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You've selected:
So What's New
Sheetmusic to print
514 sheet music found
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So What's New
Jazz combo
Jazz Combo - Level 2 - Digital Download SKU: A0.1272066 Composed by John Pisano. Ar…
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Jazz Combo - Level 2 - Digital Download SKU: A0.1272066 Composed by John Pisano. Arranged by Paul Hemmer. Jazz,Pop,Standards. 34 pages. PJMS MUSIC #864412. Published by PJMS MUSIC (A0.1272066). So What's New? was a popular track from the 1966 Herb Alpert Tijuana Brass LP What's Now My Love. It was covered by Bert Kaempfert, Horst Jankowski, Lenny Dee, and many others. A vocal version by Peggy Lee was also popular.The simple, infectious melody and rhythm of the composition by jazz guitarist Joe Piasano is a treat to the ear and dancing feet.This small band arrangement (AATB, 2 trp, 1 trombone, 3 rhythm) is easy and fun to perform.
$49.99
45.9 €
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Jazz combo
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John Pisano
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So What's New
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PJMS MUSIC
#
SheetMusicPlus
So What's Up. Doc?
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1213500 By swing b…
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1213500 By swing band. By Paul Hemmer. Arranged by Paul Hemmer. Jazz. Score and Parts. 50 pages. PJMS MUSIC #810688. Published by PJMS MUSIC (A0.1213500). So What's Up, Doc? is an original swing-era style tune with a catchy riff. It's scored for 5 saxes and 6 brass with a typical piano, bass, and drum set rhythm section. Solos for Alto 1, Tenor 1., and piano are written with chord symbols for improvisation. It is easy enough for a good school band or professional group looking for something new. The arrangement is scored to be playable with 3 saxes, 2 trumpets, 1 trombone, and rhythm.Â
$50.00
45.91 €
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Jazz Ensemble
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swing band
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So What's Up. Doc?
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PJMS MUSIC
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SheetMusicPlus
Andy Fitzpatrick - You Knew What I Was Looking For Before I Did - Songbook
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1022888 Composed by Andy Fitzpa…
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.1022888 Composed by Andy Fitzpatrick. Contemporary,Country,Pop,Rock. Score. 29 pages. Aindriu Mac Giolla Padraig #6571961. Published by Aindriu Mac Giolla Padraig (A0.1022888). All 12 songs from Andy Fitzpatrick's album You Knew What I Was Looking For Before I Did transcribed for vocal/guitar and The West's Awake for solo piano.Titles I Don't Know Why I Get So Down • I’m No Stranger To Loneliness • You Got Nothing To Hide But The Devil Inside • When I Fell In Love With You • I Lost My Heart When I Met You • Tear Your Heart Out With A Song • What's Becoming of Me • Don't Let The Weather Get You Down • It’s New Day Again • You Knew What I Was Looking For Before I Did • You Gotta Believe • The West’s Awake
$9.99
9.17 €
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Piano, Vocal and Guitar
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Andy Fitzpatrick
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Andy Fitzpatrick - You Knew What I Was Looking For Before I Did - Songbook
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Aindriu Mac Giolla Padraig
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SheetMusicPlus
LILLY'S DANCE (THE TUMBLER)
Tenor Saxophone and Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
4.58 €
#
Tenor Saxophone and Piano
#
Joe Procopio
#
the vocalist/bassist I
#
LILLY'S DANCE
#
JoeCopio Music LLC
#
SheetMusicPlus
New Troubadour Blues for clarinet and guitar - live performance (mp3)
Clarinet, Guitar (duet)
Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1268814 By András Csáki …
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Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1268814 By András Csáki and Balázs Rumy. By David Warin Solomons. 20th Century,21st Century,Blues,Contemporary. Full Performance. Duration 416. David Warin Solomons #861345. Published by David Warin Solomons (A0.1268814). This is a instrumental duo based on a song that I composed just before my umpteenth appearance at the New Troubadour Club at Follies Wine Bar Manchester back in 1991.Writer's block was threatening to take over, so I wrote about writer's block, in a sort of mock blues style...The original words are:Woke up Sunday mornin' and notes went spinnin' round. (rpt)What can I sing for the New Troubadours - Troubadours?Woke up wake up woke up wake up.What can I sing for the New Troubadours?Oh! I just godda sing the Blues the New Troubadour Blues'cos there's nothing they like better than the Blues.I got those New Troubadour Blues.'cos there's not a single chord these Blues refuse;not a single note I cannot choose.Then it was Monday evenin' with no more words in mind;notes they still kept spinnin'but no cause could they find.What can I sing for the New Troubadours?So, here's a sad Blues with a walkin' bass.it'll walk all over you,leavin' muddy footprintsSo here's a sad Blues, Blues, BluesSo here is a walkin' bass.oh! why am I walkin'with a muddy walkin' basswaitin' for words to come?Blues Blues Blues Blues Blues Blueswaitin' for words to comeOh those sad BluesI got those New Troubadour Blues.New Troubadour Blues 'cos there's not a single chord these Blues refuse!It is performed here byBalázs Rumy clarinetAndrás Csáki guitar.
$6.50
5.97 €
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Clarinet, Guitar (duet)
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András Csáki and Balázs Rumy
#
New Troubadour Blues for clarinet and guitar - live performance
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David Warin Solomons
#
SheetMusicPlus
New Troubadour Blues for clarinet and guitar
Clarinet, Guitar (duet)
Clarinet,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.576602 Compo…
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Clarinet,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.576602 Composed by David Warin Solomons. 20th Century,Blues,Contemporary. 18 pages. David Warin Solomons #38869. Published by David Warin Solomons (A0.576602). Instrumental based on a song composed just before my umpteenth appearance at the New Troubadour Club at Follies Wine Bar Manchester back in 1991. Writer's block was threatening to take over, so I wrote about writer's block, in a sort of mock blues style... The sound sample is a performance by Balázs Rumy (clarinet) and András Csáki (guitar).The pdf file contains score and parts. The original words are: Woke up Sunday mornin' and notes went spinnin' round. (rpt) What can I sing for the New Troubadours Troubadours? Woke up wake up woke up wake up. What can I sing for the New Troubadours? Oh! I just godda sing the Blues the New Troubadour Blues 'cos there's nothing they like better than the Blues. I got those New Troubadour Blues. 'cos there's not a single chord these Blues refuse; not a single note I cannot choose. Then it was Monday evenin' with no more words in mind; notes they still kept spinnin' but no cause could they find. What can I sing for the New Troubadours? So, here's a sad Blues with a walkin' bass. it'll walk all over you, leavin' muddy footprints So here's a sad Blues, Blues, Blues So here is a walkin' bass. oh! why am I walkin' with a muddy walkin' bass waitin' for words to come? Blues Blues Blues Blues Blues Blues waitin' for words to come Oh those sad Blues I got those New Troubadour Blues. New Troubadour Blues 'cos there's not a single chord these Blues refuse!
$10.00
9.18 €
#
Clarinet, Guitar (duet)
#
David Warin Solomons
#
New Troubadour Blues for clarinet and guitar
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David Warin Solomons
#
SheetMusicPlus
JOEY'S READY
Tenor Saxophone and Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876451 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 28 pages. JoeCopio Music LLC #53333. Published by JoeCopio Music LLC (A0.876451). JOEY’S READY Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio JOEY’S READY is a dance written and arranged by Joe Procopio for a small ensemble, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of JOEY’S READY makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, JOEY’S READY has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 2 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for JOEY’S READY includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
4.58 €
#
Tenor Saxophone and Piano
#
Joe Procopio
#
the vocalist/bassist I
#
JOEY'S READY
#
JoeCopio Music LLC
#
SheetMusicPlus
PAPA'S FAMOUS DANCES PART 2
Tenor Saxophone and Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876455 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 82 pages. JoeCopio Music LLC #53355. Published by JoeCopio Music LLC (A0.876455). PAPA’S FAMOUS DANCES - PART 2 Back to School 2015 From A Collection Of Six Dances As Combo Music EMMA’S BLUES JOEY’S READY WILSON’S BOOGIE WOOGIE PAPA’S FAMOUS DANCES PART 2 is a collection of 3 Dances as combo music composed and arranged by Joe Procopio for a small ensemble, band, stage band or combo with flexible instrumentation. These works may be performed with only two Saxes (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of the dances makes them unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, each dance has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. These works have been performed by College and High School students in many major concert events along the East Coast with great success. They are published separately and in sets PAPA’S FAMOUS DANCES Part 1 and PAPA’S FAMOUS DANCES Part 2 with each Part containing 3 Dances. I have adapted the audio here for synthesizer so that they may be previewed. The works are named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$9.99
9.17 €
#
Tenor Saxophone and Piano
#
Joe Procopio
#
the vocalist/bassist I
#
PAPA'S FAMOUS DANCES PART 2
#
JoeCopio Music LLC
#
SheetMusicPlus
It's Only Sex
Bass guitar
Bass Guitar - Level 3 - Digital Download SKU: A0.1035485 Composed by William James …
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Bass Guitar - Level 3 - Digital Download SKU: A0.1035485 Composed by William James Barnes. Arranged by Daniel Roberts. New Age,Rock. Score. 1 pages. Daniel P Roberts #640699. Published by Daniel P Roberts (A0.1035485). Car Seat Headrest, It's Only Sex note for note bass transcription 4 string bass with TAB. The other night I cried while thinking of having sex with you Not out of desire or shame but some subconscious impulse to feel pain I wiped my tears on my face and neck and the backs of my ears And said, Now it's sweat, now it's sweat, it's sweat now Just to see you It's such a treasure But when I feel you My flesh yields no pleasure And honey I'm cultured I'm very sex positive So what is this feeling? It ain't so positive I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only OK, so I've been reading all the sex blogs And they all talk about how OK it is to be gay And straight and bisexual and asexual And have sex however you like But I don't care about hundreds of hypothetical people And their hypothetical sex deals I care about me, and my sex deal! What about my problems? Baby, my body Constantly betrays me I try to betray it I only hurt myself Yeah, yeah I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only- It's only sex It's only It's only sex C'mon, sexual desire, speak! I want to hold you tight I want to feel your love physically I want to sleep with you But only in the literal sense I can't tell you if I like it, I like it What happens if I don't like it? I like you I can't tell you if I like it, I like it What happens if I don't like it? It's only- I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only- It's only sex (it's only sex) It's only- It's only sex (no, it's not) It's only sex It's only- It's only sex It's only sex It's only-.
$4.99
4.58 €
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Bass guitar
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William James Barnes
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It's Only Sex
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Daniel P Roberts
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SheetMusicPlus
What A Wonderful World
Cello (band part)
Cello Solo - Level 1 - Digital Download SKU: A0.1353781 By Louis Armstrong. By Bob …
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Cello Solo - Level 1 - Digital Download SKU: A0.1353781 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Iury Cardoso. Blues,Chamber,Folk,Multicultural,Pop,World. Individual part. 2 pages. Iury Cardoso #938550. Published by Iury Cardoso (A0.1353781). EASY VIOLONCELLO arrangement of the song: What A Wonderful World This is a version of the classic song What A Wonderful World for players of violoncello. In this arrangement, the simplified melody make it easy to learn.  The CHORDS are included on this arrangement (there is also a version without the chords on this website). On this site, there is also a version of this arrangement WITH THE PIANO and several other versions for other instruments. See more arrangements by Iury Cardoso, thank you so much! Copyright © 1967 by Range Road Music Inc., Quartet Music and Abilene Music, Inc. Copyright Renewed All Rights for Quartet Music Administered by BUG Music, Inc., a BMG Chrysalis company International Copyright Secured All Rights Reserved Used by Permission what wonderful world cello sheet musiceasy beginner violoncellocello sheet musiccello solo sheet musicEasy cello what wonderful worldBeginner cellobeginning cellovioloncello sheet musiceasy violoncello what a wonderful worldcello for beginnersLouis Armstrong cello sheet musiceasy cello sheet musicmusic score.
$4.99
4.58 €
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Cello (band part)
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Louis Armstrong
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What A Wonderful World
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Iury Cardoso
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SheetMusicPlus
What A Wonderful World
Cello (band part)
Cello Solo - Level 1 - Digital Download SKU: A0.1353784 By Louis Armstrong. By Bob …
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Cello Solo - Level 1 - Digital Download SKU: A0.1353784 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Iury Cardoso. Blues,Folk,Multicultural,Pop,World. Individual part. 2 pages. Iury Cardoso #938553. Published by Iury Cardoso (A0.1353784). EASY VIOLONCELLO arrangement of the song: What A Wonderful World This is a version of the classic song What A Wonderful World for players of violoncello. In this arrangement, the simplified melody make it easy to learn.  The CHORDS ARE NOT included on this arrangement (there is also a version WITH THE CHORDS on this website). On this site, there is also a version of this arrangement WITH THE PIANO and several other versions for other instruments. See more arrangements by Iury Cardoso, thank you so much! Copyright © 1967 by Range Road Music Inc., Quartet Music and Abilene Music, Inc. Copyright Renewed All Rights for Quartet Music Administered by BUG Music, Inc., a BMG Chrysalis company International Copyright Secured All Rights Reserved Used by Permission what wonderful world cello sheet musiceasy beginner violoncellocello sheet musiccello solo sheet musicEasy cello what wonderful worldBeginner cellobeginning cellovioloncello sheet musiceasy violoncello what a wonderful worldcello for beginnersLouis Armstrong cello sheet musiceasy cello sheet musicmusic score.
$4.99
4.58 €
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Cello (band part)
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Louis Armstrong
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What A Wonderful World
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Iury Cardoso
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SheetMusicPlus
What A Wonderful World
Oboe (band part)
Oboe Solo - Level 1 - Digital Download SKU: A0.1353092 By Louis Armstrong. By Bob T…
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Oboe Solo - Level 1 - Digital Download SKU: A0.1353092 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Iury Cardoso. Blues,Folk,Multicultural,Pop,World. Individual part. 2 pages. Iury Cardoso #937912. Published by Iury Cardoso (A0.1353092). EASY OBOE arrangement of the song: What A Wonderful World This is a version of the classic song What A Wonderful World for players of OBOE. In this arrangement, the simplified melody make it easy to learn.  The CHORDS are included on this arrangement (there is also a version without the chords on this website). On this site, there is also a version of this arrangement WITH THE PIANO and several other versions for other instruments. See more arrangements by Iury Cardoso, thank you so much! Copyright © 1967 by Range Road Music Inc., Quartet Music and Abilene Music, Inc. Copyright Renewed All Rights for Quartet Music Administered by BUG Music, Inc., a BMG Chrysalis company International Copyright Secured All Rights Reserved Used by Permission what wonderful world oboe sheet musiceasy beginner oboewhat a wonderful world oboeEasy oboe what wonderful worldBeginner oboebeginning oboeoboe for beginnersLouis Armstrong sheet musiceasy scoremusic scoreoboe sheet music.
$4.99
4.58 €
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Oboe (band part)
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Louis Armstrong
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What A Wonderful World
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Iury Cardoso
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SheetMusicPlus
What A Wonderful World
Oboe (band part)
Oboe Solo - Level 1 - Digital Download SKU: A0.1353115 By Louis Armstrong. By Bob T…
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Oboe Solo - Level 1 - Digital Download SKU: A0.1353115 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Iury Cardoso. Blues,Folk,Multicultural,Pop,World. Individual part. 2 pages. Iury Cardoso #937914. Published by Iury Cardoso (A0.1353115). EASY OBOE arrangement of the song: What A Wonderful World This is a version of the classic song What A Wonderful World for players of OBOE. In this arrangement, the simplified melody make it easy to learn.  The CHORDS ARE NOT included on this arrangement (there is also a version WITH THE CHORDS on this website). On this site, there is also a version of this arrangement WITH THE PIANO and several other versions for other instruments. See more arrangements by Iury Cardoso, thank you so much! Copyright © 1967 by Range Road Music Inc., Quartet Music and Abilene Music, Inc. Copyright Renewed All Rights for Quartet Music Administered by BUG Music, Inc., a BMG Chrysalis company International Copyright Secured All Rights Reserved Used by Permission what wonderful world oboe sheet musiceasy beginner oboewhat a wonderful world oboeEasy oboe what wonderful worldBeginner oboebeginning oboeoboe for beginnersLouis Armstrong sheet musiceasy scoremusic scoreoboe sheet music.
$4.99
4.58 €
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Oboe (band part)
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Louis Armstrong
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What A Wonderful World
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Iury Cardoso
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SheetMusicPlus
So What's New
Piano solo
Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.700637
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Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.700637 Composed by John Pisano and Peggy Lee. Arranged by George Kaplan. This edition: Interactive Download. Pop. Individual part. 2 pages. Duration 68. George Kaplan #soyCdC3g9aAdyhNzFfhyB. Published by George Kaplan (A0.700637). Key: Eb major.Famous tune from 1966 by Herb Alpert and the Tijuana Brass.
$4.99
4.58 €
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Piano solo
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John Pisano and Peggy Lee
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So What's New
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George Kaplan
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Clarinet Ensemble
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dv…
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
13.77 €
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Clarinet Ensemble
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
Basson ensemble
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by A…
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Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.77 €
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Basson ensemble
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Antonin Dvorak
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Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
Flute Quintet : 5 flutes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Ant…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.77 €
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Flute Quintet : 5 flutes
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Antonin Dvorak
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Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Co…
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.77 €
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Antonin Dvorak
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Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
Violin ensemble
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 C…
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String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
13.77 €
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Violin ensemble
#
Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
13.77 €
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Antonin Dvorak
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Largo
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Regis Bookshar
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