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Ten Songs
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Ten Songs
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9976
Hungarian Folksongs, - instruments in four parts
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Bela Bartok
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Paul Burnell
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Hungarian Folksongs, - instrum
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Paul Burnell
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SheetMusicPlus
Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Folk,World. Score and ...
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Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Folk,World. Score and parts. 72 pages. Paul Burnell #6521857. Published by Paul Burnell (A0.835891). Hungarian Folksongs (1906) BB 42 (Sz. 33), Béla Bartók, arranged by Paul Burnell for instruments in four partsDownload comprises both score and parts.Duration 14:00Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.The keys of the original compositions are retained in these arrangements.Programme note:In 1906 the Hungarian composers Béla Bartók (1881 – 1945) and Zoltán Kodály (1882 – 1967) published a collection of twenty Hungarian Folksong arrangements for voice and piano ('Magyar népdalok énekhangra és zongorára'). The first ten arrangements are by Bartók. The first song: 'Elindultam szép hazámból' (I left my beautiful fatherland) came to be applied to Bartók himself after his self-imposed exile in the USA. The third and fourth movements are in two parts - the third movement presenting two versions of 'Fehér László', and the fourth movement containing two different songs - 'A gyulai kert alatt' and 'A kertmegi kert alatt'. In later editions, the fifth song - 'Ucca, ucca, ég az ucca' - was omitted, but is retained in these arrangements for instruments in four parts.The titles of the ten songs by Bartók are:1. Elindultam szép hazámbul / Far Behind I Left My Country2. Ãltal mennék én a Tiszán ladikon / Crossing the River3a. Fehér László / The Horse-thief3b. Fehér László / The Horse-thief4a. A gyulai kert alatt / In the Summer Fields4b. A kertmegi kert alatt / I Was in a Garden Green5. Ucca, ucca, ég az ucca6. Ablakomba, ablakomba / Deceived in Love7. Száraz ágtól messze virÃt a rózsa / Love’s a Burden8. Végigmentem a tárkányi / Walking Through the Town9. Nem messze van ide kis Margitta / The Horseman10. Szánt a babám / My Love Has Gone A-ploughing.
$4.99
I Write The Songs
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Tenor Saxophone and Piano
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INTERMEDIATE
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549334 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549334 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486301. Published by jmsgu3 (A0.549334). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
Three Auden Songs
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Tenor voice, Piano
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Classical
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Three Auden Songs
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Schott Music - Digital
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SheetMusicPlus
For tenor and piano. Composed by Huw Watkins. This edition: Sheet music. Downloadable. Duration 9 minutes. Schott Music - Digital #Q7024. Published by...
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For tenor and piano. Composed by Huw Watkins. This edition: Sheet music. Downloadable. Duration 9 minutes. Schott Music - Digital #Q7024. Published by Schott Music - Digital
'Three Auden Songs' was commissioned by Theatre Royal de la Monnaie for the tenor Mark Padmore and the pianist Andrew West who gave the first performance in Brussels in 2009. Lyricism and clarity are its defining characteristics, and a strong feeling for both voice and accompaniment that comes naturally to this fine composer/pianist.
$15.99
Luther: Out of the Depths for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,St...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548723 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411761. Published by jmsgu3 (A0.548723). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Il canto del nibbio - for tenor and piano
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Tenor voice
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INTERMEDIATE/ADVANCED
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Contemporary
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Gianmaria Griglio
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Il canto del nibbio - for teno
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Gianmaria Griglio
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.927839 Composed by Gianmaria Griglio. 20th Century,Contemporary. 16 pages. Gianmaria Griglio ...
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.927839 Composed by Gianmaria Griglio. 20th Century,Contemporary. 16 pages. Gianmaria Griglio #4895005. Published by Gianmaria Griglio (A0.927839). This is a bundle of the three tenor songs already available here:- Voi che per gli occhi (https://www.sheetmusicplus.com/title/voi-che-per-gli-occhi-for-tenor-and-piano-digital-sheet-music/2...)- Perché non fuoro a me gli occhi dispenti (https://www.sheetmusicplus.com/title/perch-non-fuoro-a-me-gli-occhi-dispenti-for-tenor-and-piano-dig.....)- Tu m’hai si piena di dolor la mente (https://www.sheetmusicplus.com/title/tu-m-hai-si-piena-di-dolor-la-mente-for-tenor-and-piano-digital.......)
$14.99
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Tenor voice
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ADVANCED
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
The Water Is Wide (for alto sax, tenor sax and piano)
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Tenor Saxophone and Piano
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INTERMEDIATE
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Traditional
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Colin Kirkpatrick
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The Water Is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522243 Composed by Traditional. Arran...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522243 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Christmas,Holiday,Love,Wedding. Score and parts. 11 pages. Colin Kirkpatrick Publications #4835037. Published by Colin Kirkpatrick Publications (A0.522243). The Water Is Wide (also known as O Waly, Waly) is an old folk song of Scottish origin and like so many other folk songs exists in many variants. The lyrics partly date back to the 1600s but the song remains ever-popular today. This attractive arrangement is for E flat alto saxophone, B flat tenor saxophone and piano and is intended for intermediate players. The arrangement would be useful for student or professional recitals, end-of-semester concerts or would make a popular encore number for a concert. It would make a popular addition to any events with a Scottish flavor or romantic themes. The imagery of the lyrics describes the challenges of love and has been reflected in the lyrical tenor sax part of this arrangement. The folk song is the same one that the British composer Benjamin Britten arranged for voice and piano. This new arrangement is sure to go down well with audiences.
$12.99
Burns Songs - Set 2 - Tenor Saxophone - TK Murray
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Tenor Saxophone and Piano
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INTERMEDIATE
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Burns / TK Murray
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TK Murray
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high-spirited 'Duncan Gray'
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Burns Songs - Set 2 - Tenor Sa
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TK
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.824138 Composed by Burns / TK Murray. Arranged by TK Murray. Concert,Folk,Standards. Score and...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.824138 Composed by Burns / TK Murray. Arranged by TK Murray. Concert,Folk,Standards. Score and part. 7 pages. TK (Tim) Murray #6212195. Published by TK (Tim) Murray (A0.824138). TK Murray's 'Burns Songs' - Set 2 - include a pairing of two of Robert Burns' most inspired Songs. Firstly the intensely moving 'Ae Fond Kiss' followed by the brilliantly cheeky & high-spirited 'Duncan Gray'. Perfect for a Burns Night Supper or Ceilidh.If you enjoy these please look out for 'Burns Songs' -Set 1.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$5.95
Mendelssohn: Wedding March for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
Sullivan: The Lost Chord for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructi...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Crossing the Bar from Songs of Love and Departure (Downloadable)
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Tenor voice, Piano
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Contemporary
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Henry Mollicone
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Crossing the Bar from Songs of
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice and piano - Medium - Digital Download SKU: MQ.8477-E Composed by Henry Mollicone. 20th Century. Secular, Memorial, 20th Century, Hope/Assuran...
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Tenor voice and piano - Medium - Digital Download SKU: MQ.8477-E Composed by Henry Mollicone. 20th Century. Secular, Memorial, 20th Century, Hope/Assurance. Instrument part. 6 pages. Duration 3 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8477-E. Published by E. C. Schirmer Music Company - Digital (MQ.8477-E). English.Crossing the Bar is a favorite poem of mine. Alfred Tennyson's vision of approaching death is both beautiful and profound, expressing both his belief in God and his doubts. The line 'I hope to see my captain face to face,' indicates his lack of certainty (doubts) regarding meeting his 'Captain' (God) in a beautiful and mystical way. I also appreciate his metaphorical use of a quiet sea voyage. The musical setting is meant to be both tranquil and peaceful. -Henry MolliconeDuration: 3:15.
$6.75
Classic Christmas Songs (Tenor Sax) - The "Boughs of Holly" Series
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Tenor Saxophone
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BEGINNER
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Christmas
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Christopher Esther
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Classic Christmas Songs
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Christopher Esther
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SheetMusicPlus
Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.796177 Arranged by Christopher Esther. Christmas. Individual part. 21 pages. Christopher Esther...
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Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.796177 Arranged by Christopher Esther. Christmas. Individual part. 21 pages. Christopher Esther #6129717. Published by Christopher Esther (A0.796177). The Boughs of Holly series features twelve classic Christmas songs and carols perfect for any occasion. Each is arranged in an easy-to-read format including chord symbols, lyrics, and extended song notes. Songs included are Away in a Manger, Deck the Halls, Jingle Bells, Silent Night, Up on the Housetop, Joy to the World, We Wish You a Merry Christmas, O Christmas Tree, The First Noel, God Rest Ye Merry Gentlemen, Hark! The Herald Angels Sing, and The Twelve Days of Christmas. Perfect for beginners and experienced players alike, the lead sheet format makes this series a great starting point for younger players or a detailed improvisational guide for experts. This book is also available in almost twenty more instrumentations, all completely cross compatible with any other book in the series! Pieces can be purchased separately, but you save over 140% when buying the complete collection!
$9.99
Pachelbel: Canon for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructiona...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
Silent Night for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Christmas
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Gruber
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James M
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Silent Night for Tenor Sax & P
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548490 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 p...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548490 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387061. Published by jmsgu3 (A0.548490). Silent Night for Tenor Sax & Piano with new harmony for the final verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
Long Island Songs (Downloadable)
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Tenor voice, Piano
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Tom Cipullo
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Long Island Songs
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice and piano - Moderately Difficult - Digital Download SKU: MQ.8875-1E Composed by Tom Cipullo. 25 pages. E. C. Schirmer Music Company - Digital...
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Tenor voice and piano - Moderately Difficult - Digital Download SKU: MQ.8875-1E Composed by Tom Cipullo. 25 pages. E. C. Schirmer Music Company - Digital #8875-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8875-1E). UPC: 600313488757. English.Four Long Island Songs are to poems by William Heyen, and recall a place far different than the traffic jams and strip malls of today would lead you to believe. The Land of Nod is a set of four songs on the quirky, humor-laden poems of Alice Wirth Gray. Finally, Rapture is a wedding song which perfectly captures the tenderness in George Eliot's poem.
$20.00
Five Songs from Northern Seas
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Tenor voice, Piano
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ADVANCED
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Gavin Bryars
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Five Songs from Northern Seas
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Schott Music - Digital
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SheetMusicPlus
Tenor voice and piano - difficult - Digital Download SKU: S9.Q19040 For tenor and piano. Composed by Gavin Bryars. This edition: Sheet music. Down...
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Tenor voice and piano - difficult - Digital Download SKU: S9.Q19040 For tenor and piano. Composed by Gavin Bryars. This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Digital #Q19040. Published by Schott Music - Digital (S9.Q19040). English.Gavin Bryars has returned once again to the poetry of George Bruce and the 'Five Songs from Northern Seas' are dedicated to his memory in his centenary year. Bryars describes the five evocative poems: They focus on universal qualities - of man's relationship to a harsh environment, to images of coastal life and of the sea, to that resilience and independence of spirit that Glenn Gould identified in The Idea of North and which I admire unreservedly - an acceptance, and even relishing, of the concept of solitude as something positive..
$25.99
Now Is Christ Risen - Easter Cantata Rehearsal Track CD for TENOR
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Sacred music
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Glenn and Jan Christianson & B
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Silas are put in the jail
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Now Is Christ Risen - Easter C
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Bible Truth Music
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SheetMusicPlus
Choir,Tenor Voice - Digital Download SKU: A0.1069862 Composed by Glenn and Jan Christianson & Byron Foxx. Christian,Easter,Sacred. Full Performance. Dura...
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Choir,Tenor Voice - Digital Download SKU: A0.1069862 Composed by Glenn and Jan Christianson & Byron Foxx. Christian,Easter,Sacred. Full Performance. Duration 1750. Bible Truth Music #3427963. Published by Bible Truth Music (A0.1069862). Rehearsal Track with TENOR voice emphasized for Now Is Christ Risen Easter cantata. Single combined track for all songs.Watch the trailer for the cantata here:https://www.youtube.com/watch?v=_qPCuWDc294Meet Abner, Dinah, and Hezbah-each of them are captives in a Roman jail. Listen to them discuss their lives of crime and the hopelessness it has brought. However, everything changes when Paul & Silas are put in the jail. Despite their recent beatings, Paul and Silas speak and sing of the joy that can only be found through Jesus Christ. Experience the earthquake, the prison bars and chains disintegrating, and the huge door miraculously opening on its own! Once the jailer realizes that the prisoners are all there, his heart is opened to the saving grace of Jesus Christ. This program has eleven songs, including ten songs for the choir and one song for choir or duet. One song features a duet as well as the choir. This musical is written for a four-part SATB choir. It has six speaking parts with some optional parts for extra prisoners. It can be done as a full-length drama or adapted for readers’ theater. The program is approximately fifty minutes in length.
$19.99
Kommet, ihr Hirten
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Ukulele
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INTERMEDIATE
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Traditional
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Bettina Schipp
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Kommet, ihr Hirten
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songbooks.info
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SheetMusicPlus
Ukulele - Level 3 - Digital Download SKU: A0.1315201 Composed by Traditional. Arranged by Bettina Schipp. Christian,Christmas,Religious,Traditional. Scor...
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Ukulele - Level 3 - Digital Download SKU: A0.1315201 Composed by Traditional. Arranged by Bettina Schipp. Christian,Christmas,Religious,Traditional. Score. 1 pages. Songbooks.info #903947. Published by songbooks.info (A0.1315201). Arranged for the hottest four strings in music - the Ukulele.The Christmas songs come from composers from all over the world and were written for fingerpicking on the Ukulele - using the well-known tablature for string instruments. The songs are recorded at a slow tempo and with a sound that does not match the sound of the ukulele. Have fun making music...!Arrangiert für die heißesten vier Saiten der Musik die Ukulele.Die Weihnachtslieder stammen von Komponisten aus aller Welt und wurden zum Fingerpicking auf der Ukulele notiert in der bekannten Tabulatur für Saiteninstrumente. Die Lieder wurden in einem langsamen Tempo und mit einem Sound aufgenommen, der sich gut vom Klang der Ukulele unterscheidet. Viel Spaß beim Musizieren...!
$1.99
Jingle Bells for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Christmas
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James Pierpont
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James M
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piano
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Jingle Bells for Tenor Sax & P
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548667 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and p...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548667 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409337. Published by jmsgu3 (A0.548667). Jingle Bells arranged for tenor sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Were You There, Gospel Hymn for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Traditional
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David McKeown
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Were You There, Gospel Hymn fo
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.593430 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,S...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.593430 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6419057. Published by David McKeown (A0.593430). Were You There is a beautiful spiritual arranged here for Solo Tenor Saxophone and Piano.Were You There was first published in 1899 but its origins stretch back into the nineteenth century. Like many spirituals there are coded references to the Afro- American experience. The mention of crucifixion in such songs was often associated with the lynchings that were a common occurrence right into the late twentieth century.
$2.49
Ten Songs of Robert Burns
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Piano, Voice
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INTERMEDIATE
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Traditional Scottish
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Alan A Craig
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Ten Songs of Robert Burns
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Earnside Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.820259 Composed by Traditional Scottish. Arranged by Alan A Craig. Celtic,Folk,Irish,Patriotic. Sc...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.820259 Composed by Traditional Scottish. Arranged by Alan A Craig. Celtic,Folk,Irish,Patriotic. Score. 52 pages. Earnside Music #6671025. Published by Earnside Music (A0.820259). A milestone album of ten world-famous songs by Scotland’s immortal bard Robert Burns. The melodies (in medium range singing keys) are the familiar traditional ones but arranged by Scottish composer Alan A Craig with previously unavailable concert piano accompaniments. The stunning new arrangements of timeless classics such as My Luve is Like a Red, Red Rose, Auld Lang Syne and Ae Fond Kiss lend a fresh lease of life to the beloved folksongs and finally enable classical musicians or students to present them for concert and recital performances or Scottish themed events. Also included is the brand new musical setting of Burns’ iconic Address to a Haggis.
$7.99
Fauré: Élégie Op. 24 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Te
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultu...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531411. Published by jmsgu3 (A0.549730). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
"A Dome of Many-Coloured Glass" - for Tenor and Piano [Performance Score]
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Tenor voice, Piano
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INTERMEDIATE/ADVANCED
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Lior Navok
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"A Dome of Many-Coloured Glass
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Lior Navok Music
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SheetMusicPlus
Small Ensemble High Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.976030 Composed by Lior Navok. 20th Century,Contemporary,Opera,World. ...
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Small Ensemble High Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.976030 Composed by Lior Navok. 20th Century,Contemporary,Opera,World. Score and parts. 50 pages. Lior Navok Music #4719265. Published by Lior Navok Music (A0.976030). A DOME OF MANY-COLOURED GLASS - for Tenor and Piano (2000) DURATION: 20 minutes. POEMS BY: Amy Lowell POEMS INCLUDED: 1. The Painted Ceiling 2. The Traut 3. The Crescent Moon 4. Climbing 5. The Pleiades PROGRAM NOTES: The composer writes about his work: Amy Lowell's verses for children brought up many flashbacks from my childhood - a period of exploring, discovering and achieving little victories which we as adults take for granted. My approach, while composing the songs was to shift constantly between the way a child and an adult would view the given situation. The music tries to portray the psychological state of the poems' hero and sometimes uses an over-dramatic statement, just like a kid would experience the situation. Sometimes on the other hand, things are softened, as viewed through the glasses of an adult. A Dome of Many-Coloured Glass was commissioned by Joe Dan Harper and Anne Kissel Harper and was made possible by a grant from the St. Botolph Club Foundation. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 50 Ink: Black & White Paper Size: DIN A4 / Letter.
$20.00
Jesus Paid It All with There Is A Fountain (Arrangements Level 2-4 for TENOR SAX + Written Acc) Hymn
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Tenor Saxophone
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EASY
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Sacred music
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Grape-Mason
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Dr Jerry Nelson
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Written
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Jesus Paid It All with There I
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Jerry Nelson
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SheetMusicPlus
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.875195 Composed by Grape-Mason. Arranged by Dr Jerry Nelson. Christian,Easter,Sacred. Individua...
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Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.875195 Composed by Grape-Mason. Arranged by Dr Jerry Nelson. Christian,Easter,Sacred. Individual part. 6 pages. Jerry Nelson #3874425. Published by Jerry Nelson (A0.875195). The two songs in this medley combine perfectly for an Easter or Communion service. A very sensitive arrangement with key changes plus a huge dynamic peak near the end, settling back into a worshipful finish. Progress rapidly using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written PNO Accompaniment included, plus Chord Chart for live rhythm. Or perform with this worshipful Orchestral Accompaniment Track (#SO.432427). Visit www.JerryNelsonMusic.com for your FREE Mega-Medley Arrangement and optional TrackCongrats! You found the Gold Mine! Whether you play winds or strings or '88 keys' – you discovered awesome arrangements at multiple challenge levels. SEARCH Jerry Nelson (plus your instrument's name and, if you wish, include a Title or a Genre).The Tag Team audio demo employs a variety of alternating instruments playing at Challenge Level 4. (Time 4:23)
$4.99
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