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Still Into You: E-flat Alto Saxophone
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Still Into You: E-flat Alto Saxophone
Sheetmusic to print
4 sheet music found
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1
Still Into You: E-flat Alto Saxophone
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Concert band
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Rock
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Paramore
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Michael Story
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Still Into You: E-flat Alto Sa
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016741_AX1 E-flat Alto Saxophone. By Paramore. By Hayley Williams and Taylor York. Arranged by Mich...
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Concert Band - Digital Download SKU: AX.00-PC-0016741_AX1 E-flat Alto Saxophone. By Paramore. By Hayley Williams and Taylor York. Arranged by Michael Story. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016741_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016741_AX1). UPC: 038081500317.This energetic hit from the band Paramore is written for students at the end of their first year or anytime during their second year of band.A This introduction of the dotted quarter-eighth rhythm provides an excellent instructional component through this music that will be familiar to your students. Instructional and easily programmed, this will be well received in any concert. (2:15).
$3.00
Still into You: E-flat Alto Saxophone
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Marching band
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Instructional
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Paramore
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Nick Baratta
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Still into You: E-flat Alto Sa
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0016506_AX1 E-flat Alto Saxophone. By Paramore. By Hayley Williams and Taylor York. Arranged by Nic...
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Marching Band - Digital Download SKU: AX.00-PC-0016506_AX1 E-flat Alto Saxophone. By Paramore. By Hayley Williams and Taylor York. Arranged by Nick Baratta. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016506_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016506_AX1). UPC: 038081482866.Named one of Billboard Magazine's top songs of 2013, this infectious tune by Paramore is a perfect choice for marching and pep band. Veteran arranger Nick Baratta has created a fun and very solid arrangement that will come together in a hurry! (1:15).
$3.00
You Ought to Be Having Fun / What Is Hip?: E-flat Alto Saxophone
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Marching band
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Instructional
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Tower Of Power
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You Ought to Be Having Fun / W
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - Digital Download SKU: AX.00-PC-0016497_AX1 E-flat Alto Saxophone. By Tower Of Power. By David Garibaldi, Emilio Castillo, Hubert T...
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Marching Band - Digital Download SKU: AX.00-PC-0016497_AX1 E-flat Alto Saxophone. By Tower Of Power. By David Garibaldi, Emilio Castillo, Hubert Tubbs, and Stephen Kupka. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016497_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016497_AX1). UPC: 038081473116.We are extremely proud to present a three-piece halftime show based on the unforgettable music of the jazz-funk band Tower of Power. Started over 40 years ago, the band is still going strong and wowing sold-out audiences everywhere with their soulful tunes and impeccable musicianship. Victor LA3pez combines two of their most popular hits into Part 1 of our show. (2:15).
$3.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
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