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Ted Waite
Sheetmusic to print
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Ted Waite: I've Never Seen A Straight Banana for voice, piano and guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Ted Waite for voice, piano or guitar of MEDIUM skill le…
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Instantly printable sheet music by Ted Waite for voice, piano or guitar of MEDIUM skill level. / pop
$6.97
6.37 €
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Piano, Vocal and Guitar
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Ted Waite
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Virtualsheetmusic
The Long-Awaited
Choral - Digital Download SKU: JX.00-PO-0002411 The Long-Awaited - SATB. Com…
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Choral - Digital Download SKU: JX.00-PO-0002411 The Long-Awaited - SATB. Composed by Lee Dengler. Sacred Choral. 11 pages. Jubilate Music Group - Digital #00-PO-0002411. Published by Jubilate Music Group - Digital (JX.00-PO-0002411). UPC: 038081484655. Susan Naus Dengler.This upbeat Advent offering captures the spirit of this blessed time of year with a light classical touch. The rhythmic energy of the accompaniment is reflected in the voices, creating a unique and refreshing piece.
$1.95
1.78 €
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Lee Dengler
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The Long-Awaited
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Jubilate Music Group - Digital
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SheetMusicPlus
The Long-Awaited
Choral SATB
Choir Sacred (SATB choir) - Digital Download SKU: JX.00-42915 Composed by Lee Dengl…
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Choir Sacred (SATB choir) - Digital Download SKU: JX.00-42915 Composed by Lee Dengler. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Jubilate Music. Advent; Christmas; Sacred. Choral Octavo. 11 pages. Jubilate Music Group - Digital #00-42915. Published by Jubilate Music Group - Digital (JX.00-42915). English. Susan Naus Dengler.This upbeat Advent offering captures the spirit of this blessed time of year with a light classical touch. The rhythmic energy of the accompaniment is reflected in the voices, creating a unique and refreshing piece.
$1.95
1.78 €
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Choral SATB
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Lee Dengler
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Choral Octavo
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The Long-Awaited
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Jubilate Music Group - Digital
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SheetMusicPlus
Der Kitzliche Kellner. The Ticklish Waiter. Polka
Piano solo
Piano - Digital Download SKU: LV.10344 Composed by J. M. Lander. Musicians, Caricat…
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Piano - Digital Download SKU: LV.10344 Composed by J. M. Lander. Musicians, Caricatures, Stringed instruments. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10344). Der Kitzliche Kellner. The Ticklish Waiter. Polka. by J.M. Lander. Published 1882 by New York Music Publishing Co. (Limited), 9 East 14th St. in New York. Composition of da capo with piano instrumentation. Subject headings for this piece include Musicians, Caricatures, Stringed instruments. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano solo
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J
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Der Kitzliche Kellner. The Ticklish Waiter. Polka
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Come, O Long-Expected Jesus
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.922910 Composed by Jayne N…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.922910 Composed by Jayne Nitz. Christian,Christmas,Sacred. Octavo. 9 pages. Jayne Nitz #6615365. Published by Jayne Nitz (A0.922910). This new heart-rending SATB choir arrangement for Charles Wesley’s text reflects the past, when Israel waited for the coming Messiah, but also applies to us as we experience the Advent season and prepare for Christmas and the birth of the Christ child. In its conclusion, the two melodies of verse and chorus intertwine and beautifully express our longing for Jesus’ second coming to take us to heaven.
$1.99
1.82 €
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Choral SATB
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Jayne Nitz
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Come, O Long-Expected Jesus
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Jayne Nitz
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SheetMusicPlus
I Have Waited
Piano, Voice
(Tenor) - Digital Download SKU: HX.434256 Edited by Richard Walters. Classical. Pia…
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(Tenor) - Digital Download SKU: HX.434256 Edited by Richard Walters. Classical. Piano Vocal. 2 pages. Published by Hal Leonard - Digital (HX.434256).
$4.99
4.56 €
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Piano, Voice
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I Have Waited
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Hal Leonard - Digital
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SheetMusicPlus
I've Never Seen A Straight Banana
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1000673 By Ted Wait…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1000673 By Ted Waite. By Ted Waite. Arranged by Cheryl Camm. Contemporary. Octavo. 8 pages. Seapieparcel #6606113. Published by seapieparcel (A0.1000673). A very lively arrangement which in some ways imitates a brass band, particularly in the accompanying parts. It's a silly song, lyrically and should be performed with lots of gusto and acting. .
$2.99
2.73 €
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Choral SATB
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Ted Waite
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I've Never Seen A Straight Banana
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seapieparcel
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SheetMusicPlus
I'm Glad I Waited For You
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871909 Composed by Jule St…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871909 Composed by Jule Styne and Sammy Cahn. Arranged by Walter Latzko. Contemporary. Octavo. 4 pages. Latzko Muzic #5710987. Published by Latzko Muzic (A0.871909). THIS IS A CAHN, STYNE LOVE BALLAD. THE ARRANGEMENT IS WONDERFULLY CRAFTED.
$7.99
7.3 €
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Choral TTBB
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Jule Styne and Sammy Cahn
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I'm Glad I Waited For You
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Latzko Muzic
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.19 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
The High Priestess (for flute, violin, horn in F, & piano)
Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by Jo…
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Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo†that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.
$40.00
36.57 €
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JohnWillard Utuk
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The High Priestess
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JohnWillard Utuk
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SheetMusicPlus
How Long I've Waited for Justice, Aria for Tenor from the opera The Hero and the Damned
Tenor voice, Piano
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730325 Composed by Jame…
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.730325 Composed by James Nathaniel Holland. Contemporary,Opera. 11 pages. James Nathaniel Holland #2897507. Published by James Nathaniel Holland (A0.730325). How Long I've Waited for Justice Aria for Tenor
$4.95
4.53 €
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Tenor voice, Piano
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James Nathaniel Holland
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How Long I've Waited for Justice, Aria for Tenor from the opera The Hero and the Damned
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James Nathaniel Holland
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SheetMusicPlus
I Have Waited
Choral SATB
Choral Choir (SATB) - Digital Download SKU: A0.901621 Composed by David Thompson. A…
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Choral Choir (SATB) - Digital Download SKU: A0.901621 Composed by David Thompson. A Cappella,Christian,Contemporary,Easter,Jewish. Octavo. 5 pages. David M Thompson #4592169. Published by David M Thompson (A0.901621). I Have Waited, a setting of the beginning of Psalm 40. For a capella SATB choir. Appropriate for church use for Advent or Lent, or as a concert number. Piano reduction included in score.
$2.29
2.09 €
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Choral SATB
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David Thompson
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For a capella SATB choir
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I Have Waited
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David M Thompson
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SheetMusicPlus
The German Waiter
Piano, Voice
Piano and voice - Digital Download SKU: LV.4763 Composed by Louis F. Boos. Portrait…
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Piano and voice - Digital Download SKU: LV.4763 Composed by Louis F. Boos. Portraits, Parlors, Immigrants, Dialects, Occupations, Ethnic stereotypes. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4763). Beautiful Waltz Songs and Ballads. No. 7. The German Waiter. Words by Chas. A. Loder. Music by Louis F. Boos. Published 1884 by Chas. D. Blake & Co., 488 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Parlors, Immigrants, Dialects, Occupations, Ethnic stereotypes. First line reads I leave my faderland across der sea to roam.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voice
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Louis F
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The German Waiter
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
We Must Learn to Walk Together
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.65 €
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Piano, Vocal and Guitar
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
This is Our Prayer
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.965763 By Lisa Waites…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.965763 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Children,Film/TV,Praise & Worship,Sacred,Spiritual. Score. 1 pages. Servant Song Music and Ministry #571431. Published by Servant Song Music and Ministry (A0.965763). I wrote this contemporary hymn as a musical prayer response to the invasion of Ukraine in 2022. In liturgical churches, it functions beautifully as a congregational sung response following the Prayers of the People (or even replacing the Prayers of the People). In evangelical settings, it can be sung as a stand-alone worship hymn right after the sermon, or as part of a set of worship songs at the beginning or conclusion of the service. I am a prolific songwriter, and I've been writing music for 35+ years now. Through all of those years, there have only been a handful of occasions where I have felt more like a conduit of the Holy Spirit than the composer of the hymn; this was definitely one of those times. This is Our Prayer is written in the key of F Major, making it highly accessible for beginning church accompanists. It has a moderate tempo, set in a 3/4 time signature with a lilting rhythm. The vocal range is designed for robust congregational singing. The melody line is just one octave, ranging from Middle C to the C above it; the Alto line is just a six note range, from Middle C to the A above. This score includes the piano accompaniment in a strophic, hymn style format, two-part vocal harmony, and guitar chords (which can also assist pianists who play by chord + melody line, instead of by reading the score). The simplicity of this hymn does not detract from its' beauty, however. This is a highly singable, memorable tune with some interesting rhythmic patterns. The lyrics of this hymn are loosely based on Romans 12:12-21 (As far as it depends upon you, live at peace with all people). The words of the hymn are truly a prayer, asking God for peace, but they also remind us that as people of faith, we are invited to participate WITH God in the process of making peace on earth, by how we pray, live, give, and place our trust in God. One lyric reads that we dare to pray for peace; this is an intentional choice on my part, flagging the potential costliness of becoming people who prioritize peace. The week this hymn was released to Spotify, iTunes, Amazon Music Unlimited, Reverbnation, and Deezer, it debuted at #30 on the Top 100 Contemporary Christian Music Charts on Spotify. The YouTube video version of the hymn (link attached below) was viewed over 7,000 times in the first ten days, by people in over 40 countries. You are welcome to stream it for worship services, on church websites, and on social media. The more people view it, the more ad revenue it will generate, and all profits from the sale of this hymn in any form (video ad revenue, digital MP3 sales on the sites listed above, and the sale of this musical score) will be donated to the Red Cross and the United Church of Canada's Mission & Service Fund; both of these registered charities have targeted programs running to assist Ukrainians who've been displaced by the war. Once the Ukrainian war ends, I will continue to send all profits from the hymn to those same charities to help refugees in other conflict zones. May this hymn comfort and discomfort you. My prayer is that it will prompt all of us to live more faithfully as people of peace - in our individual lives, but also in our families, in our communities, our nations, and our world. To God be the glory!
$3.99
3.65 €
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Piano, Vocal and Guitar
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Lisa Waites
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This is Our Prayer
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Servant Song Music and Ministry
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SheetMusicPlus
Loving La Vie En Rose
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1077235 By Celeste. By Celeste Epip…
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Piano Solo - Level 5 - Digital Download SKU: A0.1077235 By Celeste. By Celeste Epiphany Waite, Dany Hericourt, Edith Giovanna Gassion, Joshua Gailer Crocker, Luis Guglielmo Guglielmi, and Thomas Richard Charles Andrews. Arranged by Timothy Stapay/Jon England. Broadway,Film/TV,Musical/Show,Pop,Standards,Traditional. Score. 10 pages. Timothy Stapay #681403. Published by Timothy Stapay (A0.1077235). This arrangement of La Vie En Rose is as performed by piano artist Jon England. La Vie en rose is the signature song of popular French singer Édith Piaf, written in 1945, popularized in 1946, and released as a single in 1947. The song became very popular in the US in 1950, when seven versions reached the Billboard charts. The song's title can be translated as Life in happy hues, Life seen through rose-colored glasses, or Life in rosy hues; its literal meaning is Life in Pink. Musically touching lives around the globe, Jon England has performed his “Piano Orchestral Pops Show†(or P.O.P.S. for short) in Theaters, Night-Clubs, Concert venues and on Television and Radio as well as hopping aboard some of the world’s most exclusive and luxurious cruise liners from time to time. His first sea-borne break came in the early 1980’s when asked to play aboard Cunard’s fabled Queen Elizabeth II since when he has headlined alongside Vic Damone, The Glenn Miller Orchestra, Al Jarreau, Kenny Burrell and many other ‘names’ on repeat trips around the world. International relations have led to the creation of a U.S.A.-oriented twin album of Jon’s music entitled 'Velvet Piano'. Always an afficionado of Liberace's performing style and remarkably varied pianistic skill, Jon was invited to participate in the Liberace International Piano Competition in Las Vegas. Jon took the coveted Showmanship Professional prize title in a packed field of contestants from all corners of the globe.
$8.99
8.22 €
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Piano solo
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Celeste
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Loving La Vie En Rose
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Timothy Stapay
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SheetMusicPlus
Who Is This King?
Choral 3-part
SAB choir, Piano (With Optional Full Orchestra) - Digital Download SKU: LX.55-1097L…
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SAB choir, Piano (With Optional Full Orchestra) - Digital Download SKU: LX.55-1097L Royal Servant...Rejected Friend...Risen Christ!. Composed by Joseph M Martin and Lloyd Larson. Choral Cantatas. Easter, Lent. 92 pages. Exaltation Publications #e55/1097L. Published by Exaltation Publications (LX.55-1097L). ISBN 9780893282226. UPC: 000308106893.Those who witnessed the life and ministry of Jesus were consistently mixed in their verdicts about who He was. Many claimed Him to be the long-awaited Messiah while others claimed Him a fraud. Some accepted that He came bearing messages of peace and love while others were looking for a king who would conquer with power and might. Confusion surrounded even Christ's most devoted followers in His final days when He was rejected and crucifed...only to be followed by the unprecedented events of the resurrection, resulting in a compelling affirmation: This was indeed the King of all kings! Lloyd Larson and Joseph M. Martin combine their extensive writing experiences and talents to provide a distinctive and inspired look at the ministry and final days of Jesus' life. Creative choral settings, utilizing both new and familiar melodies and texts, make this a worthy selection for the Lenten season. Most of the anthems may also be used individually throughout the Lenten season.
$10.95
10.01 €
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Choral 3-part
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Joseph M Martin and Lloyd Larson
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Who Is This King?
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Exaltation Publications
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SheetMusicPlus
Bach: Aria from Goldberg Variations, BWV 988 as played by Víkingur Ólafsson (for Piano)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.597593 By Johann Sebastian Bach and…
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Piano Solo - Level 3 - Digital Download SKU: A0.597593 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Classical,Easter,Wedding. Score. 4 pages. Flavio Regis Cunha #6671021. Published by Flavio Regis Cunha (A0.597593). Bach: Aria from Goldberg Variations, BWV 988 as played by VÃkingur Ólafsson (for Piano).AdvancedFormat: Concert, 9 x 12 inches4 pages.PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.Acclaimed for his visionary interpretations of J.S. Bach, VÃkingur Ólafsson, a leading pianist and contemporary musical genius, now takes on the monumental task of presenting Bach’s Goldberg Variations. The upcoming season is dedicated entirely to a global tour across six continents, with the eagerly awaited album slated for release in October 2023 on Deutsche Grammophon. Ólafsson shares, I have harbored the dream of recording this piece for 25 years.This album follows the resounding success of Ólafsson’s 2018 DG recording of Johann Sebastian Bach's works, which not only clinched BBC Music magazine’s Album of the Year but also secured Opus Klassik’s Solo Recital award and several other recording of the year accolades. Such achievements led to his well-deserved recognition as Gramophone magazine’s Artist of the Year. Now, Ólafsson directs his distinctive musical vision and meticulous recording finesse toward Bach’s masterpiece, embarking on his first complete work recording, starting with one of the most demanding pieces in the piano repertoire.In the 2023-24 season, Ólafsson sets forth on a Goldberg Variations world tour, gracing renowned concert halls worldwide, including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest, and Teatro Colón, to name a few.Reflecting on the profound impact of the Goldberg Variations, Ólafsson comments, “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, brilliantly employ counterpoint, and evoke exalted poetry, abstract contemplation, and deep pathos – all within meticulously crafted structures of formal perfection. In 30 variations, based on the humble harmonic framework of a simple, graceful aria, Bach transforms limited material into boundless variety like no one before or since. He stands as the greatest keyboard virtuoso of his time.â€This score has been painstakingly reedited. We offer here a clear edition, with indications of ornaments based on the edition by Bärenheiter, 1977.Listen to VÃkingur Ólafsson’s album ‘Goldberg Variations’ here: https://dg.lnk.to/vikingur-goldberg Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: https://www.stage-plus.com/.
$5.99
5.48 €
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Piano solo
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Johann Sebastian Bach and VÃkingur Ólafsson
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Bach: Aria from Goldberg Variations, BWV 988 as played by Víkingur Ólafsson
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Flavio Regis Cunha
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SheetMusicPlus
Theme from Piano Concerto - Level 3 piano arrangement
Piano solo
Easy Piano - Level 2 - Digital Download SKU: A0.902459 Composed by Amy Beach (1867-…
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Easy Piano - Level 2 - Digital Download SKU: A0.902459 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996609. Published by Cameron E Smith (A0.902459). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 3, Early IntermediateDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an early intermediate level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 20 measures. Right hand plays the melody and left hand accompanies in broken arpeggios. Eighth-notes, dotted quarter-notes, quarter-notes, half-notes, dotted half-notes and whole notes.Technique: Fingering crossing over and under the thumb is introduced. Sharps and flats are mixed. There are also level 1, 2, and 4 arrangements of this piece available. History: This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's.Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.82 €
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Piano solo
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Amy Beach
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Theme from Piano Concerto - Level 3 piano arrangement
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Cameron E Smith
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SheetMusicPlus
Theme from Piano Concerto - Level 1 piano arrangement
Piano solo
Easy Piano - Level 1 - Digital Download SKU: A0.902458 Composed by Amy Beach (1867-…
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Easy Piano - Level 1 - Digital Download SKU: A0.902458 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996573. Published by Cameron E Smith (A0.902458). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 1 Early ElementaryDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner.This is an early elementary level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 14 measures. Right hand is in a 5-finger, middle C position. Left hand is in a 5-finger position, one note below middle C. Eighth-notes, quarter-notes, half-notes and dotted half-notes.Technique: 5th finger stretch in the right hand is introduced. 5-finger scales. No accidentals. There are also level 2-4 arrangements of this piece available.History: This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to become world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.82 €
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Piano solo
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Amy Beach
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Theme from Piano Concerto - Level 1 piano arrangement
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Cameron E Smith
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SheetMusicPlus
Theme from Piano Concerto - Level 4 piano arrangement
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.902460 Composed by Amy Beach (1867-…
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Piano Solo - Level 3 - Digital Download SKU: A0.902460 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996637. Published by Cameron E Smith (A0.902460). Basic Info:Piano Solo Sheet Music, digital downloadFormat: Level 4, IntermediateDetailed Description:Piano concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an intermediate level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 20 measures. Right hand melody in between G4 and C5, left hand accompaniment in broken chords and block chords. Eighth-notes, quarter-notes, dotted quarter-notes, half-notes and whole notes.Technique:Left hand accompaniment arpeggios with crossing fingerings are introduced. Flats and sharps are mixed. Independence of hands. There are also level 1, 2, and 3 arrangements of this piece available.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to become world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.82 €
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Piano solo
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Amy Beach
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Theme from Piano Concerto - Level 4 piano arrangement
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Cameron E Smith
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SheetMusicPlus
The DaySpring
Organ
Organ: 3-staff - Intermediate SKU: LO.70-1608S Advent Meditations for Organ.…
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Organ: 3-staff - Intermediate SKU: LO.70-1608S Advent Meditations for Organ. Composed by Gilbert M. Martin. Sacred, Advent. Sacred Music Press #70/1608S. Published by Sacred Music Press (LO.70-1608S). ISBN 9780893288372.For the coming of the Christ-child, whether quietly awaited or fervently desired, expectation is musically gathered in this joyous collection of organ music designed for the Advent season. Familiar carols (and one or two less familiar ones) receive sparkling and contemplative treatments. Registered for all organs and accurately timed.
Song List
: Watchman Tell Us Of The Night Come Thou Long Expected Jesus O Come O Come Emmanuel Savior of the Nations Come Creator Of The Stars Of Night On Jordan's Bank The Baptist's Cry
$25.00
22.86 €
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Organ
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Gilbert M
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The DaySpring
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Sacred Music Press
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SheetMusicPlus
The Royal Court of Aquitaine (Clarinet Quartet version)
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.7…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 5 - Digital Download SKU: A0.764636 Composed by James Pybus. Contemporary,Contest,Festival. 15 pages. James Pybus #34151. Published by James Pybus (A0.764636). The Royal Court of Aquitaine is an original composition for SATB Saxophone Quartet or Clarinet Quartet and is dedicated to the Three Rivers Saxophone Quartet who are based in Pittsburgh, in appreciation for having me as one of their guests at their 20th Annual Saxophone and Woodwind Workshop held at California University of Pennsylvania, June 27- July 2, 2010. I began working on the piece just prior to attending the workshop and completed it a few days after returning home to Mississauga, Ontario. The title was suggested by my lovely bride after she first heard the piece. Raised in a family where medieval history was a frequent topic of discussion since her father was a Professor of Medieval Studies at the University of Toronto, my wife says she had a vision of Eleanor of Aquitaine arriving by ship in England with her entourage, while her husband King Henry II awaited her. Since I had no title in mind, and after having researched the medieval Queen, I decided my wife’s suggestion was particularly apt. The piece is in ternary form, with the first theme in C Dorian mode, perhaps depicting Eleanor’s strength and conviction as a monarch. This leads into the second section in Eb major, which is more lyrical and calming in nature, suggesting her influence over the Courtly Love Movement while residing in Poitiers. The first section then returns to bring the piece to a balanced conclusion. The performance time is 3:15. Contact me at james.pybus56@gmail.com.
$15.00
13.71 €
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Clarinet Quartet: 4 clarinets
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James Pybus
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The Royal Court of Aquitaine
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James Pybus
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SheetMusicPlus
I Waited Patiently for the Lord
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.886074 Composed by Michael…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.886074 Composed by Michael Colson. Christian. Octavo. 9 pages. Michael Colson #118929. Published by Michael Colson (A0.886074). Composed by Michael Colson. Meditative praise anthem with text taken from Psalm 40. Separate performance track available.
$2.25
2.06 €
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Choral SATB
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Michael Colson
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I Waited Patiently for the Lord
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Michael Colson
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SheetMusicPlus
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