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Song For the Dead
Sheetmusic to print
369 sheet music found
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The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
Cycles of Life Songbook
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Piano, Vocal and Guitar
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INTERMEDIATE
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Sydney Stevens
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Cycles of Life Songbook
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Sydney Stevens, Water Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.859669 Composed by Sydney Stevens. Country,Folk,New Age,Pop. Score. 68 pages. Sydney Steven...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.859669 Composed by Sydney Stevens. Country,Folk,New Age,Pop. Score. 68 pages. Sydney Stevens, Water Music #2959611. Published by Sydney Stevens, Water Music (A0.859669). Contact: sydneystevenspianostudio@gmail.comCycles of Life Songbook: A collection of 11 original piano/vocals by Sydney Stevens (ASCAP). Book is arranged for piano/vocal with chords and includes one piano solo: Lucy.From the Album: Cycles of LifeMood: Introspective, heartfelt, emotional, comforting, hopeful.Musical Traits: Most songs are arranged with left hand broken chords and right hand reflecting vocal part. Songs included in this book: Cycles of Life, Another Day, Time, Brian's Song, Tumbleweed, Alleys, Herbie, Back to the Heart, Lucy, Dead of Winter, The River [Note: all songs can be sampled &/or purchased on this website] More Links: www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition.
$14.95
With A Shout (1 Thessalonians 4.16-18 WEB)
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Sacred music
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Chris Monteiro
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With A Shout
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Christopher M. Monteiro
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SheetMusicPlus
Small Ensemble Choir,High Voice,Trumpet - Level 2 - Digital Download SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score ...
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Small Ensemble Choir,High Voice,Trumpet - Level 2 - Digital Download SKU: A0.950768 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. Christopher M. Monteiro #3384719. Published by Christopher M. Monteiro (A0.950768). For the Lord himself will descend from heaven with a shout, with the voice of the archangel and with God’s trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. This unaccompanied bugle call in C Major for B♠Trumpet or Voice has been fashioned to help you internalize God’s Word.The melody uses only the notes of the tonic triad, ranging from G above Middle C to the 2nd G above middle C. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.
$2.99
Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
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Choral 2-part
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Sacred music
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Dan Cutchen
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Choral - "O Give Thanks to the
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (2-Part) - Digital Download SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan C...
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Choral Choir (2-Part) - Digital Download SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0.844330). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment and optional children's melody.The presence of children in a choir presentation can be quite charming and encouraging for the congregation. These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.-------------------------------------------------------------------------------------------------------------This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99
Prayer For A New Mother
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Choral SATB
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INTERMEDIATE
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Nicholas White
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Prayer For A New Mother
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1256869 Composed by Nicholas White. 21st Century,Christmas,Folk,Singer/Songwriter. Octavo. 8 pag...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1256869 Composed by Nicholas White. 21st Century,Christmas,Folk,Singer/Songwriter. Octavo. 8 pages. Nicholas White Music #850256. Published by Nicholas White Music (A0.1256869). A gentle setting for chorus and keyboard, rich in melody and harmony, of Dorothy Parker's poem. The things she knew, let her forget again-The voices in the sky, the fear, the cold,The gaping shepherds, and the queer old menPiling their clumsy gifts of foreign gold.Let her have laughter with her little one;Teach her the endless, tuneless songs to sing,Grant her her right to whisper to her sonThe foolish names one dare not call a king.Keep from her dreams the rumble of a crowd,The smell of rough-cut wood, the trail of red,The thick and chilly whiteness of the shroudThat wraps the strange new body of the dead.Ah, let her go, kind Lord, where mothers goAnd boast his pretty words and ways, and planThe proud and happy years that they shall knowTogether, when her son is grown a man.
$2.00
Five Songs for Soprano - Song-Cycle, Op. 14
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Piano, Voice
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INTERMEDIATE
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William Kersten
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Five Songs for Soprano - Song-
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William Kersten
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Ker...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99
The Choir Invisible
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Choral SATB
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ADVANCED
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Nicholas White
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The Choir Invisible
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1257185 Composed by Nicholas White. 21st Century,Classical,Traditional. Octavo. 16 pages....
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.1257185 Composed by Nicholas White. 21st Century,Classical,Traditional. Octavo. 16 pages. Nicholas White Music #850509. Published by Nicholas White Music (A0.1257185). George Eliot's poem is given a rich and powerful setting for choir and organ.O May I join the choir invisible  Of those immortal dead who live again  In minds made better by their presence: live  In pulses stirr'd to generosity,  In deeds of daring rectitude, in scorn For miserable aims that end with self,  In thoughts sublime that pierce the night like stars,  And with their mild persistence urge man's search  To vaster issues.      So to live is heaven:  To make undying music in the world,  Breathing as beauteous order that controls  With growing sway the growing life of man.  So we inherit that sweet purity  For which we struggled, fail'd, and agoniz'd With widening retrospect that bred despair.  Rebellious flesh that would not be subdued,  A vicious parent shaming still its child,  Poor anxious penitence, is quick dissolv'd;  Its discords, quench'd by meeting harmonies,   Die in the large and charitable air.  And all our rarer, better, truer self,  That sobb'd religiously in yearning song,  That watch'd to ease the burthen of the world,  Laboriously tracing what must be,    And what may yet be better,—saw within  A worthier image for the sanctuary,  And shap'd it forth before the multitude,  Divinely human, raising worship so  To higher reverence more mix'd with love,—   That better self shall live till human Time  Shall fold its eyelids, and the human sky  Be gather'd like a scroll within the tomb Unread forever.      This is life to come,  Which martyr'd men have made more glorious     For us who strive to follow. May I reach  That purest heaven, be to other souls  The cup of strength in some great agony,  Enkindle generous ardor, feed pure love,  Beget the smiles that have no cruelty,Be the sweet presence of a good diffus'd,  And in diffusion ever more intense!  So shall I join the choir invisible  Whose music is the gladness of the world.
$4.00
Barbara Allen for piccolo and orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Trad...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
Cycles for Bassoon Quartet
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4 Bassoons
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ADVANCED
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Contemporary
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Sy Brandon
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Cycles for Bassoon Quartet
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.755244 Composed by Sy Brandon. 20th Century,Contemporary. 47 pages. Sy Brandon #3590241. P...
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Woodwind Ensemble Bassoon - Level 5 - Digital Download SKU: A0.755244 Composed by Sy Brandon. 20th Century,Contemporary. 47 pages. Sy Brandon #3590241. Published by Sy Brandon (A0.755244). Cycles for bassoon quartet honors those who lost loved ones in the March 2011 earthquake and tsunami in Japan. The title reflects both the living earth upon which we live and the fortitude of humanity. The first movement depicts serenity interrupted by bombastic resemblances of earthquakes and tsunamis. The movement is called The Living Earth as our planet is still evolving by constantly building up pressure and releasing that pressure. The opening serene section uses key clicks and wind sounds in the serenity section. Pitch bends in the melody are designed to resemble a shakuhachi. Syncopated explosions that use polytonal pentatonic scales represent the earthquake. Rapid ascending and descending scale patterns depict the resultant tsunami. The second movement is a hymn song for the souls of the dead. It is called Ashes to Ashes as it represents a different cycle, one of death and rebirth. Pentatonic scales abound once again but this time they modulate gently from one tonality to another instead of being used simultaneously. A song of redemption and hope for the survivors is the theme for the third and final movement, Resiliency of the Spirit. It depicts the strength of the human spirit and it is the cycle of joy growing out of sorrow. Taiko drumming is the major influence in this movement. It begins with a foot stomp followed by the drummers warming up. A staccato rhythmic section that imitates the drums follows this. A hymn-like theme in pentatonic is interpolated over this rhythmic drumming bringing the movement and the piece to a hopeful conclusion.
$14.99
Guthrie: I Saw Three Ships for String Quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Christmas
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Traditional
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James M
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Guthrie: I Saw Three Ships for
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1491680 Composed by Traditional. Arranged by James M. Guthrie. Cham...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1491680 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 14 pages. Jmsgu3 #1068354. Published by jmsgu3 (A0.1491680). I Saw Three Ships is a traditional English Christmas carol that has gained popularity for its melodic simplicity and festive themes. Here are some key points about its significance:Historical ContextOrigins: The earliest known printed version of I Saw Three Ships dates back to the 17th century, with a notable publication by William Sandys in 1833. The song was likely known earlier under As I Sat On a Sunny Bank, particularly popular in Cornwall.Cultural Relevance: The carol reflects a period when maritime themes were prominent in English culture, coinciding with the Age of Exploration. This context made the imagery of ships particularly resonant for audiences of the time.Symbolism and InterpretationThe Ships: The lyrics describe three ships arriving on Christmas Day, which has led to various interpretations. One common belief is that the ships symbolize the three vessels that carried the relics of the Magi to Cologne Cathedral in the 12th century. Alternatively, they may represent the camels used by the Magi, often referred to as ships of the desert due to their role in transporting the wise men to Bethlehem.Bethlehem's Geography: The song mentions ships sailing into Bethlehem, which raises questions, as the nearest body of water is the Dead Sea, about 20 miles away. This discrepancy has prompted interpretations that focus on the symbolic rather than literal meaning of the ships.Musical LegacyPopularity: I Saw Three Ships has been embraced by various artists across genres, with notable recordings by musicians such as Sting, Glen Campbell, and Sufjan Stevens. Its enduring appeal makes it a staple in Christmas music repertoires.Lyric Variations: Different song versions have emerged over the years, reflecting local traditions and interpretations. Some variations even change the context from Christmas to other celebrations, demonstrating the carol's flexibility in cultural contexts.In summary, I Saw Three Ships is significant as a cherished Christmas carol and a cultural artifact that encapsulates historical maritime themes, religious symbolism, and the evolution of folk music traditions.
$34.95
Barbara Allen for piccolo and orchestra (mp3)
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Piccolo - Level 4 - Digital Download SKU: A0.1470561 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. F...
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Piccolo - Level 4 - Digital Download SKU: A0.1470561 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. Full Performance. Duration 300. David Warin Solomons #1048224. Published by David Warin Solomons (A0.1470561). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town, where I was born,There was a fair maid dwellin',Made ev'ry youth cry Well-a-day!Her name was Barb'ra Allen.All in the merry month of MayWhen green buds they were swellin',Young Jemmy Grove on his death-bed layFor love of Barb'ra Allen.Then slowly, slowly she came up,And slowly she came nigh him,And all she said when there she cameYoung man, I think you're dying.As she was walking o'er the fieldsShe heard the dead-bell knellin',And ev'ry stroke the dead-bell gaveCried Woe to Barb'ra Allen!When he was dead and laid in graveHer heart was struck with sorrow.O mother, mother, make my bed,For I shall die tomorrow.Farewell, she said, ye virgins all,And shun the fault I fell in;Henceforth take warning by the fallOf cruel Barb'ra Allen..
$5.00
Choral - "O Give Thanks to the Lord" II Chronicles 20:21
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Choral 2-part
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Sacred music
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Dan Cutchen
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Choral - "O Give Thanks to the
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (2-Part) - Digital Download SKU: A0.844319 Composed by Dan Cutchen. Sacred. Octavo. 9 pages. Dan Cutchen Music #3055611. Published by Dan Cu...
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Choral Choir (2-Part) - Digital Download SKU: A0.844319 Composed by Dan Cutchen. Sacred. Octavo. 9 pages. Dan Cutchen Music #3055611. Published by Dan Cutchen Music (A0.844319). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment A separate Mp3 accompaniment track is available for only $1.99!Cut and past, Choral - O Give Thanks to the Lord Accompaniment Trackin the search area.This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99
Song For The Dead
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Drums
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INTERMEDIATE/ADVANCED
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Rock
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Queens of the Stone Age
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Drum Sheet MX
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Song For The Dead
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Drum Sheet MX
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SheetMusicPlus
Drum Set,Drums - Level 4 - Digital Download SKU: A0.1471970 By Queens of the Stone Age. By Josh Homme, Mark Lanegan, and Nick Oliveri. Arranged by Drum S...
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Drum Set,Drums - Level 4 - Digital Download SKU: A0.1471970 By Queens of the Stone Age. By Josh Homme, Mark Lanegan, and Nick Oliveri. Arranged by Drum Sheet MX. Rock. Score. 4 pages. Drum Sheet MX #1049667. Published by Drum Sheet MX (A0.1471970).
$8.00
Variations on When the Roll is called up yonder for flute quartet (mp3)
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Flute Quartet: 4 flutes
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INTERMEDIATE/ADVANCED
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Budapest Scoring
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David Warin Solomons
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Variations on When the Roll is
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David Warin Solomons
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1138178 By Budapest Scoring. By James Milton Black. Arranged by David Warin Solomons. Christian,Classical. Full Perfor...
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Level 4 - Digital Download SKU: A0.1138178 By Budapest Scoring. By James Milton Black. Arranged by David Warin Solomons. Christian,Classical. Full Performance. Duration 245. David Warin Solomons #738444. Published by David Warin Solomons (A0.1138178). Variations on this famous gospel song by James Milton Black, in which, in various verses, each instrument has a turn at the tune and at the descant accompaniment. One of the verses goes into the minor mode for a bit more variety. The words of the original hymn are: 1 When the trumpet of the Lord shall sound, and time shall be no more, and the morning breaks, eternal, bright and fair; when the saved of earth shall gather over on the other shore, and the roll is called up yonder, I'll be there. Refrain: When the roll is called up yonder, when the roll is called up yonder, when the roll is called up yonder, when the roll is called up yonder, I'll be there. 2 On that bright and cloudless morning when the dead in Christ shall rise, and the glory of His resurrection share; ahen His chosen ones shall gather to their home beyond the skies, and the roll is called up yonder, I'll be there. [Refrain] 3 Let us labor for the Master from the dawn till setting sun; let us talk of all His wondrous love and care; then when all of life is over, and our work on earth is done, and the roll is called up yonder, I'll be there. [Refrain] Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
Tell me of My Darling Boy, or, The Mother's Reply to "Just Before the Battle." Song and Chorus
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Piano, Voice
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Harry Buckline
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Harry Buckline
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Tell me of My Darling Boy, or,
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.22398 Composed by Harry Buckline. Mothers & children, War casualties, Death, Grief, Prayer, Civil War--Union, ...
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Piano and voice - Digital Download SKU: LV.22398 Composed by Harry Buckline. Mothers & children, War casualties, Death, Grief, Prayer, Civil War--Union, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22398). Tell me of My Darling Boy, or, The Mother's Reply to Just Before the Battle. Song and Chorus. By Harry Buckline. Published 1864 by W.W. Whitney, 151 Summit Street in Toledo, Ohio. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Mothers & children, War casualties, Death, Grief, Prayer, Civil War--Union, Patriotism. First line reads Tell me of my darling boy, is he living, is he dead?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Sea Songs
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Steve Martland
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Sea Songs
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. ...
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Mixed choir (SSSAAATTTBBB) - difficult - Digital Download SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.
$12.99
#WeToo
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Choral SATB
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INTERMEDIATE
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
I Am the Resurrection and the Life, The Claims of the Son 8
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Choral SATB
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INTERMEDIATE
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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I Am the Resurrection and the
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818367 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (D...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818367 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 23 pages. Stephen R Dalrymple #6669317. Published by Stephen R Dalrymple (A0.818367). The Claims of the Son 8: I Am the Resurrection and the Life♫ original song for SATB choir and piano by Stephen R Dalrymple♫ based on John 11♫ This collection of songs focuses on the Claims of Jesus Christ based on the “I Am’s of the Gospel of John. ♫ “I Am the Resurrection and the Life†was Jesus’ claim to Martha, immediately before He raised Lazarus from the dead. ♫ Jesus makes it clear here that those who put their trust in Jesus Christ will be raised from the dead in the last judgment. Those who are alive will enter the Kingdom era with transformed bodies that cannot die. ♫ Raising Lazarus from the dead was so threatening to the religious establishment that it caused the chief priest to plot the deaths of both Jesus and Lazarus.♫ music © 1999, 2022 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ sequenced by the composer♫ This.pdf file includes 1) full score 2) SATB choir parts on 2 staves 3) full score for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube Channel: @Dalrymple Designs.
$2.00
As I walked forth
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Oboe, Piano (duet)
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Robert Johnson
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David Warin Solomons
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As I walked forth
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Oboe,Piano - Digital Download SKU: A0.576454 Composed by Robert Johnson. Arranged by David Warin Solomons. 20th Century,C...
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Small Ensemble Bassoon,Clarinet,Oboe,Piano - Digital Download SKU: A0.576454 Composed by Robert Johnson. Arranged by David Warin Solomons. 20th Century,Contemporary,Renaissance. Score and parts. 19 pages. David Warin Solomons #26513. Published by David Warin Solomons (A0.576454). Arrangement for wind trio and piano of a romantic sad song by Renaissance composer Robert Johnson The original words are as follows: As I walked forth one summer's day, To view the meadows green and gay A pleasant bower I espied Standing fast by the river side, And in't a maiden I heard cry: Alas! alas! there's none e'er loved as I. Then round the meadow did she walk, Catching each flower by the stalk Such flow'rs as in the meadow grew, The Dead Man's Thumb, an herb all blue; And as she pull'd them still cried she: Alas! alas! there's none e'er loved as I. The flowers of the sweetest scents She bound about with knotty bents; And as she bound them up in bands She wept, she sigh'd, she wrung her hands; Alas! alas! alas! cried she, Alas! alas! there's none e'er loved as I. When she had fill'd her apron full Of such green things as she could cull, The green things served her for her bed, The flow'rs were the pillows for her head; Then down she laid her, ne'er more did speak; Alas! alas! with love her heart did break.
$12.00
Cycle of the Spheres for Alto Sax, Piano, and Percussion
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Contemporary
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Sy Brandon
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Cycle of the Spheres for Alto
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Sy Brandon
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SheetMusicPlus
Small Ensemble Alto Saxophone,Multi-Percussion,Piano Accompaniment - Level 5 - Digital Download SKU: A0.755123 Composed by Sy Brandon. 20th Century,Conte...
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Small Ensemble Alto Saxophone,Multi-Percussion,Piano Accompaniment - Level 5 - Digital Download SKU: A0.755123 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 33 pages. Sy Brandon #3396747. Published by Sy Brandon (A0.755123). Cycle of the Spheres honors those who lost loved ones in the March 2011 earthquake and tsunami in Japan. The title reflects both the living earth upon which we live and the fortitude of humanity. The first movement depicts serenity interrupted by bombastic resemblances of earthquakes and tsunamis. The second movement was a hymn song for the souls of the dead and is called Ashes to Ashes as it represents a different cycle, one of death and rebirth. A song of redemption and hope for the survivors is the theme for the third and final movement Resiliency of the Spirit.
$14.99
For the Fallen (Choral suite - SATB, Piano)
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Choral SATB
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INTERMEDIATE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Publish...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137248 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737448. Published by John Ross (A0.1137248). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with organ accompaniment is also available on this website.
$1.99
For the Fallen (Choral suite - SATB, Organ)
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Choral SATB
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INTERMEDIATE
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John Ross
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For the Fallen
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John Ross
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Publish...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1137245 Composed by John Ross. Classical,Patriotic. Octavo. 12 pages. John Ross #737445. Published by John Ross (A0.1137245). “For the Fallen†was written for Bec Beall and her choir “Lux Alba†and was premiered by them in 2019 at St Matthew’s Church, Albury, NSW, Australia. The words of this choral suite were written by the English poet Laurence Binyon in 1914, immediately after the Battle of Mons, where the British Expeditionary Force suffered a serious loss, soon after the start of World War I. The fourth verse (“They shall not grow old as we that are left grow oldâ€) has become known as the “Ode of Remembranceâ€, regularly recited at memorial services. This suite uses the words of the Ode for the first movement, with echoes of the bugle call “The Last Postâ€. The second movement, “They went with songs to the battle†portrays the soldiers as young men in fine fettle, physically and mentally fit for what lies ahead of them. The third movement, “As the stars that shall be bright as we are dust†compares the war dead to stars and constellations. They move “in marches upon the heavenly plainâ€. Will Longstaff’s painting “Menin Gate at Midnight†(reproduced on the cover of this score) movingly illustrates this concept, with ghostly soldiers marching by the Menin Gate at Ypres, Belgium. The work concludes with an alternate setting of the opening movement “They shall not grow oldâ€. A version of this suite with piano accompaniment is also available on this website.
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The Troubles of an Automaton, or The Table and the Chair
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Contemporary
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Paul Burnell
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The Troubles of an Automaton,
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Paul Burnell
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SheetMusicPlus
Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. ...
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Small Ensemble Bass Drum,Cimbalon,Gong,Multi-Percussion,Voice - Digital Download SKU: A0.835820 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #4805257. Published by Paul Burnell (A0.835820). The Troubles of an Automaton, or The Table and the Chair. Composed Paul Burnell 2019. Duration c.5:45 (c.6:30 if performed with optional additional ending and A6 narration) For Cimbalom or other instruments, three Gongs, Bass Drum and Narrator Text: Clementina Maria Black (1853-1922) / Edward Lear (1812-1888)Note: The associated recording is of the version using the text by Clementina Maria Black. First performed by Jordan Wright-Murray on 30 May 2019. The Cimbalom part may be played on a chromatic hammered dulcimer or hackbrett or any other instruments. Gongs - ideally 3 bossed/tuned gongs, non-specific pitches: high, medium, low. Bass drum - ideally an orchestral bass drum. The octave lower transposition indications in the cimbalom part are optional and when given beneath two-note chords only apply to the lower note. From bar 62 to the end the cimbalom may be played an octave higher than written. The cimbalom and gongs are played laissez vibrer throughout. The bass drum is played laissez vibrer, except where marked with x on stem (for example in bar 32), indicating dead stick technique. The narrator may choose one of two texts: A: The Troubles of an Automaton (Excerpt) by Clementina Maria Black B: The Table and the Chair by Edward Lear. The start of each section of Narrator text is indicated in the score with boxed text. Where necessary the end of a text section is shown as unboxed text. The additional section after Fine 1, starting at bar 101, is optional and can be performed with or without the A6 narration. It is also possible to perform the whole piece without the Narrator, provided the texts are available to the audience.Programme note: This piece may be performed with one of two texts: 'The Troubles of an Automaton (Excerpt)' or 'The Table and the Chair'. 'The Troubles of an Automaton' was written by Clementina Maria Black (1853-1922) and published in the New Quarterly Magazine in 1876. The story begins with a fictional advertisement announcing a public exhibition of Mr. Slade's Famous Chess-Playing Automaton. 'The Table and the Chair' by Edward Lear (1812 - 1888) appeared in his collection 'Nonsense Songs' published in 1870. In the poem a table and a chair go for a walk around town, become lost, are taken back to their house by a group of small animals, and then dine and dance together.
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