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The Big Band Theory: Flute
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The Big Band Theory: Flute
SheetMusicPlus
Sheetmusic to print
4 sheet music found
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The Big Band Theory: Flute
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Flute (band part)
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Jazz
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Vince Gassi
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The Big Band Theory: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016811_F1 Flute. Composed by Vince Gassi. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music ...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016811_F1 Flute. Composed by Vince Gassi. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016811_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016811_F1). UPC: 038081500218.This fun swing chart, Big Band Theory, is played around 150 BPM with written solos for tenor 1 and trombone 1. Vince Gassi included easy brass ranges, an interlude, unison section solis, and optional parts to include vibes. It's all here! (3:15) This title is available in SmartMusic.
$3.00
The Big Bang Theory (Main Title): Flute
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Flute (band part)
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Instructional
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Ed Robertson
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Jason Scott
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The Big Bang Theory
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Ed Robertson. Arranged by Jason Scott. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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By Ed Robertson. Arranged by Jason Scott. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Chaos Theory
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Concert band
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INTERMEDIATE/ADVANCED
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Ernie E Biggs
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Chaos Theory
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Ernie E Biggs
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1264423 By Ernie E Biggs. By Ernie E Biggs. 21st Century,Contemporary,Contest,Festival,Instructional. S...
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Concert Band - Level 4 - Digital Download SKU: A0.1264423 By Ernie E Biggs. By Ernie E Biggs. 21st Century,Contemporary,Contest,Festival,Instructional. Score and Parts. 74 pages. Ernie E Biggs #857254. Published by Ernie E Biggs (A0.1264423). Have fun with this exciting new piece but becareful you don't get lost in the chaos.Complex rhythms through out! Grade 5 due to higher reange and complex rhythms. Arranged for the more advanced concet bands.Instrumentation:PiccoloFluteOboeBassoonClarinet 1, 2, 3Bass ClarinetContrabass Clarinet Alto SaxTenor SaxBaritone SaxHorn in F 1, 2Trumpet 1, 2, 3Trombone 1, 2, 3Bass TromboneEuphoniumTubaTimpaniVibraphoneChimes/Tublar BellsPercusson 1, 2
$65.00
Three Laments of Heloise for Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
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