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THE ICE LOST
Sheetmusic to print
1,093 sheet music found
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1076
My Country, 'Tis of Thee (with Prayer for Guidance) - Vocal Solo with Piano Accompaniment
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Piano, Voice
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INTERMEDIATE
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Samuel Francis Smith
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K
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My Country, 'Tis of Thee
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K L Phillips
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.751817 Composed by Samuel Francis Smith (text) and Set to the tune God Save the Queen. Arranged by...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.751817 Composed by Samuel Francis Smith (text) and Set to the tune God Save the Queen. Arranged by K.L. Phillips. Christian,Holiday,Patriotic,Sacred. Score. 6 pages. K L Phillips #6475697. Published by K L Phillips (A0.751817). This reflective arrangement of My Country, 'Tis of Thee for vocal solo with piano accompaniment would be a beautiful addition for a Memorial Day, Veteran's Day or Independence Day service. This arrangement begins with the traditional lyrics of the first verse, then the prayer for guidance and ends with the last verse. Performance time: 3:00; Vocal Range: B3-E5LYRICS: My country, 'tis of thee, Sweet land of liberty of thee I sing, of this land where my fathers died,Land of the pilgrim's prideFrom ev'ry mountain side let freedom ring!Our Father help us to live selflessly,and do Your will with our liberty help us to share,help us to care for people in this land, the souls who've lost their joy inside may we stand with them and walk beside our neighbor with Jesus as our guide God our Father and our King!Our father's God, to thee, Author of liberty to thee we sing! O Long may our land be bright with freedom's holy light.Protect us by thy might, Great God Our King! Our King! From ev'ry mountain side let freedom ring,Let freedom ring!A piano accompaniment track is available separately at Sheet Music Plus - Item ID# S0.1086275
$3.99
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Tenor voice
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ADVANCED
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Baritone voice, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabri...
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
They Who Decide Fate
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Flute, Oboe, Clarinet, Bassoon
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ADVANCED
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Brandon Nelson
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They Who Decide Fate
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Brandon Nelson
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Composed by Brandon Nelson. Concert,Contemporary. 93 pages. Brandon Nelson...
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Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Composed by Brandon Nelson. Concert,Contemporary. 93 pages. Brandon Nelson #1954835. Published by Brandon Nelson (A0.912906). Imagine the terrifying prospect of having your fate-indeed, the fate of the entire universe-decided by the fickle whims of seven gods! This was life for all those who dwelled in the ancient society of Sumeria! They Who Decide Fate paints the picture of what living with these gods might have been like for those pitiable mortals. The introduction builds to the dreadful fate theme, which is woven within the rest of the piece. In the first episode, the Eb clarinet is highlighted depicting Enki, the magical, clever Lord of the Earth. Crafty and mischievous, one would not cross this god, so mighty he was said to have created the Tigris and Euphrates rivers between which the entire Sumerian world existed! The full orchestra comes roaring back to represent Shamash, the Lion of Justice. Bringing wrongdoers their just due, he could also be merciful, curing the faithful sick who plead for his mercy. The second episode is gently ushered in by the Basset horn. Featured here is Ninhursag, the mild, nurturing Mother Goddess. It was said that any couple who desired to be fertile would do well to propitiate themselves to herâ?¦ An explosive, percussive jolt fanfares in Inanna, wild, untamed Goddess of Primal Passions! Whether in war or in lust, Inanna stood for all things raw-and ultimately destructive! The low, rumbling voice of the contralto clarinet brings us Anu, Father of the Gods. Ancient and wise, Anu is the manifestation of the heavenly vault. Nanna, the moon god riding on the back of a bull, illuminated the night sky. Sparkling and light colors of the orchestra depict his deft, spry nocturnal motions. The sinuous lines of the Bb clarinet illustrate Enlil, fickle God of Wind and Weather. It is said that it was he who created humans, but lost interest in them and flooded the whole earth. The whole clarinet quartet reprises the fate theme one last time, ending in an exultant flurry, reflecting both the fear and ecstasy that these seven gods inspired in their mortal charges. Learn more about me: bnelsonmusic.wordpress.com.
$89.99
The Edmund Fitzgerald - Concerto for Piano and Strings
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String Orchestra
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ADVANCED
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Contemporary
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4...
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
The Peanut Vendor (el Manisero)
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Contemporary
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Louis Armstrong & His Orchestr
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Des McNutty
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The Peanut Vendor
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Des Press
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SheetMusicPlus
Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty....
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Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438143. Published by Des Press (A0.977352). Part of the series A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$12.99
Footprints In The Garden
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Piano, Voice
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INTERMEDIATE
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Sacred music
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Cheryl Prazak
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Jon Burr
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Footprints In The Garden
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Cheryl Prazak
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294831 By Cheryl Prazak. By Lyrics: Cheryl Prazak and music: Oscar Ahnfelt. Arranged by Jon Burr....
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294831 By Cheryl Prazak. By Lyrics: Cheryl Prazak and music: Oscar Ahnfelt. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 8 pages. Cheryl Prazak #885157. Published by Cheryl Prazak (A0.1294831). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Footprints In The GardenOn the path were footprints in the garden, whose they were, I could not find a sign.Thinking I was alone in the garden, I supposed the footprints to be mine.I could not hear your sweet voice pleading, summoning me from a world somewhere.You were in the garden interceding, but I didn’t remember that You care. I could not hear your kind voice calling, lost was I in a world of despair.On my heavy heart your voice was falling, I had long forgotten You were there.Now I hear your voice gently whispering, falling softly as the morning dew.I can feel your loving touch refreshing, bidding me to start my life anew.All the time You were there in the garden, giving me your love and strength sublime.I thought I was alone in the garden; wondrously, You were there all the time.But now your gentle voice I am hearing, breaking through the din and through the fray.Yours the voice of my kind Master speaking, in the garden from which I did stray.Like roses lost within a labyrinth, still fragrantly blossom in the rain.In the garden now two sets of footprints, that is where my roses bloom again.That is where my roses bloom again.
$4.99
Now Praise We Christ, The Holy One - sacred hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Now Praise We Christ, The Holy
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1080353 Composed by Kevin G. Pace (ASCAP), Martin Luther. Praise & Worship,Sacred,Spiritual. Oct...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1080353 Composed by Kevin G. Pace (ASCAP), Martin Luther. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #684580. Published by Kevin G. Pace (A0.1080353). A bold, dramatic, sacred hymn. Music composed by Kevin G. Pace. Text written in the 1500s by Martin Luther. Text: 1 Now praise we Christ, the Holy One, The blessed virgin Mary's Son. From east to west, from shore to shore Let earth its Lord and King adore. 2 He who himself all things did make A servant's form agreed to take, That he as man mankind might win And save his creatures from their sin. 3 The grace and pow'r of God the Lord Upon the mother was outpoured; A virgin pure and undefiled In wondrous way conceived a child. 4 The noble mother bore a Son -- For so did Gabriel's promise run -- Whom John confessed and leaped with joy Before the mother knew her boy. 5 Upon a manger filled with hay In poverty content he lay; With milk was fed the Lord of all, Who feeds the ravens when they call. 6 The heav'nly choirs rejoice and raise Their voice to God in songs of praise. To humble shepherds is proclaimed The Shepherd who the world has framed. 7 All honor unto Christ the Lord, Eternal and incarnate Word, With Father and with Holy Ghost, Till time in endless time be lost.
$1.99
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
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String Orchestra
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INTERMEDIATE/ADVANCED
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Frederick Frahm
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Frederick Frahm: Spaces of Nig
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.534002 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages....
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String Orchestra - Level 4 - Digital Download SKU: A0.534002 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Music Publishing #3095057. Published by Musik Fabrik Music Publishing (A0.534002). On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?Libretto adapted by the composerFrom the ‘lines’ of Stephen Crane:The Black Riders and Other Lines (1895) &War is Kind (1899)This is the full score; A reduction for mezzo and organ is available as another item. The orchestral parts are on rental from the publisher
$25.95
Boudicca, Queen of the Iceni
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Brass ensemble
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INTERMEDIATE
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Contemporary
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Publ...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
Lost On You
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Piano, Voice
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INTERMEDIATE
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Contemporary
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LP
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Alà Saboy Tavernese
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Lost On You
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Ali Saboy Tavernese
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1023524 By LP. By LP. Arranged by Alà Saboy Tavernese. Contemporary. Score. 21 pages. Ali Saboy...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1023524 By LP. By LP. Arranged by Alà Saboy Tavernese. Contemporary. Score. 21 pages. Ali Saboy Tavernese #6641869. Published by Ali Saboy Tavernese (A0.1023524). Original tone (Fm) + Gm version The DaCapo series has the purpose of helping you develop your piano skills from scratch and integrally potentiate them. It provides arrangements that contemplate two significant and different circumstances: playing alone and accompanying singers. The DaCapo series will help you: ·    Achieve the autonomy of all your fingers (you will find the appropriate fingering suggested). Repeating the same fingering also strengthens muscle memory; ·    Measure the results of your progress easily and objectively. The metronome indication is the reference through which you can evaluate your mechanical capabilities at all times; ·    Quickly identify the different sections (are evidenced by the text marks). Developing structural understanding increases your ability to continue playing in the face of unexpected events. This version proposes that you achieve: ·    Develop harmonic understanding. The chord symbols are present. Thus, the pianist has the option of creating accompaniments, considering or not the written part ·    Learn to accompany singers. Knowing the lyrics (included in the score) is key to following whoever sings when someone gets lost ·    Control different sound intensities. While it is always vital to raise and lower the volume according to the musical function of each moment, when playing together, it becomes essential to regulate the intensity of the sound  Simplify, practice, and enjoy your results! IG _soy_pianista.
$9.00
Lost Lullabies - SSAA choir with piano, Holocaust children survivors
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Choral SSAA
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INTERMEDIATE
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Stella ter Hart
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Lost Lullabies - SSAA choir wi
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Stella ter Hart
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.890640 Composed by Stella ter Hart. Concert,Folk,Jewish,Standards. 8 pages. Stella ter Ha...
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.890640 Composed by Stella ter Hart. Concert,Folk,Jewish,Standards. 8 pages. Stella ter Hart #3455425. Published by Stella ter Hart (A0.890640). Inspired by the 1,116 orphaned Polish children who, as Holocaust survivors, were brought to Canada after World War II and became known as The Redeemed Children. These tunes, and others like them, were the only possessions they had and their only direct connection to the past. I received a copy of a book of tunes (unarranged) while speaking at a conference; an elderly gentlemen came up to me, pressed them into my hands and asked me to help keep them alive. The work features two tunes, both on the theme of motherhood. The first tune describes a young mother shushing everything around her so that her little son can sleep. The second tune rejoices when the poor are raised up and a barren woman's house is filled with the laughter of children.To honour the integrity of the tunes, this work features idiomatic writing and harmonies and captures not only the rhythm but also the intended mood and sentiment. Brief solo opportunities feature a soprano and alto in a traditional 'cantor' style section. Shifting from sweet and gentle to driving and energetic, this is an excellent work to build musical expression, story telling and deep empathy.Suitable for all intermediate level treble choirs for any recital, concert or festival occasion.Duration: 4:05 Key Structure: Eflat major and C minor Level: intermediate Language: Yiddish and Hebrew (translations and pronunciation guide provided)composer contact: www.stellaterhart.com
$2.50
Frederick Frahm: Spaces of Night for voice and organ
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Frederick Frahm
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Frederick Frahm: Spaces of Nig
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble High Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.533559 Composed by Frederick Frahm. Concert,Contemporary,Folk. Score an...
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Small Ensemble High Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.533559 Composed by Frederick Frahm. Concert,Contemporary,Folk. Score and parts. 26 pages. Musik Fabrik Music Publishing #3020003. Published by Musik Fabrik Music Publishing (A0.533559). This is the composer's transcription of the original version for voice, organ and strings. Composer's note:On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?
$19.95
Frederick Frahm: Spaces of Night for voice, organ and strings, full score
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String Orchestra
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ADVANCED
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Frederick Frahm
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Frederick Frahm: Spaces of Nig
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.533560 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages....
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String Orchestra - Level 5 - Digital Download SKU: A0.533560 Composed by Frederick Frahm. Contemporary,Folk,Holiday,Patriotic. Score and parts. 26 pages. Musik Fabrik Music Publishing #3020007. Published by Musik Fabrik Music Publishing (A0.533560). This is the score of this work. The string parts are available on rental from the publisher. Composer's note:On 31 October 1517, Dr. Martin Luther, according to church custom,posted a document presenting 95 theses intended for scholarly debateon the door of the Castle Church of Wittenberg. As a teacher, theologian,and a pastor he found much to be concerned with in the conduct of hismother, the Church. His intent was to begin a conversation over honestgrievances and to persuade those who would lead to take a path moreconsistent with the teachings they espoused.Spaces of Night takes its impetus from this desire to speak truth to power.It's music, with no small sympathy towards the tonal language and dialectof the classic American liturgical tradition, is at times parody and at othertimes anti-parody. It's libretto, while created 100 years ago by a celebratedAmerican author, speaks in our present age to an empire that has lost its way.Its voice is not one of despair and rage,but hope for and commitment to the future of the gathered community.If I should cast off this tattered coat,And go free into the mighty sky;If I should find nothing thereBut a vast blue,Echoless, ignorant —What then?
$25.95
Lost Horizon: 2nd Violin
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Violin (band part)
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Instructional
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Thom Sharp
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Festival.
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Lost Horizon: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0017367_VN2 2nd Violin. Composed by Thom Sharp. Instructional. Part. 2 pages. Alfred Music - Dig...
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String Orchestra - Digital Download SKU: AX.00-PC-0017367_VN2 2nd Violin. Composed by Thom Sharp. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017367_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017367_VN2). UPC: 038081518527.This original work by Thom Sharp is an energetic adventure-themed rondo in which every section takes the lead heading off into the horizon looking for adventure. The rhythm of the A theme is used for new melodies in the contrasting sections, either in its original form or starting on a different beat to create a new, yet familiar, rhythm. The last iteration of the A melody employs augmentation. All of these devices provide ample opportunity for instructing students in form and structure and provide for efficient rehearsal time! (3:00)Concert/Contest; Festival.
$5.99
Lost Horizon: 1st Violin
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Violin (band part)
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Instructional
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Thom Sharp
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Festival.
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Lost Horizon: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0017367_VN1 1st Violin. Composed by Thom Sharp. Instructional. Part. 2 pages. Alfred Music - Dig...
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String Orchestra - Digital Download SKU: AX.00-PC-0017367_VN1 1st Violin. Composed by Thom Sharp. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017367_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017367_VN1). UPC: 038081518527.This original work by Thom Sharp is an energetic adventure-themed rondo in which every section takes the lead heading off into the horizon looking for adventure. The rhythm of the A theme is used for new melodies in the contrasting sections, either in its original form or starting on a different beat to create a new, yet familiar, rhythm. The last iteration of the A melody employs augmentation. All of these devices provide ample opportunity for instructing students in form and structure and provide for efficient rehearsal time! (3:00)Concert/Contest; Festival.
$5.99
Lost Horizon: Cello
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Cello (band part)
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Instructional
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Thom Sharp
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Festival.
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Lost Horizon: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0017367_VC1 Cello. Composed by Thom Sharp. Instructional. Part. 2 pages. Alfred Music - Digital ...
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String Orchestra - Digital Download SKU: AX.00-PC-0017367_VC1 Cello. Composed by Thom Sharp. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017367_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017367_VC1). UPC: 038081518527.This original work by Thom Sharp is an energetic adventure-themed rondo in which every section takes the lead heading off into the horizon looking for adventure. The rhythm of the A theme is used for new melodies in the contrasting sections, either in its original form or starting on a different beat to create a new, yet familiar, rhythm. The last iteration of the A melody employs augmentation. All of these devices provide ample opportunity for instructing students in form and structure and provide for efficient rehearsal time! (3:00)Concert/Contest; Festival.
$5.99
Lost Horizon: String Bass
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Doublebass (band part)
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Instructional
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Thom Sharp
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Festival.
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Lost Horizon: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0017367_SB String Bass. Composed by Thom Sharp. Instructional. Part. 2 pages. Alfred Music - Dig...
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String Orchestra - Digital Download SKU: AX.00-PC-0017367_SB String Bass. Composed by Thom Sharp. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017367_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017367_SB). UPC: 038081518527.This original work by Thom Sharp is an energetic adventure-themed rondo in which every section takes the lead heading off into the horizon looking for adventure. The rhythm of the A theme is used for new melodies in the contrasting sections, either in its original form or starting on a different beat to create a new, yet familiar, rhythm. The last iteration of the A melody employs augmentation. All of these devices provide ample opportunity for instructing students in form and structure and provide for efficient rehearsal time! (3:00)Concert/Contest; Festival.
$5.99
Lost Horizon: Viola
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String Orchestra
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Instructional
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Thom Sharp
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Festival.
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Lost Horizon: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0017367_VA1 Viola. Composed by Thom Sharp. Instructional. Part. 2 pages. Alfred Music - Digital ...
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String Orchestra - Digital Download SKU: AX.00-PC-0017367_VA1 Viola. Composed by Thom Sharp. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017367_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017367_VA1). UPC: 038081518527.This original work by Thom Sharp is an energetic adventure-themed rondo in which every section takes the lead heading off into the horizon looking for adventure. The rhythm of the A theme is used for new melodies in the contrasting sections, either in its original form or starting on a different beat to create a new, yet familiar, rhythm. The last iteration of the A melody employs augmentation. All of these devices provide ample opportunity for instructing students in form and structure and provide for efficient rehearsal time! (3:00)Concert/Contest; Festival.
$5.99
Lost Horizon: Score
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String Orchestra
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Instructional
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Thom Sharp
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Festival.
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Lost Horizon: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PR-0005646 Score. Composed by Thom Sharp. Instructional. Score. 12 pages. Alfred Music - Digital Sh...
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String Orchestra - Digital Download SKU: AX.00-PR-0005646 Score. Composed by Thom Sharp. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0005646. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005646). UPC: 038081518527.This original work by Thom Sharp is an energetic adventure-themed rondo in which every section takes the lead heading off into the horizon looking for adventure. The rhythm of the A theme is used for new melodies in the contrasting sections, either in its original form or starting on a different beat to create a new, yet familiar, rhythm. The last iteration of the A melody employs augmentation. All of these devices provide ample opportunity for instructing students in form and structure and provide for efficient rehearsal time! (3:00)Concert/Contest; Festival.
$9.00
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
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Gwyneth W
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The Dying of the Light : Music
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 page...
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Tenor voice solo with string quartet or piano - Moderately Easy - Digital Download SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
KORMAK'S LOST LOVE Icelandic saga song cycle for Tenor and Harp, and LAY of MENGLOTH for Tenor or S
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Contemporary
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Alan Edgar
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KORMAK'S LOST LOVE Icelandic s
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Alan Edgar Ted Moon
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SheetMusicPlus
Instrumental Duet Harp,High Voice,Instrumental Duet - Level 3 - Digital Download SKU: A0.903804 Composed by Alan Edgar (words anon ed Edgar). Contemporar...
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Instrumental Duet Harp,High Voice,Instrumental Duet - Level 3 - Digital Download SKU: A0.903804 Composed by Alan Edgar (words anon ed Edgar). Contemporary. Score and parts. 10 pages. Alan Edgar Ted Moon #6602673. Published by Alan Edgar Ted Moon (A0.903804). Tenor & Harp. A small song-cycle on ancient Norse (Icelandic) saga poetry (LÃf og dauði Cormaks skalds.) Includes mixolydian, twisongur, traditional tunes from Iceland, classical and modal harmony. The poet-warrior hero finds a girl, is betrothed, but loses her. The unconnected Lay of Mengloth (SvipdagsmaÌl) is included: for Tenor or Soprano, it is a brief, moving, simple, strophic setting of verses from a poem in the Icelandic medieval Poetic Edda.
$8.00
Our Mother Eve - an original Mother's Day hymn
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Choral SATB
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INTERMEDIATE/ADVANCED
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Sacred music
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Kevin G
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Our Mother Eve - an original M
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701832 Composed by Kevin G. Pace (ASCAP), Michael Young. Christian,Holiday,Praise & Worship,Sacr...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701832 Composed by Kevin G. Pace (ASCAP), Michael Young. Christian,Holiday,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3520239. Published by Kevin G. Pace (A0.701832). An original hymn with text by Michael Young below.YouTube video: https://youtu.be/xTMwFuQ3DeQ1. Our Mother Eve was first to see That they must fall that man may be, Then gave to Adam to partake, Convinced him it was no mistake. Take courage as our mother Eve, When faced with fear, instead believe. 2. Our mother Eve was first to hope, That she, united, then could cope, Outside their garden paradise, That heaven’s gifts would then suffice, Take courage as our mother Eve, When faced with want, then still believe. 3. Our mother Eve was first to weep, For her stray child who did not keep, All God’s commands, but turned away, One son she lost, one went astray. Take courage as our mother Eve, When faced with grief, be still, believe. 4. Our mother Eve was first on Earth, God’s daughter of a royal birth, First mother of the human race, A vessel of God’s holy grace. Take courage as our mother Eve, All through your life, stand firm, believe.
$1.99
The End Of The World
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Piano solo
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INTERMEDIATE/ADVANCED
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Skeeter Davis
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Timothy Stapay
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The End Of The World
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Mus...
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Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World, a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter. The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances. Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range. Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable. Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.  She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music. The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock. Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships. Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
$6.99
KORMAK'S LOST LOVE Song Cycle for Baritone and Harp. and Lay of MENGLOTH for Baritone or Mezzo and h
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Contemporary
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Alan Edgar
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for Baritone
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KORMAK'S LOST LOVE Song Cycle
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Alan Edgar Ted Moon
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Medium Voice - Level 3 - Digital Download SKU: A0.903806 Composed by Alan Edgar (words anon ed Edgar). Contempor...
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Instrumental Duet Harp,Instrumental Duet,Medium Voice - Level 3 - Digital Download SKU: A0.903806 Composed by Alan Edgar (words anon ed Edgar). Contemporary. Score and parts. 10 pages. Alan Edgar Ted Moon #6602681. Published by Alan Edgar Ted Moon (A0.903806). A small song-cycle on ancient Norse (Icelandic) saga poetry. Includes mixolydian, twisongur, traditional tunes from Iceland, classical and modal harmony. Our poet-warrior hero finds a girl, is betrothed, but loses her. The unconnected Lay of Mengloth is included: for Baritone or Contralto, it is a brief, moving, simple, strophic setting of verses from a love-poem in the Icelandic medieval Poetic Edda
$8.00
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