131 By Sarah Bonsignore. By Sar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1095131 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. Classical,Instructional. Score. 4 pages. Sarah Bonsignore #699189. Published by Sarah Bonsignore (A0.1095131). Here is a beautiful early intermediate piano solo by South African born, Nashville based pianist, composer and songwriter Sarah Bonsignore. She was inspired to write the piece in early 2020, and based it on Beethoven's famous Fur Elise opening theme. Sarah imagined Elise having a sister, and felt quite sorry for her not having her own famous piece. Also, Sarah has known many pianists who have only been able to learn the beginning of Beethoven's wonderful piece, and hopefully by working on this one first, students will be one step closer to learning the rest of it!! Sarah enjoys writing repertoire for her own children and students at the intermediate level, as she finds the jump from beginner to advanced repertoire quite a leap. Check out her books 20 Beautiful Piano Solos book 1 and 2 and Songs For a Rainy Day on Amazon, which include many beautiful pieces in all styles for the later beginner/intermediate pianist. Find out more about the composer and her work at singplaystudios.com.
$3.99
3.68 €
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Piano solo
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Sarah Bonsignore
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Waltz For Elise's Sister
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Sarah Bonsignore
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SheetMusicPlus
Out Of Nowhere
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1083862 By Buddy De Franco. …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1083862 By Buddy De Franco. By Edward Heyman and Johnny Green. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #688062. Published by DAVID LEE GINGRAS (A0.1083862). Out of Nowhere is a popular song composed by Johnny Green with lyrics by Edward Heyman and published by Famous Music. It was popularized by Bing Crosby, and was the first recording under his Brunswick Records contract. He recorded it on March 30, 1931 and it became his first number one hit as a solo artist. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We tossed in what we think are some pretty sweet left-hand fills, also. It's not too hard and sounds great as-written, but feel free to make it your own!
$4.99
4.61 €
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Piano, Voice
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Buddy De Franco
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Out Of Nowhere
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DAVID LEE GINGRAS
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SheetMusicPlus
Just Another Night Music (Mozart´s Little Night Music in a Latin Version)
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.876883 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.876883 Composed by Wolfgang Amadeus Mozart. Arranged by Augustin Lehfuss. Baroque,Contemporary,Jazz. Score and parts. 23 pages. Gustfuss Records #3036639. Published by Gustfuss Records (A0.876883). This is a „take another crossroad version of Mozart´s famous Little Night Music, written by Austrian Arranger and Composer Augustin Lehfuss – a wild and funny arrangement for string quartet in a unusual latin style. Everybody knows the triad motive at the beginning of Mozart´s original composition, which reappears several times throughout the piece. The idea was, that the performing quartet, while playing the original work of Mozart – tired of always playing the same classical music – „turns left any time the characteristic motive appears, and switches to the latin version which is sold here. Then it runs wild for a while and enjoys Mozart´s theme in a crazy latin style, bevor, finally disciplinized again, finishes in Mozart´s original ending of his „Little Night Music. From the „turn out of Mozart´s original piece until the original ending the latin arrangement lasts about three minutes . For this arrangement starts with the famous triad motive, it can also be played as a stand alone version, though recognizable for the audience. There are phrasings and dynamics indicated in this arrangement, but every quartet should feel free to choose their own phrasings. This arrangement was written for students of a musical university, so it requires a little bit more advanced players – but it should not be taken too serious..visit also the arranger's hompagewww.lehfuss.com Please visit also the arrangers facebook and twitter accounts https://www.facebook.com/pg/Augustin-Lehfuss-Singer-and-Songwriter-694559137266782/about/?ref=page_i..... https://twitter.com/AugustinLehfuss
$11.95
11.04 €
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String Quartet: 2 violins, viola, cello
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Wolfgang Amadeus Mozart
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the piece
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Just Another Night Music
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Gustfuss Records
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SheetMusicPlus
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richa…
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Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Richard Strauss
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.88 €
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Soprano voice, Piano
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Richard Strauss
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Soprano voice, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ru…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Soprano voice, Piano
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Ruggiero Leoncavallo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Trumpet & Piano
Trumpet, Piano
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549566 Composed by Edvard…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549566 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508107. Published by jmsgu3 (A0.549566). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.04 €
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Trumpet, Piano
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Edvard Grieg
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Grieg: Anitra's Dance from Peer Gynt Suite for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.27 €
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Gioachino Rossini
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Famous American Songs. America. My Country 'tis of Thee
Piano and voice (solo and SATB) - Digital Download SKU: LV.14102 Patriotism, Nation…
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Piano and voice (solo and SATB) - Digital Download SKU: LV.14102 Patriotism, National songs, National Emblems, Eagles, Liberty--symbols, Sailors, Soldiers. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14102). Famous American Songs. America. My Country 'tis of Thee. Words by Samuel Francis Smith. Author of Music unknown. Published [n.d.] by [compliments of] Hassmer Bros. in Chicago. Composition of strophic with chorus with piano and voice (solo and satb) instrumentation. Subject headings for this piece include Patriotism, National songs, National Emblems, Eagles, Liberty--symbols, Sailors, Soldiers. First line reads My country 'tis of thee.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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Famous American Songs. America. My Country 'tis of Thee
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
God Only Knows
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1085897
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1085897 By The Beach Boys. By Brian Wilson and Tony Asher. Arranged by Nathaniel Hontz. 20th Century,Pop,Rock. Score and parts. 19 pages. TigerSong LLC #690073. Published by TigerSong LLC (A0.1085897). God Only Knows from the Beach Boy's famous album Pet Sounds. A fun and upbeat arrangement for Brass Quintet.
$12.99
12 €
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Brass quartet : 2 trumpets, trombone, tuba
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The Beach Boys
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God Only Knows
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TigerSong LLC
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SheetMusicPlus
J.S.Bach Violin Concerto in a, BWV1041, for string quartet, CB218
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.535072 Composed by Johann Sebastian Bach. Arranged by FC MUSIC. Baroque. Score and parts. 36 pages. FCMUSIC #52939. Published by FCMUSIC (A0.535072). J.S.Bach Violin Concerto in a, BWV1041, for string quartet, CB218 Sheet music for string quartet published by FC MUSIC. Set of score and parts(Vn1,Vn2,Va,Vc). About publisher: FC MUSIC is a sheet music publisher in Japan. Arranged sheet music for chamber music as String Quartet, String Quintet, Piano Trio, Piano Quintet, Violin Ensemble have been published since 1997. Now on sale at the famous music store as YAMAHA in Japan. Please visit our web site http://www.fcmusic.jp. We have printed sheet music over 500, and over 300 items are downloadable. Items are sold in yen, and download price is 200 yen discount. Since doller exchange rate is higher against yen, you can buy more cheaper. Paypal is available for payment.
$20.00
18.47 €
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String Quartet: 2 violins, viola, cello
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Johann Sebastian Bach
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J.S.Bach Violin Concerto in a, BWV1041, for string quartet, CB218
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FCMUSIC
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SheetMusicPlus
Stopping By Woods On A Snowy Evening (for SATB Voices and Piano Accompaniment)
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1033158 Composed by Steve …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1033158 Composed by Steve Parsons. 20th Century,Christmas,Contemporary,Folk. Octavo. 8 pages. Stevie P Music #6135459. Published by Stevie P Music (A0.1033158). A haunting setting of Robert Frost's famous poem, this choral work features a tranquil piano accompaniment that suggests the slowly falling snow, and beautiful folk-like choral lines with shimmering but easy-to-learn chord clusters. Perfect for a winter concert or festival, award-winning ASCAP composer Steve Parsons' treatment of the familiar text stands out from the rest, and is sure to be an audience favorite! Approximate performance time: 3'34For more information, visit steveparsonsmusic.com.
$2.25
2.08 €
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Choral SATB
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Steve Parsons
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Stopping By Woods On A Snowy Evening
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Stevie P Music
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SheetMusicPlus
Snowy
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1304900 Composed by Toby Fox.…
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String Orchestra - Level 3 - Digital Download SKU: A0.1304900 Composed by Toby Fox. Arranged by Thomas Kresge. Classical,Contemporary,Instructional,Video Game. Score and Parts. 19 pages. Videri Project #891140. Published by Videri Project (A0.1304900). Dive into the world of the famous video game Undertale with this string orchestra arrangement of Snowdin! Whether you're here to pet some pups or visit the eponymous skeleton siblings you're sure to have a great time!This piece is written at the Grade 3 level, featuring opportunities for students to practice shifting as well as complex rhythms, bowing patterns, and switching between keys. Sights and sounds from the video game come to life in the snowfall of the pizzicato and the lighthearted patter of spicatto and grace notes. As we move even further in we are greeted with even more familiar melodies that we've just been waiting to play at full force! Each instrument has a moment to shine and all the parts come together to make a beautiful, vibrant image of a town totally covered in snow, yet full of heart.This purchase includes access to a full conductor's score and a set of string orchestra parts: Violin 1Violin 2ViolaVioloncelloDouble Bass.
$55.00
50.79 €
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String Orchestra
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Toby Fox
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Snowy
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Videri Project
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SheetMusicPlus
Company 6 Quickstep by C.S. Grafulla - Brass Quintet from the Civil War
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.990610 Composed by C.S. Grafull…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.990610 Composed by C.S. Grafulla. Arranged by Emmett Anglin. Folk,Patriotic,Traditional. Score and parts. 13 pages. OTBM #3248517. Published by OTBM (A0.990610). This is a nice little march (quickstep) C.S. Grafulla wrote possibly before the American Civil War. I know he is famous for his Washington Greys but the fact is that he wrote around 20 other marches (quicksteps) The original is a piano piece I discovered through the Library of Congress. The actual original sheet music may now reside in The Duke Collection which was on loan to the LOC at the time I did this arrangement. Like many Brass Quintets the melody is mostly in the trumpets. However, the lower brass do get a piece of the melody from time to time. Probably around two minutes. 102 measures. F and B-flat major. Probably a grade 3. Highest trumpet pitch is g on the top of the staff.
$20.00
18.47 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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C
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Company 6 Quickstep by C.S. Grafulla - Brass Quintet from the Civil War
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OTBM
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SheetMusicPlus
The Ballad Of Gilligan's Isle
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.948758 Composed by George Wyle,…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.948758 Composed by George Wyle, Sherwood Schwartz, and Sherwood Schwartzf. Arranged by Warren J. Wernick. Contemporary. Score and parts. 10 pages. Warren J Wernick #5709951. Published by Warren J Wernick (A0.948758). Gilligan's Island is an American sitcom created and produced by Sherwood Schwartz.The series followed the comic adventures of seven castaways as they attempted to survive on an island on which they had been shipwrecked. Most episodes revolve around the dissimilar castaways' conflicts and their unsuccessful attempts, for whose failure Gilligan was frequently responsible, to escape their plight. Sherwood Schwartz not only created and produced Gilligan’s Island but he wrote the famous ear-worm theme song as well. One can argue that the demonstrative and jaunty theme song now precedes the show itself in terms of popularity. It is the theme song that lays out the premise of the show perfectly: Five passengers set sail from Hawaii aboard the S.S. Minnow, crewed by the quick-tempered Skipper Jonas Grumby and enthusiastic screw-up Gilligan. When a storm shipwrecks them on a deserted island, what was supposed to be a three-hour tour turns into a three-year limbo, the passengers forever on the verge of escape but never quite succeeding. For those who remember, this little novelty cannot fail to please performers and audiences alike.
$14.99
13.84 €
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Brass ensemble
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George Wyle, Sherwood Schwartz, and Sherwood Schwartzf
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The Ballad Of Gilligan's Isle
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Warren J Wernick
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SheetMusicPlus
Let''s Face The Music And Dance
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.818034
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.818034 Composed by Irving Berlin. Arranged by Matthew Lax. Contemporary. Score and parts. 35 pages. Matthew Lax #4808535. Published by Matthew Lax (A0.818034). Irving Berlin's famous song Let's Face the Music and Dance from the 1936 film Follow the Fleet featuring Fred Astaire and Ginger Rogers.Arranged for Brass Quintet featuring an improvised trumpet solo in the middle.If you like my arrangement why not let me know by submitting a review.To see all my other arrangements paste my Sheet Music Plus publisher's page link into your browser:https://www.sheetmusicplus.com/publishers/matthew-lax/5267Thank you
$14.00
12.93 €
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Brass quartet : 2 trumpets, trombone, tuba
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Irving Berlin
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Let''s Face The Music And Dance
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Matthew Lax
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SheetMusicPlus
The Wedding Album, for Solo Cello and Piano
Cello, Piano
Composed by Various. Arranged by David McKeown. Baroque, Concert, Romantic Period, S…
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Composed by Various. Arranged by David McKeown. Baroque, Concert, Romantic Period, Standards, Wedding. Score and part. 24 pages. David McKeown #4594709. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Cello with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as "Here Comes the Bride". Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the"trumpet stop". Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.
$9.99
9.23 €
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Cello, Piano
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Various
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The Wedding Album, for Solo Cello and Piano
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David McKeown
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SheetMusicPlus
The Wedding Album, for Solo Trumpet and Piano
Trumpet, Piano
Piano Accompaniment, Trumpet - Intermediate - Digital Download Composed by Various. A…
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Piano Accompaniment, Trumpet - Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Romantic Period, Baroque Period, Repertoire, Wedding, Recital. Score, Solo Part. 24 pages. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Trumpet with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as “Here Comes the Bride”. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the“trumpet stop”. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.
$9.99
9.23 €
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Trumpet, Piano
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Various
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The Wedding Album, for Solo Trumpet and Piano
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David McKeown
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SheetMusicPlus
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