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Sing - Baritone T.C. Jazz Intermediate
Sheetmusic to print
8 sheet music found
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1
All Weather Friends - Jazz Waltz - Solo Piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Jazz
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Olly Wedgwood
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All Weather Friends - Jazz Wal
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OllysPianoSheets
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.961566 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5792833. Publ...
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Piano Solo - Level 4 - Digital Download SKU: A0.961566 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5792833. Published by OllysPianoSheets (A0.961566). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.I hope you enjoy All Weather Friends, whatever the weather!Explore more fun piano sheet music by Olly Wedgwood at https://ollyspianosheets.com
$3.95
All Weather Friends - Jazz Waltz - Solo Piano
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Piano solo
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INTERMEDIATE/ADVANCED
#
Jazz
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Olly Wedgwood
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All Weather Friends - Jazz Wal
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OllysPianoSheets
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.961560 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5335091. Publ...
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Piano Solo - Level 4 - Digital Download SKU: A0.961560 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5335091. Published by OllysPianoSheets (A0.961560). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.The play-along MP3 backing track for this sheet music is also available to download at Sheet Music Plus.Explore more fun piano sheet music by Olly Wedgwood at https://OllysPianoSheets.com I hope you enjoy All Weather Friends, whatever the weather!
$3.95
Don't Know Why
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C Instruments
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EASY
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Norah Jones
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Sarah Jane Cion
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Theory.
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Don't Know Why
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Safflower Music LLC
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1347934 By Norah Jones. By Jesse Harris. Arranged by Sarah Jane Cion. Contemporary,Jazz,Pop,Singer/Song...
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C Instrument - Level 2 - Digital Download SKU: A0.1347934 By Norah Jones. By Jesse Harris. Arranged by Sarah Jane Cion. Contemporary,Jazz,Pop,Singer/Songwriter,Standards. Lead Sheet / Fake Book. 3 pages. Safflower Music LLC #932748. Published by Safflower Music LLC (A0.1347934). This harmonically rich contemporary composition is presented in the form of a standard jazz lead sheet replete with melody and chord symbols. This study is great for the intermediate pianist looking to develop skills in the areas of sight-reading, technique, theory, and artistry.  —by Sarah Jane Cion, Winner of the 1999 Great American Jazz Piano Competition and author of THE ULTIMATE PLAY BY EAR PIANO METHOD: An Intermediate Guide to Jazz Concepts, Improvisation, Technique & Theory.
$4.99
Don't Stop Me Now
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Melody line, (Lyrics) and Chords
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INTERMEDIATE
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Rock
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Queen
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Louis Drummond
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Don't Stop Me Now
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Louis Drummond Van Rensburg
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SheetMusicPlus
C Instrument - Level 3 - Digital Download SKU: A0.1073318 By Queen. By Freddie Mercury. Arranged by Louis Drummond. Pop,Rock. Lead Sheet / Fake Book. 5 p...
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C Instrument - Level 3 - Digital Download SKU: A0.1073318 By Queen. By Freddie Mercury. Arranged by Louis Drummond. Pop,Rock. Lead Sheet / Fake Book. 5 pages. Louis Drummond Van Rensburg #677590. Published by Louis Drummond Van Rensburg (A0.1073318). Don't Stop Me Now is a song by the British rock group Queen featured on their 1978 album Jazz that was released as a single in 1979. Featuring in films, commercials and television shows, the song has grown in popularity in the four decades since its release. In my solo piano arrangement for intermediate players, the L.H. plays a strong disco-like bass line to support the melody and filler chords in the R.H. Queen fans will love this arrangement.
$5.99
Élégie
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Guitar
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INTERMEDIATE
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Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Over The Rainbow (from The Wizard of Oz) - Double Strung Harp Solo
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Harp
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INTERMEDIATE/ADVANCED
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Broadway
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Film/TV
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Harold Arlen
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Tracie Lin
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Over The Rainbow
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SheetMusicPlus
Harp - Advanced Intermediate - Digital Download By Harold Arlen. Arranged by Tracie Lin. Individual Part, Solo Part. 4 pages. Published by Tracie Lin...
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Harp - Advanced Intermediate - Digital Download By Harold Arlen. Arranged by Tracie Lin. Individual Part, Solo Part. 4 pages. Published by Tracie Lin
This version of Over the Rainbow is arranged on a 22 string double strung lap harp. It can also be played on larger double strung floor harps. The chord progression is mostly based on Saori Mouri's arrangement for single strung lap harp. It has a jazzy flavor to it, and is in the key of C with levers needed on F and B. The lever changes are marked on the top of each staff for the right and left side. There is one mid song F lever flip on the right that will be a bit challenging since you can't see the levers on the right. But with practice, it's still doable. Hope you enjoy the piece!
$4.99
Breathe Easy - Pop Fusion - Solo Piano
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Piano solo
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INTERMEDIATE
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Olly Wedgwood
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Breathe Easy - Pop Fusion - So
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OllysPianoSheets
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.961557 Composed by Olly Wedgwood. Concert,Jazz,Pop,Standards. Score. 4 pages. OllysPianoSheets #4800594. ...
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Piano Solo - Level 3 - Digital Download SKU: A0.961557 Composed by Olly Wedgwood. Concert,Jazz,Pop,Standards. Score. 4 pages. OllysPianoSheets #4800594. Published by OllysPianoSheets (A0.961557). Soulful, funky and relaxed... Get into the groove of Breathe Easy, a pop-fusion style piano number in C major, which comes with a funky play-along backing track (also available on Sheet Music Plus)This piece is ideal for intermediate-level pianists at about the grade 3 (ABRSM) level.The main theme for Breathe Easy centres around a syncopated thirds motif in the right hand. This catchy melody is accompanied by simple left hand seventh chords with occasional use of the sustain pedal - especially useful when the left hand moves in rising arpeggios.Don't panic, but... There is an improvisation section (with guide-notes) for you to have some fun with. If improvisation sounds scary, check out some of the videos from my Improvisation For Beginners series (https://ollyspianosheets.com/videos/improvisation-for-beginners), which feature easy and practical tips to develop simple improvisation skills. It's easier than you think!
$3.95
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