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Sinfonia In F - Violin 2
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You've selected:
Sinfonia In F - Violin 2
SheetMusicPlus
Sheetmusic to print
34 sheet music found
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1
26
Pergolesi Sinfonia (for guitar duet)
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2 Guitars (duet)
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INTERMEDIATE
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Classical
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Clive Lane
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Clive Lane
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Pergolesi Sinfonia
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Clive Lane
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1226622 By Clive Lane. By Giambattista Pergolesi (1710-1736). Arranged by Clive La...
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Acoustic Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1226622 By Clive Lane. By Giambattista Pergolesi (1710-1736). Arranged by Clive Lane. Classical. 8 pages. Clive Lane #822628. Published by Clive Lane (A0.1226622). Pergolesi's beautiful Sinfonia in F major for violoncello and continuo, arranged here as a duet for two guitars.Score and parts.
$4.99
Sinfonia 9 for Brass Trio
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Cristiano Vecchi
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Sinfonia 9 for Brass Trio
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Cristiano Vecchi
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.963357 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.963357 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Concert,Instructional,Sacred,Standards. Score and parts. 8 pages. Cristiano Vecchi #4849965. Published by Cristiano Vecchi (A0.963357). The three-part Sinfonia or Inventio N.9, chromatic masterwork by J.S. Bach, in a version for Brass Trio:Trumpet in Bb - Horn in F - Trombone .Added dynamic and expression indications that follow and show the formal architecture of the piece.SCORE AND PARTS. Also purchasable the MP3 on this website.Also available on this website versions for: Woodwind Trio, Cello Trio, String Trio.
$4.99
Arioso, Duet for Horn in F & Lever Harp
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2 Harps (duet)
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Serena O'Meara
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Arioso, Duet for Horn in F & L
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O'Meara Music
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SheetMusicPlus
Instrumental Duet Horn,Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.1193443 Composed by Johann Sebastian Bach. Arranged by Serena O'...
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Instrumental Duet Horn,Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.1193443 Composed by Johann Sebastian Bach. Arranged by Serena O'Meara. Baroque,Christian,Classical,Sacred,Wedding. Score and parts. 9 pages. O'Meara Music #792906. Published by O'Meara Music (A0.1193443). J. S. Bach’s Cantata 156, Ich steh mit einem Fuss im Grabe, was first performed on January 23, 1729. This was the fourth and last Cantata that he composed. Arioso, meaning airy, is the opening Sinfonia. Bach used his Arioso melody again in several other instrumental compositions.You will receive score plus individual parts.
$8.00
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Sinfonia
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Piano solo
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EASY
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Classical
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H
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Gianluca Giovannetti
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Sinfonia
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Gianluca Giovannetti
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1102611 Composed by H. Voxman and Johann Sebastian Bach. Arranged by Gianluca Giovannetti. Classical. Sco...
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Piano Solo - Level 2 - Digital Download SKU: A0.1102611 Composed by H. Voxman and Johann Sebastian Bach. Arranged by Gianluca Giovannetti. Classical. Score. 3 pages. Gianluca Giovannetti #706024. Published by Gianluca Giovannetti (A0.1102611). Arioso (Sinfonia) in F Major, arranged for intermediate piano.
$5.40
Sinfonia in F maior, BWV 794, arr. for String Trio. With Parts
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Renato Tagliabue
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Renato Tagliabue
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Sinfonia in F maior, BWV 794,
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Renato Tagliabue
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SheetMusicPlus
String Trio - Level 2 - Digital Download SKU: A0.1402808 By Renato Tagliabue. By Johann Sebastian Bach. Arranged by Renato Tagliabue. Baroque,Chamber,Cla...
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String Trio - Level 2 - Digital Download SKU: A0.1402808 By Renato Tagliabue. By Johann Sebastian Bach. Arranged by Renato Tagliabue. Baroque,Chamber,Classical. 5 pages. Renato Tagliabue #986035. Published by Renato Tagliabue (A0.1402808). .
$17.90
Bach: Sinfonia No.9 in F minor BWV 795 (music analysis)
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Piano solo
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INTERMEDIATE
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Johann Sebastian Bach
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Masakazu YAMAMOTO
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Bach: Sinfonia No.9 in F minor
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Motch Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1409475 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Masakazu YAMAMOTO. Baroque,Classi...
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Piano Solo - Level 3 - Digital Download SKU: A0.1409475 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Masakazu YAMAMOTO. Baroque,Classical,Contest,Festival,Instructional,Religious. Score. 2 pages. Motch Music #992105. Published by Motch Music (A0.1409475). Music analysis of Sinfonia No. 9 composed by J.S. Bach.In this edition, composer Masakazu Yamamoto provides a detailed analysis of various aspects such as each phrase, harmony, and cadence, and analytical notes based on this analysis are written in various colors on the musical score. It is hoped that these annotations will be helpful for learning, whether in performance or composition.Analyses of all 15 pieces from the Sinfonia series is available for purchase. [Sheet Music Plus / Sheet Music Direct] Note:In this edition, Japanese-style harmony marks are used.Other Music Analyses(Sheet Music Plus / Sheet Music Direct)-----------------------------------------------------Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)We have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. We also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$4.00
Bach: Sinfonia No.8 in F major BWV 794 (music analysis)
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Piano solo
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Masakazu YAMAMOTO
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Bach: Sinfonia No.8 in F major
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Motch Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1401273 Composed by Johann Sebastian Bach. Arranged by Masakazu YAMAMOTO. Baroque,Classical,Contest,Festi...
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Piano Solo - Level 3 - Digital Download SKU: A0.1401273 Composed by Johann Sebastian Bach. Arranged by Masakazu YAMAMOTO. Baroque,Classical,Contest,Festival,Instructional,Religious. Score. 2 pages. Motch Music #984459. Published by Motch Music (A0.1401273). Music analysis of Sinfonia No. 8 composed by J.S. Bach.In this edition, composer Masakazu Yamamoto provides a detailed analysis of various aspects such as each phrase, harmony, and cadence, and analytical notes based on this analysis are written in various colors on the musical score. It is hoped that these annotations will be helpful for learning, whether in performance or composition.Analyses of all 15 pieces from the Sinfonia series is available for purchase. [Sheet Music Plus / Sheet Music Direct] Note:In this edition, Japanese-style harmony marks are used.Other Music Analyses(Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$4.00
Leopold Mozart : Sinfonia Burlesca Mvt.1 Allegro - clarinet quintet
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE
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Classical
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Ray Thompson Music
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Ray Thompson
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Leopold Mozart : Sinfonia Burl
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RayThompsonMusic
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.505902 By Ray Thompson Music. By Leopold Mozart. Arranged by Ray Th...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.505902 By Ray Thompson Music. By Leopold Mozart. Arranged by Ray Thompson. Classical. 8 pages. RayThompsonMusic #117544. Published by RayThompsonMusic (A0.505902). The “Sinfonia Burlesca†is a vehicle for the presentation of comedic characters.It demonstrates Leopold Mozart’s predilection for laconic musical genre-painting: he dedicates a minuet to:“Hanswurst†(literally “John-Sausageâ€) familiar from traditional Salzburg street theatre; “Signor Pantaloneâ€, the commedia dell’arte’s wealthy, aged and vainglorious womanizer gets his own conceited Andante. Harlequin, the mercurial and mischievous trickster in the chequered costume, gets the last word, mocking and bamboozling his upper-class audience. This is the 1st movement: Sinfonia or ouverture which  was originally written for a string orchestra of 2 viola, 2 celli and bass/bassoon.I have arranged it for clarinet quintet (4 Bbs and one bass) and transposed it from G to Eb so clarinets are playing in F.
$9.95
Bach: Christmas Oratorio BWV248 "Sinfonia Pastoral" - symphonic wind
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Classical
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Johann Sebastian Bach
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Ray Thompson
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Bach: Christmas Oratorio BWV24
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 5 - Digital Download SKU: A0.553809 Composed by Johann Sebastian Bach. Arranged by Ray Thompson. Baroque,Christmas,Sacred. Score a...
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Large Ensemble - Level 5 - Digital Download SKU: A0.553809 Composed by Johann Sebastian Bach. Arranged by Ray Thompson. Baroque,Christmas,Sacred. Score and parts. 21 pages. RayThompsonMusic #4762509. Published by RayThompsonMusic (A0.553809). The well known Sinfonia Pastoral comes from the second part of Bach's Christmas Oratorio.It is scored for 2 flutes, 2 oboe d'amore, 2 oboe da caccia, strings, continuoI have added natural horns in G. ( Horns in F are provided as well)Bach uses the 4 oboes to indicate the shepherds, as a counter melody to that of the strings.I have used the 2 oboes and bassoon 1 as the mainstay of the oboe quartet and given the sustained notes played by Bach's 4th oboe to horn or clarinet. This keeps the counter melody on the double reed instruments, and gives a fair refection of Bach's original.Flutes, clarinets and bassoon2 play the original string parts.Arranged here for double wind quintet and bass.
$19.95
Leopold Mozart: Sinfonia Burlesca - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Ray Thompson Music
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Ray Thompson
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Leopold Mozart: Sinfonia Burle
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.540668 By Ray Thompson Music. By Leopold Mozart. Arranged by Ray Thompson. Classi...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.540668 By Ray Thompson Music. By Leopold Mozart. Arranged by Ray Thompson. Classical. 28 pages. RayThompsonMusic #150801. Published by RayThompsonMusic (A0.540668). Original written for a string orchestra of 2 viola, 2 celli and bass/bassoon, I have arranged it for standard wind quintet and transposed it from G to Eb I have written a natural horn part in Eb and Bb basso (Hn in F also provided)Leo The “Sinfonia Burlesca†is a vehicle for the presentation of comedic characters. It demonstrates Leopold Mozart’s predilection for laconic musical genre-painting: he dedicates a minuet to “Hanswurst†(literally “John-Sausageâ€) familiar from traditional Salzburg street theatre; “Signor Pantaloneâ€, the commedia dell’arte’s wealthy, aged and vainglorious womanizer gets his own conceited Andante. Harlequin, the mercurial and mischievous trickster in the chequered costume, gets the last word, mocking and bamboozling his upper-class audience. .
$19.95
ARIOSO, by J. S. Bach (sinfonia) - for Horn in F and accompaniment
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French Horn and Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
French Horn,Piano - Level 1 - Digital Download SKU: A0.964388 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional...
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French Horn,Piano - Level 1 - Digital Download SKU: A0.964388 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321359. Published by Leyandder Trustworthy (A0.964388). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Horn in F along with a piano accompaniment that comes with the product.
$4.99
Sinfonia 9 for Brass Trio MP3
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Classical
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Johann Sebastian Bach
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Cristiano Vecchi
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Sinfonia 9 for Brass Trio MP3
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Cristiano Vecchi
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SheetMusicPlus
Horn,Trombone,Trumpet - Digital Download SKU: A0.1066286 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Instructional,Sacred,St...
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Horn,Trombone,Trumpet - Digital Download SKU: A0.1066286 Composed by Johann Sebastian Bach. Arranged by Cristiano Vecchi. Baroque,Instructional,Sacred,Standards. Full Performance. Duration 121. Cristiano Vecchi #4849973. Published by Cristiano Vecchi (A0.1066286). The three-part Sinfonia or Inventio N.9, chromatic masterwork by J.S. Bach, in a version for Brass Trio:Trumpet in Bb - Horn in F - Trombone .Duration: 2'00Added dynamic and expression indications that follow and show the formal architecture of the piece.Score and parts also purchasable on this website.Also available on this website versions for: Woodwind Trio, Cello Trio, String Trio.
$1.99
ARIOSO, by J. S. Bach (sinfonia) - for F Tuba and accompaniment
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Easy Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Leyandder Trustworthy
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ARIOSO, by J. S. Bach
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Leyandder Trustworthy
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SheetMusicPlus
Piano,Tuba - Level 1 - Digital Download SKU: A0.964398 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred...
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Piano,Tuba - Level 1 - Digital Download SKU: A0.964398 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6321831. Published by Leyandder Trustworthy (A0.964398). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for F Tuba along with a piano accompaniment that comes with the product.
$4.99
Sinfonia concertante in F major
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Cello, Orchestra
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Johann Christian Bach
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Sinfonia concertante in F majo
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Solos: ob.vc - 0.2.0.0. - 2.0.0.0. - str oboe, cello and orchestra - Digital Download SKU: S9.Q4631 Composed by Johann Christian Bach. This edition: stud...
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Solos: ob.vc - 0.2.0.0. - 2.0.0.0. - str oboe, cello and orchestra - Digital Download SKU: S9.Q4631 Composed by Johann Christian Bach. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 15 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4631. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4631). Key: F major.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$10.99
2-Part Invention No. 8 in F major by J.S. BACH, BWV 779 for Solo Piano
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Piano solo
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Diamond S Music
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2-Part Invention No. 8 in F ma
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Diamond S Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.790129 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Sco...
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Piano Solo - Level 3 - Digital Download SKU: A0.790129 Composed by Johann Sebastian Bach. Arranged by Diamond S Music. Baroque,Concert,Instructional. Score. 3 pages. Diamond S Music #3664627. Published by Diamond S Music (A0.790129). 2-Part Invention No. 8 in F major by J.S. BACH, BWV 779 for Solo Piano. This is the original version of the beloved 15 2-Part Inventions by Johann Sebastian Bach. The Inventions is a collection of short pieces Bach wrote for the musical education of his young pupils. These are among the finest examples of artistic gems ever written for this purpose, and probably because of this, they became very popular among Bach's pupils and others ever since they were written. The work comprises fifteen two-part, each named 'inventio', and fifteen three-part pieces, named 'sinfonia'. These two groups of pieces are arranged in an identical fashion-in ascending order by key-so that there is little doubt that Bach's intention was to bring them together as a single work. This is also confirmed by the way they are carefully written in his autograph fair copy penned in 1723. On every facing page of an open volume each piece demonstrates the contrapuntal technique, while, at the same time, explores a wide range of musical expressions using various styles and developing the motives in a logical fashion. Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$2.99
Sinfonia from Cantata 142 (To Us A Child Is Born) - Brass Quintet and Organ with Optional Timpani
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Classical
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Johann Sebastian Bach
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Christina Harmon
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Sinfonia from Cantata 142
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Christina Harmon
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SheetMusicPlus
Small Ensemble Organ,Timpani - Level 4 - Digital Download SKU: A0.753257 Composed by Johann Sebastian Bach. Arranged by Christina Harmon. Baroque,Christi...
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Small Ensemble Organ,Timpani - Level 4 - Digital Download SKU: A0.753257 Composed by Johann Sebastian Bach. Arranged by Christina Harmon. Baroque,Christian,Christmas,World. Score and parts. 16 pages. Christina Harmon #3389461. Published by Christina Harmon (A0.753257). Scored for two Trumpets in Bb, Horn in F, Trombone, Tuba, and Organ with Optional Timpani. Christmas, Performance 2 minutes.
$8.00
Bach: Two-Part Invention No.9 in F minor BWV 780 (harmony accompaniment score)
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Johann Sebastian Bach
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Masakazu YAMAMOTO
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Bach: Two-Part Invention No.9
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Motch Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1510936 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Masakazu YAMAMOT...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1510936 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Masakazu YAMAMOTO. Baroque,Classical,Contest,Festival,Instructional,Religious. Score. 2 pages. Motch Music #1083848. Published by Motch Music (A0.1510936). Harmonic Accompaniment Score of Two-Part Invention No. 9 composed by J.S. Bach.This harmony accompaniment score is primarily designed for piano teachers to use in order to deepen their students' understanding. It can also serve as a useful guide for self-learners to grasp the structure of the piece.The score is written for two pianos: the first part is the original piano score, while the second part complements the harmonic sounds of the piece. By playing it together with the original, students can experience the correct resonance of the composition and enjoy a rich sound, similar to that of a piano concerto. This score is recommended not only for lessons but also for self-learners.Note:In this edition, Japanese-style harmony marks are used.Additionally, this arrangement is based on the arranger's own musical analysis. Please also take a look at the analysis score!Analysis of Invention No.9[Sheet Music Plus / Sheet Music Direct] Analyses of the Inventions and Sinfonias series, as well as other analyses, are available for purchase at the link below.Analyses of 15 Inventions and 15 Sinfonias[Sheet Music Plus / Sheet Music Direct] There are also sets available for all 15 Inventions, all 15 Sinfonias, and the complete set of 30 pieces (Inventions and Sinfonias).All Music Analyses(Sheet Music Plus / Sheet Music Direct)-----------------------------------------------------Motch MusicAll Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$7.50
Sinfonia N. 9
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Choral SATB
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Hans Werner Henze
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Sinfonia N. 9
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemischten Chor und Orchester. Composed by Hans Werner Henze. This editio...
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Mixed choir (SATB) and orchestra - Digital Download SKU: S9.Q3162 Für gemischten Chor und Orchester. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 55 minutes. Schott Music - Digital #Q3162. Published by Schott Music - Digital (S9.Q3162). German.The theme of Henze’s Ninth Symphony is his German homeland as he remembers it during the days of his youth and during the war years. He has written this work in homage to all the people who fought back against the oppression of the Third Reich and sacrificed their lives for freedom of thought. Hans-Ulrich Treichel adapted the text from a poem by Anna Seghers. Henze has called the symphony ‘an apotheosis of the terrible and the painful’. The pinnacle of his prolific and varied œuvre, it is worlds apart from ‘Freude schöner Götterfunken’.My Ninth Symphony deals with my German homeland – as it appeared to me when I was a young man, during the war, and even earlier. Instead of hymning joy, the beautiful divine spark, the men and women of my Ninth Symphony spend the evening conjuring up a world of horror and persecution that is still with us today and that continues to cast its shadows over us. Hans Werner Henze3 (2. auch Picc., 3. auch Picc. u. Altfl.) · 3 (2. auch Ob. d'am., 3. auch Engl. Hr.) · Heckelphon · 3 (2. auch Kb.-Klar., 3. auch Bassklar.) · 3 (3. auch Kfg.) - 6 · 4 · 5 (1. Alt-, 2. u. 3. Tenor-, 4. Bass-, 5. Kb.-Pos.) · 1 (im 6. Satz Kb.-Tb.) - P. S. (3 hg. Beck. [h./m./t.] · Beckenpaar · 3 Tamt. [h./m./t.] · 3 Tomt. [h./m./t.] · 3 Bong. [h./m./t.] · Tamb. · kl. Tr. · gr. Tr. [mit und ohne Beck.] · Woodbl. · Metallbl. · hg. Glasplättchen · Kast. · Mar. · Guiros [normal und sehr groß] · Ratsche · Peitsche · Amboss · Donnerblech · Bronzeplatte · Polizeipf. [Trillerpf.] · Sir. · 3 Flex. [verschiedene Tonhöhen] · Tempelbl. · Crot. · Röhrengl. · chin. Gongs · Glsp. · Vibr. · Marimba) (7 Spieler) - Hfe. · Cel. · Klav. · Org. (nur im 6. Satz) - Str.
$55.99
Invention No. 8, F Minor for piano solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Klas Krantz
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Invention No. 8, F Minor for p
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Amadeus Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1131927 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Am...
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Piano Solo - Level 4 - Digital Download SKU: A0.1131927 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Amadeus Music #732162. Published by Amadeus Music (A0.1131927). The Inventions and Sinfonias BWV 772-801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by J. S. Bach (1685-1750): 15 inventions, which are 2-part contrapuntal pieces, and 15 sinfonias, which are 3-part contrapuntal pieces. They were originally written as musical exercises for his students. The two groups of pieces are both arranged in order of ascending key, each group covering eight major and seven minor keys. The inventions were composed in Köthen (1717-23); the sinfonias, on the other hand, were probably not finished until the beginning of the Leipzig (1723-50) period.
$2.50
Invention No. 4, F Major for piano solo
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Klas Krantz
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Invention No. 4, F Major for p
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Amadeus Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1131926 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Am...
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Piano Solo - Level 4 - Digital Download SKU: A0.1131926 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 2 pages. Amadeus Music #732161. Published by Amadeus Music (A0.1131926). The Inventions and Sinfonias BWV 772-801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by J. S. Bach (1685-1750): 15 inventions, which are 2-part contrapuntal pieces, and 15 sinfonias, which are 3-part contrapuntal pieces. They were originally written as musical exercises for his students. The two groups of pieces are both arranged in order of ascending key, each group covering eight major and seven minor keys. The inventions were composed in Köthen (1717-23); the sinfonias, on the other hand, were probably not finished until the beginning of the Leipzig (1723-50) period.
$2.50
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch
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jmsgu3
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SheetMusicPlus
Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Con...
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Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
10 Solos for Cello: Intermediate Advanced Pieces
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Cello
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INTERMEDIATE/ADVANCED
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Classical
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Various
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Clara Obsidian
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10 Solos for Cello: Intermedia
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Clara Obsidian
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.1348189 Composed by Various. Arranged by Clara Obsidian. 19th Century,20th Century,Baroque,Classical,Roma...
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Cello Solo - Level 4 - Digital Download SKU: A0.1348189 Composed by Various. Arranged by Clara Obsidian. 19th Century,20th Century,Baroque,Classical,Romantic Period. Individual part. 20 pages. Clara Obsidian #933005. Published by Clara Obsidian (A0.1348189). Featuring a compilation of 10 unique and popular works from 10 different composers arranged for Cello Solo. It is the perfect collection for lessons, gigs and performances!ContentsB. Romberg: Rondo from Sonata no. 4 in E MinorJ. S. Bach: Prélude from Suite no. 2 in D minorG. Goltermann: La Foi G. Bizet: Habanera from CarmenG. Fauré: Sicilienne G. B. Pergolesi: Comodo et Presto from Sinfonia in FA. Vivaldi: Largo from Sonata in A minor, RV 44E. Satie: Gymnopédie No. 1 from Trois GymnopédiesL. V. Beethoven: Adagio Cantabile from ‘Pathetique’ Sonata no. 8E. Elgar: Salut d’amour from LiebesgrussOther Collections also available!---------------------------.
$8.99
Sinfonia In F - Cello
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Cello (band part)
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Classical
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Antonio Vivaldi
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Steven Frackenpohl
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Classical
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Sinfonia In F - Cello
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Antonio Vivaldi (1678-1741). Arranged by Steven Frackenpohl. Orchestra. For Cello. Baroque; Classical. Individual instrument part. 2 pages. Duration 4:10. Pu...
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By Antonio Vivaldi (1678-1741). Arranged by Steven Frackenpohl. Orchestra. For Cello. Baroque; Classical. Individual instrument part. 2 pages. Duration 4:10. Published by Hal Leonard - Digital Sheet Music
$7.00
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