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Tall Tales
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You've selected:
Tall Tales
SheetMusicPlus
Sheetmusic to print
20 sheet music found
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1
Tall Tales & Heroes
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Tall Tales And Heroes
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Tall Tales And Heroes
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Tall Tales & Heroes
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Hope Publishing - Digital
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SheetMusicPlus
Full Score - Digital Download SKU: H1.1073DP Composed by Tall Tales And Heroes. Arranged by Tall Tales And Heroes. Musicals for Adults, Musicals for Yout...
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Full Score - Digital Download SKU: H1.1073DP Composed by Tall Tales And Heroes. Arranged by Tall Tales And Heroes. Musicals for Adults, Musicals for Youth. General Worship. Full score. 48 pages. Hope Publishing - Digital #1073DP. Published by Hope Publishing - Digital (H1.1073DP). Tall Tales And Heroes.School Musical Geared to the elementary level, these fanciful stories can be done separately or as a complete musical. Performance time approx. 35 minutes.
$18.95
Three Tall Tales
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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James F
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Three Tall Tales
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WayWordBound
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SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.1091292 Composed by James F. Rickley. Contemporary. Score and part. 21 pages. WayWordBound #695463. Publ...
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Cello,Piano - Level 4 - Digital Download SKU: A0.1091292 Composed by James F. Rickley. Contemporary. Score and part. 21 pages. WayWordBound #695463. Published by WayWordBound (A0.1091292). Three Tall Tales (1-Encounter, 2-Revelation, 3-Visitation), James F. Rickley, Composer, for Violoncello and Piano, Commissioned by Montana Arts Council, Score and Parts.
$20.00
Brass Quintet No. 3 "Cowboy Tales"
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Bob Delfausse
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Brass Quintet No. 3 "Cowboy Ta
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Robert Delfausse
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.766945 Composed by Bob Delfausse. 20th Century,Concert,Country,Holiday,Patriotic,Standards. Score and...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.766945 Composed by Bob Delfausse. 20th Century,Concert,Country,Holiday,Patriotic,Standards. Score and parts. 67 pages. Robert Delfausse #2343189. Published by Robert Delfausse (A0.766945). This 3-movement brass quintet is program music, in that it is written in the style usually used to depict the American West, and frequently has the instruments taking on the speaking roles of cowboys or other western characters. The first movement has a group of cowboys sitting around a campfire telling tall tales (at least this is what I had in mind). In the second movement ranchers (or farmers) are waiting desperately for rain, which comes only briefly. The third movement involves rival families, a surprise wedding, and a square dance. Silly, maybe, but it helped me write the music, which is fun to play. Suitable for advanced intermediate and professional quintets. Duration: 11 minutes, 11 seconds.
$40.00
Tall Tales & Heroes
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John F
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Tall Tales & Heroes
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Hope Publishing - Digital
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SheetMusicPlus
Actors Script - Digital Download SKU: H1.1079DP Composed by John F. Wilson. Musicals for Adults. General Worship. Actors' Script. 13 pages. Hope Publishi...
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Actors Script - Digital Download SKU: H1.1079DP Composed by John F. Wilson. Musicals for Adults. General Worship. Actors' Script. 13 pages. Hope Publishing - Digital #1079DP. Published by Hope Publishing - Digital (H1.1079DP). Grace Hawthorne.School Musical Geared to the elementary level, these fanciful stories can be done separately or as a complete musical. Performance time approx. 35 minutes.
Song List
: A Lot of Tall Tales The Patriotic Maid Be Sure You're Right Halley's Comet As American as Apple Pie Calamity Jane Beat the Machine Lumberjacks Love Flapjacks A Lot of Tall Tales (Reprise) Anyone Can Be a Hero
$5.00
Tall Tales & Heroes
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John F
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Tall Tales & Heroes
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Hope Publishing - Digital
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SheetMusicPlus
Singpak (15) - Digital Download SKU: H1.1072DP Composed by John F. Wilson. Musicals for Youth. General Worship. Song pack (15 choral parts). 17 pages. Ho...
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Singpak (15) - Digital Download SKU: H1.1072DP Composed by John F. Wilson. Musicals for Youth. General Worship. Song pack (15 choral parts). 17 pages. Hope Publishing - Digital #1072DP. Published by Hope Publishing - Digital (H1.1072DP). Grace Hawthorne.School Musical Geared to the elementary level, these fanciful stories can be done separately or as a complete musical. Performance time approx. 35 minutes.
Song List
: A Lot of Tall Tales The Patriotic Maid Be Sure You're Right Halley's Comet As American as Apple Pie Calamity Jane Beat the Machine Lumberjacks Love Flapjacks A Lot of Tall Tales (Reprise) Anyone Can Be a Hero
$60.00
Come with Me - 2-Part Children
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Choral 2-part
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EASY
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Betsy Lee Bailey
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Come with Me - 2-Part Children
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Betsy Lee Bailey
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1143540 Composed by Betsy Lee Bailey. Broadway,Children,Instructional,Multicultural,Musical/Sh...
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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1143540 Composed by Betsy Lee Bailey. Broadway,Children,Instructional,Multicultural,Musical/Show,World. Octavo. 8 pages. Betsy Lee Bailey #743857. Published by Betsy Lee Bailey (A0.1143540). Come with Me 2-Part Children's Chorus is a mysterious song about storytelling from Parizade's Quest, a Children's Musical from The Tales from the 1001 Arabian Nights. It is a good Theme song Opener for a concert featuring songs about famous Folk Tales, Tall Tales, or Stories from Literature.
$1.99
I Was Born About 10,000 Years Ago
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Traditional
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Tyler James Cook (ASCAP)
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I Was Born About 10,000 Years
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Tyler James Cook
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SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano - Level 1 - Interactive Download SKU: A0.1518417 Composed by Traditional. Arranged by Tyler James Cook (ASCAP). This ...
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Bass Guitar,Instrumental Solo,Piano - Level 1 - Interactive Download SKU: A0.1518417 Composed by Traditional. Arranged by Tyler James Cook (ASCAP). This edition: Interactive Download. Blues,Folk,Rock. Individual part. 5 pages. Duration 38. Tyler James Cook #6BCjZvbQlE0la8wCY2zXsM. Published by Tyler James Cook (A0.1518417). Key: G major.This piano arrangement of I Was Born About 10,000 Years Ago, a traditional folk song in the boasting tradition of tall tales, challenges younger pianists with sixteenth notes and a moving left hand. An optional electric bass part, in both notation and tabs, mimics the piano's left hand.
$4.99
alt.Callahans Reel
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Piano solo
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INTERMEDIATE/ADVANCED
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Celtic/Irish
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #62...
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Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50
One last bar then Joe can sing
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score an...
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
Fall's Calling
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Alexandros Pirillis
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Fall's Calling
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Songburd Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1411452 Composed by Alexandros Pirillis. Classical,Contemporary,Renaissance. 14 pages....
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1411452 Composed by Alexandros Pirillis. Classical,Contemporary,Renaissance. 14 pages. Songburd Music #993718. Published by Songburd Music (A0.1411452). “Fall’s Calling†takes us to a time when the music of the Renaissance crosses a threshold into the modern world.  With its sobering and thoughtful foundations and captivating folk-like melody we are brought to experience the coming of fall’s season, being touched in heart with feelings of soft-spoken melancholy as the gray and colder days replace the brightness and warmth of summer.  The temper of this lovely piece calls forth many thoughts and images of a time long gone, when kings and queens ruled and knights fought to prove their valor, and when tales of dragons were told around the unsteady flames of nightly campfires.  When listening to “Fall’s Calling†one may—perhaps—picture themselves on a lone walk along a wind-swept shore with bending blades of grass, where well-worn rocks are battered by chilling waves, and when looking to the horizon one sees a shadowy castle looming and silhouetted in the background, looking forlorn and lonely in the distance as it stands tall among the colors of autumn.
$19.99
First Of May
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Bee Gees
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Peet du Toit
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First Of May
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802654 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb....
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Small Ensemble Drum Set,Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802654 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 12 pages. Peet du Toit #6200345. Published by Peet du Toit (A0.802654). First of May is a song by the Bee Gees with lead vocals by Barry Gibb, released as a single from their 1969 double album Odessa. The song was first recorded in Atlantic Studios in New York and was continued in IBC Studios, London. Barry said in the booklet with Tales from the Brothers Gibb that the title of the song came from the birthday of his dog, Barnaby. Maurice recalled the session in which that song came about. Barry and I were sitting at the piano, he said, And I started playing the chords, and Barry started singing, 'When I was small and Christmas trees were tall' and I started singing along with it. We put a demo down with a vocal and we kept the piano track. Went back to England, and went into IBC Studios in London, added onto that piano track and Barry's vocal stayed on as well. We had a choir and an orchestra all on this one piano. This song was initially taped in demo form in New York City on 16 August 1968.The orchestral arrangement from maestro Bill Shepherd was featured on the second chorus. The song starts with a piano on the first verse and chorus. Shepherd's orchestra was featured in second verse and second chorus. After singing the second chorus, the singer repeated the first verse. The music was stopped when he sings don't ask me why, but time has passed us by, Someone else moved in from far away.It was quite a challenge to arrange such subtle music for a brass quintet. I am very pleased with the result though. Enjoy!
$19.00
Tall Tales For Spring
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Piano, Vocal and Guitar
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Pop music
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Vanessa Carlton
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Tall Tales For Spring
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Vanessa Carlton. Pop. Piano/Vocal/Guitar. 12 pages. Published by Hal Leonard - Digital Sheet Music...
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By Vanessa Carlton. Pop. Piano/Vocal/Guitar. 12 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
The Ballad of Tad Sims
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David R
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The Ballad of Tad Sims
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Bluesilhouettes Music
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SheetMusicPlus
Percussion Solo,Snare Drum - Level 5 - Digital Download SKU: A0.1507077 Composed by David R. Peoples. 21st Century,Contemporary. Individual part. 10 page...
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Percussion Solo,Snare Drum - Level 5 - Digital Download SKU: A0.1507077 Composed by David R. Peoples. 21st Century,Contemporary. Individual part. 10 pages. Bluesilhouettes Music #1082465. Published by Bluesilhouettes Music (A0.1507077). The Ballad of Tad Sims is a programmatic multi-movement work. During the American Civil War, the drummer was a vital part of the military. They kept everyone in line and communicated orders from military leadership. Most were very young and many accounts speak to their shortness as an assett on the battle field (bullets fired tended to go higher). This piece is also part of a longer collection of works connection the final year of Abraham Lincoln’s life (and a call to one of his children by using the name Tad - not that Tad was a drummer during the war).Movement 1, Campfire Tales with the Men, sets up an imiganary tale of the drummer entertaining soldiers hanging around a campfire. Movement 2, They Shot the Fife Player (RIP Fancy Billy), reflects on the realities of war and losing friends. Movement 3, 3. Betallion Joy with Salty Sixteenths (the Almost Crazy Army), imagines the interplay between a drummer with the tree line on an open battlefield - with tons of echoes and having the drums interactive with those delayed performances.
$15.00
Follajes. Pasillo con letra y música por: Fabio Alberto Ramírez
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Piano solo
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INTERMEDIATE/ADVANCED
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Fabio Alberto RamÃrez
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Juan Carlos Cortés Aguirre
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Follajes. Pasillo con letra y
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1121031 By Fabio Alberto RamÃrez. By Fabio Alberto RamÃrez. Arranged by Juan Carlos Cortés Aguir...
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Piano Solo - Level 4 - Digital Download SKU: A0.1121031 By Fabio Alberto RamÃrez. By Fabio Alberto RamÃrez. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #722223. Published by Juan Carlos Cortés Aguirre (A0.1121031). Transcripción musical para piano solo por: JUAN CARLOS CORTÉS A. Fabio Alberto RamÃrez S. Nació en la capital Caldense. Adelantó estudios profesionales de Publicidad en la Universidad Católica de Manizales; con posgrado en Comunicación Organizacional en la Universidad de Manizales. Productor, músico , autor y compositor de música Andina Colombiana; incursionando en otros géneros , pero su pasión es el folclor de nuestra tierra. Ha sido jurado de los más importantes concursos nacionales tales como: Festival Nacional Mono Núñez ,Festival Nacional Cotrafa en Bello-Antioquia , Festival Nacional del Pasillo en Aguadas-Caldas , Festival Nacional del Bambuco en Pereira-Risaralda, Festival Nacional de duetos “Hermanos Moncada†en Armenia-QuindÃo, entre otros certámenes. Homenajeado por la AlcaldÃa Mayor de Bogotá , RCN Radio y el Instituto Distrital de Cultural y Turismo en los 450 años de fundación de la capital Colombiana; en el Festival Nacional del Pasillo en Aguadas-Caldas, en el IV Festival de la Colombianidad en Riosucio-Caldas, AlcaldÃa de Manizales: grado Comendador , Comité de Cafeteros del QuindÃo, y el Comité de Cafeteros de Caldas, entre otros. Ganador en el Festival Nacional Mono Núñez: doble premio con los temas : “Me voy a olvidar†y el bambuco “La Cascadaâ€; en los concursos ICFES-CRES: 1996 y 1999, 2do puesto Festival Internacional del Bolero de Pereira-Risaralda con la obra “Miéntemeâ€. Tiene 4 producciones discográficas: • Olor a Leña. • Nueva Música Colombiana. • Destellos. • Vivencias y • Una recopilación con sus mejores obras. Actualmente labora en: • La Universidad de Manizales. • Estudio 7 Producciones. http://fabioalbertoramirezs.blogspot.... Follajes Pasillo con letra y música por: Fabio Alberto RamÃrez Introducción: Allá en la lejanÃa quiero mostrarte, como rÃe la vida en obras de arte, (2ª: Son para ti) pinceles naturales (2ª: Se ve el color) pintan paisajes, (2ª: De norte a sur) los árboles exponen sin preocuparse. Nubes viajeras van pasajeras, de aquellas sombras que da el follaje, risueñas ya se duermen (2a: Donde amar) con la pradera, (2a: Dum, dum, Dum) las ramas de aquel tronco voz de madera. Yo nunca olvidé, (2a: Olvide) que en su fresco lo amé, (2a Allà donde lo amé) y arrullado en sus hojas me perfumó de raÃz, verdes momentos de amor. Introducción: Los llantos del invierno ya se alejaron, en la orilla del rÃo flores brotaron, (2a: son para ti) y en tÃmidos rincones (2a: Se abrazan ya) tallos mojados (2a: Inquieto amor) se abrazan y se miran enamorados. Yo nunca olvidé, (2a: Olvide) que en su fresco lo amé, (2a Allà donde lo amé) y arrullado en sus hojas me perfumó de raÃz, verdes momentos de amor. (2a: De amor).
$7.99
Wandrers Nachtlied
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Joerg Widmann
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Wandrers Nachtlied
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Schott Music - Digital
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SheetMusicPlus
Picc. (auch Bassfl), Klar. in A (auch Bassklar. in B), Vl. (mit Eisendämpfer), S. (24 Crotales [chrom. c'''-c''''']), Klav. (mit 5 Schrauben und Metallbolzen...
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Picc. (auch Bassfl), Klar. in A (auch Bassklar. in B), Vl. (mit Eisendämpfer), S. (24 Crotales [chrom. c'''-c''''']), Klav. (mit 5 Schrauben und Metallbolzen präpariert) soprano and 5 instruments - difficult - Digital Download SKU: S9.Q47142 Für Sopran und fünf Instrumente. Composed by Joerg Widmann. This edition: score and parts. Downloadable, score and parts. Duration 9 minutes. Schott Music - Digital #Q47142. Published by Schott Music - Digital (S9.Q47142). Vocalise.Widmann's chamber music-filled work from 1999 was commissioned by the Siemens Cultural Program. As the title suggests, this early work refers to the famous poems of Goethe, but the vocal part is restricted to vocalises and reflects the poetic text without directly quoting it. Experimental and intense sound constellations as well as the expressive vocalises characterize this early composition.
$36.99
piezas breves para cello solo. nro 2 en re menor
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Cello
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INTERMEDIATE
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diego longobardi
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piezas breves para cello solo.
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diego longobardi
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.1025986 Composed by diego longobardi. Contemporary,World. Individual part. 2 pages. Diego longobardi #572...
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Cello Solo - Level 3 - Digital Download SKU: A0.1025986 Composed by diego longobardi. Contemporary,World. Individual part. 2 pages. Diego longobardi #5726231. Published by diego longobardi (A0.1025986). Compuestas en su mayorÃa en el año 2011, estas piezas para violoncello solo nacieron en principio por una necesidad propia de tener un repertorio que, si bien presentara un desafÃo, con la práctica y el estudio fuese posible interpretar. Muchas veces note que las obras escritas para cello que llegaban a mi atril eran, o bien demasiado sencillas (en la tonalidad de do mayor, en primera posición, con figuras rÃtmicas elementales, etc.) o eran directamente imposibles para quien no es un virtuoso. Luego de comentarlo con algunos colegas descubrà que no solo yo enfrentaba ese problema, asà que me decidà a crear mis propias obras, para las cuales utilicé tonalidades con algunas alteraciones (las necesarias) las primeras cuatro posiciones (mas la media posición) y los golpes de arco que mas me atraÃa ejecutar, asà como los diferentes matices, intensidades y caracteres propios de la música de cámara que siempre queremos tocar y a veces no se puede por las razones arriba mencionadas. Por supuesto este no es un libro de ejercicios, pero las digitaciones indicadas y las ligaduras son, además de las más adecuadas a mi criterio, ideales para ejercitar los cambios de posición, los golpes de arco y las técnicas que ofrece nuestro instrumento. El recurrente uso de la escala menor armónica es porque me gusta a mÃ, que soy el autor. Otro detalle que algunos han considerado una ventaja es el hecho de que las piezas estén compuestas por un cellista, ya que suponen que no hay dificultades innecesarias ni simplificaciones hasta el absurdo, en otras palabras, que sabe lo que puede tocar y lo que no. Es mi deseo que quien se embarque en el estudio de estas piezas disfrute con su ejecución, encuentre una excusa para pasar más horas estudiando y se convierta en un músico más completo.
$2.00
piezas breves para cello solo. nro 3 en si menor
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Cello
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INTERMEDIATE
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diego longobardi
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piezas breves para cello solo.
#
diego longobardi
#
SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.1025987 Composed by diego longobardi. Contemporary,World. Individual part. 2 pages. Diego longobardi #572...
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Cello Solo - Level 3 - Digital Download SKU: A0.1025987 Composed by diego longobardi. Contemporary,World. Individual part. 2 pages. Diego longobardi #5726233. Published by diego longobardi (A0.1025987). Compuestas en su mayorÃa en el año 2011, estas piezas para violoncello solo nacieron en principio por una necesidad propia de tener un repertorio que, si bien presentara un desafÃo, con la práctica y el estudio fuese posible interpretar. Muchas veces note que las obras escritas para cello que llegaban a mi atril eran, o bien demasiado sencillas (en la tonalidad de do mayor, en primera posición, con figuras rÃtmicas elementales, etc.) o eran directamente imposibles para quien no es un virtuoso. Luego de comentarlo con algunos colegas descubrà que no solo yo enfrentaba ese problema, asà que me decidà a crear mis propias obras, para las cuales utilicé tonalidades con algunas alteraciones (las necesarias) las primeras cuatro posiciones (mas la media posición) y los golpes de arco que mas me atraÃa ejecutar, asà como los diferentes matices, intensidades y caracteres propios de la música de cámara que siempre queremos tocar y a veces no se puede por las razones arriba mencionadas. Por supuesto este no es un libro de ejercicios, pero las digitaciones indicadas y las ligaduras son, además de las más adecuadas a mi criterio, ideales para ejercitar los cambios de posición, los golpes de arco y las técnicas que ofrece nuestro instrumento. El recurrente uso de la escala menor armónica es porque me gusta a mÃ, que soy el autor. Otro detalle que algunos han considerado una ventaja es el hecho de que las piezas estén compuestas por un cellista, ya que suponen que no hay dificultades innecesarias ni simplificaciones hasta el absurdo, en otras palabras, que sabe lo que puede tocar y lo que no. Es mi deseo que quien se embarque en el estudio de estas piezas disfrute con su ejecución, encuentre una excusa para pasar más horas estudiando y se convierta en un músico más completo.
$2.00
10 piezas breves para cello solo. complete book
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Cello
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INTERMEDIATE
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diego longobardi
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10 piezas breves para cello so
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diego longobardi
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.1025989 Composed by diego longobardi. 20th Century,Contemporary,World. Individual part. 20 pages. Diego l...
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Cello Solo - Level 3 - Digital Download SKU: A0.1025989 Composed by diego longobardi. 20th Century,Contemporary,World. Individual part. 20 pages. Diego longobardi #5726253. Published by diego longobardi (A0.1025989). Compuestas en su mayorÃa en el año 2011, estas piezas para violoncello solo nacieron en principio por una necesidad propia de tener un repertorio que, si bien presentara un desafÃo, con la práctica y el estudio fuese posible interpretar. Muchas veces note que las obras escritas para cello que llegaban a mi atril eran, o bien demasiado sencillas (en la tonalidad de do mayor, en primera posición, con figuras rÃtmicas elementales, etc.) o eran directamente imposibles para quien no es un virtuoso. Luego de comentarlo con algunos colegas descubrà que no solo yo enfrentaba ese problema, asà que me decidà a crear mis propias obras, para las cuales utilicé tonalidades con algunas alteraciones (las necesarias) las primeras cuatro posiciones (mas la media posición) y los golpes de arco que mas me atraÃa ejecutar, asà como los diferentes matices, intensidades y caracteres propios de la música de cámara que siempre queremos tocar y a veces no se puede por las razones arriba mencionadas. Por supuesto este no es un libro de ejercicios, pero las digitaciones indicadas y las ligaduras son, además de las más adecuadas a mi criterio, ideales para ejercitar los cambios de posición, los golpes de arco y las técnicas que ofrece nuestro instrumento. El recurrente uso de la escala menor armónica es porque me gusta a mÃ, que soy el autor. Otro detalle que algunos han considerado una ventaja es el hecho de que las piezas estén compuestas por un cellista, ya que suponen que no hay dificultades innecesarias ni simplificaciones hasta el absurdo, en otras palabras, que sabe lo que puede tocar y lo que no. Es mi deseo que quien se embarque en el estudio de estas piezas disfrute con su ejecución, encuentre una excusa para pasar más horas estudiando y se convierta en un músico más completo.
$8.00
piezas breves para cello solo. nro 4en re menor
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Cello
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INTERMEDIATE
#
diego longobardi
#
piezas breves para cello solo.
#
diego longobardi
#
SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.1025988 Composed by diego longobardi. Contemporary,World. Individual part. 2 pages. Diego longobardi #572...
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Cello Solo - Level 3 - Digital Download SKU: A0.1025988 Composed by diego longobardi. Contemporary,World. Individual part. 2 pages. Diego longobardi #5726241. Published by diego longobardi (A0.1025988). Compuestas en su mayorÃa en el año 2011, estas piezas para violoncello solo nacieron en principio por una necesidad propia de tener un repertorio que, si bien presentara un desafÃo, con la práctica y el estudio fuese posible interpretar. Muchas veces note que las obras escritas para cello que llegaban a mi atril eran, o bien demasiado sencillas (en la tonalidad de do mayor, en primera posición, con figuras rÃtmicas elementales, etc.) o eran directamente imposibles para quien no es un virtuoso. Luego de comentarlo con algunos colegas descubrà que no solo yo enfrentaba ese problema, asà que me decidà a crear mis propias obras, para las cuales utilicé tonalidades con algunas alteraciones (las necesarias) las primeras cuatro posiciones (mas la media posición) y los golpes de arco que mas me atraÃa ejecutar, asà como los diferentes matices, intensidades y caracteres propios de la música de cámara que siempre queremos tocar y a veces no se puede por las razones arriba mencionadas. Por supuesto este no es un libro de ejercicios, pero las digitaciones indicadas y las ligaduras son, además de las más adecuadas a mi criterio, ideales para ejercitar los cambios de posición, los golpes de arco y las técnicas que ofrece nuestro instrumento. El recurrente uso de la escala menor armónica es porque me gusta a mÃ, que soy el autor. Otro detalle que algunos han considerado una ventaja es el hecho de que las piezas estén compuestas por un cellista, ya que suponen que no hay dificultades innecesarias ni simplificaciones hasta el absurdo, en otras palabras, que sabe lo que puede tocar y lo que no. Es mi deseo que quien se embarque en el estudio de estas piezas disfrute con su ejecución, encuentre una excusa para pasar más horas estudiando y se convierta en un músico más completo.
$2.00
piezas breves para cello solo. nro 1 en sol menor
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Cello
#
INTERMEDIATE
#
diego longobardi
#
piezas breves para cello solo.
#
diego longobardi
#
SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.1025985 Composed by diego longobardi. 20th Century,Contemporary,World. Individual part. 2 pages. Diego lo...
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Cello Solo - Level 3 - Digital Download SKU: A0.1025985 Composed by diego longobardi. 20th Century,Contemporary,World. Individual part. 2 pages. Diego longobardi #5726225. Published by diego longobardi (A0.1025985). Compuestas en su mayorÃa en el año 2011, estas piezas para violoncello solo nacieron en principio por una necesidad propia de tener un repertorio que, si bien presentara un desafÃo, con la práctica y el estudio fuese posible interpretar. Muchas veces note que las obras escritas para cello que llegaban a mi atril eran, o bien demasiado sencillas (en la tonalidad de do mayor, en primera posición, con figuras rÃtmicas elementales, etc.) o eran directamente imposibles para quien no es un virtuoso. Luego de comentarlo con algunos colegas descubrà que no solo yo enfrentaba ese problema, asà que me decidà a crear mis propias obras, para las cuales utilicé tonalidades con algunas alteraciones (las necesarias) las primeras cuatro posiciones (mas la media posición) y los golpes de arco que mas me atraÃa ejecutar, asà como los diferentes matices, intensidades y caracteres propios de la música de cámara que siempre queremos tocar y a veces no se puede por las razones arriba mencionadas. Por supuesto este no es un libro de ejercicios, pero las digitaciones indicadas y las ligaduras son, además de las más adecuadas a mi criterio, ideales para ejercitar los cambios de posición, los golpes de arco y las técnicas que ofrece nuestro instrumento. El recurrente uso de la escala menor armónica es porque me gusta a mÃ, que soy el autor. Otro detalle que algunos han considerado una ventaja es el hecho de que las piezas estén compuestas por un cellista, ya que suponen que no hay dificultades innecesarias ni simplificaciones hasta el absurdo, en otras palabras, que sabe lo que puede tocar y lo que no. Es mi deseo que quien se embarque en el estudio de estas piezas disfrute con su ejecución, encuentre una excusa para pasar más horas estudiando y se convierta en un músico más completo.
$2.00
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