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Spirit Riding Free
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Spirit Riding Free
Sheetmusic to print
9 sheet music found
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1
Spirit Riding Free
#
Piano solo
#
EASY
#
Kari Meredyth Kimmel
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Anastace
#
Spirit Riding Free
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Anastace
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1375416 Composed by Kari Meredyth Kimmel. Arranged by Anastace. Children,Contemporary,Film/TV,Instruction...
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Piano Solo - Level 2 - Digital Download SKU: A0.1375416 Composed by Kari Meredyth Kimmel. Arranged by Anastace. Children,Contemporary,Film/TV,Instructional,Pop. Score. 5 pages. Anastace #959989. Published by Anastace (A0.1375416). As heard on the popular series Spirit and Friends, this is a beginner piano version of the main theme of Spirit: Riding Free as sung by Maisy Stella. This arrangement features a simple left hand accompaniment in order to showcase the more complex rhythms of the right hand playing the melody, with the lyrics printed throughout to easily follow along. Perfect for piano students and musicians who want to play this uplifting, empowering song to impress family and friends or just sing along with for fun at home. This version is in the original key of D Major, but several different versions are also available, including the same beginner version but in C Major for easier playing, a more rich and complex Intermediate Version, and a Lead Sheet for guitar or piano chord playing.Enjoy this fun and catchy tune written by Kari Kimmel!
$5.00
Spirit Riding Free
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Easy Piano
#
EASY
#
Kari Meredyth Kimmel
#
Anastace
#
Spirit Riding Free
#
Anastace
#
SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.1375431 Composed by Kari Meredyth Kimmel. Arranged by Anastace. Children,Contemporary,Film/TV,Instruction...
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Easy Piano - Level 2 - Digital Download SKU: A0.1375431 Composed by Kari Meredyth Kimmel. Arranged by Anastace. Children,Contemporary,Film/TV,Instructional,Pop. Score. 5 pages. Anastace #960003. Published by Anastace (A0.1375431). As heard on the popular series Spirit and Friends, this is a beginner piano version of the main theme of Spirit: Riding Free as sung by Maisy Stella. This arrangement features a simple left hand accompaniment in order to showcase the more complex rhythms of the right hand playing the melody, with the lyrics printed throughout to easily follow along. Perfect for piano students and musicians who want to play this uplifting, empowering song to impress family and friends or just sing along with for fun at home. This is the easiest version in C Major, so a beginner pianist has less sharps to worry about and can focus on the fast notes!Several other versions are also available, including the Beginner Version in the original key of D Major, a more rich and challenging Intermediate Version, and a Lead Sheet for guitar or piano chord playing - just click the arranger name [Anastace] below and search the song title.Enjoy this fun and catchy tune written by Kari Kimmel!
$5.00
Spirit Riding Free
#
Easy Piano
#
BEGINNER
#
Kari Meredyth Kimmel
#
Anastace
#
Spirit Riding Free
#
Anastace
#
SheetMusicPlus
C Instrument - Level 1 - Digital Download SKU: A0.1375492 Composed by Kari Meredyth Kimmel. Arranged by Anastace. Children,Contemporary,Film/TV,Instructi...
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C Instrument - Level 1 - Digital Download SKU: A0.1375492 Composed by Kari Meredyth Kimmel. Arranged by Anastace. Children,Contemporary,Film/TV,Instructional,Pop. Lead Sheet / Fake Book. 3 pages. Anastace #960031. Published by Anastace (A0.1375492). As heard on the popular series Spirit and Friends, this is the lead sheet version of the main theme of Spirit: Riding Free as sung by Maisy Stella. This is the lead sheet version in D Major, the original key and a comfortable key for either a guitar or piano player who reads by chords. Perfect for singing along with at home or with friends at a birthday party or anywhere else that an uplifting, upbeat song is needed!Several other versions are also available, including a Beginner Piano version and a more rich and challenging Intermediate Version - just click the arranger name [Anastace] below and search the song title.Enjoy this fun and catchy tune written by Kari Kimmel!
$4.00
Spirit Riding Free
#
Piano, Voice
#
INTERMEDIATE
#
Kari Meredyth Kimmel
#
Anastace
#
Spirit Riding Free
#
Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1375500 Composed by Kari Meredyth Kimmel. Arranged by Anastace. Children,Film/TV,Instructional,Pop...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1375500 Composed by Kari Meredyth Kimmel. Arranged by Anastace. Children,Film/TV,Instructional,Pop. Score. 5 pages. Anastace #960045. Published by Anastace (A0.1375500). As heard on the popular series Spirit and Friends, this is a fancier intermediate-level version of the main theme of Spirit: Riding Free as sung by Maisy Stella. This arrangement features a solid and rhythmic left hand accompaniment that supports the right hand playing the melody, with the lyrics printed throughout to easily follow along. Perfect for piano students and musicians who want to play this uplifting, empowering song to impress family and friends or just sing along with for fun at home. Several other versions are also available, including a Beginner Piano Version and a Lead Sheet for guitar or piano chord playing - just click the arranger name [Anastace] below and search the song title.Enjoy this fun and catchy tune written by Kari Kimmel!
$5.00
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (A major, medium key)
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classica...
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Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (F major, extra-low key)
#
Low voice, Piano
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,R...
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Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916380. Published by Nicole Elyse DiPaolo (A0.1328390). The first of its kind, and the first entry in the Accessible Accompaniments libraryâ??s collection of small-hand-optimized song literature publications, this is Richard Straussâ??s beloved â??Zueignung,â? from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. â??Smallâ? is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâ??s excellent small-hand edition of Frank Bridgeâ??s â??Love Went A-Ridingâ? (erroneously labeled â??simplifiedâ? on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâ??s op. 10 collection is much more widespread on todayâ??s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâ??s songs are often so orchestral in spiritâ??much more so than the Bridgeâ??that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâ??s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâ??s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ?? distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donâ??t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâ??and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (G major, low key)
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Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,R...
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Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
#
High voice
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
#
High voice
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
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